Grade Level: 2
eel]
ae yo at ty
HLAND/ETLING
Egmont Overture
Ludwig van Beethoven
Arranged by Richard Meyer
INSTRUMENTATION
41 = Conductor Score 1 — Tuba
1 — Rute 3 — Percussion (Snare Drum, Bass
1 — Oboe Drum, Crash Cymbals, rangle)
1 — Bassoon 41 — Timpani (@)
1 — B Clarinet | 8 — Violin!
1. — B Clarinet I 8 — Violin I
1 — By Bass Clarinet 3 — Violin Il (Viola
1. — B Alto Saxophone 5 — Viola
1 — Flom 5 — Cello
1 — B Trumpet! 5 — String Bass
1 — B Trumpet 1 — Piano Accompaniment
1 — Trombone
EGMONT OVERTURE
Now, all the intensity of this powerful, minor-keyed overture for the
young fall orchestra! While keeping the colors of the original intact,
individual parts are all in very practical ranges, with string parts playable
in fist position (with optional shifting for first violins). Percussion parts
hhave been tastefully added. A great opener or closer for any concert.
HIGHLAND/ETLING.
Please note: Our bind and orchestra sci now beng colted by sn sumac hi
spend systom The encoted parts ave wow sorted by page com rather tn sore crfPROGRAM NOTES
Defiance of tyranny was a fundamental idea thac always appealed to Beethoven and is che central
theme of Goethe's play Egmont. The composer greatly admired the poet Goethe, and when asked
to contribute music to the new play, he did so without accepting payment and “merely for love
of the poet
Beethoven's incidental music to Goethe's tragedy, written in 1810, includes nine numbers, of
which the Overture is the most stirring, The music was well-received by audiences and critics
After hearing a performance, the critic E.TA, Hoffmann wrote: “It is indeed a gratifying aspect
co see two great masters united in a wonderful work.”
Goethe's Egmont depicts the military enslavement of the Netherlands by the Spanish Duke
of Alva in che 16th century. It shows their betrayal, their agony, their growing defiance and
dreams of victory. It ends with a call co revolution inspired by the death of the play's hero, Count
Egmont. In measure 93, we hear the imprisoned Egmont’s head fall by a sharp stroke of the
sword, followed by the triumphant flourishes of liberty.
NOTES TO THE CONDUCTOR
Now, all the intensicy of this powerful, minor-keyed overture has been arranged for the young,
full orchestra, While kecping the colors of the original intact, individual pares are all in very
practical ranges, with string parts playable in first position (with optional shifting for fire
violins). Percussion parts have been tastefully added, and parts for Bass Clariner, Alto Saxophone,
Violin III (Viola treble clef) and Piano Accompaniment are includedEgmont Overture
CONDUCTOR SCORE,
Ludwig van Beethoven (1770-1827)
Duration - 5:00
Arranged by Richard Meyer
Allegro (2 = 144)
Flute
Oboe
Bs Clarinets
q|
Es Alto Saxophone
Bassoon
Bs Bass Clarinet)
FHorn
Be Trumpets
‘Trombone
Tuba
‘Timpani
ap
Percussion
Allegro (= 144)?
Viotins ip
q|
Viola
(Violin 11)
Cello
fe
String Bass
fo4 fe 3 4 5