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Jordan Luty
8 Apr. 2016
Jeff Farber
Acting II
Section 2.1:
In my acting scene from Nice People Dancing to Good Country Music, there exist five
main actions:
Opening the scene, Catherine and Roy have been left alone. Jason has just been
emotionally badgering Catherine, and she wants to escape. However, Roy appears and tries to
square dance Catherines dancing squares, if you know what I mean. Catherine, in response to
this and Jason, begins to explode. She thinks back to her past, going into the nunnery as well as
her childhood. She states, When I was a little girl, I was offended by human beings (53). Shes
reaching into her past to look at the facades shes placed since then. She hated human beings so
much as child, yet she entered into a life with the literal opposite implications. Becoming a nun
for her wasnt to escape a facade; it was to enter into one. She states, I wasnt attracted to God, I
was repelled by the world He made (54). She entered the convent to avoid ourin her
This motion evolves into a sense of anger at Roy. After all, HES part of the problem
with the world. Catherine states, A stupid act will destroy the world someday (54). This
whole time, shes been thinking about how incompetent, immature, and naive that she believes
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Roy to be. This culminates in Catherine screaming out, Youre stupid! (54). She knows this
does nothing but harm him, and yet she continues talking. Roy reacts initially and then decides
theres no hope in trying to prove her wrong. In fact, he tells Catherine that he doesnt read the
interesting parts of the papers, saying he only does the crossword puzzles.
3) Roy Flirts
After a bit, Roy decides that Catherines entire problem is that she puts too much weight
in negativity. He observes that his stupidity to the world is actually just a blind facade. He
knows of the wars and depressing aspects of humanity that Catherine is referencing, but he
believes in the now. Thus, he completely shifts the tonality of the scene with his line, Are you
a virgin? (55). Everything before this scene has been very negative and upsetting. It has had
Catherine all worked up, and Roy has been rather mute. Now, he wants to show her the beauty of
Some would assume that this belongs in the flirting section, but this kiss truly changes the
mood of the scene. Roy has been mute and very one-sided throughout the scene. Any long lines
hes had have been about others realities. He hasnt talked about himself or shown any of his
actual character depth, of which he has a myriad. I dont even mind if you think Im stupid, as
long as you liked kissing me (55-56). He shows his actual perception of the world: one that is
completely opposite of Catherines. At some points, it seems hes agreeing with Catherines way
of the world. Houston is stupid, he states (55). However, he says it with such admiration and
As a result of this conflicting world view, Catherines facade deteriorates (as Roy has just
undergone). Because of this, her worldsher overarching, negative perception of the holistic
world and her intimate relationship with the Nice People barcollide. This results in an extreme
These five actions perfectly display the quintessential conflict of the play: Veiled Human
Facades vs Worldly Reality. After all, Catherine and Roy both have facades in place during the
scene. Throughout the entire play, every character experiences their own sense of dissatisfaction.
This derives from the emotional and southern ideologically influenced fronts that every
character has emplaced. These facades show the simplicity of life in the South but also display
the struggles and bigotry that each southerner faces. Encrypted within the plays text is a
gargantuan amount of social commentary that is pushed aside with the statement that appears in
its title. They are nice people, but the niceness is all a semblance of an unpleasant underly.
Section 2.2:
While the conflict of the play remains Veiled Human Facades vs Worldly Reality, the scene has
a smaller, more precise dispute. Catherine and Roy see the world in different ways. Their two
ideologies epitomize their conflict: Pessimism vs Optimism. After both Roy and Catherine
deconstruct their facades, their remaining perceptions can be taken quite literally. Catherine
speaks of stupidity, selfishness, and agnosticism, while Roy marvels in wonder, content
ignorance, and romanticism. Quite obviously, both can see the others theories but reject them.
Catherine says outright, To witness even one act of cruelty or anger or laziness is like like
being loved (54). Similarly, Roy states, I dont care if Houston is stupid The city dont know
what its doing anymore Guess thats about as stupid as you can get (55). Truly, these
characters clash in state of mind, which epitomizes the conflict of the scene.
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Section 2.3:
Much of this scene is self explanatory, for a formidable amount of it is motivated backstory.
Catherine speaks of her history with the convent, and Roy speaks of his job as a trench digger
(53-55). However, there is some helpful information. Pages 21-23 are valuable information,
stating why Roy feels the desire for Catherine. He wants more out of life than simply being a
ditch digger. Also, it helps to understand Catherines history with the nunnery and why she was
kicked out. She speaks to Eve about this from pages 38 to 43. This simply gives background on
their relationship and the nature of their meeting. To do the scene, though, no information is truly
required, but background on the two characters and their current situations isof course
beneficial.
Section 2.4:
This scene is not only a romantic ploy for two characters; it completely changes Catherine and
displays the sublime ignorance that infiltrates the South. Catherine has put so much effort into
living and being cognitive of the world around her that she has neglected her own life. She states,
I know what my problem with the world is Im trying to understand the world. Thats my
problem Im going to sit here and stare at Houston I mean, why should the world explain
itself to me? (61). She doesnt have to read the papers to understand her current situation, her
current livelihood. It exists in her interactions and relationships, and Roy has shown that to her.
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Works Cited
Blessing, Lee. Nice People Dancing to Good Country Music. New York: Dramatists Play
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