ANOTHER DAY IN PARADISE Words and Music by PHIL COLLINS Moderately Fim? e Bm? Fle? E Bm? eo 6g ORB Be eB Fin? E verse * (fig teat 1. She calls out_. to the man on the street, “sir can you help— See lyrics for verses 2, 3 & 4(#) m™ 2 E Fin? am? Et ay ey ae “It's cold and [ve no - where to sleep, is there some-where— you can tell me?” . (©1589 PP COLLINS TD ana HT & RUN MUSIC PUBLISHING) LTO AllRights Controle and Acminstered ty EM APRIL MUSICINC “an pill Righis Conwrolied and Administered by EMI APRIL MUSICINCEFA ‘Dmaj7/FE oe ie a ‘cos it’s an - oth-er day for you and me in Eyre a EVR ‘cos it’s Dmait/F Eng fing ap Fim ia as ae aan — no- ther day for you and me in pa - ra- dise, ce a (%) Just think a-bout_ it Think a-bout_Fim To Coda @ (8) Think a- bout —_ it. te is there no-thing more a-ny-bo-dy a dag] E/GH can do, E bel there must be some-thing youDM. al Coda CODA be fier Bm? tee cid Hee It'sjust an - oth-er day for E Bm? EG in pa - ra- dise,__ It’s just an - VERSE 2: He walks on, doesn’t look back, He pretends he can’t hear her, Starts to whistle as he crosses the street, Seems embarrased to be there. VERSE 3. She calls out to the man on the street, He can see she’s been crying, She's got blisters on the soles of her feet, She can’t walk, but she’s trying. VERSE 4: (%) You can tell from the lines on her face, You can see that she’s been there, Probably been moved on from every place, ‘Cee ahe didn't fit in there10 BOTH SIDES OF THE STORY ‘Words and Music by Bright Pop PHIL COLLINS AbS Absus2 DbS/Ab T : rm 7? : G 7 rEbS ‘2 = ror f f—tercr Absus2 ‘Ab Eb/Ab Rg — - ter elghbourtood peace is. dat trad, cut some strang - er down. it _moth-er and fa - ther ‘fight.Ab EbIAb Db/Ab m = he's a sad andan emp - ty heart - ed man. Sleep-ing with an emp -ty____ bot - tle, she says her love for him _ has gone, He says she's been un - faith - ful, | HI 1 ‘ll ! roar fh—EEe F GF 3 All he needs is a job__ and a lit- tle res-pect, so he can to his sister and says, “Looks like it’s 7 ae out from _ now on.” sides ofthe stoDb/Ab ay WI Tl oa HI i f——terer F Db(add2V/Ab > ee | a 2 > 2 Ea of the sto rR PCa ge OF R ——3— el {wen lights are all on, the world is iAb Db fe" 3 3 watch- ing now. —__ Peo - ple look - ing for —— tase pr f fF. eerer Pr dT v — - we must not el don’t walk a = way from here,Ab ¥ Db(add2y/Ab a ( t em Db(add2) be the cen - of the storm. _ finds him-self with - in a dif-Frent_ world. — P roo 6UmRMRUUUR OUR BENeigh-bors once friend - ly now stand each side. Ghetto Kid grabs his shoul - der, of the line that has___ been drawn, le throws him up a - gainst_ the wall, I SH wu HH ir ky | i wr Hl — a= i ‘They've been fight - ing here for years, — He says, “Would you res - pect me Jinn kill - ing ‘While small did - n't "Cause with - j—7_tppep f 0? 9 T—tCerer Ab AS Eb/Ab Db6/Ab Db(add2y/abDiab [PR &" . © a> g Fa ge ~l ef rfiS ae > FF = Ff FF ERER F20 DO YOU REMEMBER Words and Music by PHIL COLLINS ‘Moderately slow ¢ a fe za ae Am? a VERSE gay (te We ne-ver talked a- bout it, but I hear the blame_ ig mine, See lyrics for verses 2.& 3 (%) © F Am? ae He Td call you up to say I'm sor - ry—— © 1989 yu COLLNS LD. an HT RUN MUSIC PUBLHING) LTO, “Ak ightsContaledané Aaramstered by Et BLACKWOOD MUSING. All Rights Controlled and Administered by EN BLACKWOOD MUSIC INC.Bs HEH would- n't m7 HER love you, Gm? ee if can’t to we could waste des - cribe in your your time. eyes, aGat Fee would you keep on tell-ing me those lies. fe ae Doyou re - mem - ber? __ (Do you re - mem-ber? To Coda @ (tell - ing me Ties. (Do you re-mem-ber?23 Eee 8 Through all of | my life, inspite of all the_pain, - youknow peo-ple are fun - ny some-times,— om B Feet just can’t wait, to get hurt a - gain.__ Tell me do you FE ‘Am? a mem-ber?__ (Do you re- mem- ber?24 D&. al Coda ‘CODA « aa —) (Do you re-mem-ber? Now 3 ea Repeat ad lib, to Fade (Do you re-mem-ber? Ooh it's ov - er.) VERSE 2: There seemed no way to make up, °Cos it seemed your mind was set, ‘And the way you looked it told me. It’s a look I know I'll never forget ‘You could've come over to my side, ‘You could've let me know, You could've tried to see the distance between us, But it seemed too far for you to go. (So far to g0) (Do you remember?) Do you remember? (Do you remember?) VERSE 3: (%) There are things we won't recall, And feelings we'll never find, It's taken so long to see it, ’Cos we never seemed to have the time, There was always something more important to do, More important to say, But “I love you", wasn’t one of those things, And now it’s too late. (Now it’s too late)EVERYDAY “ ‘Words and Music by PHIL COLLINS ‘Moderately Eb Ab -Eb/G BbIF Eb Bb Eb Ab me g BB Ee & = r 3 : 2 mH mp Bb Eb Ab Eb/IG BbIF Eb & & 2k Ee 1 got lost could -n't It picked me up, knocked me The book clos-es and we find my way, and guess there's noth-ing more to say, ___ off my feet T've no way to ex - plain. uy to for-get but that__ things won't change. (1983 PHIUP COLLINS LTD nd HT & RUN MUSIC PuRLISNG) LT. Ae ea aRITONeS ond Adrranirtared by EMI APRIL MUSICING26 Eb Fm? Fm Bb Eb "OE & & Es} Love can make you blind, make you act so strange, but I'm here, — and here I will stay. Still I love you, love you, love you, but this fire in-side will nev-er see the light of day. How we feel how life goes on and that seems so strange. een} m7 EbIG Ab Fm7 EbIG Ab E Ee ci B B = ev-er-y - day you ev - er won - der why, eveer-y- day 1 fal (ev - "ty day) Tt makes me won - der why ty, wy, as may, T_ can't stop think - ing a- bout a Bb Gm cm Ab Bb & fe ER" a & why I love— ev - “ry-thing a - bout you? my life's worth— noth-ing with-out you. Tt seems my life's worth noth-ing with-out you. ButBb Eb Ab OEb/G BDF Eb Bb & selves You'll nev - er know, . you'll nev - er know justF x g 2 f you'll nev - er know, lo, no, no, no, no, 2 & & e Ab ED/G BDF @" Po Rg eR you'll nev - er know, ‘no you'll nev - er Bb Eb Ab EbG BbDS. al Coda copa Ab EbIG ie a Eb Eb a Bb Eb Ab Bb OED Ab EDIG BDF & = & kf & i Repeat and Fade [Optional Ending Eb Bb Eb Ab Bb | Eb ze & & = f | ooh it gets lit- tle hard - er.DON’T LOSE MY NUMBER Words and Music by PHIL COLLINS Moderately fast Cp Gmc cm (i Gn Bic abc ® a Ha HEE SB a Pa (13) They came at_ night leav-ing (2). Search-ing through the day and fear —_be- hind, shad-ows all onthe _ground. in- to the night, — they would-n’t stop till they —s cn Gmnic No- bo - dy knew_ where to. find. him They did - n't knowhim and they did-n't un-der-stand, | no ev -i-dencewas — found.__ I'm nev - er coming back, they nev - er asked him why. Get out my way, © sa mau counsuro war Anu Musi rune) ‘ight Conoled and Aumnered by EM APRIL MUSE “ann ell Rights Controlled and Administered by EM\ AP Mt by PermissionMu bic Bbc i e they heard him cry and I be - lieve, they heard him shout, then a blind-ing light, Gmc — ea a cm he mev-er meant_to do an - y-thing wrong butit’s gon-na get worse if he all they could see was him, run - ning down thestreet, out of the shadows and Ab Bb a Fm? = ly don’tyou lose my ab or ‘cause you're not = an - y - Where__ly don’t you lose Ab num-ber, "cause you're not an-y - where Gai33, 2 Gm BG BiG FIG ii ee) aS ey keep run - ning, keep hid oS Gm FIG BiG FG you're right.BiG FO —_ better, you bet-ter run for your life.. ly don’t you lose35 ‘cause you're not ly don’t you lose = my__ ‘cause you're not find you,EASY LOVER Words and Music by PHIL COLLINS, PHILLIP BAILEY and NATHAN EAST Medium tempo Gbmaj13-5 Fm7(add Bb) ds ees Gomaj 13-5 Fm7(add Bb) D> Bb Fm? ——— = & i Bom? Cm7 Fm7 Db Eb Fm? er far ¥ Bom? Cm? Fn? bs , “ AA AB BA ARR ER Re ee = soc —— : = + — Z SS = = —= Py + ae ee SESS aa 7 “vo Se = 1 1982 Pun coLuNS LD, HT 8 RUN MUSIC PUBLISING) LD, SW TR MUSIC and NEW EAST MUSIC [At lgnts for Plu COLLINS ana lt RUN MUS PUBLISHING) 7D, Controle ane minered by EMI APRIL MUSIC NC37 Bb Fm? Bom7 m7 Fm7 S Be -fore you know it, you'll be on your knees. Db & Fi? She'll take your Bom? Cm7 Fm? Db Bb Fm7 Ca ea heart, but you won't feel it. She's like no oth - and I'm just eet Py ns Sh GER st" SRE She’s the kind of girl you dream of, You're the one that wants to hold her, try’ng to. make.you see,— of keep-ing hold of. Bet -ter for - get it. TZ her and con-trol Bet-ter for- gett. Bb Fm cm Db ney -er get it She will play. nev er get it "Cause she'll say— — a -round and leave Teave you and de-ceive you. = that there'sno oth - til she finds an-oth - er. EMH HAR BAB aR —— # Bet-ter for- get it, Oh,— you'll re- Bet- ter for- get—— it Oh— — you'll re-Bom? ea No, you'll nev - er change her, so. And don’t try to change her) Just cm? m7 Bom7 m7 Fm? fie aia eae Bbm7 leave her, leave her, Get out quick “cause see-ing is be - liev-ing. leave her, leave her You're not the on -ly Gnevandsee-ing Be teeing the Cm? Fm? Gbmaj13- you'll ev - er know. i fz DS& and jade Db Bb Fi e Fin? m7 Eb40 A GROOVY KIND OF LOVE Words and Music by TONI WINE and CAROLE BAYER SAGER Slowly xs00 ae So When I'm feel - in’ blue, all I have to do is take a look at want you can tum me on to an= y= thing you i you, then T'm not so want to, an - y= time at blue. When you're close to me, I can feel your all When 1 kiss your, lips, 00, I start to 1 1966 Renewed 1950 SCREEN GEMS-EM MUSIC NCBm7 Chm? DiaddE) IN A 00 oo Bm/A Bm7 Ctm7 eae rR fen When you're in my arms, noth-ing seems to mat - ter, my whole world could Would-n't you a - gree,—a3 got a groo-vy kind of love. A EA D(addEy Ft a ca Bet We got a groo-vy kind of love. E7sust D(addE FF E7sust = = D(eddEy FF E7sust E7 7 00 00 oo He He FE im We got a groo-vy kind of love. aHANG IN LONG ENOUGH Words and Music by PHIL COLLINS ‘Moderately Bm C/D. Bm cD Dm cD om fd Hag cpp bm CD cS, Bm F cp bn CD Fo cont op, bm? me gig EE fy CD Dm signs are get-ting clear - er, __ clear-er than you need,— ask mehow I know, "cos you don’t wan-na hear, —45 CD Det OD Da? = CD mt op, Dm? fm ged gi prezey ie The writ -ing’s on the wall, —__ for you to It’s been a long hard road, andthe end is get-ting CD pat CD, pm? C/D F You nev-er thought you'd ‘You nev-er thought you'd Amt/F ga a8 2. ev - er get__ the taste,__ you ne-ver thought that it could. be___— this. ev- er get_— the chance, you ne-ver thought your break would come. a - FE G Amt /F Ge Ea eS 2004, just tell me what you want and ['ll find the key, just reach out and long, if you tell me what you want Til find the key, just reach out andG Am Fmai? CD, pnt 4 op Dm? } deel gy eee ate it's all yours. its all yours (8) If youhang in long_ cp Dm? cD Dm? C/D. Cc) Dm C/D Dm? ae a gee | ae eee ae you'll do it, cD, cD, 5 penne ene ee 3 de | al aie Just hang in long_ e- nough.— You're Instr. Well they'll let you Dm? Ci. Dm? ie it et Gy cay c/D Dm? HEE ie fee El down_ on the ground broke, (natr.) out, or so you say, then pull you in,CD pm? C/D. pet Cp Ont cD mt an ae a a ca ~ you'd sell the hole_ in your pock-et, if you could find a way.. play - ing hell with— your e - mo - tions,. you feel like giv-ing in. To Coda © fF 7 cD Dm? CD Dm? C/D CD, pa? cD & ~ Hide Eide ae aide a They al-ways say, Amt/G Ds ce. the best things— in lif but you want to have Am/G pc Am? Ey ae but you're gon-na have to beg if youwant it all, __cp Dm cp Pe pm DS. al Coda @CODA Pom CD Dm Sojust hang in long — CD pm? cD pm CID, c. Dm cD Det = fe Ge ae ay |e aly and you'll do it. CB bm? CD aay Gt gee Pe Dm | Just hang in| CANNOT BELIEVE IT’S TRUE ‘Words and Music by PHIL COLLINS Emz Lo 5 Fmaj7, T could not be-lieve— my eyes — ter ~ dai 2”. ike let—ter yes Ye der-stand;, They Gon't seem to re. o-pened i talk-ing to don't ‘un: peotple 4 greomeonra Fmaj7 Em, Dm7 "Cos I've al-read-y given all I have — to give They're— lis-ten~ ing butthey're not hearing me © lights Controlled and Administered by EMI APRIC MUS50 Go Dm? ai Em7, Dm? FFE eae Eee | ENG a T gave it all— it's. gone~_ And I gave it all to you— Now I'm liv-ing on bor—rowed time— (rd =, Tr [POF Fmaj7 Em7, ae Oh,—d'you hear me?— I can-not believe it's true— +H but—it's mine-— Dm7 Fmaj Em7, Dm7 a Are you real-ly —do-ing the things— youd Fa” Em7, Dm? 3 Fmaj’ I can*not believe it's you: real-ly you- 1 | eos zed O-ver and o— ver I keep— on— tell-ing my-self— O-ver and o—ver I hope— — I'm gon-na make up— (but) O-ver and o— ver I know — it's real-ly happening And there's "Cos noth-ing can change— all the things—— that—you've done _to— Noth-ing can make— me stay. Em7, Dm? Oh, 'Cos you know— I can-not be-lieve it's true: Are you real-ly Fe do-ing the things-you do.— Fmaj? Em7, Dm7 Fmaj7 Em7 Dm? eH No, I can-not be-lieve it's you,— real “ly you— Eb FED F FEE T know it's a cry-ing shame,— Tt seems all so well laid out53 all the same— to you— T cannot get through— Nev-er meant it to show— p. har + It start- ed hap=pen- ing,that's all you know. Em? Dm7 Fmaj7 Em7, Dm7 Repeat and fade| DON’T CARE ANYMORE Words and Music by PHIL COLLINS Asust A Moderately = = 4 Gaus: S. a Asus K FH eH FPF Well you can tell. ~—ev-'ry-one I'm a down. dis - grace— talk-ing to the peo-ple that you callyour friends— and It -mem-ber all the times tried. so hard—— and you G Em? Em taf FE ot Drag my—name all— 0-vertheplace— { don't seems to— methere's a means to an end.—Theydon't} care an-y-more. faughed in my face ‘cos you held allthecards.— I don't 1 1982 PLP COULD. and HT WN Muste PuBusiNG LT. AlltighsCorrled and Aamineered by EMI APRIL MUSIC NC “pal Ren Righes Controlied and Administered by EMI APRIL MUSICINC.And as for me 1 can sit here and You can tell ev - 'ry- bo - dy ‘bout the And real ~ ly ain't both-ered what _you in You won't catch me ery-ing ‘cos I justeant— win. — time, T 'gat’ nothing to lose— if I speak my-— mind.— me——‘Cos all *f want of — you ts just—— a “et me— “bes Udon't care an-ymore care an-ymore—— Tdon't care no—more Tdon't— care— D'youhear? [don't care no—more. what— you— We nev-er played by the same rules Idon't— play thesame— games T nev-er did be-lieveyou muchPak. 'CosT've been ‘an-y-way Iwon'the there an-ymore an-y-way.— [won't bethere no more ey out of my— So get. bet-ter things to do with my Em Em HEE ERLE Tdon't tdon't care anymore {apyourearny ian Jeane an-ymore— Em Em HE HH HE 10@-coDs — care {a0~ Yomore Tdon't care an-y-moi no— more (Youllstening?) I don't care no— more.37 eH eee Well,’ lon't ‘are now what you. say —________ ‘Cos ev -'r) TF § I'm feel - ing fine with my - self. rl do al - right by my - self. Hey. ye (Stimes) + tr D.&. al CODA "Cos 1 know. — Repeat and fade* I MISSED AGAIN Words and Music by Mod. PHIL COLLINS rae Dm? Am? Dm7 So, you fi-nal-lycameright out and said _ it, girl. Em, beeezs| Be that look's been there for far {© 1900 PAIL COLLINS LO. and HIT & KUN MUSIC PUBLISHING) LT, Al Rights Convaled and Administered by EM APRIL MUSIC NC. “pina Right Controlled and Administered by EMI APRIL MUSIC IN.59 Em? ee Trm wait-ing inline, —___ I was wast-ing my time?. be _ >. ——— Am7 Dm? Em? Am7 Dm7 F | 3 HEH Did I miss__ a- gain?_ I think I missed a-gain, Em?” Am? Dm? Em7 i ce i think a -bout it from time — to time,—60 Amt Dm? Em7 1 Dm7 a HA EE fa when I'm lone - ly andon my own,— I try to for~get,— Em? AmT Dm? i — nd yet still rush to the tel - © - phone, But I'm wait-ing in line, b.Ol Emq7, Am? Dm? Em? Ithink I missed a~gain, 7 Dm7 Em? Am? Dm? Ithink I missed a -gain, = Well, it feels like some - thing you want_ so bad. _ Andthen youthink you've got it, but it's some-thing you al-read -y Ea a & & & feel it all a-round you, but it's some-thing you just_can't touch. _ And I can feel it Fp Afr. ptt D.S.% and fade| WISH IT WOULD RAIN ° Words and Music by PHIL COLLINS Moderately a EbIG Fn? Bho a mf Wve Eb/G HHH VERSE Ee Youknow I ne- ver meant to see you~ gain, See lyrics for verses 2& 3 (#) Fm? on- ly passed by as a friend, eigen counsso gers nm anace “AI Rights Controlled and Administered by EMU APEG Eb/G a ay ae all this time 1 stayed out of sight, __ Em? I start - ed won - der -ing why? << ob ooh now I wish it~ would rain_ ooh yes I wish it would rain,_Ebase Dy 1 wish it would rain Eh bP a wish it would rain oe os T3. To Coda ](2. EbIG Ebsust/b Eby || Eb/G Ebsus4/Ab Eb/Bb ay EG GS Gap bs a “Though your hurt —DbjEb ing me, it’s Db/Ab Db/Ab and I know,— oh it’s eat - Bb/Ab ae = GN ing me through eve-ry night ___ I'm just DbjEb ssa D5, al Coda CODA ae Ad libs to end VERSE 2. ‘You said you didn’t need me in your life, ‘Oh I guess you were right, Ooh I never meant to cause you no pain, But it looks like I did it a VERSE 3: Cos I know, I know I never meant to cause you no pain, ‘And I realise I let you down, But I know in my heart of hearts, know I’m never gonna hold vou again.° IN THE AIR TONIGHT ‘Words and Music by PHIL COLLINS = cuonus, Bs op un fet fy 1 Ten feel it com mg inthe air (2.3) And Iocan feel it Som ing inthe air ‘And I've been wait ing for this mo-ment for all my fe ‘oh, Lord. Well, 've been wait- ing for this mo-ment for all my life —— oh Lord ep, ty feat SSS © 1980 PLP COLLINS LTO, an 8 RUN MUSIC PUBLISHING LTD. AilignsContvleg snd Aomiiered by EM APRIL MUSICINC. “an alll! Rights Controlied and Administered By EMI APRIL MUSIC HOCme— younwere drowning Pn Te = mem-ber you told ember, 6/0 fe face time seen your don't. wor- ry Well, But 1 with my own No you don't its know Where you've beef pain still grows it's F there know the eyes, Tool me. HET all been a pack of stran-ger to) you~ 510 ay wouldnot lend a hand how could I ev-er for-get,. the first ut 1 don't who know if you evs er met know — and ‘saw what you did, why you Keepthe "si lence up wipe off that t hnurt doesn't but the you can The oi 8 tote70 D cp os DD con ke it inthe a to-night oh Lord —" Bm op ar cp, ay aes ia Well, I've been wait- ing for this mo- ment for all my life — cp a ae a om op, com - ing in the air to-night — Dm op bio 2, He fi well, I've been wait-ing forthis mo-ment for all my life — (Fade on repeat)THE ROOF IS LEAKING Words and Music by PHIL COLLINS The roofis leak-ing andthe wind is howl - ing, * Prids are ery-ing ‘cause the Maand Palived here and theirse - fore them, they tried theirhardest to sheets are so cold. Iwoke this mom-ing,found my hands were fro. - zen make it a—— home.— seemsss longnow— since they_—passed ov - er Tetried to fixthe fire-but you know the damn thing’s too cold hope my child-ren ios Soo to make it_— their own, {© 1560 PhP COLLINS LTD. nd HT & RUN MUSIC PUBLISHING) LD, Al ightsConaled and Aamistere by EMI APRIL MUSIC INC “AM late anand reared cared By EBA APL MUSIC INit’s been months now since we heard ftom our Mary. Twonder if she ev-er my roof isleak-ing and the wind is howl - ing, Kids are cry-ing "cause the made the coast — wellshe and her youngman— they both moved out there sheets are so cold I woke this mom -ing,found my hands were fro - zen 1 sure hope they write just to let us— know. —— Oh I'vesried to fix the fi - rebut youknow_ the damn’-thing’s.too cold. my Wife's expec-ting but I hope.B ct 8 Chm? Ft ct ae es Age Hs ce ‘cause this win terlookslike it’s gon-na be an-oth-er bad —one Gtm7 FH ce a a iy i but spring-ll soon_be here oh_____ poco rit. Btls nope Bt popes not tate.: ONE MORE NIGHT Words and Music by PHIL COLLINS, eb eB ‘Moderately slow fy & Bb a HH —~, E> sus4/B> ree oa ee % — to for— so long__ here so long. Tvebeen try - ing Tvebeen sit - ting know there'll nev - er you'll ev-er 1 1984 PP COLLINS LTO, ane HET BRUM MUSIC Aight Contlled and Acminstred by EMI APRIL MUSICINCchy 3 “ Baus ae i Ee] you know how I star - ing at the 1 knowit's on - ly Fm Ab Eb sus4/Bb fe] a a <~ and if I stum - ble, and I was won - d’ring but if you'll change— your if 1 fall__ should I call — mind, t just me back, so 1 can you 1 thought may - be you're you know that be here, and may-be we ol Sa76 give me give me just give me just Give me just Please give. me Give me just7 Fm To Coda @ 3 oR give me just Ea mT wait _for-ev -oh eb /pb cm? Db yb cm eb /Db cm? give me justEJ Bb i Ey more night __ CODA “cause 1 Fm Ey oS can’t_ wait for ev Bb aye 9 DS.SEPARATE LIVES Love Theme from WHITE NIGHTS Words and Music by STEPHEN BISHOP Freely, in 2 A oo in your ho Bedard Cim/Gt ‘AaddB full of | ro-mance for some-one that you 86/9 Brust A i? ep. i AE FH And tell - ing me. how sor- ry you were— copyright © 1985 by SaphenBithop Mur Puithing, Hi & Run Music Publishing Ld and EMI Gold Horizon Masi Corp. ‘neha for tegen hop Mc Publaning Cored an amanares by ape eMac GM) alight for it & Ran Mune ublahing) Ltd Controlled and Administered by €a Chn7 Gtm A RR mR ia and that you miss me some-times AaddB Fm7/A Esuss when you're a- lone in your room. feel lone -ly E Eadd FS Gms ctm7 Am9/C oe E E Fim7-S/E Ha) EEE FEBa2 Fim7/a BT ¢ Hi ce to speak AIC$ Gfm/B Ffm/Ct E/G$ A Bm7sus4 87 xo x x00 oo HOG RY ] aR FR Fs Just hold - ing on—_ to ties. C$m7sust Cfm7 Gtm7 af Fim7 now that we're liv - ing. —3—E A ctics B CTAS/BbDT/A — | 00 ery Fan E Ffm7-s/é and if you lost___ your. —3I— ee Ghmes F§m7/B AIC} GimiB Ftm/ChE/GS, at RA iF PR SH rH ARR will you nev - er — There was no way.Bisus4 Chm7sus4 Chm7 Gtm7 E/G$ ae am FIT Bisus4 E RR ue AadaB Ghm745 it's so ty= pi cal__ So you build that wall, to yes, you build that Cim7/Gt —AgdaB/E am fee is-0-1a - tion, wallB7suss Ctm7 bs ofS Brms4ict a en ee and you make it — Well, you have no right. E E Ffm7-5/E a You have. no right. E Fim7/A B7 NO Alc} Gtm = F§m7 | E eT GieRveermn Feel fel PyBm7sust B7 Gfm7 Fm? 87 ae Fim? Ctm7 — fA ae ing sep “rate lives. ‘Yes, for now we'll go d — F#m7-5/C BT-9 C§m7 an E a ORR AR Fe fail liv - ing sep - ‘rate lives. laf a tempo 4 i= GtmtS FF §m7/A Bsust E aBY é ee lad molto rit7 SOMETHING HAPPENED ON THE WAY TO HEAVEN Words and Music by PHIL COLLINS and DARYL STUERMER Moderately ai? cr ma Bb7suss i Hi fat time only ‘Abmal7 3b ‘Aba? Be am rf a | a ERE VERSE ‘Abra? Bh Bh Abmait ee fy | d 1.&4, We had a life, we had a love, See lyrics for verses 2 & 3Abmaj? By ‘Abmal7 Bs a a ae aR ‘but you don’t know what you've got Abmai7 By Abra? Bb a i) a Ei well that was then Fm ‘Abmai? a cm ay a a8 a) and T want you back, how ma - ny times can I say I'm ‘Not 2nd time aba & ‘Abmai7 EEE tf (how ma - ny times)‘Aba? Bh (How. ma (Sor (es ny times) ry) sor - ty) Tm Oh you know cmt ge By I ‘Abmai7 CHORUS. Es Fb al we've had our prob-lems but I'ma Co os Ea oS side, EF a cm? Bb6 ‘AbmaiT mn Abmai7 & ‘Abmsi? B ‘Abmai? Bb aan1 Bb cn bbs. B a we've had our prob - lems fle Ea a ae 70 Code you're all 1 need,Ebmai7/G take Ebmaj7/G ee ga? it with you when you but tak - ing what I've r Gm? He & or be - ing here with you, ‘Ab/Bb Bb7suss D.C. al Coda93 oon cnt bbs eb ie FB ii Ee He be = lieve _ Instrumental to Fade Bb cm Be a EB cm? Bis. fy Fs VERSE 2 VERSE 3: How can something so good, go so bad, Lonly wanted you as someone to love, How can something so right, go so wrong, But something happened on the way to heaven, Idon’t know, I don’t have ail the answers, It got a hold of me, and wouldn’t let go, But I want you back, And I want you back, How many times can I say I'm sorry. How many times can I say I’m sorry. (How many times.) (How many times) ves I’m earry (xapry )SON OF MAN from Walt Disney Pictures’ TARZAN™ Words and Music by PHIL COLLINS D Moderately fast Aa nf A(add4) Bm7 ie fo the — wis-domG(ada2) jour- ney that___ you're no one there to Bm BavA GD A a = its you_____ who'll you will jour - ney Sho f a a B Some-day you'll. walkBm7 G(add2) i Ree —~, a.Fame DE = E C#m7 = _.. B _ and in teach-ing you_ will Team.__ 3 ‘= ~N ~ You'll find your place —E B Chm B Badd) % = ‘E «& Lift your - it you'll walk tall__100 tes ‘= ms a e ~ A, —_ —~ A(add2)101 SUSSUDIO Words and Music by PHIL COLLINS Moderate Dance beat Cc Dm7 BbIC G e g B =H nf Dm? BbIC Gmc x a 19 fifo Dm7 BbiC c Dm7 BbIC Gmc FIC (© 1904 LP COLLINS LTO, and HT & RUN MUSIC (PUBLISHING) LTD. nd Adminstered by EM APRIL102 all my life has just103 c Dm7 KE fi she don't oe - giveme a chance, BbIC FIC =e 2 think she likes me just Til show her an104 GIA Fmaj/A ate GA Femaj7/A az q GIA FmajJ/A Am GIA Fmaj7/A fea! #105 c Dm7 BbIC c Dm? BbIC Gmc FIC Gi FIC BbIC Gmc FIC cBbICGIA FmajV/A Am GIA ah = Fmaj7/A ¢ Dm? BbICc FIC BbIC Gmc FIC EE 8 FC BbIC c Dm? Bbc Gmc FICFIC BbIC Gmc FIC c Dm7 BWC110 Dm? BIC ¢ Dm7/c 2 6 Gmc FIC c FIC @ Just. say thec Dm7 BbIC Cc Repeat and Fade ] c Dm7 BIC ES Optional Ending c Dm7 B B Ee & < a 5 a ‘0n2 TAKE ME HOME Words and Music by PHIL COLLINS Moderately Db Abed & heb Dbieb 3 a a ——— SF ethat look of wor - ry, Pm oan or-di = na - ory man Seems so long I've___been_wait-ing still don’t. know_ what for— Take that look of __ wor - ty mine’sanor-di = na = ty life eb heb oS ae SF they_don’t tell me no - thing there’s no pointes - cap - ing work-ing when— it’s day - light {© 1504 PLP COLLINS LID. and HIT 8 RUN MUSIC PUBLISAING) LT. _ © kage Controlled and Aaminered by EM APL UIC INCDbeb find out worry sleep-ing any - mo when_ it’s heb ae burn - ing find you iz - ons Bb abjeb can. re. night. DayEb Hy ight out - side— I don't like to go I don’t wish up - on Bbieb ii L_ can'tsee but I They can turnoff They don't think that I my feel it feel-ings lis -ten There’s a fire that’s been 1 can't come out to Ive— got no far hor - my. out a Dbieb and it helps to. keep_me like they're turn- ing off the ‘oh but I know who_they light, are,Ae Abadd9/ED abje Bb Aba oe a ‘Dhadd9/E> heb 2 ey $= ———__ a a don't mind.————_—_. a ‘cause I don’t re-mem - ber.Abed ‘cause Idon’t re- mem - ber. Abie hye 3s i ‘cause I've been a prisoner all___ my Fm ee bat ate cons ‘cause I don't re - mem-E> ADIED hyeb Fm BIG ‘cause I've been and I can say to you, but I don’t re-mem - ber Repeat to Fade "cause 1 don't re - mem-TWO HEARTS Words and Music by PHIL COLLINS and LAMONT DOZIER Cmaj7 C6 9 ore G AIG G ANG x000 x0 000 x 1988 Pap COLLINS LTO, HT & RUN Musi PUBLISHING) LTO All Rights for PHILP COLLINS LTD. and RIT AUN ‘by EM BLACKWOOO MUSICINC.ng There was no (See additional lyrics) if you don't Bm7 Cmaj7 D7 sus4 Am9 000 9 Ee Fea . took down, just look up—120 Bm7 maj? Disus4 Ee a "Cause she's al - ways there__be-hind_ just to re- mind you. 9 xo x900 ‘You know we're Beat-ing to - = maj? C6 0 xo fe RE Ha liv -ing in just til the ‘end You know we're two —3—ara) G Cmai7 C6 x000 ‘000 x0 leo EWG Ab FIA Bb ABC Bmaj7 Gtm7 Agm7122 Df7suse Gtm7 p aa A$m7 GHAS Bmaj7 Es He zene she knows, she Knows, she knows. Gtm7 Atm7 Dé7suss Gm? Am7 Fm al - ways right123 Repeat and fade Am7/D maj? © 9 x Additional Lyrics Well there's no easy way to, to understand it. There's so much of my life ‘in her And it's like I planned it. And it teaches you to never let go, There's so much love you'll never know. She can reach you no matter how far, eeTWO WORLDS from Walt Disney Pictures’ TARZAN ™ Words and Music by PHIL COLLINS Moderately Bbs Pd 3 mpFS, Eg & most be - lieve in Tow your_ feet __ now. C(addayBb Bb(add2) @ Trust. your heart, let Trust your heart, — let Bbsus2 me Pur your faith in what you Soft -ly ead the sand be ~ ee Dm these__lives— these livesFm7 EDF Cous eR un = touched _ ter of A par-a - dise_ Beneath the shel Fm Fm? EDF Fm 2 # 5 _#® — by man within this_ world blessed with ove. the trees, on-ly—— love can en - ter here. Fsus & Fm7 EDF QP they live in they live in Bb Eb Ey a a Raise your head up; highthe load, Take strength. fromthose that need -Soremee EE ReeE See e eee eSumCEE CESS SIE ESS eSEEOamCSESS Ab Bo & ® B & 8 Build high the build. strong the _beams.. Eb Ab Bb & =" 8Fm? No words Ebsus2/G EWG FrvAb can heal Bbs Fm? Eb/G Fac Fsus = = #2 8 ‘A dream is gone; ‘but where there's hope,s r = e & some. where,..some-thing is call - ing for. you. Cladaay/Bb Bb(add2) Trust’ your. heart, Dm C3 Ds. these lives. we see. cxD com a ob BLS Two worlds, Ebsus2 de - cide BbsID130 WE WAIT AND WE WONDER ‘Words and Music by Recetas PHIL COLLINS EbS Play 4 times i » = ro ee Bb | = i Oh we — stand, hang_ our heads dis - be - wait and we — won-der how _ this grets, ~ give-ness, no com - ToT? 7 . &. liev ~ ing, then not know ~ ing how — could hap ~ pened; — Killing the old, the pas — sion. These. brave he — roes— on = ly131 Bb AbIC Bb AbIC Eb Ee bi Ee just what they father’s foot - steps, tums to rage Eb gE & oh to take = a—iife of one__ so that what they do could some-how be howean these scars ev - er heal, when all is AIC Fm7 Gm7 Er gE : & young. ‘wrong. said and done. -Fm7 z To Coda Gm7 Fm? Tcone Fm7 Gm7 Fm7 Gm7 when will it134 Fm? And how far must__ they go, Gm7 Fm? t Rm ® * . __ Pay 3times elPlay 5 times FP TT rrrr rrrr rr Fe =136 WHO SAID | WOULD Words and Music by PHIL COLLINS Moderately F —— = knowshe says she wants me___ I hear it ev-vrytime knows it ain't ea - sy. for a sim-ple boy like me knows — when she calls me. T'llcome run-ning ev - ry time, 4 Gao BE Ge = Ge we Andl_— knowshe knows it keeps me, Andshe fills me full of lov - ing, ‘Andshe knowsshe keeps me hot and. by 1 1504 PhP COLUNS LTD ana HIT & RUN MUSIC PUBLSKING) LTO, At gh Conte and Aamirsered by ENIAPAL MUSING137 well there ain't no oth - er way. But she’s got And — then she sets me fre ‘ause she’s got know it’s her bo-dy nother mind. ‘And she’s got ‘Die pbb 7 ae ae heart, must be made of stone. cause when I tell her that she'll miss me when I'm gone, who said I would. who said I would,nod Who said I would, who said 1 would an GE BY S i ao a T'm not the on-ly one but I'll do fine, I suit her pur-poseand I’mjust her You'renot the only one but you'll do fine, Yousuit my pur-pose and you're just my Gc os GF com GF as ape ih gan ae I don't_ownher and I nev-er could, don't think I do, don’t think I should, kind, you don't_ ownme and younev-er could, don’t think you do,— don’t think you shouid, who said Iwould, who said 1 would, Tellme, lan139 But she’sgot a Hf heart,must be made of stone ‘causewhen I tell her that she'll miss me when I'm gone, who said I would, Fo Dial Coda QCODA a ng GS ee Ad lib, to Fade140 YOU'LL BE IN MY HEART (Pop Version) from Walt Disney Pictures’ TARZAN™ Words and Music by PHIL COLLINS ‘Moderately FES a ‘it ro of Come stop your ery - ing; it will be all right Just take my hand, hold it tight, - 1 will pro-tect you from Gtm ch = all a ~ round _ you. Twill be here; don't you cry.41 ‘3 a # For one so small Why can't they un - der - stand the cys FE My arms will hold you,_ keep you safe They just don’t trust what they can’t -———— Badd2) & This bond be - tween us 1 know we're dif - f'rent, but Twill be here; we're not thatEb AbIED Bb Byab ee toe & zd you'll be — yes, you'll be Toon Db Eb AbIED Bb Bb/Ab Gm7 a ® ce =e no mat-ter143 Cm “io Db iz" st R Bb7sus Ab Bb gg & DS. al Coda CODA Bb Absus Ab o & B = to them, _ + ny calls. you Absus2. Ab Absus/F Fm7 a what do they know? We need each oth - er to must be strong. — i may not be with you, but you'veAbsus2/F Fm? m7 have, to__ got’ to hold Eb ze” a We'll show them_ to = geth - er, “cause F BoEBbF aon if + (You'll heart Crh meBb(add2) Eb ¢ heart (C'll_be there.) Bbmaj9 Feadd2) Tl be with you. Boma147 Feadd2) Just look 0 Bbmaj9 F(add2) B = ver your shoul-der. Just look 0 ver your shoul-der. Bbmaj9 ver your shoul - der, T F Fledd2)YOU CAN'T HURRY LOVE Words and Music by EDWARD HOLLAND, LAMONT DOZIER and BRIAN HOLLAND I need love, love ooh, ease my mind, and I need to Gm m7 Fin ii _ FB an HHH) a EE time, some-one to call mine; My ma - ma said, You can’t hur-ry love, no, you'll 7 7 Gm cm Fm APE Eb fii) a FAA EAR Just have to wait. She said, love don’tcome eas - y,— but it's a gameof give and take. You ff 1 1965, 1966 (Renewec 193, 954) OBETE MUSIC CO, INC ‘A Rights Conroe and Administered by EM BLACKNOOD USI INC on behalf oF STONE AGATE MUSIC Divison of JORETE MUSIC CO, INC) red by EM BLACKWOOD MUSIC INC. on behalf of STONE AGATE MUSIC (AEb HY can't hur-ry_love,— no, ab Eb 149 Bf you'll just have to. wait,— just mat-ter how long cm poh find the ~ pa - tient love for on - ly thing — feel that I, it takes. heart -achesmust I bear to live my How ma-ny T can't that keeps me hang- in’ T can't on, go. on, — ih truston a good-time, no stand life be-fore 1 a+ lone. I grow im- Right now the But when I150 ab el eA feel __ my strength ‘ooh, is al- most gone, pre - cious words keep’ me hang ing on, re-mem-ber ma- ma said, You Bbr Eb a? It’s a game of give and take. How long wait, how Gm Cm7 Fm, ‘BbT D. % al Coda more must I take be-fore lone - li - ness will causemy heart, heart to break? No,151 cons pee ra Fe 7 of give and take, Eb Gm He alia just have to wait, just. truston a good_time, no mat-ter how long it takes, now don’t come Gm Cm7 Fm Bho Ebe Eb ae H on wait- ing, an-tic-i = pat - ing forthat soft voice to talk to« ab _Eb can En Ebr FA $ 8 HEE night, For some ten-der hold— me tight. — ad Ss = z 1 a on tH edie wren FP TH Ooh— till that day But it ain't eas - y no, you knowit ain't (Love don't come eas’ = y__) allt oe 2nd time fade out # a ee tht just have to wait. She said, Love don’tcome eas - y, i's a game of give and take. You