Meredith Shut
English 120 Essay One Outline
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‘TOPIC: How and to what extent dges Sir Gawain and the Green Knight offer a criticism of chivalry? What
aspects of the chivalric ideal are shown to be contradictory or morally problematic in the poern? Or,
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a. The green, magical girdle is initially a sign of public shame, of the comy
and values that Gawain made. Eventually, we learn of the girdle’s prominence among
the Knights of the Round Table as a symbol of esteem.
b. Anattempt to emend the system via the introduction of the girdle proves the fickle
nature of the court and lends itself to the idea of the poem asa critique not of the
chivalric system, but of courtly life and social stratification.
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\Meredith Frances Shutt,
English 120
Section Leader ~ Krista Turner
Essay One
Sir Gawain and the Evolution of Relative Virtue
chivalry through the evolution of a chivalric code which initially emphasizes infallibility and
ultimately develops as a relative entity meant to accommodate the experiences of individual
knights. Close textual analysis of the work supports the notion of Sir’ Gawain’s personal
transformation in conjunction with the code's evolution.
Sir Gawain and the Green Knight attempts to improve upon the traditional, universal ideals of 4
Sir Gawain and the Green Knight serves as an exploration of the contradictions and
inconsistencies of the Medieval chivalric system through the introduction and development of
complex, morally conflicted characters. I contend that the code of chivalry adhered to in the| ve
poem does indeed evolve to accommodate the complexity of distinctive human experiences.|The
introduction of the pentangle in Part II emphasizes the initial aspirations of Sir Gawain and the
‘Arthurian court. The pentangle, an ancient sign of Solomon, is an “endless knot” (p. 175, 1. 630)
representative of the five chivalric virtues of “beneficence boundless and brotherly love/ And
pure mind and manners, that none might impeach, / And compassion most precious” (p. 176, Is.
652-654). fasamed, whole entity, not to be separated or its components made distinct.
In this sense, Gawain and other knights aspire to be the perfect person, completely stableand
virtuous at all times. Throughout the poem’s progression, the reader follows the breakdown of
Gawain’s adherence and steadfast dedication to the paradigmatic code. Though much intemal
narrative is not offered by the text, one does come to understand the inner turmoil faced by our
protagonist, who must pick and choose which values to uphold over others. Ultimately, the KO
chivalric code is proven to be a relative rather than universal ideal dependent upon the distinct
experiences of individual knights and courtiers.Strong emphasis is placed throughout the text on the goodness of Sir Gawain’s
reputation. There is no man “as good as Gawain” (p. 174, 1. 559), or as “faultless in his five
senses” (p. 175, 1. 640). As the quintessential knight, even Gawain’s clothing is described as,
“goodly gear” (p. 174, 1. 584), further highlighting the greatness and strong virtue associated
with Gawain’s life. The Lady Bertilak continually extols Gawain based upon his reputation:
Sir Gawain you are,
Whom all the world worships, whereso you ride;
‘Your honor, your courtesy are highest acclaimed
By lords and by ladies, by all living men (p. 187, Is. 1226-1229)
It is of particular interest to note that Gawain’s punishment for not meeting the Green Knight in
one year’s time is not death or exile, but 1S8s of reputation. The Green Knight warns “Therefore
come, or be counted a recreant knight” (p. 171, 1. 456). In Arthur's court, there is nothing more
abhorrent than to be known as a coward, a recreant and dishonorable fool. In Part Ul, Gawain wots
notes that he would “as soon sink down dead as desist from [his] errand” (p. 184, 1. 1067). It is oe kon
my intent to illustrate through these passages the vast importance of reputation, nobility, and Fant
greatness in the Arthurian court. To maintain adherence to the virtues of valor and chivalry is, in Reetenneth
the mind of Gawain’s contemporaries, the ultimate manifestation of greatness. Tae
“There isa shift in setting throughout the second, third and fork prea eer «TON ded
“Mii the-nobte 64 Gawain is placed in a world devoid of hiv tebe in longer rely te ae
-sole!6n the paradigmatic virtwesouttined for Se Arthur Ss cout ‘country wild and
strange” (p. 177, 1. 709) Gawain is faced with “few...that had great a will toward God or
man.” (p. 177, 1s. 701-702). It is through these bleak descriptions of the Welsh countryside that
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one fret becomes cognizent-ff Gawain's evolving perspective. In a world of courtly relations,maintaining steadfast virtue is a simple matter of subservience to the king, of blindly following
the rules of an archaic game. Thrust into the reality of wilderness and nature, Gawain is much
less comfortable. Enter the castle of Lord Bertilak, a realm of false chivalry. Upon sight of the
“fair and green” (p. 178, 1. 768) grounds, Gawain “offers his thanks/ to Jesus and Saint Julian”
(p. 178, Is. 773-774) and falsely assumes that he has entered a world much like his own.
Following the chivalric code, Sir Gawain offers his thanks and services to the lord of the esse,
“And your man to command I account myself here/ As I am bound and beholden, and shall be,
come what may” (p. 183, ls. 1040-1041). Gawain’s quickness to bind himself to the Lord
Bertilak emphasizes Gawain’s naive nature and susceptibility to believe in the fagade of
hospitality created by the “many courteous folks” (p. 180, 1. 852) of Lord Bertilak’s castle.
‘The dissolution of Sir Gawain’s adherence to the pentangle is or eetel see
auoreness?
occurs both with and without Gawain’s knowledge. Upon meeting the Lady Bertilak, Gawain
binds himself to her will. “For I surrender myself, and sue for your grace/ And that is best, I
believe, and behooves me now” (p. 187, Is. ee Gawain seems to have simul} sly aplern; oa
red =
bound himself to two very different people Sees i ‘Wiis: Gawain was
simply following the chivalric code in that he offered his services to his host, the Lord Bertilak,
his
and his courtesy to a woman, the Lady Bertilak. Sir Gawain does indeed begin to r
own unfamiliar internal struggle once he is fully invested in the exchange game with Lord
Bertilak. The Lady Bertilak, determined to bed him, continually attempts to kiss Gawain. “Either
take her tendered love or distastefully refuse. / His courtesy concerned him, lest crass he appear”
(p. 198, Is. 1772-1773). Gawain faces a moral dilemma concerning the lady’s love: is he to
rudely deny her kisses in favor of the lord? Or should he courteously accept them and deny their
occurrence to the lord? Gawain chooses the latter and, when asked by Bertilak who kissed him,he simply responds, “That was no part of the pact; press me no further” (p. 191, 1.1395).
Ultimately, the most dramatic and telling exemplification of Sir Gawain’s rejection of the
traditional chivalric code is his eventual acceptance of the lady's magical girdle. Initially, Sir
Gawain rejects an opulent ring from the Lady Bertilak, insisting “Before God, good lady, I forgo
all giftsy/ None have Ito offer, nor any will I take” (p. 199, ls. 1822-1823). Conversely, Gawain
is quick to accept the lady's gift of a magical green girdle which possesses supposed powers of J
immortality. This sudden shift in ideology is representative of Gawain’s inner transformation. In eee
order to win the Green Knight's game, itis within Gawain’s best interest to deny the wholeness eee °
of the pentangle and accept a gift from another man’s wife. Concealing the gift from the roo
seemingly hospitable lord, though dishonest, is the rejection of a code which, if Gawain ardently
follqwed, would lead to his demise. Ryveetegsiites apreses fo couse Mie reodor
Past IV of our tale opens with Gawain'S1Ghatae Hn the Lord Beriak’s ose
Gawain is dressed in his “richest raiment” (p. 203, 1.2025), a parallel to his equally fanciful
attire in Part I. The subtle yet integral difference is the addition of the girdle, a representation of
Gawain’s transformation in virtue. Once on the path toward the Green Knight's chapel,
Gavain’s travelling companion offers to change direction, to abandon the task with the promise
of his own silence. Gawain, in a show of his steadfast dedication to honor despite murky and
somewhat distorted circumstances, declines the offer. “If I tumed back now, / Forsook this place
for fear, and fled... could not be excused” (p. 205, Is. 2129-213). My-purpose in highlightis@>
hose ee sc Boonaste en's character, suhidhs still highly virtuous and
courageous. In another parallel to Part Il, Gawain is suddenly thrust into a realm of wildemess,
untamed and unkempt. Gawain’s personal evolution is further emphasized by his placement in a
situation that strongly resembles earlier passages. Rather than being portrayed as thequintessential knight as he was before, Gawain is now full of fault. He grimaces in response to
the Green Knight's initial blow, a natural, human reaction. Once Gawain is finally dealt the
game-finishing blow, he leams of the Green Knight’s true identity and intent. The Green Knight,
or Lord Bertilak, tells Gawain that the nick upon his neck shall serve as penance for his actions.
“Thold you polished as a pearl, as pure and as bright/ As you had lived free of fault since first
you were bom” (p. 210, Is. 2393-2394), It is through reading this quotation that-Heecahnt faly
cognizant of the evolution of the chivalric code. Despite Gawain’s ultimate denial of the 2
Penang eS he yam silient, eer poyreetl Rage piles PSE Green Sieh AS
recognizes Gawain’s transformation and, rather than chastising him, offers him full forgiveness.
Ultimately, Sir Gawain does not live up to the standard set by the paradigm of the
pentangle of virtues. Rather than ostracizing Gawain, the court embraces him upon his return and
regards the girdle as a symbol of esteem rather than of shame. In this sense, the chivalric code
evolves to accommodate the complexity of Sir Gawain’s tests in virtue. Though Gawain’s
reputation as the perfect knight is destroyed, he is now considered a man of truth who embraces
all of his faults and adheres to a code specified to his distinctive needs. By adopting an adapted
chivalric code, the people of Arthur’s court end the poem honoring Gawain’s legacy with an
enlightened comprehension of resiliency and truth. Another reading of the work may lead one to
believe that the chivalric code did not evolve as a specialized standard specific to the experiences
of various men. By integrating the girdle, a symbol of Gawain’s personal trials and growth, into
the lives of all of oes eg eee ld ses that the je code.is sil striving tgbe.ag 6 We
universal standard. on ae ete int dolore,
my hypothesis is greater supported through the actions of both Sir Gawain and the infamous
Green Knight. Regardless of one’s personal interpretation of the work, many lessons are to beJeamed from Sir Gawain and the Green Knight about personal growth and the strength of ~~
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