aaa THE CORRS THE ane . ON CORNERS TALK ON CORNERS TALK ON CORNER CRO eo eee ce ro A Cea ee eR aL Ce etErtan) Seca arian ere ace ecL) Pres aaeee TT) Pinetree nis Poa acres y Pre Cerr Tey cere Tra ee CM ae , aa ated eco cece Pea Cater ness aC ea cura ‘ Corian aerate aa PUCCINI ) EON Lacan y eG car At . y i Ranieri ( Breen) Z ats a Deca Tn) eR LU on Taos Correa Y SOR ee aad i POR ae a ( \ Pee Cees Pra n oeeU ny . Bom CnT NCL TN i | iy CUO an ers CTC rea OSCR Ta CINCY Boece ett Sec Cnren rc tite Perea Cre ~ Pair COR eC aah coma cneter tits POunsrec ren anna frais Paes Ronee ae) Diemer att Ercan Crary PRODUCED WITH SPECIAL REGARD Perret Ro eccr mena) AND BINDING HAVE BEEN PLANNED RL area aren nats Direc mie Nas cocoa Parente as Creare ee ee are) casera music saves’ compere Bona oe CNet COROT) - Tea eC Ca tc Ea cnr wry Pare O ue One re Doerr e Terai Cre tear Te nO COT ew EyJW 3A01 NOA AVS L.NOG EL Bs on] RUC hae cnn REE a Pre ed Cla eee aT OL CSR mem CET) a) AEB) eh a esa oR Aer ote Se | AHLYVOOW AGQYd d331S | NAHM AINO Epes een S3a¥Vl 3A01 S3AID 3A01ONLY WHEN | SLEEP 40-9 WORDS & MUSIC BY ANOREA CORR, CAROLINE CORR, SHARON CORR, JIM CORR & OLIVER LEIBER 1.76 _Bm a 1. You're on - 2° sleep. (Verse 2 see block lyric) Jt ee You swim my se - cret 0 - ceans of co-ral blue—and red. Your smell is in - cense bum- © copyniont 1997 BEACON coMMUNICATIONS MUSIC CORFORATION/SONGS OF POLYGRAM INTERNATIONAL NeoRPORATEDGmaj? a = SS SSS 2 SI = -ing, your touch is silk- en, yet it reach-es through_ my skin, mov-ing _from_ with-in, + — hf —= == eo a - a pipe ee PoP TF —-——— 5 = : = ——- —————— = =? —— po ——-e v . fa and clutch-es at—__ my breast. — But it’s on - ly when I r = ——S 6 ee —— i . ET fet os = © we 7 sleep,— see you in my dreams, got me spin- ning, round and round —_tum-ing b 4 let ST = sas = = a f t 4 ES — os e+ ess > oe * e F ACF 5 =i: fy 4 oe 2 z. Ea Ze Hie i] a SSS = f z a oS r e e_e o = up - side do I he: breathe — Pe nT on- 1 hear fou Breae} Some-where in my sleep, got_me spin - ning Ky = ——S eS [oT ; t° % — é & . | y KJ = — — ~ oy = ae 5 4 oe | 7 oe Fw ae *5, 7h it 8 ay FT a and round, — turn - ing up — rae 2 £ ; == = we ee - yeah. yeah. yeah yeah— + 7 = = $ — — = 4 STE ¢ Sa But it's on - oe ly when I_____ = i ffs oe ge eSWs reach-ing through my ~—_— skin, SSS mov- ing from—_—_with- in, FAT — —— = oe er re oes and clutches at my brea:spin - ning round and round, a= o a S ane Po z I ee he 4 £ - id 5 Ew WA. otf | - = - tr T 7 + cry, Ha - wai But it’s on- ly whenand vw round, — turn-ing Verse 2: And when I wake from slumber Your shadow’s disappeared Your breath is just a sea mist Surrounding my body. I'm working through the daytime But when it’s time to rest T'm lying in my bed Listening to my breath Falling from the edge. EE Repeat to fade = =e 2 mee : die, wai - ian But its on- ly when I side down, 1 a é zi 2 } = fF es o fe ? = : a: ooWHEN HE'S NOT AROUND WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR SHARON CORR & JIM CORR da da da da 1. He's un - cool,— E z Roto a : e ee genes 2 wer eee se an un-so- phis - ti - cat,— He’: (Verse 2 see block lyric) = 5 Ti # rT 7 q == awe ut + F a ae) ing bread — 1 find 4 ERE f rae a z A, D/Ft po (faa! byre fet — ‘© a a oe e oe ¢ T can’t_ _ breathe— when he’s not a — SSS SS Bs £. a >. ro ie ifee ee Po St SSS 2 oS when he’s not in —_town.— 2. His mys- —— when he’s not in town.— i=Vocal 8va Basso loco weds See iS Can I keep-him in my ga-lax-y, can he live-with-in my fan-ta-sy, 1 find that Ybr can't sleep. when he’s not in—— — town.____________I_ find that when he’s not in town. Pi St -yeah.— repeat to fade Cross fade Gs Verse 2: His mystique is one of innocence I feel I’m lounging in lovely in his big blue eyes. And I would be preening in paractise If Lwere always beside him like a Siamese. I find that etc. 15DREAMS WORDS & MUSIC BY STEVIE NICKS Con pedale = SS ee ——S = = = - ——_] r s 7 2 ose 5 é =f TF — : A : Ss 7. - — we es ewe se fT I.Now here you goa = gain, you say you want_ your free - (Verse 2 see block lyric) — ——— iia oi ie © convmIoHT 1977 WELSH WITCH MUSIC. USA soNWATY MusiC PuaLISHING EAT MARLBOROUGH STREET, LONDON wi trGaddll Amadd? Dm’add3 e “Ee ay —_— a x dom. Well who am = ==-1______ to_ keep you down? Fadd!! Gaddl! Dm’add!? that you— should play But —! of your lone - ness, — like a 7- heart - beat drives you VS what you aaa and what you lost, Fmaj? Fmaj? + and what you had, maj? G tie Se. and what you lostDm F Am = se — : —__ pens when it's : when they're play- YS they will come and they willAm Dm F f fy ° o ° = — o —¥ —_¢ When = the rain wash - es—_—__ you clean you'll. «= know G AmTadd' Dm’add em ie I. oan Gad ae ayDm F &, Dm NC. Sr know.— cart - beat drives___ you mad. Re- mem - ber what you had. Verse 2. Now here I go again I see the crystal vision But I keep my visions to myself Well it’s only me who wants to wrap around your dreams And have you any dreams you'd like to sell? Dreams of loneliness. Like a heartbeat etc. 2eer WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR, SHARON CORR & JIM CORR E/G#, Ace E ode : oe a - do do do do do do do do do do do do do do E/Gt > ge iF aS ts do do. 1.1 have-n't slept- at (Verse 2 see block lyric) = = oo. Ba a = = ae aad 2 it’s been so long- since we — have talked. =F = SS BE s°ss°s? Lo f | | z —— == e « © cornmIONT 1987 aEAcon communications music CORFORATION/SONGS OF FOLYGKAM INTERNATIONAL INCORPORATED, USA anAnd E/Gt, “HE T have — been— there = ma 7 just don’t know. — what ‘I'm do - ing Bm? Baa + wrong. — A E/G# me fro gh ag He ———_= 5 - gs ee = o = oS sa What can I do—— to make you —love—__—s me? make— you 23 care?you AICt E Bri? What can I get you then ach - ing. Dinaj? E Dimaj? Fim E/FR py | Chai? fight - ing, 7Fm E/Ff ptm Cém’ Daj? fe oe \[3. D.%. al Coda E. Daj? E Bm? ejade OCoda ,, Fm E/GE Dmaj? E Fm E/GH fe "BR Repeat to fade Verse 2: There’s only so much I can take And I just got to let it go. And who knows I might feel better If I don’t try and I don’t hope. Verse 3: Maybe there’s nothing more to say ‘And in a funny way I’m calm. Because the power is not mine I’m just gonna let it fly. 25| NEVER LOVED YOU ANYWAY WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR, SHARON CORR, IM CORR & CAROLE BAYER SAGER _— - —S—ste Amadd* OB BG] | HE if ty Jot 1. You bored~_ me with your sto - ries, T can’t be-lieve that I en - (Verse 2 see block iyi) Amadd+ GiB D Cadd? GiB iy -dured you for as long © copyRichy 1997 Beacon casa lusic CORPORATION/SONGS, OF FOLYGRAM INTERNATIONAL INCORPORATED & ritGs D Amadd* GIB ba ray OB I'm on-ly sor-ry that I did- n't make the move be - fore ¥ And when you go I will re - mem - ber to send a_—thank = you —note—_—to_ that airl, " F i eS Sa see she’s hold - ing — you— ten - der, 27y ——S SS just wan = na say, 1 nev- er real ly loved you ro wo. no I did-n't love you an-y - way,— An’ G D Ani GIB ——— I nev-er real-ly loved you an -y - way, fe SE fe eee ogee glad re 3 fanAnd when you go I will re -coger ae eit tee te an -y - way, no I did-n’t love you an-y - way, I nev-er real-ly loved you: an-y - way, I nev-er real-ly loved you I nev-er real-ly loved you an - y-way,— a nev - erno, I did-n’t love you loved you an = y way, li er loved you an-y - way,— nev an nev-er tru-ly loved you loved you an - y- - - HE ieee : I'm hap - py you're mov - ay 80 way. ing a - way,— yeah, I'm de - light - ed you’ "re — mov - GIB auRepeat to fade Verse 2: Valentino, I don’t think so You watching MTV while I lie dreaming in an empty bed. And come to think of it, I was misled My flat, my food, my everything and thoughts inside my head. Before you go I must remember To have a quiet word with that girl. Does she know you're not a spender? Well I just have to say. Inever really etc.SO YOUNG WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR SHARON CORR & JIM CORR 4-108 GIB an Yeah yeah yeah yeah-yeah. if Yeah yeah yeah yeah___yeah._ tak-ing it ca - sy, bright and breez - y—_yeah, we are (Verse 2 see block lyric) rm iF a © COPYRIGHT 1997 BEACON COMMUNICATIONS MUSIC CORPORATION/SONGS OF POLYGRAM INTERNATIONAL INCORPORATED, USA AUMelaNTs ReSeavED. INTERNATIONAL COPYRIGHT SECURES 33e real ly does-n’t matter that we eo epegeyge« tery ee gee e ee dG real-ly does-n't mat-ter that we——’ ne-ver sleep and it real-ly does-n't mat-ter, real rr” Cada? Dadd? ly does- n't. mat- ter at ——————— "Cause we areCada? so young now— and we are so young, so young _—_now. And when to - mor-row = vee 2. And we are G/B Caday so young now, we are so young, so. young. «snow. 35And when to - mor- row we'll just doit all___—a- gain,— i Am To Coda® ie i D&. al Coda Yeah yeah yeahRepeat to fade ] Verse 2: We are chasing the moon Just running wild and free, We are following through Every dream and every need. Cause we are so young now etc. a7DON’T SAY YOU LOVE ME WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR, SHARON CORR JIM CORR & CAROLE BAYER SAGER Amaj? Dinai? Amai? Dmaj? oA Amai? cin F¥7sust Féna? a _ od = = am 1. I’ve seen this place a —thou-sand times, ‘I've felt allthis be~ fore. — ‘And (Verses 2 & 3 see block lyric) 3° To Coda @|1. Gmaj? Dmaj?Gmaj? E Bm? «Eo, Fim? B/G" ft | Ean He eg" ev + ‘ry time you call, I've wait-ed there as though you might not call at all * ALU ABUUT ME MUSiGy USA" FOLYGRAM MUSIC FUBLIGMING LIMITED. 47 BRITISH GROVE, CONDON Wa (O6-66N) &2 Al AICE Bm? AICE Ht ae BAY a We've done this once and then you closed the door,— _¥ Alct Bm? Po don't let’ me fall. a-gain— —for_-no- thing more. Don’t say _—-you love-_ me un =k —| Bm EA. Asusé don’t tell me you need me if you're not_gon-na stay, don't = t = ee ee rE me this feel - ing, oy, 39 eee aetna eeBm7add4 BmiV/E Amaj? Dmaj? ie ite Ee fia D%, al Coda Coda E AICE — Asust A Bmi/A, LEIA, choice. Don't say you love. me un - less for-ev - er, don’t = ze gee tell me you need~ me if» you're not gon-na stay, don’t give _me this feel - ing, I'll be - lieve— IBuiJE n tee take it Ama? all— Dmai? Yeah__yeah i fg oe te ee yeah. We've done this once. and then you f z : ——S e ae a : te ot S a oe r yr i e HF @ se ee eg a a E Bri Alct Aca Bm BmVE ae es id He ty He y g 2 - 2 = — ae +a Pee — closed the door, don’t let me fall— Bm7A a- for noth - ing Es. Asust > say a tempo 7 you love me un - less fut) for-ev - don’t tell me you need— me LH more, don’t oN WtBmit ee ae alc HE you’re not gon- na stay, don’t give me this feel - ing, Tl on - ly BmvE be- lieve it, AIC# me you need. me if ¥ re iit AIct you're not gon-na stay, don’t give me this feel - ing, I'll A 7 it,Bai/E E. A Amaj? Dmaj? A Amaj? Dmaj? Esust A take it all a way, Verse 2. I know this face I’m wearing now I’ve seen this in my eyes And though it feels so great I'm still afraid ‘That you'll be leaving anytime. Verse 3: I’ve caught myself smiling alone Just thinking of your voice, And dreaming of your touch it’s all too much You know I don’t have any choice. 43LOVE GIVES LOVE TAKES WORDS & MUSIC BY ANDREA CORR, SEAN HOSEIN, DANE DE VILLER, STACEY PIERSA, ELLIOT WOLFF & OLIVER LEIBER 4.98 Fadd%/A Gadd9/B Cost Cust oC Cus? gat Fadd?/A Gadd9/B a fay # 1. Just when I thought it was safe—_ you found. (Verse 2 see block lyric) Gadd 7B ia) - ing place. I'd pro-mised nev - er a - gain, © egnrmians gay BEscon commun icaTlONS. Wusic CORPORATION/sONGS OF FOLYGRAM INTERNATIONAL snconrgnaTED RD MUSIC. SUBALAS PUBLISHING, CAREERS-AuG MUSIC PUBLISHING, KUL os ovvanau wise PBL sive ci HO SEIS Bree ees Aa een tinmrfeon ete wenatie Srn¥er, Conon wer &clos - er, clos er ® 71° only —— Fadd? An? D/Ft Em 1 want_ you— ee em ton Love breaks and love. di - vides,— Fadd? An? GIB Fadd? Amt love laughs— 451. clG. Dm? NC. ee take cad love— that love can can a - &Gadd? G/B A Em, oe fa Love can give— and love can take— a way. Gadd? Bni ine t = sa in make- you cry.— Repeat to fade that love can give— and Jove can take— a - way. can’t be- lieve the ways. 4 a i F Verse 2: 1 find it hard to explain It's crazy but it’s happening, And I’m falling again ‘Much further than I've ever been. I’m falling deeper than the ocean Lam lost in this emotion Love breaks and love divides erc. 47sre WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR, SHARON CORR, JIM CORR & OLIVER LEIBER Ct? Aadd? oe, ett? Aadd? ‘2 & & ES 1. Op-ened my E/B Ct? Aadd? ae “e Hl ee — eyes to - day I know— there's some - thing dif - Werse 2 see block lyric) fr e T saw you in a brand new way— ip? © COPYRIGHT 1997 BEACON COMMUNICATIONS MUSIC CORPORATION/SONGS OF POLYGRAM INTERNATIONAL iNcoRPORATED, Usaicopyaianr ‘conTRot (Gow, saLvonAM MUSIC PUBLISHING LiMiTED, 47 OHiTisM GROVE, LONDON Wa [50% 40EB, Chm? Aadd? oe A a ae a if yes - ter - day— my - self say - ing— these words, e 1 would swear it eee don’t know aE: 49Gimt Fe Gim Esus? Gin? A help-less - "ly — na-tural - lyEos _B Dim oe ae A FFsus4 Fi -D.%. al Coda aes atk: gee ————— ——— 2 aoe I don't know © Coda _B Emaj? Gim? FR ef oeB Emaj? Gtm? Fé Emaj? Gtm? A Cm? oe 1 was lov- ing you all the — che-mic - ally— re na-tural - ly we actVerse 2: T'll make a wish this day And I'll send it to the heavens That we will always stay Entwined like this forever. And though the world may change *Cause nothing stays the same Tknow we will survive. I don’t know why etc. 53eee er MUSIC BY ANDREA CORR, CAROLINE CORR SHARON CORR & JIM CORR J.106 on nn lay 3 times Gaddo/E Aadd9/E Gadd9/E rere rH Gadd AME, Amb/E Esus¢ j 0 BR Ee igaad oe « ¢ = =. Em’ at Boil ehAm/E Cmaj7/E, En’ en E pa ee Ele & me> 2, oI t [ ‘fit vf AREm? Bmv/E AmvE Cmaj/E Em? Bmi/E Ee Am/E B/E En? AmVE Cmaj7/e Env Bmi/E AME BmiV/E Em, cp, Am? cD. a cD cD EmCosh Ep Bale Amite SS ww — Eg, pale i a Ey, Baile apie AmV/E Bmi/E Gadd/E Aadd9/E, Gadd9/E, Am/E Am6/E Gadd9/E Aadd9/E Gadd?/E Am/E — AmS/E Gadd9/E. eo Hj EEEINTIMACY WORDS & MUSIC BY BILLY STEINBERG, RIGK NOWELLS & NEIL GERALDO 1.98 Dni? Disus4 Gadd!t Dm? SS See ge a a @ 1. Last night be - fore you fell a - sleep, _—___ you (Verse 2 see block lyric) ¢ Disust Gada"! ae whis-pered some-thing to me, was it just a . ten to you close,WS good-night kiss felt like a ghost. i “cause your Amt Disust An, What are you trying to say tome? ix] — = —- SS = — se ee 4 What are you trying to say? Ev - ‘ry - bo - dy’s search-ing — for - ti- ma- cy. 61yeah, yeah, yeah, yeah, yeah. Re-mem-ber when you were a child and your mom-ma would hold you in her arms and rock you to i ‘i=| sleep, yeah, yeah, Now dar-ling, there’s just you and I, Dm? Gsus4 let's give each oth - er Disust Gada bp °3, 63Ba - by come and Ev - ‘ry - bo ~ dys search- ing for Repeat to fade yeah yeah yeah yeahyeah. Verse 2: We come into this world alone From the heart of darkness the infinite unknown, We're only here a little while And I feel safe and warm when I see you smile. Baby don’t move away from me Baby don’t pull away. mriNO GOOD FOR ME WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR SHARON CORR & JIM CORR J.92 oe &, Em? pee Aa 1.1 see a home in a qui - et (Verse 2 see block lyric) G ia i A. *) ie wef} brace and I feel pro - tec- tion from the hu - man race,- COPYRIGHT 1997 BEACON COMMUNICATIONS MUSIC CORPORATION/SONGS OF POLYGRAM INTERNATIONAL INCORPORATED, USA, 65ic ie —¥ vzuerfere it's not pa- ren- tal z~weeee 8 ———— a ee = ope pbs co Pp Ee > ———— ,* = oS And) itjs) @n0="= = cood = An, 2, cma sa i : — a . - w= = - = zt = SSS = e that I’m walk- ing through the clouds when you're look-ing 4 _ ee ° = — —_—— —= ae “ee a : I'm feel-ing like a Moa, i | a 4 e ol) « re $Cmaj? ar a — = Ss = == Oe eae poe ee child = vul-n’ra-bi- fi - ty I if you move be- side me— ¢ et i fa © g = Ee Pet —=— os + + e a a — and you're all that I see, but it's no good for me. Cmajt 4 ae $ ; — F 6 3 to = no it’s mo good for me,——______ Bs So fone 67I'm feel- ing like - vul-n’ra- bi - shak-ing like a is—— — ar i < you move be- side me and you're all that I see, but it's no good, _ it’s ———, —— — 7 Be oe ype - fi. ‘Cmaj’ ; t SS f no good, no good. Through the no good for me.— —_—_——_ oN ee es o iF 8 = S- wv. a oe Verse 2: You have a home in a quiet place And someone else feels your strong embrace She is protected and she needs no chase And do you love her? You're a mystery, You are the heart of intrigue, You're no good no, no good for me ‘That you have no idea ‘That I’m walking through the clouds etc. 69QUEEN OF HOLLYWOOD WORDS & MUSIC BY ANDREA CORR, CAROLINE CORR, SHARON CORR, JIM CORR, GLENN BALLARD, DANE DE VILLER & SEAN HOSEIN 1. She drove a long way through the night from an ur-ban neigh-bour-hood, she left her moth-er in a (Verses 2, 3 & 4 see block lyric) is) 4 re ~ < - - fight for a dream mis - un - der - stood, and her friends. they. talk on 4 = 5 a ae Oo} oe oe P = Silo MUSIC PUBLISHING Umire0, srorano Mouse /6b-79/FULmaM lan s7REET. LonoGN sWé (50%) anFadd? 5 ard cor-ners, they could nev-er com~pre - hend -fil, he could nev-er meet her * She’s nev- er gon-na be like the one be - fore, she read it in her stars ss no matter what it takes, no mat-ter how she oe . breaks, she'll be the queen of Hol - ly n3 ca 2 fon and a shin- ing li- mou - sine. She's nev- er gon-na be like the one be - fore,— i La 2 = = =———- 4 _ = | == a a é = a = a is a a — 7 she read it in her stars that there’s some-thing more, no mat- ter what it ~ ——j— —— _—— a 7 4 2 = a — SF = 5 = id - 7 vee ee Em? as a v ae oo 0 rag iE abe : = —_— —— Se + ——>]> = ee a a #6 = takes, no mat-ter how she breaks, she'll be the queen of Hol - ly - wood. b= =SSs - — 7 oer — € + * Be . aa = SS ra oe ee op FO fz 4 fe ——- oo TE e a 3 She’s be-liev-ing in a dream, SS re == 2 = z oe =< = — aE Ore oe ——- ae é ze $-GB E Sue Dm Sg. F Fadd © Coda nara pou] im ify HR . she’s nev- er gon-na be like the one be - fore,— she read it in her ae 73breaks, she'll be the queen of Hol - ly - wood. She is stars that there’s some-thing more, ho mat-ter what it takes, and ev - en though she E —— = y= r ts — SSS SS SS ; . the queen of Hol-ly - SS © SF = ee - wood, queen of Hol-ly - wood, and her friends still talk on ee pS * é p2 ee $ = = V | | + _ = + = t ——t = ee {= paar He Repeat ad lib. oe = = 4 cor - ners.Verse 2: But there was always something different In the way she held a stare ‘And the pictures that she painted ‘Were of glamour and of flair. And her boyfriend though he loved her Knew he couldn't quite fulfil He could never meet her there. Verse And the cynics they will wonder ‘What's the difference with this dream ‘And the dreams of countless others All believing in T.V. They see their handprints in a sidewalk Flashing cameras on the scene And a shining limousine. Verse 4 Now her mother collects cut-outs And the pictures make her smile But if she saw behind the curtains It could only make her cry. She's got handprints on her body Sad moonbeams in her eyes Not so innocent a child, 758a WORDS & MUSIC BY JIMI HENDRIX J.76 Em? slowly, ad lib. | J Em DFE G a tempo; & aT Hie a 1° rubato __ he = + £ = 1 2 ’ clouds— with a S—— 5 = ae we? = == = Bri? $ —— : = —— s —<$= = = 5 x + 4 4 e+ e a a er ze J @ acer cir - cus mind that’s run- ning wild. But - ter- flies and ze- bras, moon - — —= ————_ pS : = - . og ee ee FA = ae 7 e = : = IPAu, ih ee A He ails oe and fair-y tales, rid-ing with the iy mee wind, When I'm sad she comes to me—— with a thou - sand oO) 7¥ take a ny - thing you want from me, - = a ny- thing.— = eS ee . @ Fe ° i 22 | é aod ae = = € j a DP Baust pyre a Gre : == 2° (Fly lit- tle wing.) | | te SS SS e o ° Oo T 0 HES = i ty ©. o é ~ 7Now | she's és ey = —= = = : rt ff Am? Repeat to fadeeer Pe mee Oe ee We eb fcc ALSO AVAILABLE Ma Seam OO 2s Mee ie oea ls Sasa gay ay ee/ ls! Tae 3 a aL Sy Ed Ml aN da 4J5\S4 1 uo ee Re la ad COMPLETE WITH LYRICS & GUITAR CHORD BOXES Caan en errr] OM YOUR LOCAL MUSIC DEALER OR, Rea a tiaarathe saat Tatiana vi LIMITEDlo ti Pru) RO TET REET oS oO ES NORRIS) Eis \/NSHM AINO