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ISBN: 978-960-603-375-9

Copyright, , 2015

Creative Commons -
- 3.0.

https://creativecommons.org/licenses/by-nc-nd/3.0/gr/

9, 15780
www.kallipos.gr



1

1. T ........................................................................... 17
2. ................................................................................................... 18
3. ......................................................................................................................... 20
4. ................................................................................................................. 22
4.1 (Expository mode)........................................................ 22
4.2 (Observational mode).................................................................. 22
4.3 (Poetic mode).............................................................................................. 24
5. , , ............................................................................... 25
6. - ............................................................................................................ 26
7. .................................................................................................................... 27
8. ............................................................................................................................................ 28
8.1 .......................................................................... 28
8.2 .......................................................................................................................... 29
8.3 , .......................................................... 29
8.4 ..................................................................................................................... 30
8.5 .................................................................................. 31
9. (treatment)................................................................................ 31
10. ................................................................................................................. 32
10.1 ............................................................................................................................... 32
10.2 Logline.................................................................................................................................... 33
10.3 , .................................................................................................................. 33
10.4 / .................................................................................................. 33
10.5 ........................................................................................................ 34
10.6 ....................................................................................................... 34
11. ................................................................................ 35
12. ........................................................................................................................... 37
13. ......................................................................................................................................... 47
/................................................................................................... 47
2

1. .................................................................................. 49
2. ............................................................................................... 51
3. ........................................................................................................ 53
4. ............................................................................................. 54
5. .......................................................................................... 55
6. ............................................................................. 56
7. ....................................................................................................................... 57
8. ........................................................................................................................ 58
9. ............................................................................ 58
9.1 .............................................................................................................. 59
9.2 ........................................................................................................................ 59
9.3 .................................................................................................................................. 60
9.4 .............................................................................................................. 60
10. .............................................................................. 61
 10.1 ........................................................................ 62
10.2 ................................................................... 63
10.2.1 .......................................................................................................................... 63
10.2.2 ........................................................................................................... 63
10.3 , ........................................... 64
10.4 ............................................................................. 64
11. 1...................................................................................................................................... 64
12. 2...................................................................................................................................... 66
/................................................................................................... 66
3

1. , ......................................................... 69
2. ....................................................................................................... 69
3. ...................................................................................................... 71
4. .................................................................................... 72
4.1 ( ).................................................. 72
4.2 ( )................................................ 73
4.3 ( )................................................................................. 73
5. ..................................................................... 74
5.1 ............................................................................. 74
5.2 ............................................................ 75
5.3 off.......................................................................................................................... 77
5.4 ................................................................................................................ 78
5.5 Vox-Pop.................................................................................................................................... 79
6. ............................................................................................................. 79
6.1 ................................................................................................................... 79
6.2 ......................................................................................................................... 81
6.3 .................................................................................. 82
6.4 ................................................................................................................... 83
7. ...................................................................................................................... 84
7.1 ........................................................................................................ 85
7.2 (mise en scne) ........................................................................... 86
7.2.1 ................................................................................................................... 87
7.2.2 ................................................... 88
7.2.3 ................................................................................................................... 88
7.2.4 ................................................................................................................................ 89
7.2.5 .............................................................................................. 90
8. ....................................................................................................................... 91
/................................................................................................... 91
4

1. E........................................................................................................................................ 93
2. ................................................................................................................... 94
2.1 ................................................................................................. 94
2.2 ................................................................................................. 94
2.3 .................................................................................................. 95
2.4 ............................................................................................................... 96
 2.5 ................................................................................................... 97
2.6 ............................................................................................................. 97
2.7 .......................................................................................... 98
2.8 ............................................................................................................ 98
2.9 ............................................................................................. 99
2.10 ....................................................................... 99
3. ........................................................................ 99
4. .............................................................................................................. 101
5. ....................................................................................................................... 104
5.1 ........................................................................................................... 104
5.2 ....................................................................................................... 105
6. .............................................................................................................................. 106
7. ........................................................................................... 106
/................................................................................................. 107
5

1. ................................................................................. 109
1.1 /.................................................... 109
1.2 .................................................................... 110
1.3 ................................................................. 111
2. , .............................................................................. 111
2.1 ......................................................................................................... 112
2.2 ............................................................................................ 112
2.3 (logging).............................................................. 113
2.3.1 .............................................................................. 113
2.3.2 .............................................................................................. 114
3. rough cut.............................................................................................. 116
3.1 ............................................................................. 117
3.2 ............................................................................................................. 118
3.2.1 ()............................................................. 119
3.2.2 ()........................................................................ 122
3.2.3 & ( & )........ 122
3.3 (selects).......................................................................... 123
3.3.1 ...................................................................................... 124
3.3.2 ................................................................................... 125
3.3.3 ........................................................................................ 126
4. (final cut).......................................................................... 128
4.1 rough cut....................................................... 129
4.2 ......................................................................................................... 132
4.3 ................................................................................................... 134
5. ........................................................................................ 134
6. .............................................................................. 135
/................................................................................................. 136
6

1. , ..................................................... 139
2. ............................................................................................................................................ 140
 2.1 ........................................................................................................... 141
2.2 ........................................................................................................... 141
2.3 .............................................................................................................................. 142
2.4 .......................................................................................... 142
2.5 ....................................................................................... 143
3. ......................................................................................................................................... 143
3.1 ............................................................................................. 145
3.2 ..................................................................................................... 145
3.3 .......................................................................... 145
4. ................................................................................................................................. 146
4.1 .......................................................................... 146
4.2 ............................................................................................................ 147
5. .......................................................................................................... 147
5.1 ....................................................................................................... 148
5.2 .................................................................................... 150
5.3 .................................................................................... 151
5.4 ................................................................................................. 151
5.4.1 ................................................................................... 152
5.4.2 ....................................................... 152
5.5 .......................................................................................... 152
5.5.1 ............................................................................................. 153
5.5.2 ........................................................................................... 153
5.5.3 ......................................................................................... 153
5.6 ...................................................................................... 154
6. ......................................................................................................................................... 155
6.1 ;............................................................................................................. 155
6.2 ..................................................................................................... 156
/................................................................................................. 156
7

1. .......................................................................................................... 159
2. . ...................................................... 160
3. - ......................................... 160
4. . ................................................ 162
4.1 ...................................................... 163
4.2 & ....................................................... 164
4.2.1 ........................................................................................... 165
4.2.2 ............................................................................................ 165
4.2.3 (Blu-Ray / DVD)................................................................................. 165
4.2.4 ..................................................... 166
4.2.5 ( )................................................. 167
4.2.6 .......................................................................................... 167
5. . .................................. 167
6. . ................................................................................... 170
6.1 . ............................................................................................. 170
6.2 ................................................ 171
6.3 .................................................................. 173
7. .................................. 174
 7.1 .......................................................................... 174
7.2 . ................................................................... 175
7.3 .
................................................................................................................................ 175
7.4 Film Markets..................................................................................................................... 176
8. .............................................................................................. 176
- ................................................................................................ 176
............................................................................................ 179
......................................................................................... 185

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Format/Platforms HD / TV 48'/52'/70' One-off

(--)

37
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email: .
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email: .
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13.
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. 4 -
.
,
,
.

Baker, Maxine. 2006. Documentary in the Digital Age. Oxford: Focal.

Bernard, Sheila Curran. 2007. Documentary Storytelling: Making Stronger and More
Dramatic Nonfiction Films. Amsterdam: Focal.
Barnouw, Erik. 1973. Documentary: A History of the Non-Fiction Film.Oxford, 1973.
Cunningham, Megan. 2005. The Art of the Documentary: Ten Conversations with Leading Directors,
Cinematographers, Editors, and Producers:New Riders.
Dancyger, Ken. 2007. The Technique of Film and Video Editing: History, Theory, and Practice. Amsterdam:
Focal.

47
Grimshaw, Anna & Ravetz, Amanda. 2012. : , -
. ( . ). : .
Rabinger, Michael. 2004. Directing the Documentary. Boston :Focal Press.
Reisz, Karel, and Gavin Millar. 1982. The Technique of Film Editing. London: Focal-Press.
Lindenmuth, Kevin. 2010. The Documentary Moviemaking Course. London: Quarto Inc.
Nichols, Bill. 2001. Introduction to Documentary. Bloomington: Indiana University Press.
Negrete, Aquiles. Fact via Fiction. Stories that Communicate Science. 2013
http://www.pantaneto.co.uk/issue 12/ negrete.htm.
, . 2014. '. -
. ...

1. (2014):1.
2. Dancyger (2007):328.
3. Reisz (1982): 97
4. Reisz (1982): 107
5. John Grierson, -
documentary Moana (John
Flaherty, 1926). O Grierson
.
6. ( , 2006)
7. . (30/10/2011)
8. Nichols (2001): 105. T Nichols : expository mode, poetic mode,
observational mode, participatory mode, reflexive mode performative mode.
9. Nichols (2001): 102
10. Nichols (2001): 102
11. Capturing Reality, 12/10/2015 http://films.nfb.ca/cap-
turing-reality/#/61/.
12. http://films.nfb.ca/capturing-reality/#/45/.

48
 2

, 15
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50
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52
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53
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54
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55
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56
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57
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58
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59
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60
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62
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63
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64
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65
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5. 12 .
6. .

Cunningham, Megan. 2005. The Art of the Documentary: Ten Conversations with Leading Directors,
Cinematographers, Editors, and Producers. Berkeley, CA: New Riders.
Rabiger, Michael. 1987. Directing the Documentary. Boston: Focal.
Reisz, Karel, and Gavin Millar. 1982. The Technique of Film Editing. London: Focal-Press
Rose, Jay. 2008. Producing Great Sound for Film and Video. Burlington, MA: Elsevier, Focal.

66
 2:

1. Avi Lewis, The take (2003) & This changes everything

(2015) 4/6/2013
2. 60 -
(, 1966, , 1974),

(1976-2013). -
, -
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3. Rabiger (1987), 42, 227

67
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69
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72
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74
 3:

Moore -
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1985) , The Leader, His Driver and
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75
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76
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77
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78
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79
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80
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82
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84
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85
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86
 3:

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87
7.2.2

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Morris .12
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2014), Sebastiao Salgado .
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88
 3:

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89
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90
 3:

8.
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-
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.

Baker, Maxine. 2006. Documentary in the Digital Age. Oxford: Focal.

Bernard, Sheila Curran. 2007. Documentary Storytelling: Making Stronger and More Dramatic Nonfiction
Films. Amsterdam: Focal.
Field, Syd. 1986. , ( . ). : .
Katz, Steven D. 1991. Film Directing Shot by Shot: Visualizing from Concept to Screen. Studio City, CA:
Michael Wiese Productions in Conjunction with Focal.
Kazan, Elia. 1988. Elia Kazan: A Life. New York: Knopf.
Kozloff, Sarah. 1988. Invisible Storytellers: Voice-over Narration in American Fiction Film. Berkeley:
University of California.
Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP.
Rabiger, Michael. 2004. Directing the Documentary. Boston: Focal.
Thompson, Paul. 2002. , . ( . .. , .-
). : .

1. Nichols (1991): 42.

2. Baker (2006): 180.
3. Kozloff (1988): 112.
4. Field (1986): 15.
5. David Cronenberg
,
30/9/2012 ( , . 7).
6. -
, , , , ,
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7. Rabiger (2004): 336.
8. Bernard (2007): 227.
9. Scott Hicks Glass: A Portrait of Philip in Twelve
Parts (2007) 21:20.
10. compositing Transcendent man (Barry
Ptolemy, 2009)

91
11. Katz (1991): 268.
12. H interrotron terror interview
Steve Hardy.

92
 4

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Michael Glawogger
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.

93
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94
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95

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97
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98
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Bernard, Sheila Curran. 2011. Documentary Storytelling: Creative Nonfiction on Screen. Amsterdam: Focal.
Kozloff, Sarah. 1988. Invisible Storytellers: Voice-over Narration in American Fiction Film. Berkeley: U of
California.
Rabiger, Michael. 1987. Directing the Documentary. Boston: Focal.
, . 2007. . : .

1. dvd Megacities (Michael Glawogger, 1998).

107
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114
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117
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119
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128
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134
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.

Cunningham, Megan. 2005. The Art of the Documentary: Ten Conversations with Leading Directors,
Cinematographers, Editors, and Producers. Berkeley, CA: New Riders.
McKee, Robert. 1997. Story: Substance, Structure, Style and the Principles of Screenwriting. New York: Regan.
Murch, Walter. 2001. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles: Silman-James.
Oldham, Gabriella. 1992. First Cut: Conversations with Film Editors. Berkeley: U of California.
Pearlman, Karen. 2009. Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal/Elsevier.
Rabiger, Michael. 1987. Directing the Documentary. Boston: Focal.
Reisz, Karel, and Gavin Millar. 1982. The Technique of Film Editing. London: Focal-Press.

136
 5:

Rosenberg, John. 2011. The Healthy Edit: Creative Editing Techniques for Perfecting Your Movie. Burlington,
MA: Focal.
, . 2015. .
. ...

"Niels Pagh Andersen _The art of editing Docs." https://www.youtube.com/watch?v=ZEVP6e7b3bQ

12 Oct. 2015.
Niels Pagh Andersen, Storydoc, 2010

1. , , -
, .
2. (2015): 3
3. Murch (2001): 11
4. (2015): 19
5. Oldham(1992):45
6. Pearlman (2009): 117
7. (Fest Film Lab) Herv Schneid , 25-26
2014
8. Niels Pagh Andersen, , 2011
9. Beckett, Samuel. Worstward Ho. New York: Grove, 1983
10. Rosenberg (2011)
11. Cutting Edge: The magic of movie editing (Wendy Apple, 2004)
12. Niels Pagh Andersen, , 2011
13. (2015): 23

137
138
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141
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90
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142
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144
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147
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150
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154
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155
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Chion, Michel. 1994. Claudia Gorbman, and Walter Murch. Audio-vision: Sound on Screen. New York:
Columbia UP.

156
 6:

Chion, Michel. 2010. / Michel Chion, ( . , -

, ). : .
Grant, Tony. 2003. Audio for Single Camera Operation. Oxford: Focal.
Holman, Tomlinson. 2008. Surround Sound: Up and Running. Amsterdam: Elsevier/Focal.
Purcell, John. 2007. Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Amsterdam: Focal.
Rose, Jay. 2009. Audio Postproduction for Film and Video. London: Focal.
Weis, Elisabeth, and John Belton. 1985. Film Sound: Theory and Practice. New York: Columbia UP.

157
158
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174
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175
7.4 Film Markets
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Bakhshi, Hasan. 2007. The Theatrical Window: Unchartered Waters? London: BFI.
Bloore, Peter. 2009. Re-Defining the Independent Film Value Chain. London: BFI.
Bosko, Mark Steven., 2003. The Complete Independent Movie Marketing Handbook: Promote, Distribute and
Sell Your Film or Video. Studio City, California: Michael Wiese Productions.
Brubaker, Jason. 2012. Movie Marketing Made Simple. Los Angeles: Brubaker Unlimited.
De Rosa, Maria & Marilyn Burgess, Marilyn. 2014. Learning From Documentary Audiences: A Market research
Study. Toronto: HotDocs.
Edwards, Rona & Skerbelis, Monica. 2012. The Complete Filmmaker's Guide to Film Festivals: Your All Access
Pass to launching your film on the festival circuit. Studio City, California: Michael Wiese Productions.
Finney, gnus. 2014. The International Film Business: A Market Guide Beyond Hollywood, New York:
Routledge.
Kanbar, Eliot. 2013. You Finally Finished Your Film. Now What? How to Distribute Your Film Successfully and
Economically in a Very Tough Market. San Francisco: Council Oak Books.
Lee Jr., John & Anne Marie Gillen, Anne Marie. 2011. The Roadmap for the Balanced Producer. Burlington
MA: Focal Press.
Reiss, Jon. 2011. Think Outside the Box Office: The Ultimate Guise for Film Distribution and Marketing for the
Digital Era. Los Angeles: Hybrid Cinema Publishing.
Squire, Jason, 2004. The Movie Business Book. New York: Fireside.

http://www.bfi.org.uk
http://www.bbc.co.uk/commissioning/tv/articles/how-we-do-business
http://www.documentary.org/about-us
http://www.documentary.org/feature/locating-sweet-spot-what-will-tv-channels-pay-your-doc
http://www.documentarytelevision.com
http://www.thefilmcollaborative.org/about/
http://www.filmfestivals.com
https://www.withoutabox.com

176
 7: MH

http://impactguide.org/library.php
http://www.cmsimpact.org

1.
.

177
178


B-roll

.

eats
.

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.

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. ,
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-
.

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.
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.

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.
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-
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.

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, , .

Foley
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production.

179
Guide track
-
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.

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, ,
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180


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.

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1960
1980 8mm .

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.

181
Three point lighting
. -
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182


-
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.

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Room tone. ,
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183
184


1970.
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.
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. 2005 :
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