IVAV youoissafosd | 2 | Vaasa 3020m EWI SOUND MODULE WARNING Operator's Manual eeeWARNINGII To prevent fre or shock hazard, do not expose this appliance to rain or moisture. 1-En Co ‘CAUTION: TO REDUGE THE fsx OF ELEGTAIG SHOGK DONGT REMOVE COVER (OR BACK) NO USER SERVICEABLE PARTE INSIDE REFER SERVICING TO QUALIFIED SEAVICE PERSONNEL, ‘THE SYMBOLS ARE RULED BY UL STANDARDS (USA). ‘The ghtning fash with the arowhead symbol supermposed across a graphical ‘representation ofa person, within an equiateral tangle, isintendedto alert the user tothe presence of uninsuated "dangerous votage" within th product's enclosure; ‘hat may be of suticient magnitude to constuts a nsk of electric shock. ‘Thoexciamation point wthin an equlateraltiangleisintentadto alertthe usertothe presence of important operating and maintenance (serving) nstuctions in the Iherature accompanying the appliance, BAEn WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT ‘This equipment is fitted with an approved non-rawireable UK mains plug ‘To.change the fuse in this type of plug proceed as follows: 41) lemove the fuse cover and old fuse, 2) Fita new fuse which should be a BS1362 5 Amp A.S.T.A or BSI approved type, 3) Refit the fuse cover {the AC mains plug ftte tothe lead supplied wth this equipment isnot suitable for your type of AC outot Sockets it should be changed to an AC mains lead, complete with moulded plug, to the appropriate type. If this 's not possible, the plug should be cut off and a correct one fited to suit the AC outlet. This should be fused at ‘Ss Amps. "Ya plug without a use is used, the fuse athe dstrbuion board should NOT BE GREATER than 5 Amp. PLEASE NOTE: THE SEVERED PLUG MUST BE DESTROYED TO AVOID A POSSIBLE SHOCK HAZARD SHOULD IT BE INSERTED INTO A 13 AMP SOCKET ELSEWHERE. ‘The wires in this mains lead are coloured in accordance with the folowing code: GREEN and YELLOW —EARTH BLUE NEUTRAL BROWN uve ‘As tha colours ofthe wires in the mains lead ofthis apparatus may not correspond wit the coloured markings 'denttying the terminals in your plug, please proceed as follows: ‘The wie whichis coloured GREEN and YELLOW must be connected tothe terminal which is marked with the loter E or with the safety earth symbol 1 or coloured GREEN or coloured GREEN and YELLOW. ‘The wire which is coloured BLUE must be connected othe terminal which is marked with the letter N or coloured BLACK, ‘The wire which is coloured BROWN must be connected to the terminal which is marked with the letter Lor Coloured RED. ‘THIS APPARATUS MUST BE EARTHED Ensure that all the terminals are securely tightened and no loose strands of wie exist. Before replacing the plug cover, make certain the cord grip is clamped over the outer sheath of the lead and not simply over the wires. 6D-EnLITHIUM BATTERY ‘This product uses aL thium Battery for memory back-up. The lithium battery should only be replaced by qualified service personnel. Improper handling may cause risk of explosion. 24K-En FCC warning This equipment has been tested and found to comply with the limits for @ Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection ‘against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, i not installed and used in accordance withthe instructions, may ‘cause harm{ulinterference to radiocommunications. However, thereisno guarantee thatinterference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is ‘encouraged to try to correct the interference by one or more of the following measures: ‘+ Reorient or relocate the receiving antenna. ‘+ Increase the separation between the equipment and receiver. ‘+ Connect the equipment into an out on a cut ferent from that o which the receiver is connected. ‘+ Consult the dealer or an experienced radio/TV technician for help. 21B-En AVIS POUR LES ACHETEURS CANADIENS DU EWI3020m Le présent appareil numérique r’ément pas des bruts radiodlectriques dépassant les limites applcables aux apparels numériques de la Class B prescrites dans le Réglement surle broullage radioelectrique édicté par le ministere des Communications du Canada, 27-F This digital apparatus does not exceed the Class B limits for radio noise emissions from digital apparatus set out in the Radio interference Regulations of the Canadian Department of Communications. 27-£n FOR KUNDEN IN DER BUNDESREPUBLIK DEUTSCHLAND. Bescheinigung von AKAI Hiermit wird bescheinigt, da das Gerdt AKA Ewi3020m in Ubereinstimmung mit den Bestimmungen der ‘Amtsbiattverfgung 1046/1984 funkentst6rt ist. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerdes angezeigt und die Berichtigung zur Uberprifung der Serie auf Einhaltung der Bestimmungen eingerdumt. ‘AKA ELECTRIC CO., LTD. 178.6a WARRANTY AKAL Electric Co., Lid, warrants its products, when purchased from an authorized AKAI dealer, to be free from {defects in materials and workmanship fora period of 12 twelve) months fromthe dat of purchase. Warranty service is effective and available othe original purchaser only, and only on completion and retum of the AKA Warranty Registration Card within 14 days of purchase. ‘Warranty coverage is valid for factory-authorized updates to AKAI instruments and their software, when their installation is performed by an authorized AKA Service Center, and properly completed Warranty Registration hhas been returned to your AKAI Professional dealer, ‘To obitin service under this warranty, the product must, on discovery ofthe defect, be properly packed and shipped tothe nearest AKAI Service Center. The party requesting warranty service must provide proof of eriginal ownership and date of purchase ofthe product. Xf the warranty is valid, AKA will without charge for parts or labor, either repair or replace the defective part(s). Without a valid warranty, the entire cost of the repair (parts and labot) i the responsibility of the product's owner AKAl warrants that it will make all necessary adjustments, repairs and replacements at no cost tothe orginal owner Within 12 (twelve) months ofthe purchase date if: 1. The product fails to perform its specified functions due to failure of one or more of its components. 2. The product fails to perform its specified functions due to defects in workmanship, 3. The product has been maintained and operated by the owner in trict accordance with the written instructions for Proper maintenance and use as specified inthis Operator's Manual, ‘Before purchase and use, owners should determine the suitability ofthe product for their intended use, and the owner assumes all risk and liability whatsoever in connection therewith. AKAL shall not be lible for any injury, loss or damage, director consequential, arising out ofthe us, or inability to use the product, ‘The warranty provides only those benefits specified, and does not cover defects or repairs needed asa result of acts beyond the control of AKAI, including, but not limited to: 1 Damage caused by abuse, accident or negligence. AKA will not cover under warranty any original factory disk damaged or destroyed as a result ofthe owner’ mishandling, 2. Damage caused by any tampering, alteration or modification of the product: operating software, mechanical or electronic components. 3. Damage caused by failure to maintain and operate the product in stict accordance with the written instructions for proper maintenance and use as specified in this Operator's Manual. 4. Damage caused by repairs or attempted repairs by unauthorized persons, 5. Damage caused by fire, smoke, falling objects, water or other liquids, or natural events such as rain, floods, Make sure thatthe EW13020m is tumed off and the VOLUME knob is at the minimum position. Also ‘remember that the mixer or amplifiers are tumed off, or volume ata minimum to protect the speakers, Referring to “Connections” on page 8, connect the EW13020 controller correctly to the EW13020m, and ‘mixer, power amplifier, ete, using appropriate cables, ‘With your finger on the controller's Earth plate, tum the EW13020m on. The other components should be tured on in the “signal-flow” order. (ie., EWI» mixer —» amplifier ~ speaker) Press the AUTO TUNE button on the EWI3020m. Every time you tum the instrument on, itis necessary to adjust the EW13020m's synthesizer unit forthe optimum tuning. After a litde while, auto tuning will finish and the display will sow "S01: Strut2". The instrument is now ready tobe played (Play mode), ' Auto tuning may be required ater awhile, Stabity of he tuning depends onthe voltage status in use = (> AUTO TUNE < >> AUTO TUNE << cu Strut 2 —During this operation do NOT touch the EW13020 controller. Step 1: First, adjust BREATH. Tur both the outer (ADJ) and inner (SENS) knobs clockwise until the BREATH LED light up. Also adjust the volume of mixer, amplifier, ete. Step 2: Asyoutum VOLUME slowly clockwise, the “S01: Strut2" sound will beheard, Go onadjusting ‘and set the volume toa desired position, ‘Step 3: Tum both the inner and outer knobs ofthe GIIDE, BEND, and VIBRATO all counterclockwise. Slowly tum the BEND outer knob (ADV) clockwise and set tothe position where the BEND LED goes off (glide, bend, and vibrato: off). |2 We assume the afects tht contro! the instrument's pitch are unnecessary for you atthe fst step on leaning the ‘nseument. That's why te glide, bend, and vibrato areal sto 12 Step 1: Slowly turn the BREATH outer knob (ADJ) counterclockwise and set tothe position where the BREATH LED goes off. At this point the sound will go off too, Step 2: Hold the EW13020 controller appropriately and blow into the mouthpiece. You will hear the sound easily produced. Try moving your fingers to play other notes. ‘Step 3: Slowly tum the inner (SENS) knob counterclockwise as blowing alternately with strength or lightness intothe mouthpiece. Check how the timbre and volume of the sound change, The more. Yyou turn the knob counterclockwise, the stronger you need to blow to produce the sound. If you are likely to blow strongly, itis preferable to tur the SENS knob counterclockwise, or clockwise for the oppositeeffect. Adjust thisknob to find the most comfortable position for your ‘maximum playing expression. Tumingcountercloctie require more J Turing locke mes ee strenght bi out sound sPEie sengih tobe on esound 1 Adjustments wih the controlinobs one fron panel (VOLUME, BREATH, et are not memorizod. When you accidental have the setings changed, simply readjust hem. ‘Try playing a sound from preset sound banks ($00~850) Step 1: Usethe numeric keys ~<8> to select a bank. For instance if you selec the sound bank “S25: Impress”, press the numeric key <2>, then . The display will how the sound Bank number and sound name assigned. {2 You must do the bank number selection by spacing the 10m age, Ex, Selecting sound bank “S25: Impress”: 2 the ttt Sound hark number Soul name S25: Imeress. Step 2: There are two other methods for bank selection; You can select another bank by increment or ‘decrement from the bank number currently selected, by pressing the UP & DOWN buttons, of VALUE + &~butions. Forexample,ifyou press the UP (VALUE 4) button once, youcan select the sound bank “S26: Image”, To press and holding down one ofthe UP, DOWN, VALUE +, or VALUE ~ button will quickly change to another selection. {2 Program bank selection is also possible wth the same mathods as described above 1B You can refer tothe sound lst on page 6 for sound selecton Atthis point, you have leamed a basic performing way using the instrument. You should get accustomed to fingerings and breath control onthe controller, also sound selection and how tomake breath adjustments ‘on the sound module before proceeding to next section, ee 13ee ED Other Performance Features 13.1 ‘This section describes the detailed explanations of the glide, bend, and vibrato effects, and other useful functions that surely expand your musical expressions. Sound mode & Program mode ‘As described before, the EWI3020m has two basic Play modes; Sound mode and Program mode. ‘When the EW13020m is turned on, it enters Sound mode and offers you to play with any of 100 sounds in sound banks (S01~$50: factory presets; $51~S00: your originals created in Edit mode), ‘1nProgram mode, you can freely assign preset or original sounds from sound banks to 100 program banks (PO1~PO0) to arrange the desired sounds in the order you wish. ‘You can move between Sound mode and Program mode by pressing the SOUND/PROG button. Each time you press this button, you can switch the current mode you work with. While you are in Program ‘mode, the SOUND/PROG LED lights in red, {In both modes, bank selection is possible by the numeric keys, UP, DOWN, VALUE +, or VALUE — buttons. {in Sourd mae in Program made ‘Sound bank mater Sound name Peron mer Somme SO1t Strut 2 tJ} Ligh in mt ‘8 You can rter to page 29 or 30 on string or copying Sounds to user sound banks, “4[Assigning Sounds to the Program Banks] ‘You can arrange sounds from preset or user sound banks into program banks, which is convenient for live performance, et. The following example shows how to assign “SSI: My Sound” from user sound bank 451, to program bank #11 Step 1: Step 2: Step 3: Step 4: Step: Press the SOUND/PROG button toenter Program mode. The SOUND/PROG button willlight ined (Poisseisstrut 2 ) Strut 2 n Press the WRITE button. ‘The left colon in the display changes to an arrow. qipmmrs) (Fo1yso1 strut 2 ) S81:Strut 2 ‘Changes oan arrow by pressing the WRITE bution, Selecta destination program bank (PO1~POO) to assign a sound from sound banks, using the VALUE + or VALUE ~ button o Gene (sini ) destination program bank Select and assign a sound from preset or user sound banks (S01~$00) to the destination program Dank, using the UP, DOWN, or numeric keys, Guam sae) (Pitesgt ine Seunsl) 1¢S51!My Sound preset or ser sound bank Press the WRITE bution a second time to execute the assignment. The EW13020m will retum to the stats in step 1 (Program mode). GEE se) Repeat steps 2-5 as necessary. ‘+ Setting a Transposition ‘Also in Program mode, You can seta transposition setting toeach program bank. Select adesired bank and se the transposition. You can turn the transposition on or off using the TRANS button. ‘See page 20 for more information. 16ee 1.3.2 Setting the Glide, Bend, and Vibrato Effects If you got contol ofthe volume and breath, you also need to set up the other effects—glide, bend, and vibrato, After completing these settings, you can play the instrument with much more “real” expressions like a pro. ‘8 Adjustments withthe conto knobs on ne font panel (GLIDE, BEND, VIBRATO, et) are notmemotzed. When you ‘ecisontly have the satings changed, simply readjust then, [Adjusting the Glide Effect] Step 1: Tur the inner GLIDE knob (TIME) clockwise to a position between half way and 80 percent. © ‘Step 2: First, WITHOUT touching the controlle’s Glide plate, uum the outer GLIDE knob (ADJ) clockwise until the GLIDE LED lights up. After that, tum ita litle counterclockwise until the LED goes off. At this point, check the GLIDE LED lights up every time you touch the Glide plate on the controller, @-—% Turn until the GLIDE LED lights wp. Turn back until the LED goes of ‘Bit Me GUIDE LED does not ght even withthe GLIDE outer knob (ADJ) ful turned clockwise, the GLIDE ‘uncon may be canceled. Press te GLIDE button to make active the functon Step 3: As you blow into the controller, while touching the Glide plate, try to shift the Octave Rollers. With this effect, you can express the qualities like a trombone, for example. Of course by ordinary fingerings, you can have a gliding tone. | The aldo eect is unavatabio wth *MULTT-tiggered sounds (wth VCA “TRIGGER set to "MULTI. See age 41 for dtaiod nfrmaton, ‘Step 4: The gliding tone is one of prime characters of monophonic synthesizers. You should be able to freely control the effect by your left thumb on the Glide plat, ftheeffectisunnecessary, oucan cancel ittemporarily by pressing the GLIDE button, ortotally bby tuming both GLIDE knobs (ADJ & TIME) all the way to the “0” position. {2 lhe GLIDE LED remains it. even ater adjusting the Inne knob (TIME), readjust the outrkrcb (ADS). ‘8 Youcan uso the GLIDE button totum the ge ettect on oof at any me, whichis aso useful to contol the EWIGO20m by an extemal MIO| device (wnout tne EWI9020 controller). Tho GLIDE LED, however, indcales the status of tro de fect (on: LED Wt; of: LED of enty under MIDI contro ee 16* Pitch Shifting Speed by the Glide Time ‘As you tur the GLIDE outer knob (TIME) clockwise, the glide time (pitch shifting speed) will be long (slow. me Turing the TIME knob counterlckise Turing the TIME kab clock shifts shifts the puck ui the pth slowly. [Adjusting the Bend Effect] ‘Step 1: Tum the inner BEND knob (WIDTH) clockwise to a position between half way and 80 | percent. ‘Step2: WITHOUT touching the controllers Bend Up/Down plate, turn the outer BEND knob (ADJ) clockwise until the BEND LED goes off. At this point, check the LED lights up every time you touch the Bend Up or Bend Down plate onthe controller. ‘Step 3: As you blow into the controller, while touching the Bend Up/Down plate, the bend effect will be obtained. With this effect, you can express the qualities like bending a string on the guitar. uw | ‘The range of pitch bending, however, depends on each sound setting. (“OSC-A:BEND UP”, “OSC-A:BEND DW", “OSC-B:BEND UP", Pp and “OSC-B:BEND DW"), 1 cw St Peng ape genes, | Ep ‘When soloing, for example, you should express various feelings ot ‘musically in sensitive collaboration with breath control. own If the effect is unnecessary, you can cancel it by turning the inner > knob (WIDTH) al the way tothe “0” position, while setting the outer (ADJ) knob to the position where the BEND LED turns off. 1 See page 31 for ne bend wish seting ofa sound. ‘Bile BEND LED remains it, even aftr agustng the inner knob (WIDTH), readjust he outar knob (ADM). ee 7—— [Adjusting the Vibrato Effect] Step 1: Tum the VIBRATO knob tothe position between half way and 80 percent, Step 2: While blowing into the controller, lightly bite the mouthpiece (exert pressure around the ‘mouthpiece) to produce a vibrato effect. (It wavers the pitch at regular intervals.) ‘The effecr’s depth may be different depending on the sound you play. Step 3:, Vibrato is a primitive but indispensable method to add charm ot emotion to tones you play. Playing with vibrato would be easy to master for anyone, {Ifthe effect is unnecessary, you can cancel it by tuming the VIBRATO knob all the way to the “0” position. ‘8 Amount of te vibrato elect is possibie tobe set individual to each sound. Se0 24.5 LFO" on page 96. 181.3.3 Adjusting the Key Delay ‘When you play the EW13020, especially inthe situation you area rookie EWI player, you may produce ‘unexpected sounds caused by complex fingering. Key delay function will help you solve problem like that, by adjusting the sounding response of the EW13020m, Step 1:_Press the MIDI buton and enter MIDI mode Step 2: Press the numeric key <> and recall the key delay parameter. o KEY DELAY = 20 ao Step 3: Set the key delay value using the VALUE + or VALUE ~ bution. As you seta large value, the sounding response will be slow accordingly. ‘2 Youcan smoothly play notes win alarge Key delay vaue. However, itmay prevent youtrom paying a speedy phrase, Seta value as smal as needod 191.3.4 Adjusting Transposition Use this function to transpose into another key. You can use the function in two ways; When transposing the key in Sound mode, you can play all sounds inthe transposed key: When in Program mode, you can assign an individual transposition to each program bank and recall it with the sound assigned to that bank, All transpositions assigned both in Sound and Program modes are memorized. You can umn iton and off as necessary, ‘The following transposing procedure is common to Sound and Program modes. Step 1: Pressand hold the TRANS button fora while. The display will change tothe Transpose screen, 12 To vanspose in Program mode, you nes to select the deste program bank belorehand. fy TRANSEPOSE, Step 2: Sullholding the TRANS button, press the VALUE + or VALUE ~ button to select adesiredkey ‘When transposition has been assigned, the TRANS batton will light in red (transpose on status), ‘The possible range for transposition is E~C-+D¥.,(C: standard pitch) OW a heh an ie) E-De ‘Step 3: When you release the TRANS button, the display will return to the previous screen. The transposition, however, willbe valid in the transpose on status (TRANS button will remain lt. ‘Step 4: You can turn the transposition on or off easily by pressing the TRANS button once. Transpose status will be indicated by the TRANS button being lit or not. Note: Transposition assignedin Sound mode is memorizeduntilyou changeto Program mode or turn the EWI3020m off. Transposition assigned to each program bank will be memorized until next time you assign a new transposition to that bank. (It will be memorized even attar you change to ‘Sound mode or tum the EWI3020m off.) 2013.5 13.6 Using Foot Switches By using a foot switch (general normal-close type), you can easily and orderly change the banks both in ‘Sound and Program modes. Connect the foot switch tothe PROGRAM UP/DOWN jack located on the front pane! of the EW13020m. Using the foot switch is especially convenient in Program mode, which enables you to switch program banks arranged in the performing order. ‘+ Using an ordinary (mono) foot switch: Enables the bank number increment. + Using a couple of foot switches: Enables the bank numberincrementon the one, and decrementon the other. Userhe foot switches wired as follows: | eh forrerement eens! standard stereo lig f- A sick or dcrent Normal ye: Opes hci ‘when the fo sich depressed. Tuning ‘When you play with other instruments and find the pitch is slightly off, you can use this funetion to tune the EW13020m to match them, ‘Step 1: Press the AUTO TUNE button to set the EW13020m's synthesizer unit tothe optimum tuning. ‘2 As deserved onthe previous page, you should une up the EW3020m bere playing, dng sounds, .. 18s you need. a Step 2: Adjust te instrument's master pitch using the TUNE knob to match that of the other instrument ‘you are playing with. 2ee 1.3.7 Using Multiple EWI3020m Modules ‘You can simultaneously control more than one unit of EWI3020m using the EW13020 controller. ‘This gives a merit, for instance, that you can play with dense sounds from slightly-detuned multiple ‘modules or with layered sounds of different timbres. ‘To apply this setting, simply connect the INSTRUMENT QUT jack on the rear pane! of thé Ist module (connected tothe controler) to the INSTRUMENT IN jack onthe front panel ofthe 2nd module using ‘an authorized cable (sold separately). re pn Spaiesseeeay) | (EF Lig eaaesae oo 88882 op || Beaasae vo 88822 a5 | our b TNE OUT Ne, SS ==,[2] Sound Editing. In this chapter, we explain how to edit or create sounds on the EW13020m. ‘The EW13020m is a monophonic analog synthesizer that produces a single tone at atime. Itis simple but flexible due to its versatile features to create sounds; For instance, it ean process or mix the sound from. the EXT.IN jack on the ear panel. If you wish, you can use a human voice as a sound source! Before starting creating sounds, lear some basics of the synthesizer and the EWI3020m. ep What is a Synthesizer? Sounds consist of three factors: pitch, tone, and volume. Pitch: Height ofthe sound Tone: Amount of harmonics the sound incorporates Volume: Loudness of the sound ‘Sounds peculiar to acoustic instruments are formed by time variance (called “envelope”) of above three factors. Especially, the envelopes of tone and volume determine the character of a sound. ‘The envelopes for acoustic instruments can be classified into four distinctive types: > > 81 Percussion/srack {2 Strings ‘ArAttack ine D=Decry tine Sessa eel ReRelese tne 13 Stringspizsionto 1 Windsbiown a) Reser naa ‘These envelopes generally indicate volume of sounds, When a level changes, harmonics also changes in the same way: © it setter cme When keel so, here is es harmonic 23‘Synthesizer is a machine that artificially creates a sound using Oscillator, Filter, and Amplifier that correspond to three sound factors—pitch, tone, and volume respectively, plus Modulators such as Envelope Generator (EG) that determines the time variance of them, ot Low Frequency Oscillator (LFO) that gives the factors additional expressions. ‘That is, audio signal output from Voltage Controlled Oscillator (VCO) is processed in its harmonic ‘configuration by Voltage Controlled Filter (VCF), then determined in its volume by Voltage Controlled ‘Amplifier (VCA). Simultaneously, EG and LFO modulate VCO, VCF, VCA to give expressions to a sound that is finally produced. ‘This is atypical process to create a “synthesized” sound. However, you cannot play that sound without a controller that enables to play in any key scale and pitch. ‘You can recognize many synthesizers adopted with keyboard type controllers as the EW13020m uses a Wind instrument type controller (EW13020), Additionally, a key scale and pitch are determined by Controlled Voltage (CV) from the controller, which directly control the VCO, VCF, and VCA (plus modulators). o | vco jf oH output _ f r a) VCO: Vatuge Cote Oscittor VCE: Vatage Conrad Fer VA: tg Cored Ampier £G: Eee Genetor 120: Ln Freuecy Oxcitor Cv: Conrad Vatge Tiger: “Trger seal riggers he sound patton. es ol enol ethan agreed 24@®D Structure of the EWI3020m ‘The EW13020m has 2 VCOs, 1 VCF and 1 VCA. Also, combinable modulators such as 2 EGs, 1 LFO, BREATH, VIBRATO, etc, offer many possiblities for creating sounds. [EWI3020m System Configuration] Factor a [EWI3020m Assignable Modulation System] ues (ism [adie] [eho] Lae [MODULATION DESTINATION ©. ssignable mchabe) ——@ lue range: 00-499 © ode range -99-00~489 (© Conte by “OSC:A:BEND UP” & “OSC-A:BEND DW" inthe VCO-A piremete group, {and "OSC:B'BEND UP" & “OSC-B:BEND DW” i the VCO-B parameter group © Contre by "OSC-A;GLIDE™ in he VCO-A parameter group and “OSC-B.GLIDE” inthe VCO-8 paremeter roup 'f Value "00" gives no eect. See page 39 fer deal ntrmaton about the assignable modulation system.— Increating sounds with the EW13020m, first you recall adesired parameter screen inthe display then set 4 value to the parameter. Sounds thatare edited or newly created can be stored in user sound banks ($51~S00) as your original ones. Program moe Usersnodtanis | 4! Prgrambanis (ss1-s00) o1-Pe0) (| Preset sound tks (s01~50) ‘MOD. 28GED Editing Procedure 2.3.1 ‘TheEW13020m has many parameters due tits versatility. However, the editing procedure is quite simple ‘and common to most parameters. So, you can rather spend much of your time on how each parameter ‘operates to forma sound, and how you wish to play with that sound. Considering these in editing process, you will soon have a desired sound, Editing a Sound Select a sound from preset or user sound banks using UP, DOWN, or numeric keys, To create a sound from scratch, you may start with "S29: Simple” because it has most simple settings. - Press the EDIT button to enter Edit mode and display the parameter screen as follows: Osi FREQ = 60 ponameter group parameter name value 1B Screen contiguraton depends upon the parameter group selected First, select a parameter group that contains a parameter you wish to edit using 2 parameter key Consecutively press the same key several times until the desired parameter screen is displayed. You can also use the UP or DOWN button to select that parameter {2 Remember that ‘numeric keys" operat as parameter keys in Edt moe, wpe wpe ervey Oo oo06e0o0 2°. ‘Selecta parameter group thena parameter contained," EHTEN parte group. ‘Seta value forthe current parameter using the VALUE + or VALUE ~ button. aR ar ‘Youcan hear the base sound by pressing the EDIT button to compare withthe sound you are editing, You can resume editing by pressing the EDIT button again, 'F Ourng comparison, you can natn sound name ofthe base soundin the aay wl be convenient when you eat the sound name using the LABEL paramotr. UCAILEVEL = 30 m Pres whe eiting g S01: Strut 2 The as sound is eb ger * a \ 8 UCRILEVEL = 9) Resumen - Give the sound a unique name composed of up to 8 characters. ‘Step 1: Press the LABEL button forthe label screen. Step 2: Move the cursor (underline) using the LABEL, UP, or DOWN button and select a desired character using the VALUE + or VALUE ~ button, Repeat this step as needed. ‘E Avatabio charactors ar alphabet (uppercase and loworcase), numerals (0-9), and 28 symbols. SO1= My Sound ‘More he cursor using the LABEL, UP, or DOWN button 28 ‘When editing is complete, store the edited sound into one of 50 user sound banks (S51-S00), {2 you ect modutatons by breath contro or bend ranges (upidown) fr VCO-APB, you can store those even in preset ‘sound banks (S01-850). You cannot store other parameter satings int preset sound banks ‘Step 1: Press the WRITE button to display the store screen as follows: i SG1¢S81IMs Sound V estination bank o tore oiginaion bank & \ ‘onginal sound nae Step 2: Select the destination bank from user sound banks ($51~S00) using the VALUE + or VALUE ~ button, Ce Gummms See wser sound hank ‘E Atthispoit youcan cancel string by pressing the EDIT buton and teste eting from the parameter you have ast ected, Step 3: Pressthe WRITE buttonagain. "SUCCEEDED" will lashafew timesto indicate thatthe toring is complete, You will retum to Play mode (Sound mode) with that sound ready to play. SUCCEEDED ashes * 3 lispys the stored sound in Sound mate. ‘This completes the explanation of soundeediting. Referas necessary together with the“Examples” section on page 43, * Storing into the Preset Sound Banks Normally, you cannot store a sound (sound data) into the preset sound banks except for the following parameters. This is because these parameters are al for performance, not for editing 8 sound tel. [VOO-A parameter grow 100} pram “OSOABENOUP “BAT VOOR" “SSCABEND Dir ‘Bama veoe: [Veo] pares go BATH Pa "OSC-B:BEND UP" eoalbielaes “Osc-BeN0 Dir = ‘080-8 “RTH ~+ RESON" “aamovea™ ‘oat uso" “Bar BALNC® orm {2 Parameters other tan above mentioned cannot be stored ilo the preset sound banks, Same 29ee 2.3.2. Copying a Sound ‘You can easily copy any sounds in preset or user sound banks (S01~S00) to user sound banks ($51~S00) to arrange them in performed order, et. Step 1: Select a sound to copy in Sound mode. ‘Step 2: Press the EDIT button, then the WRITE button, SO1¢S@1? Strut 2 Step 3: Select acopy destination using the VALUE + or VALUE ~ button. 1 Youcannot select any preset sound bank (S01-S50) asa copy destination S51¢S81? Strut 2 ‘Step 4: Press the WRITE button to execute. The display will show the following message tha flashes, ‘and return to the Sound mode screen. SUCCEEDED. |B When arranging sounds or ive perormance, ec. itis more conveniantferyouto copy soundsinto te programbanks, ‘Sve page 15 fer mora intormaton.2D Parameter Descriptions 2.4.1 VCO-A ee FREQ = 60 Range: 12-424 + Sets the basic pitch. (i.c,,-12=16', O0=8', +12=4', 42422") * Specify the basic pitch by the step within 4 octaves, FINE GSC-AIFINE = 60 Range: ~50~+60 (unit: cent) *+ Fine tunes the basic pitch by the cent. ee. Pa Range: 00-99 * Adjusts the pulse width when “OSC-A:WAVE" is “Pulse”, + The “pulse” wave is modulated according tothe assigned “PWM" value. WAVE OSC-AIWAVE = AAA Range: OFF, Tri, Saw, TrisSaw, Pulse, TritPulse, Saw#Pulse, ext (le. TisTrangle, SawSaw Tooth, exeEternal) * Selects the VCO-A waveform. Three basic waveforms (Triangle, Saw Tooth, and Pulse) and their combinations are possible to be selected, The selected waveform determines the basic VCO-A tone. “ext” assigns an external audio signal input from the EXT.IN jack. WN mW 1 Toangle ——SawTooth Pee ee ee ee BEND UP OSC-AFBEND UP=a2 Range: 0-7 * Assigns the bend up range by the step, + The EW13020 controller bends a note up within the range specified here. BEND DW OSC-AIBEND Dileo2 Range: 0-7 * Assigns the bend down range by the step + The EW13020 contollr bends a note down within the range specified here, SaaS a4ee GLIDE TIME OSC-A:GLIDE = 50 Range: 00-99 * Adjusts the pitch change speed for the glide effect. As a large value is set, the speed will get slow accordingly. *+ The glide efectis also-adjustable onthe GLIDE inner knob (TIME) on the front panel. Turn the GLIDE inner knob (TIME) clockwise enough to make most of the “OSC-A:GLIDE" parameter. 13 You can tum the glide eect on o of using the GLIDE button on the tont panel 1B The giae effects avalabo only wih VCA “TRIGGER” sett “SINGLE” sneer | SYNCRONIZE Range: ON, OFF. + Makes VCO-A operate synchronously to VCO-B. * Use a unique tone produced by this setting. Hear the difference when they operate asynchronously. Voor eat veo Note: Oscillator Syne ‘When you set the “SYNCRONIZE" parameterto"ON", VCO-A operates synchronously to VCO- B. Inshort, the VCO-A pitch will be affected by pitch change of VCO-B. You can hear variations by waveforms assigned or other modulations, which will expand ranges of your sound creation * Ifyou change the VCO-B pitch by breath control, the VCO-LOSC-Al= g 3 BRTH>LOSC-BI=anyv * Ifyou change only the VCO-A pitch (withthe VCO-B pitch unchanged) by breath control, you can only change the timbre without the pitch unchanged. SYNCRONIZE = ON BRTH>COSC-A: BRTH?0SC-B1= 88 Inany case, the oscillator sync seting will produce seffective sound, Enjoy it with various settings. i2.4.2 VCO-B ee re FREQ = 6G sitar mrtiecet ye FINE rr Co eee eee WAVE OSC-BIWAVE = AtA Range: OFF, Tri, Saw, Tri+Saw, Pulse, TrisPulse, SawePuise (ie, TisTiangl, SaweSaw Tooth) * Selects VCO-B waveform. Three basic waveforms (Triangle, Saw Tooth, and Pulse) and their ‘combinations are possible to be selected. The selected waveform determines the basic VCO-B tone. eee BEND UP OSC-B!BEND UP=a2 meee BENDDW~~S~S~*~*«*RERBIEENO DUDE) ee gt sce ia nrc it GLIDE OSC-BIGLIDE = 50 sas eva OSC-FM ost mM UC aa Range: VCF/OSC-A, 00-99 + With “VCF" selected, VCF is modulated by the “Saw Tooth” wave output from VCO-B. It produces no effect with “VOR CUTOFF=99" + Wh “O8C-A" selected, VCO-A is motel by we Sam CSET yee “7 Tooth” wave oupat from VCO-B. It produces a complex = ‘waveform variance from VCO-A, which also depends upon a waveform selected for VCO-A, This selections ref or you eae to create unstable pitch, vibrato till, or sound effects. | Youcan uso the*OSC-FM" function at anytime, regards of the -WAVE" valu for VCO-8 (oven t“OFF has been ‘selected.a 2.4.3 VCF eee CUTOFF UCF! CUTOFF Range: 00-99 * Adjusts the cutoff frequency of the waveform from VCO-A and VCO-B. + With the value "99", the filters fully open and does not operate. Asthe assigned value is small, the filter ‘cus off harmonics in the waveform accordingly. It produces a dark sound. With an extremely small ‘value, the sound may not be heard because of other parameter setings. Se ee Se | See ee RESONANCE UCF# RESONANCE=20 Range: 00-99 + Emphasizes harmonics inthe band near the cut-off frequency and produces a distinctive tone * With the cutoff frequency value “99", no resonant effect is obtained. With a large resonance value, it ‘makes VCF self-oscillated and produces a sound effect. FOLLOW UCF?FOLLOW = 9 Range: -99-+99 * Changes the cutoff frequency to follow the pitch of played notes. * Ifyou are playing with a sound of a low cut-off frequency value and feel its high note too dark, st this Parameter witha high value. The higher note you play, the richer harmonic tone is obtained (because CF gets more open; the cut-off frequency value is higher.) ee pais ‘witha posto value tha negative ale Fao] cae ares DoF Range: OFF, 1,2 + With this parameter in use (except for “OFF” setting), distinctive tones are obtained. 1" Suitable for wood wind instruments such as oboe, bassoon, ec. 2 Suitable for string instruments such as violin, viola, cello, etc.2.4.4 VCA LEVEL UCAELEVEL = 99. Range: 00-09 *+ Determines a final ouput level from the internal synthesizer unit. Adjust the balance of sounds here BALANCE BALANCE: A1G0-cB Range: A0-100B~A100-08 + Adjusts the balance of output levels from VCO-A and VCO-2B. = BH TRIGGER TRIGGER = SINGLE Range: SINGLE, MULTI * Selects the trigger type for EGs. In normal use, you should select “SINGLE”. With" MULTI" selected, each time you touch a note key on the EW13020 controler, a new trigger (and envelope) will be generated + "SINGLE" is suitable forplaying legato or non-legato. “MULT” is suitable forplaying staccato ornon- legato. See page 40 for more information about relations between triggers and envelopes. 1B The Gide ofioct is avaliable wih “SINGLE” soecte. Le 352.4.5 LFO Range: 00-99 * Adjusts the depth (output level) of LFO. * The larger “AMOUNT” valueis st, the more LFO modulate the destination, Forinstanceif you assign ‘VCO. 1 to be modulated by LFO; the larger “AMOUNT valueis se, the stronger vibrato is output from, the ¥CO-1, thao AMount™ sul FREQ LFOIFRES = 6G Range: 00-99 * Selects the frequency of LFO, * Asa large “FREQ” value is set, LFO modulate the destination accordingly ata fast speed. Bo be ‘thea ow) "FREQ thee “FREQ” ware Range: Triangle, Saw Tooth, Pulse * Selects the waveform used for LFO modulation. * The modulation effect that is obtained varies depending upon this selection, WN MM 1d Trane Sie Tooth Pulse2.4.6 247 2.4.8 ENVI/ENV2 (Common to EGI & EG2) eee Range: 00-99 (Common to A, D, S, and R) SR eee a CHORD PLAY CHORD?PLAY = OFF Range: OFF, ON ‘+ Tums the chord play function on or off * This determines no sound elements, See page S4 for details. C-B (Key Notes) CHORD? | cpat Range: _01~16 (common to each key note) + Assigns a chord to the current key note + This determines no sound elements. See page S4 for detailed information. LABEL ee LABEL Strut. 2 * Gives the current sound with a desired name within 8 characters. See page 28 for more information, 37ee 2.4.9 MOD LENVI 15051 8 source destination — eau * Combines the modulation source, modulation destination, and value (amount of modulation), Value ‘ange varies depending on the combination of the source and destination, + See page 39 for detailed informationep Assignable Modulation System ‘The EW13020m employs a free-assignable modulation system that consists of 7 modulation sources and 10 modulation destinations. 1B ltyou eet mocutatons by breath cont, you can store those even In preset sound banks (S00-S50) MODULATION DESTINATION © 0 csignale patch) © value range: 00-489 © alu range: -$9-00-099 (© Conted by “OSC:-A;BEND UP” & “OSC-A'BEND DW” in he VCO-A parameter group, {and “OSC-BBEND UP" & "OSC-B:BEND DW" in he VCO-E parameter group, © Controle by “OSC:A.GLIDE” in the VCO-A parame group and “OSC-B GLIDE* ‘the VCO°B porameter group Step 1: Press the EDIT button to enter Edit mode. Step 2: Press the MOD button to select the Modulation parameter group. ‘Step 3: Each time you press the MOD button, you can select (bracket) source or destination altemately. TENULI505C-A= 8a ENVI>[0SC-Al= ao the MOD button alternately Sleced by every pressing of ‘Step 4: Select desired source and destination using the UP or DOWN button. Set value using the VALUE + or VALUE ~ bution, Example: If you set the envelope with a slow attack for “ENVI" (EGI) and use it to modulate -FO:AMOUNT" that even modulates “OSC-A:FREQ”, you can have a sound with a delayed vibrato, ENV1=50: 00:99:56 envelope with a slow attack tno Beso anon LFO+(OSC-Al=+5@ |}, _modlation from “LFO:AMOUNT” to “OSC-AFREQ”EXD Triggers “Trigger determines how to generate envelopes from EG (thats assigned to VCA). You can choose the IGeset ype from*SINGLE” and"MULTY” using the "TRIGGER" parameter inthe VCA parameter group (Seepage 35). You will select the"SINGLE” setting for normal instrumentation. However, you still need to read the following for best use of that parameter. [Single Trigger] With "SINGLE" selected each time you blow into the mouthpiece (playing non-legat), it triggers EG (o generate a new envelope. IN initiation of breath key on) EX: completion of breath (key off) 7 DorRe-oMi "Do" Re cm ENVELOPE > > preava J V7 ee eis eg *fyoucontnuousl bow int the mouthpiece (playing legato), theFrsteavelopewillbeheldatthe sustain level 7 legato keg susie enone Ses time feartep>l feral De Re Mi oon areaTH — IN Ex 40Even if you play legato, however, with anon-sustained envelope (sustain level=00),the first envelope will end before succeeding notes are played, and they may not be produced, lee! aslo De Re Mi ENVELOPE no more new envelopes with “SINGLE” end of envelope BREATH —/ Lome IN Ex ‘Thus, itis difficult to play legato witha non-sustained envelope with “SINGLE” tigger. However, itis easily solved with the “MULT” trigger setting [Multi-Trigger] ‘With “MULTI” selected, each time you blow into the mouthpiece or touch a note key, it triggers EG to ‘generat @ new envelope as many times. Thus, this trigger ype is appropriate for playing non-legato or staceato with non-sutained envelopes <= Do Re Mi ENVELOPE BREATH IN EX IN EX IN EX or BREATH JIN xX Key="Do” ——> "Re" ——>-Mi- You can play stacato notes by changing pitches even when blowing continuously into the mouthpiece. a1However, you should be careful when playing with envelopes that are sustained or long-released. It is because each release may be cut out by a succeeding note, This will add clicks to end of notes. As illustrated below, “Do” and “Re” will be aborted with clicks, only "Mi" has a complete release. These clicks can be suppressed with a certain EG setting —faster attack and higher sustain level. Itis, however, ‘ot recommended since it restricts your sound creation, You had better use “MULTT"-triggee for non. sustained percussive sounds. release applied | ‘envelope with long release setting R—| ENVELOPE Do i Re Mi_—> release applied al BREATH —IIN ex Key="Do” ——*e" ——mi-——> 423D Examples ‘You have learned how a basic editing procedure and operations of parameters that forms a sound, You can start editing or creating @ new sound now. However, to fully control or play out a sound using the 'EW13020 controler, read through this section before editing sounds ‘There are two typical methods to edit sounds on the instrument: * To apply “on-the-fly” envelopes by breath contro! Itis one of the most suitable methods for the EW13020 so that it gives you the same playability 4 you play acoustic wind instruments. In this method, you do not have to use any EG settings toplay with sounds because you can control the cu-off frequency and resonance of VCF, output level of VCA, etc, by your breath control VCO-A ver tf az lend VCo.B BREATH + To apply preset envelopes using EG {a usual method for editing sounds as onthe ordinary synthesizer. You can even play sound «effects, percussive tones or different kinds of sounds other than wind instruments by controlling the minimum elements for expressions—dynamics by breath, vibrato effect, etc VCO-A VCO-B Above two suggestions are quite Parameters, it still has the free-assignable modulation system that may bring sounds beyond our ‘imagination, If you get ideas about how a basic sound is programmed and how itis brushed up with the ‘modulation system, you can easily make a shape of the sound you imagine, Otherwise, you cannot ever have a sound that you want. However, itis tre that some skills or techniques ae still necessary to edit ‘orereate sounds fromscratch. So you can startediting with“S29: Simple” assigned with simple parameter seltings for sound reproduction, ‘Now, go to next page to start creating sounds in above two typical methods. 43ee 2.7.1 Applying “On-The-Fly” Envelopes by Breath Control |B Select 29: Simple" in Sound mode, for easy edting, ‘In tis example, we use only the VCO-A output. VCO-B should be turned off. Step 1: Enter Edit mode by pressing the EDIT button, Step 2: Press the VCO-B button to select the VCO-B parameter group. ‘Step 3: Press the VCO-B or UP button three times to select “OSC-B: WAVE" parameter Step 4: Select “OFF using the VALUE + or VALUE — button. This tuns VCO-B off IE = OFF ‘T Attis point, make sure the VCA oubutsetings (VGA: LEVEL, BALANCE}, Adjust them as lustated below UCAILEVEL = 90 BALANCE: AS@-SoE. - ‘ou should use the assignable modulation system to obtain the “on-the-fly” envelopes by the breath ‘contro, Step 1:_ Select the Modulation parameter group by pressing the MOD button, Press the MOD button to bracket the modulation source (lft of arow) if the modulation destination (cight of arow) is bracketed, CENULIS0SC-A= a0 Step 2: Select “BRTH” (BREATH) as a modulation source using the UP or DOWN button. CBRTHIS0SC-A= oo Step 3: Press the MOD buttonto bracket the modulation destination. Then select "VCF as amodulation destination using the UP or DOWN button. Set the value “+99” using the VALUE + button, BRTHSCUCF J=+99 Consecutively select “VCA” as a modulation destination using the UP or DOWN button. Set the value “+99” using the VALUE + button BRTHSIUCA I= 99 Now VCF and VCA can be controlled by BREATH as modulation patches have made in lasttwo steps (3 & 4),ee Step 5: Furthermore, you should “dispatch” other modulation patches fromthe “BRTH" source to avoid ‘unnecessary modulations. Select the destinations inthe diagrams below (using the UP or DOWN button) and seteach value 0 “00" using the VALUE ~ button BRTHS(0SC-Al= 02 BRTH>CPUM-AJ= BRTHS[RESONJ= 60 BRTH3(LFO I= aa BRTH>[BALNCI= 00 8 BRTHSCFM I= ao {F See page 39 or mor information about the modkaton system. - ‘You should also dispatch modulation patches from EGs to fully use the breath control Select “VCF” and “VCA" as destinations for sources “ENV1" and “ENV2” and set each value to “00" using the VALUE — button, ENU1>(UCF ENUI>UCA ENUZ>LUCF é ENU2$CUCA 88 Now VCF and VCA become completely under the BREATH control '£ S00 page 39 for more information about tho modulaton system, ‘Youhave mainly edited ourput controls so far. Fromnow on, you can try playing to make asound, Select the waveform of VCO-A, ‘The""VCO-A: WAVE" parameter has 6 value options —Triangle, Saw Tooth, Pulse, Triangle+Saw Tooth, Triangle+Pulse, and Saw Tooth+Pulse. Select one you wish to play with, OSC-AIWAVE = AA, {8 Tra"exr option for tho enteral auc stn, Selecting this wi produce nosound ules an external audio output 'Sconneciad othe EXTIN jack of the EWI3020m. inthis example, avoid selecng his option. Addtonaly, the “ext ‘option i oly avalabie inthe VCO: parameter group. (notin the VCO-B parameter group)a + If selecting the Pulse wave ‘You should adjust the “OSC-A:PWM'" value. This parameters valid only when the Pulse wave is Selected. Its value changes the pulse width and affects the tone ofthe sound. With the value “00”, VCO-A produce no sound. With the value''50", the pulse width rato (a:b) will be 50:50, OSC-AIPUM = 5a leoel + > time Li Move to the VCF parameter group. Adjust the cut-off frequency by recalling the “VCF:CUTOFF" parameter. The value “OO” will require that you should blow too strongly. Oppositely, the value "99" brings no effect even if you adjust your breath. You should setthe cut-off frequency Value within a range ‘9 "00" to around “50”, with which you can easily play and obtain adesied tone. However, here you should select a value “10” to “20” because you had better try adding a resonant tone in next setting. vcr Resonance is, as described before, the parameter that emphasizes the harmonics in the band around the cut-off frequency, which help you produce a unique sound such as human voice, ec. Recall “VCF:RESONANCE” to set the value, The larger value is set, the more harmonic emphasis is obtained. If the value is too large, VCF will be sef-oscllated and produce a quite unique tone possible to be used as a sound effect. Set a desired value considering the tendency of VCF caused by the "VCF:RESONANCE" parameter. UCF? RESONANCE=48 This parameter adjusts the balance of harmonics between the lower key range and higher key range, by changing the cut-off frequency according tothe played notes. Recall “VCF-FOLLOW" tosetthe value thataverages the differencein tones. The value"00" will produce no effect. UCF?FOLLOW = +50 ‘This completes how you edit a sound to apply “on-the-fly” envelopes by breath control. Its, however, ‘atypical example so that you may find useful settings other than described, and so you should. Also, we recommend that you should try a mixed sound from VCO-A and VCO-B or other modulation settings-— LFO, FM, etc.2.7.2 Applying Preset Envelopes using EGs 1 Solect20: Simple" in Sound modo, for onsy cng. In this example, we use only the VCO-A output. VCO-B should be turned off. Step 1: Enter Edit mode by pressing the EDIT button. Step 2: Press the VCO-B button o select the VCO-B parameter group Step 3: Press the VCO-B or UP button tree times to select “OSC-B:WAVE" parameter ‘Step 4: Select “OFF” using the VALUE + or VALUE ~ button. This tums VCO-B off. OSC-BIWAVE = OFF 1 Atthis pont. make sure ne VCA output setings (VCA: LEVEL, BALANCE). Adjust them as itustrated below: UCAILEVEL = 9 BALANCE! ASO-SeB ‘ ‘You should use the assignable modulation system to obtain the “on-the-fly” envelopes by breath control ‘Step 1: Select the Modulation parameter group by pressing the MOD button. Press the MOD button to bracket the modulation source (left of arrow) ifthe modulation destination (right of arrow) is bracketed, CENU1190SC-A= aa ‘Step 2: Select “BRTH" (BREATH) as a modulation source using the UP or DOWN button. CBRTHIS0SC-A= ao Step 3: Press the MOD button to bracket the modulation destination. ‘Then select each modulation «destination (shown below) using the UP or DOWN bution. Set each value (shown below) using the VALUE + or VALUE — button. BRTHSI0SC-AI= ea BRTH>(PUM-AI= G0 BRTHS(UCF 1=+50 BRTHS[RESONI= 00 BRTHSLUCA 4 3 BRTHSILFO I= 60 ERTH>[BALNC]= &BRTHSCFM = @@ EG (Envelope Generator) determines the time variance of pitch, tone, and/or volume ofa sound, If you simulate anatural sound, you should use EG to produce the unique time variance (envelope) ofeach factor. ‘Time vatianceis also an indispensable factor forma ound, s much s other three—ptch. tone, volume. ‘mio Loox Eee ‘Step 1: In the Modulation parameter group, set each value asthe “ENV1" (EG1) source modulates the “VCF" destination and the “ENV2" (EG2) source modulates the "CA destination, as showa, ENU2+(UCF J= 06 ‘Step 2: Set EGI values (attack time, decay time, sustain level, release time) after pressing the ENV1 button, then set EG2 values after pressing the ENV2 bution. Required value settings are shown below: ENUI=07 40:85:07 ENU2=99:50: 90:11 Press the VCO-A button and recall “OSC-A:WA VE" and “OSC-A:PWM" to set their respective values as shown below: OSC-ANWAVE = nnn OSC-AIPUM = 40 eS 48< Finally, press the VCF button and recall" VCF-CUTOFF",VCF:RESONANCE",and"VCF:FOLLOW" 1 set their respective values as shown below: UCFECUTOFF = 2 8 UCF! RESONANCE=63 UCFHFOLLOW = +42 ‘Try playing with the sound you have just edited. It sounds like a clarinet, Then set “FILTER 2” to for the wood wind family. FILTER 2 = 1 If you prefer more dynamics, you can adjust modulations by “VIB", “BEND”, and “BRTH” in the Modulation parameter group. Also, change tone or volume by adjusting the following values if you need more articulation BRTHS(UCF J=+50 BRTHSCUCA I= 7a 49oe oc Using the MIDI jacks (IN/OUT/THRU) located on the EW13020m rear panel, you can contol an external MIDI device from the EW13020 contolle (through the EW13020m), or play the EW13020m from an extemal MIDI contoller, ete. The EW13020 and EW13020m still perform their capabilities in various ‘applications using MIDI, which expands your performing range and musical expressions €D MIDI Information Handled on EW13020m ‘The EW13020m handles (transmits and receives) the following MIDI information, [Transmitted Information from MIDI OUT} * Transmission Channels: 1-16 * Note Numbers: 22-111 (Increased or decreased by the transposition seting on the EW13020m) * Velocity: A specified fixed value (1~127) or offset variable value (breath-coatrolled) * Program Change: 1-100 (correspond to 100 sound banks. The "00" display matches “100” ) * Breath-controlied “continuous” data specified from Channel Pressute, Modulation Depth (Control Change #1), Breath Controller (Control Change #2), and Main Volume (Control Change #7), * Pitch Bend Change * Portamento Time: Glide Time (Control Change #5) *+ Chords: Transmitted as Note Numbers. + System Exclusive: bulk data + All. Notes OFF [Received Information at MIDI IN] * Reception Channels: 1~16 + Note Numbers: 22~111 + Velocity * Program Change: 1-100 (correspond to 100 sound banks. The “00” display matches 100”) * Any one specified from Channel Pressure, Modulation Depth (Control Change #), Breath Controller (Control Change #2), and Main Volume (Control Change #7) + Pitch Bend Change + Hold (Control Change #64) * Portamento Time: Glide Time (Control Change #5) + System Exclusive: bulk data + AlLNots Off + Reset All Controllers ‘E 'you pay te EW12020min smuitancous us ofthe EW9020 contol and external MIDI daa, the contr takes Brlorty to MIDI data n conto of “continuous” data, Note Numbers, Velocy, ich Bond Change, and Portree Tim. 503.2. Setting MIDI Parameters MIDI parameters (including the Key Delay function) are accessible in MIDU/Setup mode. Before you play the EW13020m using MIDI, you should set up MIDI parameters as inthe following procedure 3.2.1 Setup Procedure Step 1: Press the MIDI bution to enter MIDISetup mode m TX CHENNEL = G1 ‘Step 2: Selecta desired parameter using the numeric keys. If there are multiple parameters in the same Category, press the same numeric key, UP, or DOWN button as necessary, to selec others, 1B Tho numeric key selects no paramstrs. Step 3: Seta value forthe selected parameter 3.2.2 Parameter Descriptions ., Transmission Channel (Tx CHANNEL = 61) => Range: 01-18 + Transmits MIDI information on the specified channel here, we vega Reception Channel RX CHANNEL = @1 Ge Ree aia rm. Receives MIDI information on the specified channel here. eee veps Program Change PROG. CHANGE =ALL eo Range: OFF, TX, RX, OFF, ALL + Determines how the EW13020m handles the Program Change information. OFF: Does not handle the information, ‘TX: Only tansmisson possible, Each ime you selet a sound bank ($01~S00) in Sound mode, the EW13020m transmits program numbers (1100) accordingly. In Program mode, rogeam ‘numbers (1-100) alo correspond respectively to sound banks ($01-SOD) assigned prosram banks. RX: Only reception possible. Each time you select a Program on the external MIDI device, the EW13020m selets a sound bank (or program bank: epending on the cuent mode you work with sccordingly. The program numbers (1-100) eorespondrespectivelyo 100sound banks, enabling to maich the EW13020m sounds to extemal programs ALL: Both transmission and reception possible. a Sarma 81Breath BREATH= OFF o-0 Range: OFF, BREATH, PRESSURE, MOD.WHEEL, vouuMe + Tispratr makes ean contol fom heEW13020 eval oa Cntol Chane speed. That isthe EW13020m wanes the L020 breath cma at Cone Change Ate en a Cina Change cones in eceived the EWI3020m play onasconleby te EWTNE0 cross UNLESS THE Ewns020 18 CONNECTED TO THE EW020n, (OFF: Does not makeanyequivalene a eerie above, With is preter OFF te Etim doesnt hand cach of Charme! Pes eae Conlin ng Volume, and Modulation Depth When you contol te EWISOo0% tee vison set us seung BREATH: enh conrol equivalent Brea Console Youcin conta be EWI3020mby the ental brea Conor or ConlChge #2 PRESSURE: Breath ono eqivalent to Chanel Pressure. Youn contol ie EWL3020ny key pes on eee Keytar of Chaz! Presse, MODWHEEL: Breath contolequvaleatte Modulaon Dep, You can cour be EWL3020nby the mdelon wheel nthe enteral eyoudor Conte age VOLUME: reason equivalentoMain Volume, Youcincontl he EW3020m byte volume pda on th extemal eyboard or Conte Change ee a. Bulk Send ALL BULK SEND ? eO Range: ALL, 51-00 * Sends sound data contained in user sound banks. See page 62 for mor information ee ue Bulk Load BULK RX = URITE ee Range: WRITE, VERIFY + Loads external sound data into user sound banks. See page 62 for more information, wo ay Threshold THRESHOLD = @ 2 Range: 0-127 * Adjusts amount of breath required for transmission of the Note On and Note Off by specifying a threshold level. The EW13020m transmits a Note On information when the breath is over that level. ‘After the Note On information, the EW13020m transmits a Note Off information when the breath is under that level. a a= 82——— wc amy CAPture Time/Transmission Velocity oF fangs: 0-108-127 CAPT: _ Offsets Note On velocity generated by the EWI3020 breath control. As you set alarge value, saredpcnnteseatipiecmdsgivom wtaanatean: Wie wena ores Guvandy wlio fusd ao -VEL sas VEL: Displays the current velocity transmitted. When the “CAPT” value is “0”, set the eee me equ Chord OO Range: * When playing chords on an external sound module, program desired chords here. See page 55 for ‘detailed information, =12-+12, empty (off) KEV DELAY = 20 Range: 0-127 * Adjusts the sounding response of the EW13020m to lessen unexpected notes caused by complex fingering, etc. See page 19 for more information, 53,> Playing Chords ‘This is one ofthe major features ofthe EWI3020m. With up to 4 notes programmed as a chord, you can Polyphonically play an external MIDI sound module from the EW13020 controller. For example, as you Play “Do, Re, Mi" on the controller, aC major chord for “Do”, D minor chord for “Re”, E minor chord for “Mi", will be played on the sound module. . mooi M2 mrp. our {easy Mi nd mate SS uve our une our ' a De, Re, Mi assigned chords ‘The following settings are necessary to play chords: + Programming chords up to 16 types. * Assigning one of 16 chords to cach ofthe 12 key notes in the octave (foreach sound of user sound banks, possible to be switched on ot off) 'B You havo 16 factory preset chords, which are assigned to each sound of sound banks. (See page $8.) 54«Programming Chords> Step 1: Youcan program chordsin MIDI/Setup mode. Press the MIDI button, then the numeric key <7> to recall the chord programming screen, chord umber eleents wp 04 Ietnie 2nd note 31 note Dh note Step 2: Move the cursor using the UP or DOWN button, and then select the chord number or chord clement using the VALUE + or VALUE ~ button Chord number is selected within arange of 01~16. Up to4 chord elements are specified. Each chord elements assigned at amaximum of 4, within arange of -12~+12 (00; middle C); "+12" ‘means one octave up, and “-12" one octave down, Refer o the following illustration when you assign a chord For instance; move the cursor tothe chord number and select it; move the cursor one tothe right, ‘andassign tbe Istnote; move the cursor one again tothe rightand assign the 2nd note, etc.; Repeat this step as you wish. If youneed just 2 notes forthe chord, set blanks (OFF) forthe 3rd and 4th notes, If programming 3 notes, setthe blank to the 4th note. You can find and select the blank next to"“+12" by holding the VALUE + button. ‘Repeat this procedure for other chords. + Correspondence between Key Note and Value mide °C ‘+ Programming Examples for typical chord patterns COGI= G4: t 1 2rote octave unison Sete harmony te harmony roe eta sin 55———— ‘Step Step Step 3: Step 4: Note: = Selecta sound to assign chords from user sound banks, in Play mode, Press the EDIT buttontoenterPlay mode. Press the CHORD button, recall the “CHORD: PLAY” screen, and set “ON” using the VALUE + or VALUE — button, CHORD? PLAY = ON Consecutively press the CHORD or UP button to select a key note. Each time you press the CHORD or UP button, key notes willbe displayed ina looped fashion as: ON (OFF), C, C#, D, Dé, E, F.F#, G, Gt, A, Aft, ON (OFF), etc. Then, assign the chord number (from 01-16) ‘each key note, using the VALUE + or VALUE - button, Repeat this step foreach ofthe 12 notes, CHORI = CoB bey) ote chord umber ‘When the assignments are complete, store them by following the storing method as described on age 29. Afterwards, you can play chords just selecting the sound. Each chord operates to generate MIDI notes that have specified intervals (-12~+12) from the assigned key note (00). Thus, you can have many variations depending on the specification of chords and assignments of them. ‘Example 1: When the same chord is assigned to all key notes of a sound ‘© assigned chord played notes onthe EWI3020m ge : - pled notes on he ‘MIDI sound module —— +‘# assigned chord tothe key note “C” coe1= eee ‘ assigned chord tothe key note "D" cD: SEe7e ‘ assigned chord tothe key note “E” CDBS= Gr43:+8r412 layed nots om the EWI3020m notes onthe extemal 1D sound mode at UnEE 87a [Factory Preset Chords] '2 Esch chordis represent by the notes playa on an extemal MID slave module when the nota midclo C” (0) is played on the EWI3020m, COBI= Gr+4r47r +i c CDG2= B44: 472410 cr CDG4= Or43:+71 410 Co1g=-2142449: Couse Octave (+) : Caug —— ' These 16 chords are assigned to sound banks as: ——— + ©D01-CD16 respectvly to $01-816 (851-866) —— + C001-CO16 respectively to $17-832 (S67-S82) + €001-C016 respectively to 833-848 (585-596) + C01 to S49 (890) ‘CD02 to $60 (S00) ‘Brackoted are user sound banks, 582D MIDI Applications 3.41 So far wehave explained the MIDI functions ofthe EWI3020m, Here you have some practical examples applied with those functions, Playing with an External MIDI Sound Module ‘You can synchronously control an external sound module and the EWI3020m fom the EW13020 controller. Use aMIDI cable o connect the MIDI OUT on the EW13020m to the MIDI IN on the external MIDI sound ‘module, Also use a mixer to connect the LINE OUTs of both instrument if you need a well-balanced sound. MIDIIN iprour aa} ‘MIDI ound mule neour Jeneour , ‘Required settings in this application are; matching the Transmission Channel on the EW13020m and the Reception Channel on the extemal MIDT sound module; arranging sounds (voices) on both instruments toselect a desired combination by a single Program Change from the EW13020m (especially when mixing ‘them using a mixer). You should remember that you can even control the external MIDI sound module using the Breath (for assigned Control Change), Pitch Bend Change, Glide, et., from the EWI3020 controller. {2 Fortis application you shoud care about parameters regarding pitches—master tuning, pitch bend ranges, eon both instruments. 59Te 3.4.2 Playing with a processed EXTIN sound {fyeuinputan extemal sound line level) tothe EXT.IN jock onthe EW13020m rear panel, youcan process it using VCF. VCA, and modulations on the EW13020m and play it dynamically by the EWI3020 controller Step 1: Connect the units with a MIDI cable and two audio cables with standard phone plugs. ine our [MIDI sound module Step 2: Match the Transmission Channel of the EW13020m and the Reception Channel of the MIDI sound module. Step 3: Select the preset sound bank #49 or #50 ($49 or $50) for an audi input from the EXT.IN jack. Now the LINE OUT signal from the MIDI sound module is ready o be processed and played. ‘MIDI sound module Se Vea yoos 4" LINEOUT ‘Step 4: Adjusttheinputlevel ofthe EXT.IN using the EXT.IN knob on the front pane! of the EW13020m. ‘Step 5: Tey playing on the EW13020 controller. You can have a sound breath-contrlled because the MOD parameters—"(BRTH)->VCF", “[BRTH]->VCA"—have appropriately been programmed. Youcanadjustthe VCF parameters, “VCF:CUTOFF" and" VCF:RESONANCE", for variations ofthe tone, Use the EXT.IN jack skillfully to play voices from extemal MIDI-compatible synthesizers or digital samplers for richer expression. Also set up the MIDU/Setup parameters if necessary,a 3.4.3 Using the EWI3020m as a MIDI Slave ‘As the EW13020m operates with the EW13020 controller, we described previous two applications in use ‘of the EW13020m as a MIDI master that controls other MIDI devices. We describe another application, hhowever, in use of the EW13020m as a MIDI slave module under control of an external MIDI keyboard, tc. This application is very useful when you need a heavy bass or lead sound from the analog synthesizer. ‘Step 1: Use a MIDI cable to connect the MIDI OUT on the MIDI keyboard and the MIDI IN on the EW13020m. Also connect both instruments to the mixer or amplifier. If necessary, you can Connect the MIDI THRU on the EW13020m and the MIDI IN on another slave instrument for ‘multiple performance. ‘T'n this application, you should not use the EWI3020 contol. Ifthe mul-pin cable i connected tothe INSTRUMENT IN jack on to EW13020m, you cannot contol the module tom he extarnal MID\ controler connected, ‘Miptour [MIDI keyboard = pti EW>3020m * without £13020 contrler une our UNE out Y Step 2: Match the Reception Channel of the EW13020m and the Transmission Channel of the MIDI keyboard. Set Program Change to enable status “PROG,CHANGE" to “RX" or "ALL" on the EWI3020m). Step 3: Select sound applied with preset envelopes by EGs (page 47). Setup parameters for Pitch Bend Range (“BEND UP" & “BEND DW" of VCO-A & VCO-B), etc, and then ty playing. {2 Forthis application, you should care about paramoters regarding pichee—master tuning, pch bend ranges, tc, on both instruments, Even when using the EW13020m as a sound module under control of the MIDI master, it still offers versatility. If you play the MIDI keyboard using a modulation wheel or after touch function, the EW13020m will answer it with “BREATH” respectively set to“ MOD. WHEEL" or “PRESSURE” in the MIDI parameter group, as controlled by the EW13020. In this point, sounds for “on-the-fly” envelopes can be played in the same way. If the MIDI keyboard produces a digital sound (PCM or sampled one), you can create a fat sound by effectively mixing both digital and analog sounds from the keyboard and EW13020m. ‘Above three examples are typical applications in use of the EW13020m in MIDI connection. However, Possible MIDI applications still remain; If you connect a MIDI sequencer tothe EW13020m's MIDI OUT. ‘youcan record your performance on the EW13020 controller, along with polyphonic MIDI notes as chords tis you tha find your own way and make the most of EWI system. 61ee @D Handling Bulk Data ‘This function allows for transferring sound data in user sound banks between the EW13020m and another EW13020m, MIDI recorder, etc., as MIDI system exclusive messages. We use a "MIDI recorder” in following instructions. [Bulk Send (Transmission)] Step Press the MIDI button to enter MIDUSetup mode, then the numeric key <3> to recall the bulk send screen, Set up the MIDI recorder. Also make sure the MIDI connection (ftom the EW13020m's MIDI OUT tothe receiver's MIDI IN), ALL BULK SEND ? Step2:_ Ifyou send data of single sound, select the sound ($51~S00) using the VALUE + or VALUE ~ button. Step 3: Press the numeric key <3> a second time; data transfer stars; the display shows the following ‘Step 4: “When the data transfer is complete, the display shows the previous screen, ‘ Youneed a MIDI connection tram te EWI3020m tothe receiver wit single MIDI cable [Verifying Bulk Data] ‘You can check whether the bulk data has been correctly recorded or not, using this function, ‘Step 1: Connect the EW13020m's MIDI IN and MIDI recorder’s MIDI OUT with a MIDI cable ‘Step 2: Press the MIDI button toenter MIDUSetup mode, then the numeric key <4>, and recall the bulk verify screen using the VALUE + button. Set up the MIDI recorder for data transfer. BULK RX = VERIFY ‘Step 3:_ Start data transfer on the MIDI recorder. When the EW13020m receives that dat, the display shows the following screen, DATA VERIFVING. ‘Step 4: When the verification is complete, the display shows the following screen, DATA VERIFY OK * Ifthe display shows the following screen, check the MIDI connection and redo verification. Incase the display shows the same message again, you should redo from “bulk send’ operations, !! FAILED !! * With the “BULK RX = VERIFY” status, you can verify the data each time you send it from the MIDI recorder, even in Sound or Edit mode.[Bulk Load (Reception)} ‘Step 1: Connect the EW13020m's MIDI IN and MIDI recorders MIDI OUT with a MIDI cable, Step 2: Press the MIDI button to enter MIDU/Setup mode, then the numeric key <4>, and recall the bulk load sereen using the VALUE — button. Set up the MIDI recorder for data transfer. BULK RX = WRITE ‘Step 3: Start data transfer on the MIDI recorder. When the EW13020m receives that data, the display shows the following screen, DATA RECIEVING. . ‘When the data transfer is complete, the display shows the previous screen, * Ifthe display shows the following screen, check the MIDI connection. Tur the EW13020m off, then ‘on, and redo data transfer. '! FAILED !! * With the “BULK RX = WRITE” status, the EW13020m receives the bulk data if you send it from the MIDI recorder, even in Sound or Edit mode. However, this operation OVERWRITES sounds in the ‘currentuser sound banks. Ifyou donot store them yet, save them tothe MIDI recorder and then attempt. 63——————— Appendix: Preset Sound List or Suut2 | 11 Flute 21 FBack! | 81 Gloom | 41 Depot 02 Judg94 12 Clarinet | 22 Smoky 32 Blow 42. Silky 03 Windy! | 13. Oboe 23 Stony 33. Jett 43 Axis 04 Fiuy 14 Harmonic | 24 Smash! | 34 PopHom | 44 Orion 05 EWwisozo | 15 WiCelo | 25 impress | 35 Rex! 45. Prime 06 Cindy! | 16 Trumpet | 26 image | 36 Genty! | 46 Stream 07 Cloudy — | 17. String 27 Limp 37 Norton | 47 Lotus 08 Judd3020 18 Brass 28 Sparkle 38 Boxer 48 SyncWave 09 Mighty | 19 Ocarina | 29 Simple | 39 Natve | 49 ExtsOse 10 Delicate | 20 Brass-1__| 30 Juggle | 40 FogSet!_| 50 Ext! Note 1: Youcanenter Edit mode and start editing with any one of preset sounds (SO1~S50)shown above, ‘You cannot, however, store it to the original preset sound bank except for the following Parameters. Thisis because these parameters are all for performance, not for editing the sound itself ICO-A} parameter group MOD] parameter group “OSC-A'BEND UP" "BRTH+VCO.AT *OSC-ABEND OW" ‘eRTHvco.s" (VCO-8} parameter group ZERTH Pinca “OSC-BBEND UP- BATH PWM" "08C-8SENO OW ‘BATH vor "BRTH RESON" vaRTHGvcaT “BRTHLFO" “BATH BALNC™ “ORTH FMT Note 2: Factory presets forthe user sound banks employ copies from the preset sound banks. ($51 same 45 SO1, $52 same as $02, ete.) ‘The sound “S29:Simple” employs simple settings as named, with which you can easly start ‘editing from scratch. Note 4: The sounds "'S49:Ext+Ose” & “S50:Ext !" are prepared for an EXT.IN (extemal input) setting of VCO-A. (See page 60.) Note 5: When you play the EW13020m from a keyboard thatis MIDI-connected, you wil find several Sounds impossible tobe played, This is because those sounds are designed tobe played by breath ‘control on the EW13020 controller. To play those sounds from the keyboard, edit them in either of following methods: 1) Set “BREATH" to "MOD.WHEEL" in MIDI'Setup mode, try playing the keyboard ‘while moving the modulation wheel upward (or to generate a positive value) on the ‘MIDI keyboard. (See pages 52 and 61.) You can also set "BREATH" to “VOLUME” ifthe keyboard's continuous controller output the Control Change #7 (main volume). 2) Edit the EG parameters ("ENV1” & “ENV2") and MOD parameters (ENV1-3VCF", “ENV2—VCP", “ENV1->VCA" & "ENV2->VGA") of those sounds as possible to be played by keyboard. (See page 61.) NoteSpecifications * Sound Parameters. Wwco-a} Wvc0-8} wer weal Fo) ENN, Env fcHoRD) apeny mop) FREQUENCY FINE TUNE PULSE WIDTA .WAVE(TRIANGLESAW TOOTHPULSERIANGLEASAW ‘TOOTHTRIANGLE-PULSESAW TOOTHPULSE! EXTERNAL} ‘BEND UP WIDTH. BEND DOWN WibTH (GuIDE TIME SYNCHRONIZE (ON/OFF) FREQUENCY FINE TUNE PULSE WIDTH WAVE CTRIANGLESAWTOOTIPULSEITRIANGLESSAW TOOTIVTRIANGLE+PULSESAW TOOTHSPULSE) BEND UP WIDTH BEND DOWN WIDTH OLIDETIME oscem cuToRF RESONANCE KEY FOLLOW FILTER? LeveL BALANCE ‘TRIGGER (SINGLEMULT) ‘AMOUNT FREQUENCY WAVE (TRIANGLE'SAW TOOTHPULSE) ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE ‘ote chris upto 16 pte, assignable 12 key nates fae oxare S-aracter entries (alphabet: uppercase & lowerese, numeri 0-8, space, 2 symbols) ENVI-V0SC.A, ENV2-405C.A, LFO-90sc-a BREATH40SC-A, ‘VIBOSC-A ENVI-s0sc-8 ENV2-305¢-8 LF0405c-8 BREATH OSC ViB40sCR ENVLAPWMA ENV2-9PWM-A LFOAPWM.A. BREATH-SPWM-A VBP WMA BEND PWH-A CLIDESPWAA ENVIAPWM.R ENV2-PWMB LFOSPHM.B BREATH-#PWM-B vinsPwME BEND PWM CLIDE--PWM-B ENVI-sVCE ENV2GVCE LFO-vcF BREATH+VCF viper BEND-VCF GuDE*VcF ENVI-9RESONANCE, ENV2-SRESONANCE, LEFO-sRESONANCE BREATH~»RESONANCE VIB-RESONANCE BEND-»RESONANCE (GLIDE-2RESONANCE ENVI-4VCA ENV2GVCA LFO-vCA BREATHVCA, viB-VCA ENVI-ALFO ENV2-4LFO BREATH-»LFO ViBLFO BENDLFO GLIDE-2LFO ENVI-PBALANCE ENV2-sBALANCE. LFO-*BALANCE BREATHBALANCE VIB->BALANCE [BEND-9BALANCE GLIDE-SBALANCE ENVI-EM ENV23EM LrO-vFM BREATHEM vine BENDFM ‘OLIDE-¥FM eea Per Meme On And St ra Etta ee arene ‘Type: Special Seasor-compatible Programmable Analog. xan Favor roc ance remnant Viet Nous EAM OrFMREATHRESSURENOOWHEELNOLIME) —Soctacuce: ce maps ta yawn Teeth ata no ae Som cisy Tics ue ppm ran ME Display: ‘V6-character Liquid Crystal Dispiay with back light cry LEDs: BREATH, GLIDE, BEND chor Fcion Vint ue iroaar rasen Mav sesousy eines sw omen eer Yana Function Keys: AUTO TUNE VCOuVCR) ‘TRANSPOSE (12 steps: E-C-+D¥) SOUNDIPROG WRITE ‘MIDI Transmission Chanel, Reception Chae, Program Change, BreathConvl, Bulk Sed, Bu, Receive, Tvesold, Capture Tne, Traasmission Velocity, Chod, Key Day) (SLIDE sich GLIDE ON/OFF) EDIT Allparneies are shown atthe binning tis seeson). VALUE W-) ames Keys (0-9) uppown INSTRUMENT IOUT (Authorized Mui-Pin ‘Connestor for EW13020 Coto) PROGRAM UP/DOWN (63am Standart Mono/ ‘Stereo Phone Jack) HEADPHONE (6.3 mm Standa Mono/Stereo Pane Jak) LINE OUT (63 mm Standard Mono Phone Jack) EXT.IN (63 mm Suadard Mono Phone Jah) MIDI INOUTITHRU (IN 5?) PowerConsumplon: 120V AC ti ISW for US.A nd Canna 1220-20V AC S0Hs for Europe and Austin Dimensions: 483(W) x 90.) x 42400) Val: Termina Weight: 58k ‘Accessories: Operators Manual [AC Power Cable ‘F Avove specications and appearance are eubject to change without notice.Troubleshooting * Nothing appears in the display after turning the EWI3020m on! * Check the EW13020m is connected tothe AC outlet * Check the AC outlet is connected tothe AC mains. * No sound! * Check the amplifier or headphones are appropriately connected to the EW13020m, © Check the EW13020 contrller is appropriately connected tothe EW13020m. ® Check the VOLUME knob is turned up © Check the BREATH knobs are appropriately adjusted. (See page 13.) * Endless sound! (Sound held on) * Check the BREATH knobs are appropriately adjusted. (Se page 13.) * When the EW13020m is MIDI-connected as a slave, check the MIDI cable is appropriately connected * Cannot play from a MIDI keyboard! * Check the MIDI cable is appropriately connected. * Some sounds cannot be played a they ae, (See "Note 5" on page 64) * Sounds cannot be stored! * Store to the usr sound banks ($51-S00) * Out of pitch! ° Tune up using the AUTO TUNE button and TUNE knob. * Check the modulation settings. When VCO-A/B (OSC-A/B)is a modulation destination for any ‘modulation sources, te pitch is affected. 67MIDI Implementation Chart Date: MAY. 10 1996 Version : 1.00 Function Transmites Recognized Remarks Basic Defauit 1-16 1-16 Momorized Channel Changed 1-16 1-16 Defautt 3 4 Mode Messages x O(Altnote off) la an euty Note 22-411 amt Number : True Voice (8-49 ransposed)("t) 0-127 Velocty Note on O9nH, vet = 127 (°2) | OSA, Vet - 127 Note off ‘OBnHv, v=0 OonH, Veg8nH After Key's x x touch chs ° ° 3) Puch bender ° ° Control 1 ° ° ‘Modulation (73) Changs 2 ° ° Breath Controlier(°3) 7 ° ° Volume ("3) 5 ° ° Glide Tene 64 x ° Hola 6s ° ° Glide ON/OFF Program 0(1- 100) O(1- 109) Ghange True No — am System Exclusive ° ° System: Song postion x x Common : Song select x x Tune x x ‘System: Clock x x altime ; Commands x x Aux Local ONOFF x x Messages: All Notes OFF ° ° : Active Sense x x Reset x x Notes: ‘Varied within a range of -8--+3 depending on the transposition settings. ((2): A fixed value within a range of 1~127, or variable values by breath contro, (3): Transmits and receives one selected trom four tems, ‘Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO 0: Yes Mode 3: OMNI OFF, POLY Made 4 : OMNI OFF, MONO X: No ee