13 44 15 16 a7 SCARFIAN 118 On the guitar break we conclude the animation, began in Scene (10), The Germanic eagle crashes, leaving behind a pile of decaying skeletons. We pan across a devastated smoking city. Cut to C.U. Blood trickles into a drain. ANZ10. SK A Stuka bomber dives towards the battle. EXT. _AN21O. BATTLE. DAY On the ground, the COMWANDER of a British platoon cranks a field telephone. EXT. _ANZIO. Sk The Stuka continues its dive. We see the pilot's P.O.V. EXT. _ANZIO. BATTLE. DAY Fear. PINK'S FATHER'S face. The borb explodes. We flash cut to Scarfian screaming man. We freeze on the bloody hand still holding the telephone. We hold the shot until the hand gradually loses it's grasp Loud explosions. F.X. "In the Flesh’ concludes.‘THE THIN ICE Maza loves her baby And Daddy loves you too. Aad the Sea may look warm to you babe and the sky may look blue. But Oooh babe, Qoob baby blue, Qoob babe. Tf you should go skating On the thin ice of modern life Dragging behind you the silent reproach Of a million tear stained eyes, Don't be surprised shea a crack in the ice appears under your feet. You slip out of your depth and out of your mind With your fear, flowing out behind you As you claw the thin ice.18 aNr/exr, BLACK sceeeN re axzio. BATTLE. _ paws ont Fe p: as Soak 20° ANT ‘The deross floors.” Tarosg! doors, A besross ies int i bare Tee. cot Eee ANOTHER, Daddy's Leaving A soap Daddy, Daddy, all ta all in fear FLX. of a new burs babs erying. ‘Masa 1oves ner bay ‘nd Dasey Loves Fou too he first note of ‘The Thin Ice’ we cut tos wide 2 shoring the afternath of the batzle st Anzio, ao Slon1y fro0 the sea across the enculdering ruin be battiefiend. Fe sce varsous horrific, bloody or a the eecice tics up LAVISH HOTEL SUITE. RIGHT “It you shouid go skating Os the thin ice of modern tise carera slowly ache through the potel suite. fg roar. Dow a corridor, vatil te ibe last rose, a bp unaereste: ny sfieat ince of the 'ustil we eventually see Bis bland, expressionless s...yeu slip out of your acpib, ane out of your mind, vite your fear flowing out bebind You, as you claw the thin see) tho guitar break the water fragments into night- ish Searfin visions of impending madness BRICK IN THE WALL flown across the ocean, just a menory. shot in the family album, what else did you leave for me? sat d'ya leave behind for me? all it was just a brick in the wall. all it was all just bricks ia the wall.YGROUND. Day. 1946 “Daddy's flows across the ocean. Leaving just » memory, A snap shot ir the family album that else did you leave for me?..." YOUNG PINK, now aged five, has been taken to @ play by his MOTHER. She sits apart, separated from him b: iron railings, knitting. Theré are other children, some of whom are playing with their fathers, who are either Still in uniform or in ill-fitting demob suits, obviously Just out of the Services. YOUNG PINK extremely jealous of these other children whose have come home and atterpts to join in the play one particular father and bis son. lie asks the father to lift Lic up onzo the cvings and help him up onto the slides. He follows the father aid son around the playground. After a while the stranger becomes irritated by this invasion upon hi ship with bis oxn child, and makes it clear PINK is not welcone. PINK goes off alone. just manages to cl one of the swings, but without help from = he can't make it go, and rocks impotently back and forwards