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Bibliography MUSC744T Te-Wei Huang: 1. Chenette, Jonathan Lee. The Concept of MA and The Music of Takemitsu. (Grinnell
Bibliography MUSC744T Te-Wei Huang: 1. Chenette, Jonathan Lee. The Concept of MA and The Music of Takemitsu. (Grinnell
MUSC744T
Te-Wei Huang
1. Chenette, Jonathan Lee. The Concept of MA and the Music of Takemitsu. (Grinnell
College, Grinnell, IA, 1985).
2. Cook, Nicholas and Mark Everist. Rethinking Music. (New York : Oxford University
Press, 1999).
3. Finnie, Jimmy W.. The Keyboard Percussion Trios of Toru Takemitsu and Toshi
Ichiyanagi, a Lecture Recital, Together with Three Recitals of Selected Works of Cahn,
Maslanka, Miki, Miyoshi, Ptaszynska, Schultz, Wesley-Smith, and Others.
4. Losseff, Nicky and Doctor, Jenny. Silence, Music, Silent Music. (England ; Burlington :
Aldershot, Hampshire, 2007).
5. Malm, William Paul. Japanese Music & Musical Instruments. (Rutland, VT: Tuttle Company,
1970).
7. Nyman, Michael. Experimental Music: Cage and Beyond. (Cambridge University, August 6th
2014).
8. Shende, Vineet Ashok. Traditional Japanese aesthetics in the solo guitar works of Toru
Takemitsu. (Ann Arbor, MI: University Microfilms International, 2001 ).
9. Zeng, Miyako Tadokoro. The works for piano and violin by Toru Takemitsu: A cultural and
stylistic perspective. United StatesUniversity of Southern Mississippi, 1998).
10. .Silence .
2014 9 P. 1-44 .