Timaradaeetaee! eee ena eres poner... Soa Se aoe ae Se sees Luka SUZANNE VEGA ‘This fingerstyle part contains musical lessons for us all. ‘The waif-like KIT MORGAN is your transcriber. woven this delicate song accompaniment wont stretch the more advanced player, tan excellent lesson in seng construction anda great example of «well ‘writen intr, Alehough onthe orginal there were Several overs, the main gitar part transcribed hese continues throughout without ony noticeable embellishments a sl bese ofthis, the song ‘works equally well with or withont sacking band Is interesting to nots thatthe itr contains sneak previews of ll ofthe diferent sections of the song. Bar 1 to 4 form the bas ofeach verse brs 5 to S make up the ends of the verses, whilst brs fo 12are used the comes, Suzanne wes a thumbplk and fiages, but normal fingers o Ty picking pik an fingers) wl work just a well the ater ws used on our version, ‘THE TRANSCRIPTION Stk stilt the ab for the intro, but ater that Its Fine ~ even avisable-to vty these and baie by playing wore rythmsiely especialy ‘on the chonises. A uatural ation otis sore of seeonspaninient would be percussive string lap! ‘on beats ¢0 and four of each bar ‘The chords are typealy Vegn —on her first to lbuins, she usually fivoured areal ting with a capt ad troved a hed Ths strings letting the open frst and second fon. You can fear this technique on Language (A shape moe down two fits to create Anda, G6, Fmsj7#11) and Snall Bln Thing (E5 moved to DS al Csi?) readers ay recall the aril way back in 2, In Latha afer the initial E chord, she moves a ES shape to the 2nd ret to create Bras, up tothe th far Of, then bck down oan open potion to take «chord of Aris2, Ax the frnous harmonica plier Lary Adler once sud, never be sad to ply what simple on your stent, 6 Intro: eosnpe—(E) (crm) Dim? (sus) cisusd + {wu 1998 ISSUE 39HACK (4sus2) ous? © (sus) (asusa) (sue) Verse: FF Cpeuss Beus2 crsus4 cs Bsus? ctsusd > tovene NSU 39 JANUARY 2998, EE 9;