Reed 2 quell Ly %, lite Al b . > ‘# Book by New Music by New Lyrics by Richard Morris and Dick Scanlan —_ Jeanine Tesori Dick Scanian Original Story and Screenplay by Richard Mortis for the Universal Pictures Film Originally Produced for Broadway by Michael Leavitt Fox Theatricals Hal Laftig, Stewart F Lane James L. Nederlander Independent Presenters Network 'L. Mages/M. Glick Berinstein/Manocherian/Dra John York Noble and Whoopi GoldbergReed 2 Act 1 Overture 2-Not For The Life OF Me, 3Thoroughly Modern Millie 3a-Millie Gets Mugged 4-Not For The Life OF Me. — 4e-Little Orphan Ethel 7 5-How The Other Half Lives vs "7 Sa-How The Other Half Lives Tag nnn vo 20 Sd-Into The laundry son a 6-Not For the Life Of Me Reprise #1 sen DL ‘The Office Crossover 23 ‘Ta-Front And Center. ‘8 The Speed Test. 8a-Speed Test Playof. ‘8b-How Sweet. 8e-California Apple ean 84-California Apple #2 nnn : 9They Don't Know. vo 38 9e-They don’t Know Playoft.. 10-The Nuttyeracker Suite 10a-Tell It To The Judge 11-What do I Need With Love. Ha-Morning Music 1 b-Love At Fitst Sight He-Laughin, 12-Only In New York (G) 12a-Muzzy’s Party Part | 12b-Muzzy's Party Part 2 13 timmy.Act 2 1a-Bntracte ve o Ma-Back At Work on 15-Forget About The Boy se sons 69 15a Forget About The Boy Tag. 3 16-Ah Sweet Mystery/Falling In Love, sn 7B 168-On The Fat Side... 17-1 Tumed The Corer. 18-Falling In Love Reprise. 18a-Love And Peri 19-Muguin 192-Muguin Tag. 20-Long As I'm Here With You 30 Long As I'm Here With You Playof. 93 21-Gimme Gimme. 2a Gitnme Gimme Tag 21b-Something’s Very Wrong, 22The Chase enn ‘22a-Green Tea : wor 22b-Double Meers (Parts 1-3) . 102 22e-Zazu Rosy Shmevinen.. ~ 103 vw 104 23-The Speed Test Reprise. 24-A, Sweet Mystery Reprise 105, 25-Finale, 0s 107 secon HO aRexp 2 Fluce Clsrinee ‘Alo Saxophone Soprano SaxophoneReed 2 Thoroughly Modern Millie Garnet OVERTURE 49100) Orch. by Doug Besterman VS. >>>Reed 2 2 Thoroughly Modern Millie aittine OVERTURE Orch by Doug Besterman Macstoso-in4 Ratl:molto Fl Avempe acc arenRu. 2(C1), S OVERTURE (4/002) ‘Thoroughly Modem Millie 4 3 { o Moderate 2 as POA) 2 Rit, 2Rd. 2( Alta) 4. OVERTURE (4902) Thoroughly Modem Mili Briskly, in 2Ra. 2A) 5, OVERTURE (49102), Thoroughly Modem Mili (For Ralph Burns)Reed 2 Thoroughly Modern Millie Clarinet NOT FOR THE LIFE OF ME (083.71 et ‘ , Orch. by Doug Besterman Freely but moving forward In4 Sioa oF a Wide Swing Ho Dixieland a Fit emi—2a2 (Clan) 2.NOT FOR THELIFE OF ME (1103 m71 cut) Thoroughly Modern Milie“Tour a Pit mosso 8 (meu) f —— mp oe (om) te —s putts sips. ASS (ALTO) Segue as one _—Reed 2 Thoroughly Modern Millie Alto Sax Clarinet THOROUGHLY MODERN MILLIE canon Orch, by Doug Besterman SSS pee Sa = on mp3 = f=Rac) 2. THOROUGHLY MODERN MILLIE (4102), Thoroughly Modern Mili —= = A a CD ee cs mp ag 4 Ga = o a = (Toto) mp 10RL 2CL) 3. THOROUGHLY MODERN MILLIE (4/102) ‘Thoroughly Moder Mite det —— fy hens we f= “6 eae —— wf 48 8 7Ra. 2A) 4. THOROUGHLY MODERN MILLIE 4/1472) ‘Thoroughly Modem Millie Se Almost segueReed 2 Thoroughly Modern Millie [~~ } Chine MILLIE GETS MUGGED | Orch. by Doug Besterman =eReed 2 ‘Thoroughly Modern Millie Scrswsex NOT FOR THE LIFE OF ME - TAG 4 aaa) Orch. by Doug Besterman In4 a 5 oe obit aN Be = SSS SS of me © mp Binesy “ptt a” accel poco a poco A . —————— Pe Zor 3-sotnone"ve) 3 seep eee a ie tk gene aSRe 21Cly 2, NOT FOR THE LIFE OF ME-TAG (4/Ri02) Thoroughly Modern Millie tte, eines a, fie onpittte ee 5 f for tre Sa PARTI] (Faster) ; an _ ibe 5 . eS rs < = 3 3 oo —s sa Patan ttt tape JI wana = af 8Reed 2 Thoroughly Modern Mi or LITTLE ORPHAN ETHEL 4A Orch, by Doug Besterman (GARNET) 16Thoroughly Modern Millie a HOW THE OTHER HALF LIVES 5 ere ee Operetta Poco rall. Atempo, er . ff —— wf? 2 7 Pit mosso Rall. =, =P ‘eee Rie a or. ? = TempoT poco ral, A tempo vip pe a a % * 7 =e mp Moderate soft shoe - light and charming Bas : o aRa. 2 (Cla) 2 HOW THE OTHER HALP LIVES “Thoroughly Moder Millie fea witb) isRu. 2 (Clr) 3. HOW THE OTHER HALF LIVES. ‘Thoroughly Moder Millie 4 (under diatogue) Brass) CraBxct peReed 2 Thoroughly Modern SSA Cer! HOW THE OTHER HALF LIVES (TAG) [>A Orch, by Doug Besterman Solo AttaceaReed 2 Thoroughly Modern Milli Clarinet INTO THE LAUNDRY B Orch. by Doug BesiermanReed 2 ‘Thoroughly Modern Millie CS. NOT FOR THE LIFE OF ME - REPRISE #1 | © (3802) Orch. by Doug Besterman (CARNET Freely (ses) in (9 3 Slowly into tempo “ sme 3 ict z ee He Eg, Tonwe 3 > & aa == = a x SegueReed 2. Thoroughly Modern Millie Aoi ‘THE OFFICE CROSSOVER 7 tan302} pee a Quasi freelyta. 21At 2.THEOFFICE CROSSOVER VI102K3I3N2)_Thrwugly Maer ii EI Poco meno i sone aeReed 2 Thoroughly Modern Millie ae FRONT AND CENTER Al Orch, by Doug Besterman CCUE:"Move it OSX) hey KES a — pty SSS oF f raReed 2 Thoroughly Modern Cues THE SPEED TEST 8 Orch. by Doug Besterman ‘Moderato(in 4) pe le oT (in), ee J Satety (CLARINET! Rit. 2i4 id Subito fasterRa. (Clr) 2. THE SPEED TEST 28Rd. 2 (Clr) A.THESPEED TEST ‘Thoroughly Modem iti Poco rit. A tem Poco ri 2 sit, Atempo Atemy ten ten, —_ Afompor Poco Dance J.J np = > Tempo Spree eovauaracomum mF 706 “7 8 ‘Tempo It 2 [S| Tempor Accel ‘Tempo (brisk 4)Ra. 2 (Cla) 4. THE SPEED TEST Thoroughly Modem Mile apt —— Sem = Bel eee,Rud. 2 (Car) S.THE SPEED TEST “Thoraughly Modem Millie New Tempo (faster) oe eae ett ‘Subito presto (in 2) aRa 2(Ctar) 6.THE SPEED TEST “Thoroughly Moder Mili ‘heep ClarinetReed 2 Thoroughly Modern Millie Cans SPEED TEST (PLAYOFF) Fs tig S f Sere egies Stow (Meers) 4 Novi. yy aReed 1,2,3,4 ‘Thoroughly Modern Millie Horn 8B ‘Trumpets 1, 2,3 HOW SWEET Trombones 1, 2 Violin Cello Guitar ass Bass TACET Percussion Orch, by Doug Besterman PE ate 32a aReed 1,234 Thoroughly Modern Millie Horn Trumpets 1,2,3 CALIFORNIA APPLE #1 Trombones 1, 2 Violin Cello Guitar TACET Bass Drums * welcome to the Priscila." Harp Celta, Vibes a4 on ase 8CReed 1, 2, 3,4 Thoroughly Modern Millie} Horn ‘Trumpet 1, 2,3 CALIFORNIA APPLE #2 ‘Trombone 1, 2 ‘Violins Cello oe TACET ‘Now where we're we? Ah, yo 6 os)Reed 2 Thoroughly Modern Millie Clarins THEY DON’T KNOW uae Orch. by Doug Besterman VS. >>>Reed 2 2 Thoroughly Modern Millie Chines THEY DON’T KNOW an) Ore. by Dong Besterman (CLARINET) pact ERY crn ARe. 24CL) S-THEY DONT KNOW (3727102141802) Thoroughly Modsen Mile &Reed 2 Thoroughly Modern Millie | Cees THEY DON’T KNOW PLAYOFF 9A (ECARINET) Hts 2 Subito slower a 40Thoroughly Modern Millie Clarinet Alto Sax NUTTYCRACKER SUITE 10 (272802) Orch. by Doug Besterman fH] na Bre mit wxergJ).J} py GED) Lead Mf tighs ai2. NUTTYCRACKER SUITE (32802) Thoroughly Modern Millie ae ue = (SUGAR PLUM) ° Light and jazzy, not too wide a swing PA Tee at 3 aiRu 2c) 3, NUTTYCRACKER SUITE (328/02) ‘Thoroughly Maden Mic [PART] In 4 - stomp (triplet feet) a p (rip bra (ToAto is)U2 ( Alo) 4, NUTTYCRACKER SUITE (328/02), “Thormughly Modera Millie ss ar e — 18 ‘mp wider Ton mo oe ci In2- Dixieland a (fo Cerner) Crese. poco a poco Sa SSS 2 “wo mp > 7 vanRd.2¢c) S.NUTTYCRACKER SUITE (328102) ‘Thoroughly Moder Millie Andante macstoso By oee 2 see see af 6 on ie a Crese. poco a pocoReed 2 Thoroughly Modern Millie Clarinet TELL IT TO THE JUDGE 10A! Orch, by Doug Besterman wan 4 4 SS — = = | ‘Segue as one to. ~ "What Do I Need With Love”Reed 2 ‘Thoroughly Modern Millie Ea se WHAT DO I NEED WITH LOVE u ab Orch. by Doug Besterman Freely, conversational Ral, 3 Sis wn "Wait a minure!" “Just a mrinute!” f) tempor swingy, in 2 neRa 2¢Ch 2. WHAT DOI NEED WITH LOVE (22802) Thoroughly Modern Mile Lead ——— ~ Sol 5 aan: os hee tw aww) 2 —= 7" Ff Double X feel - Str 8th's mp ap @Ru. 2(Alto) 3. WHAT DOI NEED WITH LOVE (328/02) Thoroughly Moder Mile 2 Freely alo Via) ipReed 2 Flute Thoroughly Modern Millie} 50 11A)Reed 2 Thoroughly Modern Millie| Clarinet LOVE AT FIRST SIGHT B Orch. by Doug Besterman oeReed 2 Thoroughly Modern Millie Clarinet LAUGH-IN (GlaRINET)Reed 2 ‘Thoroughly Modern Millie| Clarinet Alto Sax ONLY IN NEW YORK Orch, by Doug Besterman (CLARINET 7 mp Freely but with motion 8 ely BI 5 oS a A tempo, sultry J] J.) A eo iat mp wom vbr (wAtTOyReed 2 (Alto) 2. ONLY IN NEW YORK “Thomughly Modem Millie 2 (ALTO) es s 5 oS 3 7‘Thoroughly Modern Millie Alto Sax Clarinet MUZZY’S PARTY 12A (Part 1) “My, bow Ihave missed my adorable ens" a 2 @ werarinen, 7 = (ost) seRd. 2 (Cla) 2. MUZZY'S PARTY (Pat 1) “Thomughly Modern Millie Repeat until:"suzzy athe Vaican® a pe y TOT See 7 Tat Fi . “Te teh? "Tosh house’ & BC 8Ra. 2 (Car) 3. MUZZY"S PARTY (Part) ‘Thoroughly Modem Mili Slightly slower than half-time (Bluesy) 3 1 we Accel poco a poco = > poco a poe 2 vs.Ra. 2(Clur) 4. MUZZY'S PARTY (Part) ‘Thoroughly Modern Millie ‘Tempo ‘Segue as oneReed 2 ‘Thoroughly Modern Millie Clarinet 1 2B Alto Sax MUZZY'S PARTY | (Part 2) Orch. by Doug Besterman ' Le z 2 =I 5 z plat let oe teint mys (A eee det«cy 2. MUZZY"S PARTY - Par? “Thoroughly Modern Millie Ra, a (Toto)Reed 2 ‘Thoroughly Modern Millie eae 13 cao Any Orch. by Doug Besterman (Based on Ralph Burns) Bright 2 B)eocar ts)2(Chr) 2IMMY ‘Thoroughly Modern Mile “Simm ob Sin. a ————— “mp © rr a = (Ra 3: Cla) np @ ry & Meno mossoRd. 2 (Char) 3uIMMY “Thoroughly Moder Millie 2) Broadly —— a contro, a ae Rit. 2 a Acro Maestoso ; aReed 2 Thoroughly Modern Millie[— | Clarinet | ‘ito Sax ENTR'ACTE 14 Orch. by Doug Besterman 4 4 4d Gee = —— = WoALTOSAN) 2 (acrosax] [&)_ Kinda corny (ots of vibrato) but sweet SSSRa 2 (Alto Sax) 2. ENTRIACTE (4/32) Thoroughly Meer Mili — 078) ” Dp woh 1 " ‘Segue as one,Thoroughly Modern Millie ° BACK AT WORK 14A\ Orch. by Doug Besterman (CARNE) TTACET Tact) - [ANE] 68Reed 2 Thoroughly Modern Millie Cur Sain FORGET ABOUT THE BOY 15 en Orch. by Doug Besterman (Based on Ralph Burns) With Great Conviction 05} Cu. soh 8Ra 2(Clar) 2. FORGET ABOUT THE BOY ‘Thoroughly Modern Mite 30's Sunny ("We're In The Money") ~ (ALTO SAX) 6 El, Freely 6 Hom 2 5 Tp, aR [ALTOSAX] (Soprano ead) Stop Time ™ P 78 7. Acappella Building Vibrato af = co = e 70Ru. 2¢At Sax) 3 FORGET ABOUT THE BOY ‘Thoroughly Modera Mili z «= 7 ‘Strong Back Beat (Pay-off) 2 A ARO neRa. 2(A Sax} 4-FORGETABOUTTHE BOY (4/11/02) Thoroughly Modern Mille [=] Triumphant LightlyReed 2 Thoroughly Modern Millie ates FORGET ABOUT THE BOY - TAG ISA) cari, Orch. by Doug BestermanReed 2 Thoroughly Modern Millie Fu AH, SWEET MYSTERY/ 16 FALLING IN LOVE Orch. by Doug Besterman Song based on Ralph Burns CLARINET] [5] Grand & Romantic z aS 5 ao In One f = af va Wo FLUTE) “For Tm." 4 - aA G2 SS = = ds to 7 t and2) {LAH SWEET MYSTERVALLINGIN LOVE _Tharugly Mode Mii EE Atempo(eubato tee) ¢ OTE a “~~ —* = Opt, Tet to CLARINET] mp Poco rit. Accel. ———— werary # = 6 7 Atempo (CLARINET) Poco rit. 5 Rit, Poco rit. [=] Tea Dance (slow and gentle) A Pocorit, ‘Viennese Waltz (poco pit mosso) y= i ay os — ow ef © o aReed (C1) 3. AH, SWEET MYSTERY/FALLING IN LOVE ‘Thoroughly Modern Mile ‘Tango (dramaticot) a B Pamssocint 9 Int A ———_~. A Poco. poco accel ¢erese ——. 33 mp 708 1 2 Tl, Grande vite og oR co af 15 Slowly Soli 2 ‘aoe Dp 13 =nReed 2 Thoroughly Modern Millie 16A Ehitint ON THE FAT SIDE Sweety - In Ce a ee] «toch 4 —Reed 2 Thoroughly Modern Millie Canes I TURNED THE CORNER 17 Orch. by Doug Besterman Briskly, in 2 [] Freely with great expression 19Ra. 2(Clar) 2. TURNED THE CORNER P = With a gentle pulse (not too stow) Poco ra Acedl. o 7 @ Con moto - erese. poco a poco St Wr s ded suaigm ss mf ° a Hesitant Swing 80Ra, 2(Clar) 8, [TURNED THE CORNER ‘Thoroughly Modern Millie —a 2 (Car) 4. TURNED THE CORNER ‘Thoroughly Modern Mile 2 a & 705-106 08 gfzp ——— 07 ofp ——— Poco accel. hat 22 =— a Faster (Dialogue) Rall. ‘Segue as oneReed 2 ‘Thoroughly Modern Millie Clarinet FALLING IN LOVE (Reprise) 118] Orch. by Doug Besterman (CLARINET! == Pit lento e molto sappy s o— 7. Se A cappela Rit aN wi 7 , i 7 efep —= . Direct segue 3Reed 2 Thoroughly Modern Millie Sees LOVE AND PERIL 8A —~ Slow 4Thoroughly Modern Millie 36Reed 2 ‘Thoroughly Modern Millie Clint MUQUIN 19 Orch. by Doug Besterman (CCARINET} Ballons FF] Colla voce A Ind Atempo (oot tea) oan np © #3 oo rN 5 In2 (Colla voce) Soll (ao loud) mpRa. 211) 2.MUQUIN Thoroughly Modern Millie Golson) Solo a Se MA ——- at feee # fete yeas! tee eet ig Rit — z — eo va 7 = r . Rit, Motto rit. Atempo rr 4 fits be ao he (Straight 8s) aReed 2 Thoroughly Modern Millie} Alo Sax LONG AS I’M HERE WITH YOU 20 Clarinet Orch. by Doug Besterman (OPEN OUT LAST PAGE) Ind ad os vil, Molto legato (under ve) yy =?» —— aRa, 2(Ato Sax) 2. LONG AS I'M HERE WITH YOU ‘Thoroughly Modern Millie Lots of Vibrato mp Vibratoad 2¢Ato Sax) 3. LONG AS I'M HERE WITH YOU ‘Thoroughly Modem Millie (Dialogue) , GoCLARINET) ise 2nd vonly Solo Contemplative ad tb 8 Neat 4 Sole (ALTO SAX) fast) 2 mp at ‘oo=108 natRa. 2 (Cla) 4, LONG AS I'M HERE WITH YOU “Thoroughly Modem Millie (ALTOSAX|Reed 2 ‘Thoroughly Modern Millie Atos: LONG AS I'M HERE PLAYOFF 20A\ Orch. by Doug Besterman Brighter (Drums) 3Reed 2 Thoroughly Modern Millie aa ‘i GIMME GIMME 21 Orch. by Doug Besterman (Based on Ralph Burns) [CLARINET] (From a distance ‘TACET S38 aor to) Rit. e dim Pit: mosso Rall. a Slow Ind 9sa. (Clr) 2.GIMME GIMME “Thoroughly Modern Millie 2 eS Accel. poco a poco “pstoat a (oALTO SAX) Accel. Sm 6 woe | -——, “Tet f= ——Ru. 2 (Alto Sax) 3. GIMME GIMME. ‘Thoroughly Moder Millie Poco pits mosso 2 Pullback x | f 8 fp" @ igs tone Dixieland Accel. Sf Atempo In2 ic nf Toe “08 8 aReed 2 ‘Thoroughly Modern Millie Mow GIMME, GIMME TAG 21A (ACTOS Broad 2 haps.) 2Reed 2 Thoroughly Modern Millie — SOMETHING'S VERY WRONG (21) Orch. by Doug Besterman (ARNT Ind S Er (Wins Celene. Ta) Fs @ a 99Reed 2. Thoroughly Modern Millie Atos THE CHASE 22 Orch. by Doug Besterman Dictated a AA AA ALTO —100—Reed 2 Thoroughly Modern Millie Alto Sax GREEN TEA 22A\ Orch. by Doug Besterman ALTOSAN] ipceiviny in "You goin’ = —101—Reed 2 Thoroughly Modern Mi eine DOUBLE MEERS 22B (Parts 1,2&3) Orch, by Doug Besterman (ACTOSAR - (oCLARINET) 4 (CLARINET) Poco rit. Atempo Poco rit, oakoy ALTOSAX, PLAY 7 op Poo, Hap iss 102Reed 2 Thoroughly Modern Millie | Chrnt ZAZU ROSY SHMEVMEN 22 ae) Orch. by Doug Besterman ’ i a == Oo + . ~_F mf (Vins, Tingle tem) [CLARINET] —103—Reed 2 ‘Thoroughly Modern Mi Cust SPEED TEST REPRISE 23 Orch. by Doug BestermanReed 2 Thoroughly Modern Millie(———) Clarinet AH, SWEET MYSTERY REPRISE Lt Orch. by Dong Bestermann A Colla voce Stover a — a : z = + mf’ — 105Reed 2 Thoroughly Modern Millie ALE 25 as Orch. by Doug Besterman ‘Under dialogue (WALTOSAX - Fast!) Accel. REDE Hin. Tins.s*So" =e $5 106Reed 2. Thoroughly Modern Millie | ——] Alto Sax BOWS Orch. by Doug Besterman om) + h =107—Ra. 2 (Alto) 2. pws Thoroughly Modern MillieRd. 2 (Alo) 2. BOWS Thoroughly Modem Millie T0701Thoroughly Modern Millie} Clarinet 27 ae EXIT MUSIC Orch. by Doug Bestermean F] Motto espressivo e legato mf 10RL 2c) 2. EXIT MUSIC “Thoroughly Moder Millie Broader — — (FastALTO) Mareato NRA A Molto rit, f WW v8 18 i Slowly in 4 Sol Sf = i A A accel. poco a poco . Tater = —— = ——— a A for Ralph Burns sineMusic Theatre International 421 West 54th Street New York, NY 10019 Tel: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com