Basic Routine Always strive for a full relaxed buzz - never forced. a "2 Ix Play, 2x Buax Mouthpiece / ee —— 7 ; ——— my ; f Metronome Off : Play Buzz Play — oO oO fay Remove/Replace Mouthpiece Meronome On i Remove/Replace Mouthpiece Play/Buzz Metronome Off | Metronome On Buz Play Play/Bucz Play/Buzz (8S 0 OBE BEL EEE CE © O86 OL HOCKOGADHODHOHHLASCBAOBMLXSFSSSSSSTFPFSFSESSIOFC SCIFI FS Ss ssvsvevsvswwvwewwewerve ' Play/Busz Metronome Off ‘Metronome On Play zz ie Bucz Play = fay 2 a Inexercise 2, do not allow the dynamic change to affect the pitch. Take care to relax the exhale - do not force beyond normal lung capacity -—=_ fs >—= p- —oe PVM ge sz AZ “Se SES oe HE Dp S 04 VE LLE LL wl sk tb (i ‘ Wwf 3A E ance xt HM rsthrk VETIIE Wh LoOAE eles in each position SSS Rs 2 2.) ee ee 2 Continue pattern in each position lot 3 3 3 : Vo epee 3 3 | Continué pattern in each position ee Vo 3 SE EERE 3 See 7 i Aer’ ¥ j Continue pattern in each position oot) de gh ARAB BIA let WEA “3p . Ce te a a rr—isSC ROTA AEOLLLOOLSDOLLEOLOOLHALALHALALALALALALAAVLAHContinue pattern — ke 60r Vy). ——————_ Tor v2 Advanced players should continue this pattern through all valve positions Inexercise 4, catch quick breaths between any half notes which do not have a dynamic change. Jape B6 4, if Sub, PP Sub. ff Sim. PP SSeSCECSSCFFFFFFSFFEFFFFIFFFIFIFFIFIFFFFSFIISFSFSIFESFSSSUsUsSEJ =66 Adjust the volume so each phrase is played comfortably in one breath Use natural slurs; do not articulate valve note changes 5. SS” F Resonant a > eee Lea f es MEA FAN SCESSEHREEE ELE © © © © © OO OOHKOKRHOLHAALADLALABANAA**SCOSLECSSOESECOECOECECECECEOLOOOHOCERELELHREEDR” 2(Or as high as possible) 8 No Breath ~~ ~~ Ge EELS ECCECLECCECHCAECAEEE OBO OOOBG OOO OO ZAaAaLl LS.Play each glissando in one comfortable breath Note that the lower glissandi will be faster in order to be comfortable. Strive for a continuous, full tone all the way to the lowest note BADD DE DOO Metronome Off 7B. " vy - ’ ’ =... = s Ss s Y wy VY Y (0r as low as possible) ‘ a “ ‘ 4 « e a a « t ‘ q a « é a ‘ « « ‘ 4 ‘ ( ( ‘ ( ‘ ‘ rSie oe eg. simile PPD PE BMP O.WoM (PoP o oop fee be she 6 — 36+ Arban STUDIES ON DOTTED EIGHTH AND SIXTEENTH NOTESA simile STUDIES ON DOTTED EIGHTH AND SIXTEENTH NOTES Arban + 37