Professional Documents
Culture Documents
Rogelio Gaeta
English 305
4 May 2016
The Tempest by William Shakespeare is a play about a sorcerer named Prospero who
was sent to live on an island after being removed as the Duke of Milan by his brother Antonio.
Living with his daughter Miranda and his faithful servant Ariel, he waits for an opportunity to
get his revenge on his brother for taking away what is rightfully his. But the plot is not the only
thing going for Shakespeare's play, it is the playwright use of metaphors and figurative speech to
help the theme of the story as well as the imagery the reader can imagine while reading. The
theme itself can be centered around the tempest itself, the storm is Prospero attempt to fight the
injustice laid onto him and his daughter. Despite Prospero fatherly deposition towards his
daughter Miranda, his actions speak the opposite as such as we learn more about his character. In
Act I Scene II, we will learn more that, despite being all powerful, he can still be subjected to the
In Act I Scene II, it opens with Miranda witnessing a shipwreck on the coast of the island
they're living in. Miranda pleads with her father to calm the storms, If by your art, my dearest
father, you have Put the wild waters in this roar, allay them (p. 48). It is here where we first
learn of Prospero abilities to control the weather around the island. It is also here where
Shakespeare began to use his skills as a playwright to set the characteristics of the characters in
the story. Shakespeare paints Miranda as some who young and naive of how the world works and
can be overly dramatic using hyperbole. When she saw the ship crash into the coast, she shouted
Gaeta 2
in horror, O, I have suffer'd with those that I saw suffer! A brave vessel who had no doubt some
creatures in her, dash'd all to pieces (p. 48-49). But Prospero would later calm her fears for the
people in the ship were safe. We are now introduced to Prospero, sorcerer and former Duke of
Milan. It is here where we learn from Miranda's questioning of her father the reason why they
were on the island and for calling the storm on the ship. We learn that Prospero can be long-
winded with his speech about the injustice that befell before him. Shakespeare pokes fun of this
by having Miranda state figuratively speaking, Your tale sir, would cure deafness (p. 54).
Shakespeare would use a metaphor again when Miranda questions Prospero about whether or not
she is really her daughter, Prospero states, Thy mother was a piece of virtue, and she said thou
wast my daughter; and thy father was Duke of Milan; thou his only heir, a princess no worse
issued (p. 51). We learn that Prospero greatly valued his wife and is willing to do anything to
During his speech, we learn that Prospero was overthrown by his brother Antonio after
conspiring with the King of Naples. Prospero became disinterested in ruling Milan and more into
studying in his library. When Miranda heard this, she was shocked that his own brother would do
that, but his response was Good Wombs have borne bad sons (p. 55). After speaking with his
daughter, he cast a sleep spell on her in order to speak with his servant Ariel. It is here where
Shakespeare introduces the more vindictive side of Prospero. We learn now that Prospero gave
the task of summoning the storm to Ariel to bring the ship to shore. The reason why was because
his brother Antonio and the King of Naples was on board the ship. When questioned about the
safety, Ariel told Prospero, Not a hair perish'd and I have dispersed them 'bout the isle (p.
60). Shakespeare introduces Ariel as a faithful servant to Prospero who would do everything
without complaint, but he also reminded Prospero of his promise to grant him freedom for a year.
Gaeta 3
However, Prospero was having none of it and reminded Ariel that he was the one who freed him
from the clutches of the Witch Sycroax (p. 62-63). The dialogue between Ariel and Prospero
introduces new layers into his character and shows the reader that Prospero is in charge and will
There are themes that can be pick out from reading the text of the play, the one that sticks
out is the concept of justice. Early in Act I Scene II, Prospero explains to his daughter the reason
why they are on the island. Prospero seems to be more upset of the face that his own brother
Antonio would actually start a coup in the dead of night than losing his title as the Duke. This
fact can be seen as to why he got Ariel to conjure up a storm (a Tempest) against the ship
carrying Antonio and the King of Naples. By having them separated, he can finally set out to get
his revenge on the man he once called his brother. The promise of delivering justice against the
man who betrayed him is also beginning to cloud his own moral standing when he wouldn't let
his Servant Ariel have freedom, like he is treating him more like a slave than a servant. The
tempest itself could be seen as an illusion or symbol of Prosperos quest for justice. A storm of
that magnitude that Prospero/Ariel created could easily kill any mortal man. But to have them
land safely and separately from each other could be seen as Prospero having a sort of god-like
power on them. Even with that, Prospero quest for revenge can easily bring down a god-like
The Tempest by Shakespeare is a play built on one-man tale to get back against the
men who has taken everything from him. The theme of the story is accomplishing justice and
revenge with the tempest serving as a symbol for Prospero's attempts to achieve it. Shakespeare's
trademarks of using elevated language and uses of metaphors and figurative speech creates the
backdrop for the story and character development for Prospero/Miranda/Ariel. Even with
Gaeta 4
Prospero being clearly above what a human is capable of, he can still be victim of losing his
moral standing on his quest for revenge against his brother Antonio and the King of Naples. The
Tempest is one of many plays that would come out of England that is more secular that religious.
The use of supernatural themes something that is unheard of during those times. Thanks to
Shakespeare, many more playwrights would follow in creating more plays that they want, not