Chapter 7 and 8

spelling intervals

P5, d5 (diminish), A5 (augmented), M3, m3 etc

labeling harmonies

I, i, IV etc

viio = diminish

III + = augmented

lead sheet notation

always capital: FM, Fm etc

augmented: F+ or F(#5)

diminished: Fo or Fdim or Fmin(b5)

inversion types

root: [nothing]

1st: 6

2nd: 64

in figured bass, accidental on own refers to 3rd

in figured bass, a slash through a number is same as sharp next to it

with 7th chords, there is triad quality and 7th quality

mm7, MM7, mM7 etc

circle with slash through it is half diminish chord

half diminish means only 3rd diminish, not 7th

circle without slash means full diminish

flat 3 AND flat 7

half cadence

Ends on dominant

Authentic

VI
iio

the normal doubling for iio is the 3rd

The cadential 64

V 64 53

Think of this as a single analytical symbol

for cadential 64, ALWAYS double the bass