REED 2 {o Me mus os Music and Lyrics by Dolly Parton Book by Patricia Resnick Based on the 20th Century Fox Picture Originally produced on Broadway by Robert Greenblatt, April 2009 NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cus, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract, It remains the property of PLEASE RETURN ALL MATERIALS TO: MT! MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD aaa TRATRS SSRSLASIOML NEW HARTFORD, CT 06057 421 West Sdth Stoet New York, NY 10019 (212) 541-4684 © Copyright. All Rights Reserved,9TO5 Reed 2 (Flute, Clarinet, Bass Clarinet, Tenor Sax, Baritone Sax) Act One HO tos eee a, Into the Bullpen 2. Around Here 2a. Back to Work! ........ 3. Here For You... 3a. Here For You (Reprise) ... 3b. Into the Xerox Room ....... 4, [Just Might 4a. Punchin’ In... 5. Backwoods Barbie... 5a. Enright’s the Man... 6. Heart to Hart..... 6a. Violet's Pissed 6b. Maui Wowie 7. Dance of Death eevee 8. Cowgirl’s Revenge ..... 9. Potion Notion .......... 10. Joy to the Gitls.....mnnnnnnnnnnnnnnnnnninnnnniiisnintnnnnnnnnnte 35 10a. Oh My God! 36 10b. Out of the Bathroom .. on 36 1c. To the Hospital .....csssssnnnnnee 37 11. I Killed the Boss . 38 11a. The Search for the Coffee Cup .... 12. Shine Like The Sun9TO5 Reed 2 (Flute, Clarinet, Bass Clarinet, Tenor Sax, Baritone Sax) Act Two 13. Entr’acte 14, One of the Boy: 4a. One of the Boys Playoff... 15. 5 tO D sesssssssssnnnneneeeen 16. Change It ‘16a. Ain’t it Great? .. 16b. A Better Day 17. Let Love Grow 17a. Goodnight, Mr. Hart .... 17b. Stay Here, Dick 63 18. Get Out and Stay Out 65 18a. No She Didn't (Slacks)... 69 18b. Hail to the Tinsworthy 70 19, Finale ..... 7 20. Bows..... 74 21. Exit Music .. 7Reed 2 9to5 Baritone Sax (Tour)| 1 9TOS5 Music & Lyrics by Dolly Panon Orehestrarions by Bruce Coughlin [BARI SAX ‘Additional Orchestrations by ‘Alex Lacamoire & Stephen Oremus Moderate 80's 4 It ie § Gur, K2 SS Vamp "9 w 5" Istxonly (Goon) eo 5 . 19 2 nf at 2 nf 23-25 =F, (Rd. 1) "Workin!" © 26 mf 27-28 29 ap 4 30 ros" . 4 = Sf 31 mp 32 Sf 33 mp Vv v mp fp mf" fo — ¢ % [a7A9105 905 (Tour) 6 Reed 2 (Bari) eo 478-476 i "My two lives..." 55 "0105" 9105 A A eA Vamp 658 ea 65] "They let you dream" ~ 7 A o 72 73 mf=f 7 "949 5* 05695 /902/08-6-7Reed 2 (Bari) 3.9TOS 9105 (Tour) F (082) crese. poco a poco © 00 ot crese. poco a poco af a] Slightly relaxed "Dreams and plans...” 9 & 94.97, —» 97AQ7E (to 98) VS.Reed 2 (Bari) 4.9705 905 (Tour) 36 “I swear to you" "Workin 72] Atempo "9t05" 3 e 102-104 105 cresc. poco a poco 725 128 v7 SF ‘Subp crese. poco a poco aiip +05895/02/09-8-7 -4-Reed 2 9to5 Bari Sax (Tour) | 1A INTO THE BULLPENReed 2 9to5 Baritone Sax (Tour) | 2 AROUND HERE BARI SAX Bustling ‘Vamp (vocal last x) ey 29 (Piano) 6 BARI SAX 3 o long fe o vf Hose83/2/00.8-7 -6-Reed 2 (Bari) 2. AROUND HERE, 905 (Tour) 4] Dialogue) , 8 e 48-55 (057) 7 6 Vamp (out any bar) 2 57-60 P 2 10 64) 2 6467 (1072)Reed 2 (Bari) AROUND HERE 905 (Tour) 0 80-82 ra mpm eres Oo wp 98 Dp cresc 100 —=f © 105 xo 106 107 108 a > eo ta fp cresc. poco a poco > aa Tee A Sl ' S 105695 /800/08-6-TReed 2 9to5 Baritone Sax (Tour) | 2A BACK TO WORK! BARISAX Sp ores E] (Vocal) PeReed 2 9to5 Baritone Sax (Tour)| 3 Tenor Sax HERE FOR YOU Clarinet BARI SAX Smarmy Honky Tonk % 2 5 e 12 3 Vamp (vocal last x) 5 [BARI SAX hos = neue ee 2 P 25-24 25 x (to TENOR) 2 TENOR SAX e oe mf © 57 G-6360/802/00-8-7 -10-Reed 2 (Tenor) 2. HERE FOR YOU 905 es eo mp 2 63 64 ra v Vv Pp 6B f os Half-Time Honky Tonk/Gospel Feel , => = 2 mp 7 72.73Reed 2 (Tenor) 3. HERE FOR YOU 9t05 (Tour) A (w/Tpts.) (w/Tbns,) 5 96 a7 98 of 2 mp 103 104 1041088 (to 105 102 Safety = (to CLAR,) 108 eo 108-119 (CLARINET. Poco rit. 115 116 7 PP ona 66960800 /08.8-F -R-Reed 2 9to5 Baritone Sax : (Tour) | 3A HERE FOR YOU (Reprise) BARI SAX Moderato ar 2x BARI SAX (Vocal) oy 4p 5 6 (Half-time feel) mp cresc. poco a poco 3 = e fF ubp 20 2% 2 yp Colla Voce Rit. 28 2 P mp 2 of ——— 25] A tempo ¥Z Applause SegueReed 2 : 9t05 Tenor Sax (Tour) | 3B INTO THE XEROX ROOM [TENOR SAX Moderato =— mf 66305 802/00. -i4-Reed 2 9to5 Clarinet (Tour)| 4 Flute I JUST MIGHT (9/17/10 Insert 52B-52E) Gently rit. 2 Atempo (CLARINET 2 1" (to FLUTE) 6 = 16 = WS 4 oe 17-20 FLUTE ear 23 24 P doles” ing ~ (to CLARINET) 5 os mp 3838Reed 2 (CL) 2.JUSTMIGHT (9/17/10 Insert 52B-S2E) 9105 38) (under dialogue) CAI (Tour) 8 4 1 a 60 Crotale Solo Solo 70 7 — Padolce’ (Solo) (Solo) on 73 74 ‘Vamp (jump out any time) (Ist x only) oa 84-85 86 6960 /802/08-8-7 -16-Reed 2 (F1,) 3.1JUS T MIGHT. 9105 (Tour) 2 96 7 mp 38 3 305-107 109 a4 Mp crese maf erese One 7 6 17 p—"nf cee rall. dolce "Ljust.. a a A tempo rall. only if needed —— "might." dolceReed 2 9to5 Tenor Sax Te PUNCHIN' IN (Tour) | 4A [TENOR SAX Hurried and vigorous! Drs oF TENOR SAX Solo (Rock & Roll) e a7 ~18- 6-6305/802/00-8-7Reed 2 9to5 Bass Clarinet (Tour)| 5 BACKWOODS BARBIE BASS CLARINET. Sweetly, colla voce (dictated) 7 "Now I've! e 1 z P_ quasi Harmonium (throughout) . 3 5 — 8 16 Country Vamp (vocal last x) 2 2 C5 = , ov 767 3 5 on © 19.27 "Barbie" 7 K2: Fiddle & 28-34 35 36 37 "just a backwoods Barbie” eo ar4s "Don't let these false eyelashes" 7 Gu. = e 455) 82 53 (time)Reed 2 (Bs. Clar.) 2. BACKWOODS BARBIE 905 (Tour) 8 a "just a backwoods Barbie" e Beet "Lean see" a 2 pp poco rit, 75-76 7a] Sweetly, colla voce (dictated) oe 63-84 35 rall. K2: Fiddle 6960 /802/09-5.7 -20-Reed 2 Tenor Sax ENRIGHT'S THE MAN 9to5 (Tour) SAReed 2 9to5 Clarinet (Tour) 6 Baritone Sax HEART TO HART (CLARINET. = Sweetly P 7 Colla voce . Molto ral. Rit. NA D8 (to BARI) BARI © 13F 136 ae 15 Sf 16 Slow and Bluesy © 1618 6-6305 802/008 oes> . 9105 Reed 2 (Bari) 2. HEART TO HART aay 22 Sweetly eo Ee) 3 5 SegueReed 2 9to5 Bari Sax (Tour) | 6A VIOLET'S PISSED BARI Ala "9to5" Aggressive, angry ~\ growly Reed 2 9to5 |B Tenor Si (Tour) | 6B “ MAUI WOWIE Moderato Cheech and Chong (TENOR SAX] RO om wailing 7 he ee ye Pilg Se ee oT = — Gist = e = 6-4305/802/05.8-T =24-Reed 2 9to5 Baritone Sax (Tour) Clarinet DANCE OF DEATH (rev. 9/13/10) [BARI SAX (Swing) “map” “hotter” a oa 8 ff € Easy blues (Swing 8ths) 4 eineReed 2 (Bari) 2. DANCE OF DEATH (rev. 9/13/10) 905 Straight 8th's (Tour) [BARTSAX] Fong “dressed "Liter. Sultry Swing = ~ 3 (08) St 7 Of mf 3 =" ff 6 (Vocal) 74] EF Me Sf 13) (to CLAR.) vib! ote 19 20 2 rt a Sa [LAR] Rit. Poco rit. (dictated) eo 23 24 25 26 (10 52) P = Frantic Minuet (straight 8ths) mp (to BARD) A 56-59) (to 62) i 1105893 802 /09-8-T -26-Reed 2 (Bari) 3. DANCE OF DEATH (rev. 9/13/10) 905 Swing 8ths (Tour) [BARI SAX. 2 o = f Gl Straight 8th's . P &p cs er A A Molto rit. m_ ong 69 7p ve 7] Sultry Swing = 3 f 3 —" & 5 "Time for you to die.” aN Slower eS (1092) Straight 8th's A eo A March tame AR , f E oe f —— " Rit. (CLAR.] Soli Se © 96 aa 7 pReed 2 (Bari) 4. DANCE OF DEATH (rev. 9/13/10) 9t05 (Tour) VS. >>> 405895 /502/08.-7 —28-Reed 2 9to5 Clarinet (Tour)| 8 COWGIRL'S REVENGE CLARINET Moderato __ rit. = Very free, quasi spoken Pp = ae ae 2 5 Freely aceel. © a2 me area er 3 35 E mp ares Sf % A tempo (dialogue) ee > “a9 S 50 © Vamp (out any beat) haReed 2 (Cl) 905 (Tour) e182. 63 f (0 654) 5A A 656-65H ees 65 65K eat © cmt 65N 650) 2 fe oF {to97] 106 107 108 on Ff 118 115 116 47 1a (ta 192 p—— C6860 /802,/08.8-T -30-Reed 2 (Cl) 3. COWGIRL'S REVENGE oe (Tour) ~ © i22c tf 1220 122 mf 122F 7226 © 1220 122P 1220 yp 1228 (oma) mp as 146 “inp ———— eC fh ner aReed 2 9to5 Clarinet (Tour)| 9 Flute POTION NOTION (CLARINET Moderato Pr i oe eee es - 2 mp 4 Soap 8 —— A. ve P mf = oe, _o FLUTE) (to CLAR.) e 22 23 24 225 mf . fF (G-6960 /802/09-B-T -32-Reed 2 (Cl) 2. POTION NOTION 9105 (Tour) SoloReed 2 (Cl) 3. POTION NOTION 9105 Poco rit. A (Tour) sf Poco rubato ~~ Allegro G-6960 802 /08-8-7 -34-Reed 2 9to5 Clarinet (Tour) | 10 JOY TO THE GIRLS CLARINET Allegro a fz crese. e Molto all, ——————~ Jp oe. —$— Majestic 2 tf 6 7 Jubilant ‘se © Sp crese, 8 tf fp crese. " —= W v v 7 oe f 13 14 15 4 __ marcato e 1617 18 8 =] Rall. Slower e 21 2228Reed 2 9to5 Clarinet (Tour) | 1OA ‘Tenor Sax OH MY GOD! (CLARINET. On Cue Dictated Moderate s a Moderate RR ; (GP) K2 Cue only —__ on AY fr (to TENOR) & V Dial Panicky (Fast 4) o 1418 9 20 Reed 2 9to5 ase (Foun | 108 ° OUT OF BATHROOM [BARI SAX. Frantic wl vi WW w W fo = (to CLAR.) 4 Ala Heart to Hart (Swing 16ths) EI (CLARINET. Rit. = G-07318 802 /10-T —36-Reed 2 9to5 Tenor Sax (Tour) | LOC TO THE HOSPITAL Ala"9To 5" _ 4 a woReed 2 9to5 ae (our)} 11 I KILLED THE BOSS (CEARINET] Dialogue Allegro $0 Vamp On cue o) 1244 na 19-22 2 Solo mf ps Vamp (stx only) es G-o7sisys02/ 10-1 -38-Reed 2 (CL) 2. KILLED THE BOSS 9105 EJ Solo Solo e 59-64 Solo ves Lt °7 <¢ Vamp (st x only) - p . 8 sub f e 76-82Reed 2 (Cl.) 3. KILLED THE BOSS 9t05 (Tour) Solo Vamp = (istx only) b, e 37-36 30 P (10) (to BS.CLAR.) ae te) (GP) 4 de) oN Rall 60’ Quick Cut-off Anytime _ 102 yp eg 108 (to 106) Tempo I Slower BASS CLARINET (FL. solo) oo Attacca Gorais/s02/ 10-7 -40-Reed 2 9to5 Bass Clarinet (Tour) | LLA THE SEARCH FOR THE COFFEE CUP BASS CLARINET L'istesso tempo +E P crese — ff = 3] Slower, spooky Solo - Play out!Reed 2 2. THE SEARCH FOR THE COFFEE CUP. 905 (Tour) VS. >>> 058/802 /08-8-7 ~42—Reed 2 9to5 Clarinet (Tour) | 12 Bari Sax SHINE LIKE THE SUN [CLARINET [7] Quickly, colla voce 8 "Wer Moderato, in tempo Rit. think...” Atempo mt e 15 16 168 on ‘Thunder Road-esque 4x 7 2 £ == J 1718 = (CLARINET ‘ "Under this hair" 3 ——— ’ 19-21 2 PReed 2 (Cla) 2. SHINE LIKE THE SUN 9t05 (Tour) es) aS © : 35-37 = af °? te e 2 t 40-41 nf (Brass) [BART] GS (to BART) oa 4 7550 a 53 4 A A oF se 55 56 mf marc. A A — > «| et 62 63 [CLARINET] Play if possible (to CLAR.) 6 mare, mf cant —~ : > —~ = hp 7 75 76Reed 2 (Clar.) 3. SHINE LIKE THE SUN ee aa our) es > ea 82 8 sim. ° f———" eo 89-91 92 oe 93 34-95 96 97Reed 2 (Clar.) 4. SHIN E LIKE THE SUN 905 e 98-99 100 _ { (chime-like) crese. poco a poco Opt. 8va =I e 19 sub. p crese. 124 © gf ® 126 crese. poco a poco (to BARD 3 [BART e 130-182 13 7 fp Dictated son lev) os 136 737 fe fy 3 G.orsis/s02/ 10-7 -46-Reed 2 9to5 Tenor Sax (Tour) | 13 Clarinet E TR'ACTE [TENOR SAX "3.4" Moderate 80's in 4 ~ = short fall ; _ ~ A A As A (to CLARINET) ———— * (toe) Poco rit. [CLARINET mo C 6268 9 ORS PReed 2 2. ENTR'ACTE, 9105 (Tour) VS. >>> 10589 502 /09-8-7 -48—Reed 2 Bass Clarinet Clarinet Tenor Sax Cool 4 ONE OF THE BOYS BASS CLARINET 2 9to5 (Tour) 14Reed 2 (Bs. Cl.) 2. ONE OF THE BOYS 905 (Tour) 3 3 1719 20 ~ ke te (toCLAR) "never come" f ae P — f 24] Hollywood 4 (even 8ths) 2 3 Medium Swing (faster) 110589 802 /09-7Reed 2 (Clar.) 3. ONE OF THE BOYS. 9105 (Tour) 50 (to TENOR SAX) gy Cheesy Latin e487 (TENOR SAX “Violet!” me 73 74 3.78 Long scoo; re] Billy Me” Jong scoop —. mf a © 60 at 82-83Reed 2 (Tenor) 4, ONE OF THE BOYS 9t05 (Tour) a4 a ps (to CLARINET) ve Ff oe 0 oF a2 oo a 3 [CLARINET Le e 92.94 sf “Violet's one of the boys" 716) (to TENOR SAX) o 9 wf 105695 /800/ 08 —52-Reed 2 (Tenor) 5. ONE OF THE BOYS 905 (Tour) (+Alto, Brass) [TENOR SAX © 120 121 122 123 mf © 28 af 18 ¢ 3 a Sock'em fast vay] Swing shake Rall. "Tilak ~ = a P =— nf mp 12] Freely "This" "ist e 133 134 195 VS.905 Reed 2 (Tenor) 6. ONE OF THE BOYS (Tour) Hot Swing again (in 2) Tras] © 136 137 = 3 - 139 3 — ———— + © 140 141 3 142 143 oa 148; "48 build gradually ‘47 © ae 149 150 181 fz HOS#93 /802/09-T -54-Reed 2 Tenor Sax Hot and Swingin’ (Big Band Drums - solo) ONE OF THE BOYS PLAYOFF 9to5 (Tour) 14A (00 15)Reed 2 9to5 15 Clarinet Tour) Bass Clarinet 5TO9 ‘ CLARINET. Gentle, soft pop-ballad Rit. P 5 i a A tempo (to BASS CLAR.) 6 BASS CLAR, eo "0 Applause Segue (6305 /802/08-8-T -56-Reed 2 9to5 Baritone Sax (Tour) | 16 Tenor Sax CHANGE IT Ala"9to5" BARI SAX A ff " - “Sp Sf Bright Optimistic 4 A (016) 16 (to CLAR) Vamp 20 at ~ ae (10°25, a wocal) (CLARINET, 3 ALA ’ 2507 28 pReed 2 (Cl) 2. CHANGE IT 9to5 (Tour) 2 Solo (to TENOR) a mp TENOR S. 4 ENORSAX] ==————_ cy A 6 47, A7A-A7E ar (to CLAR.) eae a7H a (048) 3 CLARINET] _———~ 57-59 60 mf (to TENOR) Or 62 8 64 6] [TENOR SAX our ee pf — -07318/802/10-T -58-Reed 2 (Tenor) 3. CHANGE IT 9t05 (Tour) er fy 71 a 7 75| —~ aay © sub.mp 6 2 t 2 2A 228 mf 920 2 ee e 101-102 103 mf 2Reed 2 (Tenor) 4. CHANGE IT 905 (Tour) 2 a aa 108-105 eS F am ZB. SAA a 108 = 108 10 Applause Segue Reed 2 9to5 Tenor Sax (Tour) | 16A > [TENOR SAX Bright >aA A 5. te NN G-orsis/802/10-7 -60-Reed 2 Bari Sax ALa "Change It" BART SAX] _ (Dr. fill, Pho. gliss.) A BETTER DAY 9to5 (Tour) | 16B z oe 5 a : 4 e 60 "Reed 2 oe Flute (Tour) | 17 Bass Clarinet LET LOVE GROW FLUTE Freely (To BS. CLAR.) PP i 2 [BASS CLARINET. , 2 & _ eae e aaaB cs + Foo (05) 38 Atempo "Let love grow...” If needed eo 10 1t 12 PP (to CLARINET) 73] A © 13416 [CLARINET Tf needed = ___________ (Vocal +Drs.) NE e 17-23) 24 erese 25 —_ ~~ 3) (Ufneeded) —__, PLAY ; ' 6 (CLARINET) —— niente ad Sp e 342 428 = = (043) P Slower Atempo _Dictated Oa 25 = os = Px pause segue Move42/802/09-6-T -62-Reed 2 9to5 Clarinet GOOD NIGHT, MR.HART Tour) |17A [CLARINET Allegro enna a 5 Soli 2 nf ; = Soli lead nr Pp 7 vr oa Reed 2 ot05 Clarinet (Tour) | 17B STAY HERE DICK | [CLARINET (Rev. 9/17/10) Allegro mf a Vamp (Hold thru)Reed 2 2. GOOD NIGHT, MR. HART. ItoS (Tour) VS. >>> 153 /802/00-8-7Reed 2 9to5 Bass Clarinet (Tour) | 18 Clarinet GET OUT AND STAY OUT (BS. CLAR. Reflective, colla voce SI a mf - = —___ A 4 8 ——— %] With motion © oT 120 B= “= Be be 7 18 mp = = o_o — 79] ren ' Driving Rock, hushed - in 2 4 © 19:22) © q ae 25-0 |Reed 2 (Bs. Clar.) 2. GET OUT AND STAY OUT 9105 (Tour) crese 39 With intensity powooeFeO EE & yi nf — 2 o 7074 6305 /802/0-8-7Reed 2 (Clar.) 3. GET OUT AND STAY OUT 905 (Tour) 75 rn 8 ——$<— DI 7582 © 33-85 86 mf 7 Half-time feel oa oO 85 89 90 Fe P Sp crese. ej a == (Qo CLAR.) c= 2s 3 & ae sz 2p Dreams and plans = aren the. oma king, 35 _~) < (GARINET) aos e 96 7 p 98 e 99-100 101 102 108-104, 1048 VS.Reed 2 (Clar.) 4. GET OUT AND STAY OUT 9105 (Tour) eS ‘uf’ ——= — (to 108) ens ry 116 16 Half-time feel iat 122 123 124 Molto rall. (to TENOR) > e125 126 197 128 12a =~ Applause segue 66505 /802/008-7 — 68—Reed 2 9to5 Tenor Sax (Tour) | 18A Clarinet NO SHE DIDN'T (SLACKS) TENOR Moderato ¢ = 112 Solo (R&R) ~ A (to CLAR [CLARINET 3 SoloReed 2 9to5 Tenor Sax (Tour) | 18B HAIL TO THE TINSWORTHY [TENOR SAX. March (Drs, Pere.) 4 mf military 8 a 2 2 a > bet eo f 10 eT) Dialogue A 3 e DS 14-16 6305 602/00-8-7 -70-Reed 2 Clarinet Tenor Sax Bari Sax 9to5 (Tour) | 19 FINALE Moderato [CLARINET B= = (8vb) f a A little faster 3 oy oe ty (om Faster, stillReed 2 (Cl) 2. FINALE 9105 EJ (Tour) (to TENOR) 4 2 3 3255 ye [TENOR SAX (Shaker out) os6 +3 inf 39 (056) Oar ¥ % * —— of "fom fF Vamp ‘marcato s A eee oF 70 marcato 7 (To BARI) 4 & 7078, 7A (078) Vamp BARI SAX 75 f “ros34/e02/10 -72-Reed 2 (Bari) 76 3. FINALE pis Vamp (out any time) GP.Reed 2 9to5 Tenor Sax (Tour) | 20 Clarinet Bari Sax BOWS (9/12/10 Ins TENOR SAX Allegro, a la “Around Here” oF f 2 2a 2B ee 20 3 4 ey 18 19 20 “panas4/9a2/10-7 -74-Reed 2 (Ten.) 2. BOWS 9105 (Tour) f ba the Faster p—mf=— mf (To CLAR) e + = ° f ° mp <7 t 3 Majestic Rock (1/2 Time Feel) [CLARINET 33] = (chime-like) . mf a 3 7 s Opt. 8va— a = — (to BARI) 2 os 7 — 58-59 —_— P mf Slower, a la “9 to 5” [BARI RoReed 2 (Bari) 3, BOWS. 9105 a Tour 63-69 70 Vamp 1-03434/802/10-T -76-Reed 2 Tenor Sax EXIT VS. >>> 9to5 (Tour) 21Reed 2 9to5 Tenor Sax (Tour) | 21 EXIT [TENOR Moderato, a la “9 to 5” Solo “fp =, G-6305/900/08.8-1 ~78-Reed 2 (Tenor) 3. EXIT 9105 Solo NA =~ Pe Ds (Tour) @a2 a — _ "fF a