TOWARDS A CINEMATIC OBJECT Mani Kaul Conta to all formally stemsed preindusial art fem, une iciptned fm products praviat int the commodity market odecng toca tortion, Cinema isthe most contemporary aethtle ncouner ‘with ealiy- However ite contrary facets of reasahand mage ley aradoxia suracstersvecapbi rests the modi fm easing for iself an oectve dpi Preise and Ciera “The diet springs rom th Toma sect of wiisinguabstat orgy spc sity ax mater fr il ara abstain Th {seme pvelrsaton of ims -und dent (prmetng ppv oniartion) nhs ay fas Cmca age To bein Wisin Srderto rach he giant cnet obit xa po o one toons compo of dine enly when he spy ofthe Jagan formation rene atrial nd ig tat aon fi ct cmt pnd nd pss penta dvb nematic moment cathe sonnet cresane by theme titsnoving oe hting cine, lesa word wich i ftinaly Inptin hwrater To umn onde of «Aims mga tvocatvensn if compared what crested upon or wine hee Sse, on of or arond sn sen. Sunt yan nan ers Desens i ata ces hay nee artis of pian, Sys n nana enatcred a & mob Ett conto at noni su me slot is varatons ny meaure, (A banen landcape ee bckpound fore epi fm ssl’ ortowed meat frm tae Now if the Sieenaticmovenen wer conidrd fom sm tempor, ed enigma bo rare that cou econ nd imped upon the elie ‘ord on he contrary, ised stated Hopi asain, The Specie initeance aches nan arse coment fay cera 1 lain ofthe eine nore Sal con manic Sch te rit Het i piano one Doni tae eames ae ee) The Corse of Cematie Specify Tn-cinema th sgnifeance abd its guise abstraction tend to occur Tovards@ Comal Obst sil simatancousy. For a caematié proces of asricting to deeop we arta arcaon ofthe convention of actbte method. In preinema TENIGIn Sputcance semper transformation into spi modes (he SScc'o pyar) whereas in inema, the measing doe ot ‘Srnto precede the'gesare (acvig) in sucha compete way. An sctinty “Eecrmind by its own thematic enction mx struggle to break the inet ‘EScour form and open out toa meaning puting pros. nase tins whore th pce rigs dives, may take place by the ino- ‘hat of alopetbr fret thematic funtion ypon he tne ‘Sonu uscon of fl seeking aa extended reatedoes (in Gods HReE™Eitoces romance, gangs, roms interchange plane) In Sor Sine where spc remains nied, it may tke pace ata more ‘SEsuGitvel when te thematic funeon self becomes the formative eee chaeteing pace. Het the tome is ciated int, becoming Pee ims of reson, Out and Jasco). The two, respectively, tent rane snd sacred ions. Stine Yrie an eloy Con i “TS pee only dane quaiaive sectine ser ete Ss a a cca eevement to bie hate re anon Inthe notion of uctine non sa upon Buin pact won any ene ley Tae oenip) ster in Seite rans el 2 (eee die commensal nthe aan he ae SOSSLINy rene and ot corel nto uly of eeption sy beg wun naive) bat andy tng SS Nose ii ati, Pe ey one ee ee yal, Tie gen of tnowege qa 2 riper cna ny when hy et ai Hie nereeelingo faung mecha impacts). The gon Chery rea twine pyal or memphis, mae ween ould seer teal secant! fon che os tceé ints wot tout imposible fo tna sow LeLRONTCS one dpe and fa here ned. OF rane, ems Tce Scne (x spcee van) euena saree pater No ran co rly be ated The Serger ie dps el of ut sol este eae oon to big snd opcenive imple end tees w0 see re gence cn nna hae rom he rae fa SPSS Mee orn of catomporar nent comers wom esl ESScSetr turner won to pels Ard. Sema sun anyobersecn meas development at Feman Shen yonateaty omen by osu iene.is ‘ron Cee ier Boraar Aint SpacetineVriee Cena ‘Aspect ane de: Tee movemct ene te olonng arin, Pinar spcosme art Newsacstne vant Sectoral pci vast ‘Wiha te real op: primary mens of primary mr indiual ‘coll (notations) cainion ad cole yoga ae ‘ual aoa bing un the sllsive real ema sei Th tempt io arma al view of the mae selon ‘ecal Gimeno of ng and vse, mat concede oases time inary vain and is conespodig rythm ic grasped oma ‘reciente aso ey Ra egg Stee) ppebonion aa mode nt Pay (ot ate en) Condon as ben dealt te For cumple aie hg a cone of dean te moda ofa ent epee a ee eae {ones Hera paramo force obpes genoa a ‘ons Suc guy, ods, atepenion he wil ow ata cea dente nose and thm: Daina hase eaten {erie to human anenion ar paaed he ons sae Get ‘ming Neh. Ths cinematic ryt coer {apes walty proce fom cheno ope {Shy comected cael chin) af movment to devionng oe lronology.crpresed In pe Gconesion, cosinor intron in imap wi soy comnecedeamtiteray {oansineuachromsopaljutmpoten nt ee sby one ech deg othe owing egal an eed thy hms debra The uy oft saps te te Ths sah sat belied specie ina fim nqune nto toate ‘eponac-Waling sprout? Wali Wading exons Watog Sram: 3 Dream sth Dram awa: 7 In Sey From the point few aCe ween pan ha Walle Sra is auth of pens suspended cctme Wr ae of tenon Set rpc comin shapgin etre. Wag aioe he of inesation feo decoy (or Peform) en atononon can ‘og: tine 1 ied pst ad fre he eae re nei Wotne rene eds tm section a ten a hs bit wile mating he ree peroming senna te on Wabing Dans “dwelt spucetine yt ecaed he ae senegal todeiopmet ah enlond Reeds aa ‘etd pce treatin om Oe and, ln tees ‘an Fh co ton of tine, no ey at ‘alt oscar na eel shore arsine wag ot ‘Drea Arete eb dappen sgtns he senton at Towards 2 Chematie Obfet bs atthe ends and Bsinnng oven holes tention pervades the ‘yt here. Inari sep sep the appearance fal the peceng avant hn. Tenvavat sfc, imu oar aad aot Woche. ‘A reltion of signal dtrmin, sgn @dapiatina) and bol (dehiona)andatine eialon ofa tong 2 hardin. Merry fen Both ound and nage ivarcly rea in ape cbaraceration (fetes be mode “Thetamporl conan, pst and iar inne, ae nt pst seshaltncs ted steton pens dren the pat sear teed when he pt thm compen of tore of seal ba the fature'aconjection of scoala bet (ath defions irom WR io) wither a sontsined and ojocon a cortaog ‘Suet pasetersintra ret praelation For the primary poston the projet eviews nes eh means tocaprre spcotine sarin though ings formation, ound 2% deng Movement nan imsge or asequnse of ays formed aieeay ena zoom en on erin point inthe cal lengih gear led Ss vain. The prot proposesexpeimens nthe retin. Along wih ‘fo gh rn he eae one he ‘er sening moves oye ater spect ng in image cosiion ‘he uome wand tc vat ad fou of eee led through covets of te angle employe. Diseton of oven. The tonal (ick grey) ad color quay conved smile Ange ‘Schas ling, man, cont nd tere canoly sete od and tote fomatve cneropeph, Upon rym! Orson ‘cron symm space mately th, nape) and Sane whch inthe po ncaed or all exams and Spee wage hat promotes sie primary ryts—are work oot fe rokc. Siar yrance cued in rep f sound component: mtr ets (by ish doi, words (echo hngung), mie 7% ‘ou, aynchronowquis)~progreson inpound fam isnt abe ‘phoneme Rtotrerg' md ‘ebwing pic (ghand ow), ol God nd sf Teg ort Snes en enema conan) td tung tt alenyaberned efor os mt eto of racing sting of te “Tetadton of omacting of «no acor and acing of the ator in ‘ic ei mgt onthe gay enema hr dene. Thattig cose! bases desea ar abandoning the seangestpcdng spe an tal embsing tenet eed spec In prod ucimevarance hasty and tered ‘tin pce shown njaoston of agent creating one 210 Indian Cinema Soper Beas mento one segment containing in one flow athe fragment From several {Sones treatment, Tiimay now be emphatically repeated that the primary spacetime vince doe 01 comtitte ts pre a componcas os linge ser thick construct the sigsfisant iematic object. On the cone ‘he variants acta osrument of meas, netting igaieant name ‘movement The objet exsist needs t be eral "or enema te project proposes a total saverson of the taiional secsthaie methods The seal bjt ect stated in vcety tod Siniant and comps Its moto be made sigicant any more. Rather It requires a break-up, an opening of incr reasonings Unbocng the Seniant objet rege tnt a thematic function be adopted 0 Tint the fg alae area is selected thereby. The movement erm omplx 0 ‘The vo other variant athe metnspacetine an the al- historia spacotine, forming for ou se the bic and the oisigieaons. The ‘bie ised rom the divided ime and therfore, conta ll posible paces Its a primary mover and fel wl but cannot wil ogint {he sofd mas which deslops ina determined couse of Hs Ow 0° serial detcrminton. On the ofer hand the solid mats ante wil. Without losing the material shape a thr, enema must provide il & ‘sforn foram enone Between the sod dhe ube, Orsng a ew Sense elation ad dstroying the nl sensuous of he exiting one ‘he abe, therefre docs bot ler ely del yt imeoincenc ith bevel * ‘an example for cinsmatie wi Infeadn voi formations twas squat to respond 10 oppeeson san nereal phenomenon, since the eter] esi erste war bese ‘sly fed, An Interac voenc tana the imagined and eed world ‘of mythos With the diappenance of the fea order vot raity “sxe solidly, upon th soil anscape. The couse of the inde ‘ual in society suddenly appeared hazardous. The elder suber myths mow ‘ype meanness withthe collapse ofa ovtnoded wold the slid Isis notable o wi nothing mos. Anew abstraction. ‘The diension othe soll at 8 fonction of aesthetic formation is contemporary as an internal ait i i eutmoded The aional spet- Strctare of babe (le) may conte to wil agai the changed 0d Iasi of exeraity, deste urn anguish and uferng. Encounter sone leads to interaction between the wo Iti seasourne (or tere) for 8 Nort knowledge and eitenceorvchanged scruourness fora changed soa knowledge and existence that ely prove the ink betwen the subie andthe voi (nowledge and exec) Sue paseo soy nd sold spocetie ae mthologied: Both for progres and epreion “Thosuble sacesime variant, une the fst petny sed inertial variants high seve and mainly interac. Re desl with he Ne ot ‘he secretatve continuum, Myth preset elf dream ke pene Towards « Cnet Object a secding nt & satis amor aches, It edule contains. ere conaetedns e hoogh mage, conta of ination, nk feo. ‘Thevovaldyams ist formed ren sn mot ose meaning tre locng ly sor 1 cane cll compel. rom one ‘nv fone witha hie inpomhetanspoion s cra inde Ibicconscedca ei. Mulpisy of onnected iagery moving ‘rovsniung spre intve poor sevction, Toe problem bere SSiupy pachelogeatantvoplgal sae of spe voce) 0 Spain aeons Tay create nied therfore dv) Pera et et ovely expen, The plae of memory and eae ae ‘museca no om idgnabe new whole without a9 peer Uhceaning of icir maa cerence,A ack of Bg cstemporr ‘hn opeiy saturates atom Memory are presse wb ‘im of th vat an sot ths her wa rythm eben the Tvs! mts tocetine- ov cprong, ling menor and {rough otation dst oond i te abs an the eats th fn are placed porallio the olecve wing in mptoy the Bt ‘tihe mya otal ad movin “Tuco scene vest at once cont, ss, Mtowicaly écminel sn therfore, orale he pon a conan a “rinurucat shaping sy aekeereacal poston, Tie dies ‘ER ino comoenes pant snd fue take existence, Pat confuse ton vain mained ah reve a he fre potential staple fo Teak no new dices A comples and hey spoceie raat 10 roma A schonatsech os dove by 1. Goldmann) dee the inal mat hiya the specie mpotnc of conic He, the ‘alominat steal fenton sf Cy ad the notion of oe Eleomeiuse’. The coma objet Secly come of thi Suse spicy mpeane of Ht ecareee {fast im mero eer th sl cet lyin pe Sree nthe Now. Onesoal pace may be Jemenstated o> ‘rou! er, sera moles fm Stent times embeded ini ‘Scloistory mae cei oer changing otal sacs cong muse the sal anagem Hone times > Tecaion ‘Spi Intscaton bine thw diferent vats Wook top rly sae inn st complex ters of nealing nem foray ral. Spseme in byt ato oaes a srt, without The wala en of surat lot nd characters Apart ‘Sorta tine ani covespondoncsi pase whch ogee poet 2 {rains tothe moon of sosty and Doig, contains paral ‘Shulejpycholost ys nel to Sll geet archetypal nll: pots ar pose "The ral pup of any pling ito provide she arti wih ‘conn expt to inl Short spore biince wot rag {sin a compcelyconcte way into eroh. To tb compre: 7i Indian Cinema Super Bazaar henney now i ot 1 reach partial steed deinivensis of any ‘hough iti mtbr to staal guns al one sided datentio® 10 ngage onsen diese of troele nd signees, ont new Ietbods of ugling =