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decisive about any specific blocking or staging, anxious that my intervention would destroy the
fresh, spontaneous life that seems to be happening so naturally without my contribution; I keep
quiet. I ask myself, perhaps, love is like an act of theatre? You let it grow in you as you repeat it
and you breathe life into it. You let it bloom. You introspect and reflect. You realize, act upon it
Perhaps, like ancient dramas and narratives, love stands through time? In Bradburys A
Story of Love and Joaquins May Day Eve, both protagonists elicit tales of love across time.
Bobs love for Ann Taylor remained after 10 years and Don Badoys love to Dona Agueda stood
still even after she died. Perhaps, like any classic drama, love is a book waiting to be opened and
inside the book is a spore: a sleeping question waiting for our attention.
As a director, my biggest contribution to a production, and the only real gift I can offer to
an actor, is my attention. What counts most is the quality of my attention. Attention is a tension.
Attention is a tension between an object and the observer or a tension between people. It is a
listening. Attention is a tension over time. Perhaps, love is also a tension over time a careful
observation of a beautiful creature, like Leons attention towards his wife in Arguillas tale.
Perhaps, theatre really is an act of love. If theatre were to be described it would be memory,