ponick K Chor: | Wor RKS. with explanatory remarks and fingerings by DE THEODORE KULLAK Author's Edition in English by ALBERT R. PARSONS. ~ Volume VI. WALTZES — for the pianoforte. Pree Pras Gr.Valee Brillante E MMat major Op 18 ' Waltz 4 fat major Op G4 \°3 : Valae Brillante 4 Matmiyor . 34N?1 . A fatingor 69-1 Aminoy 2, B minor ot Fimajor. 34. 7 + Pater 70 A flat major. 42 7 7 D flat major . 6+ {., D ftatmajor 703 € sharpininor, 64. 2 : E-aninor Oppostimons NEW-YORK, wien G. SCHIRMER © Mastinger 4 Tobias {Copyright Sever 1840Th. Bulk, Fr. Chopin, Op. 34. Vivace. (1.x. ue sa) 2) f te e% #22 % @ #€% #8 #£f # fa # For small hands with slight power of spanning, I recommend the following modes of execution wal fingering. : Yn, te WS in 5 ie cH] om ‘9 The Intext editions of Hartel, in conformity to the English orixinal editions of Ashdown and Parry, indicate dolce hore: Klindworth, on the contrary gives fi In my opinion. the latter ie thoroughly jostfiable, for it agrees in mood with the preceeding forte of tho introduction with its rilliantly climaxing passages. The dance, pro- per, begins in festal tamalt, and the appropriate contrast first appears in the part in D fiat Jor, page 6. The Tellofsen edition also hes ff in the first measure of the introduction, while is first Indicated At the beginning of the part in D flat major; thus it too adherem firmly to the J up to that point, aithouch withoot repeating the igo, and accordingly. it agrees essentially with Klindworth. a) The af’ is only © special shading of the Counter A fiat, an accent in fi Som on) Cogrigh G.Shrmer Hs,fa # fa #% # fa # dae f ef #fa # tow > ey : i bb Oe: Ga @ #% & f * ta # Gy # fae oe nons= iv 40 Tho threo foll repetition of the & mearare phate in contingally bigher rosiont of tone renders sypeeprite w elimazing in degrees of power, ence I propor lasing mf pin fi f° and finally best executed so:oo th +t * BW HH RM HE & OH © Pq compare i) WD) 8) like mm* Gf # fa * fa. co fa % * fA # * faa —_—_* yi * poco ph magia) * rar : SPoes eo ees 7am (#)WALTZ.” Th. Rullak. Lento. (a. des 60) Fr.Chopin, Op. 34. N92, t tte ta * fa * tw * fae Fa # a) Concerning the grouping of Chopin Waltzes see the preface to Vol. VI of my complete edition. The pro- sont waltz belongs in tho second group; hence the changes of tempo which I propoce for some parts, See d. » Either pase the 82 ander the 4! at once, or exchange with the 3!) in tho next measure, © Some editions have, instead of EERE: SEBEE=. Thic variant ix eaid to come from Chopin himself. who wrote it with bis own hand in a copy belonging to Mme. Dubois in Paris. (Seo E. Rodorffs Report on the rension of Chopin's Works, Vol. IX, page #8, Leipsic, Breitkopt and Hartel). Against the variant itself perhape there is nothing to Kay; neverthclest I consider it more tastefal to reserve the use of it for the repetition of the first part page 8, %f moasare) for tho sake of variety. 1) From bere to the entrance of tho part in A major ‘avsfenno) the waite asrames more of the character of mood gives way to @ more excited one; hence I prefer as the tempo M.M. dea 68 rm) A mazurka. The elegiact\| * : ; ta sastenuto (I> 250.dim sit af Pine Sram2 WALTZ. Th. Rullak, Fr. Chopin, Op. 88. N® 8, Vivace. x.m. d.: #4,So