Score

for Richard Wenn and the Queensland Symphony Orchestra

GHOSTS IN THE ORCHESTRA

GORDON HAMILTON

4
4
 2 Tempo I: fun and exploration ( q = 76 )
.j
# #
flutter-tongue
1
# . w ~~~~~~~~~~~~~~~~~~~~~ #
& 44 32 44 j #
a2

f let extra 'fragile flute noses' emerge #. . R

P f
Flute

p
(I & II)
#
r
# ~~~~~~~~~~~~~~~

& 44 # # 32 44 R
fluttertongue
Piccolo
J
F f
# > . .
4 3 4 #
&4 2 4 R
F
Oboe I

. f
#
& 44 J 32 44 r
F .3 .j #
Oboe II

f
1. #
& 44 32 44 j r
a2 3

B b Clarinet
#
F
F
p
(I & II)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
f # # j
B 44 32 44 # w
J
F ~~~~~~~~~~~~~~~~~~
Bassoon
(I & II)
fl
r
n
& 44 32 44 J
10

R
3 3
F Horn
(I & III)

r
n b
& 44 32 44
R

F Horn
(II & IV) 3
r
b b
B b Trumpet & 44 32 44
J R

(I & II) 3

b # b #
& 44 32 44
R
B b Trumpet
3
r
(III) 3

B4 3 4 b
4 2 4 J R

Trombone
(I & II)
F 3
B 44 32 44 # # n
Trombone R
(III)
F 3

# b
Tuba
? 44 32 44 R
F 3

? 44 32 44 # #
10

Timpani
p f

& 44 32 44
Glock.
Tuned Perc.

#
Glock.

F >
Marimba
Tub. Bells
[ D, F # , G, A, B, C # , E, D # ]

44 32 44
44 32 44
Triangle

44 32 44
Susp. Cym.

44 32 44
Crash Cym.

44 32 44
Tamtam

44 32 44
Snare Drum

p f
Bass Drum

# > #
& 44 32 44 #
10 3

# ww #
Harp F P f
? 44 32 44 #
3

E n F# G# A n #
B n C# D n
1 Tempo I: fun and exploration ( q = 76 )
#w w
SOPRANO & 44 32 44

4 3 4
ALTO &4 2 4

TENOR V 44 32 44

BASS
? 44 32 44

Tempo I: fun and exploration ( q = 76 )
# > > > > > > # 3 # ~~~~
violent

# > # # . ># ~~ ~~ ~~ ~~ ~~ ~~ ~~
R # . # # ~~
1 div. a 2

4 j J 3 J 4 J
pizz.

#
arco

&4 2 4
# # w . p f p f 6 f # .
Violin I

# > > > > > > p f

# .
3

#w # # # ~~ ~~ ~~ ~~
# ~~~~~~ ~~ ~~ ~~
& 44 # . j 32 J 44 # j # . J
div. a 2

# . . p p # # .
Violin II

fviolent6 f 3 p f
. # . # > # ~~~~~~~~~~~~ ~~~~~~~~
div. a 2

B 44 # # w 32 44 R . # . # ~~~~~~~~~~~~~~~~~~~~~
Viola
J # . J
p f p f
# # ~~~~~~~~~~~~
? 44 32 44 ~~~~~~ ~ j
div. a 2

# # ~~~~~~~~~~
~~~~~~~~~~ ~~ #
~ fl
Cello

F f a2
? 44 32 44 ~~~~~~~~~~~~
# # div. j
# ~~~~~~~~~~~~~~~~~~~~~#
~~~~~~~~~#
Double
f
fl
Bass
 3

2

& 32 r 44 43 44 42
Fl.
# # w
pp R
(I & II)

& 32 r 44 43 44 42
Ob. I
#
p
3 r 4 3 4 2
Ob. II & 2 #w 4 4 4 4
p
32 44
B b Cl. &
# # w
r
43 44 42

pp R
(I & II)
r
B 32 # # w 44
Bsn. R
43 44 42
(I & II)
pp
32 # # w r 44
43 44 ?
42
18

&
p R
r
F Hn.

32 # # w 44 43 44 42
(I-IV)

& ?
p R
32 44
&
# # w
r

43 44 42
B b Tpt. p R
32 r 44 43 44 42
(I-III)

&
#w
p
32 44 43 44 42
18

& # ww
Hp. F
? 3 4 3 4 2
2 4 4 4 4
Reach final position
2
F tutti P
(if processing on)

f .
S &
J

32 44 j j j
# 43
j 44 42
F f
44 P j j j #
Se - mi - tone [N] Dif - ferent Dif - ferent au - da - cious

& # 32 43 . # j 44 42
A
J # #
Se - mi - tone [N]
F
Dif - ferent
P
Dif - ferent
f au - da - cious

32 44 j j # .
T V
J 43
J
44 42
F#Dif - ferent
PDif - ferent f #au - da . #
44 # j j J
- cious

B
? 32 43 J 44 42
Dif - ferent Dif - ferent au - da - cious

2

>
32 44 r 43 44 . J 42
non div.

& #
p >
VI

F F
# >
6

32 44 r 44 .
43 J 42
non div. arco

&
# # p # >
V II

F F
3
6

3 4 > 3 4 2
#
non div.

B
div. a 2

2 4 R 4 4 4
f # . .
Vla.
F p
? B # 32 # 44 # > 43 44 ?
# 42
non div. div. a 2 3

R
p f . .
Vc.
F
? 32 44 43 44 # 42
3

f . .
D.B.
 4 #
# 3

& 42 # 3 j 42 # 44 32 44
25 a2

8
3 6
Fl.
#
f p
(I & II) 3 6

2
&4 . j 38 42 44 32 44
J
3
Picc.
.
f >
p
.
6

#
& 42 J . 38 j 42 . . 44 32 44
J . J
f p
Ob. I

# .
3

2
&4 J # . 3
8 j 2
4 # . . 4
4 3
2 4
4
Ob. II
J # . J
f p 3
# . #
& 42 J # . 38 j 42 # . . 44 32 44
B b Cl. J # . J
(I & II)
f p 3

B 42a 2 # 38 J -
Bsn.
#
42 # 44 32 44
(I & II)
f 3 6

# # ..
? 42 # J 38 42
44 32 44
25

J J R
F f
#
F Hn.

? 42 # J 38 24 # .. 44 32 44
(I-IV)
J J R
F f
? 42 # j j 38 j 24 # .. r 44 32 44

Tbn. Ffl fl fl f
? 42 38 j
42 . 44 32 44
(I-III)
#
J J fl R
F f
? 42 # j j 38 r

J
42 # . 44 32 44
Ffl fl
Tuba
f

? 42 # 38 j
42 # 44 32 44
25

Timp.
F f
2 38 j
4 42 44 32 44
F f
B. Dr.

3
f F 3
2 3 2 4 3 r 4
4
25

&4 8 4 2 4
3
S
- # - #
fDif - ferent sort of3
32 F
kind oflike re - luc - tant

& 42 38 42 44 r 44
3
A
# - - # -
P F
-
Dif - ferent shor - ter re - luc - tant sort of

T V 42 38 42 44 # 32 # 44

P - F -
3 3 3

32 # R
shor - ter kind oflike sort of

B
? 42 38 42 44 44
3 3

shor - ter re - luc - tant sort of

# > 3

# > 38 > >
3
2 42 44 32 44
25

&4
f #
VI
> p 3

3 6

# >
3

> 3 3 > #
&4 2 8 2 # 44 32 44
# 4
V II
f 3 3
> p 3 6

B 42 j j 3
8 2
4 j 4
4 3
2 4
4
# # # fl
Vla.

fl fl fl
? 2 # j
j 3 # 2 j 4 3 4
4 8 4 # 4 2 4
fl
Vc.

fl fl fl
? 42 # j
j
38 # 42 #
j
44 32 44

D.B.

fl fl fl fl
 5
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4

& 44 38 r r 44
30 a2

# .. #. #.
Fl.
(I & II)
f >
Ob. I & 44 # > . .
> 38 > 44
f
4
&4 3
8 # > 4
4
. .
f # >
Ob. II
>
& 44 # j # 38 # 44
3 3

.
3

6
B b Cl.
p . . . . . fl # #
f
. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r r>
(I & II)

B 44 # . #. 38 # . 44
.
f
Bsn.
(I & II)
p P j
# # #
brassy

? 44 ? 38 44
30

&
J J J &
F Hn. F f
? 44 # 38 # 44
(I-IV)

f J J J

& 44 # 38 # 4
3 3 3

4
# .. # #
B b Tpt. f

& 44 # 38 # 4
3 3 3
(I-III)
# 4
#
f
? 44 # . # . 38 # . . . 44
3

B
# .
a2

J
Tbn. p. . f 3 3 3

?4 # . . . j j 3 j 4
3
(I-III)

4 B J ? # 8 # 4

p. f fl fl fl
? 44 j j 38 j 44
f # fl #
Tuba

fl fl
? 44 # 38 # 44
30

Timp.
f f
& 44 # 38 44
Marimba

Tuned

f
P.

j j
44 . 38 44
Sus.
44 p 38 j 44

secco

P
Cym.
B. Dr.

#
& 44 #w 38 44
30

# .. J
p p f
#
# #
Hp.
?4 3 4
4 8 4

f
4

& 44 j # 38 44
30

S
.
f
Ma - jor se - venth

A & 44

j
.
# 38 44

f
Ma - jor se - venth

4 . 3 4
T V4 J 8 4
f .
Ma - jor se - venth

B
? 44 J 38 44
Ma - jor se - venth

#. #
& 44 J . j 38 44
30 arco pizz.

VI

f

& 44 w . 38 # 44
arco

j
pizz.

J # #
f 3
V II

#. # div. a 2
B 44 38 44
pizz.

. j j r
non div. arco 3

J
p f #p. .
p . . fl #
Vla.

fl >
j r
? 44 non div. 38 j 44
pizz.

# #
arco 3 3

div. a 2 . .
p . . fl
Vc.
p p >
fl r
? 44 j 38 j 44
# #
3 3

p . . fl p . . fl
D.B.

>

 6
# w.
& 44 32 w . 44 43 44
35

Fl. J
(I & II)
F
Ob. I & 44
j #.
J
32 44 43 44

4
&4 j # 3
2 4
4 3
4 4
4
Ob. II
#. J

& 44 . # 3 44 43 44 1. j j # j j j
3

B b Cl. # 2 #
P # #
>j
(I & II)

B 44 # # 32 44
. 43 44
~~~~~~~~~~~~~~~~~~~~~~~~~~~ fl 3. .
Bsn.
(I & II)
f
. r
j 44 r
3

& 44 j # . 32 44 43 . . . #.
35 3 1.

j
3

fl R
# p
fl fl r
F Hn.

? 44 3j # J . 32 44 34 44
(I-IV)

# & #w
fl 3 J R
. ..
& 44 # . 32 44 43 44 # ww ww
3

#
B b Tpt. f
4 . . # 32 44 43 44
3
(I-III)

&4 # #w w
f
B 44 # . . 32 44 ww ww
. 43 44
f 3

? 4 # j # J .
Tbn.
(I-III)
j 3 4 3 4 w w

3

4 2 4 4 4
fl 3 fl
? 44 j # j . 32 44 43 44 #w w
3

j
3

# fl
Tuba

fl3 fl
? 44 j j 32 44
# . 43 44
35
3

>
Timp.

f
j j j
44 . 32 44 43 44
3 3

f
B. Dr.

p
& 44 32 44 43 44 # # #
# #
35

#
P #w
#w #
Hp.
? 44 32 44 43 44
A#

F f
& 44 32 44 43 44 #
35

S
J
F
Add five notes
f En - joy this chord

A & 44 32 44



43 44 # j

F
Add five notes
f En - joy this chord

T V 44 32 44 43 44 #
J
F f En - joy
# J
Add five notes this chord

B
? 44 32 44 43 44
Add five notes En - joy this chord

( ) ( ) r
& 44 J 32 arco # 44 # w 43 .. 44 # w w
35

VI
w w w
# w

F>
arco () r
& 44 J 32 w 44 43 44
# ww
arco

J R
>
V II

F F
# w # ( )
B 44 32 w 44 43 44 . w >
R
3 3 3 sul pont. norm.

R
f # fl p. f
Vla.

fl p. . . . fl F>
. r
? 44 3 # 32 44 43 44 # ww
3

R
3

.
f fl p fl . . . . F
Vc.

f fl
3 p
? 44 # . 32 44 43 44
3 3

.
f fl p fl
D.B.

f p . . . fl
 7

5

B ?
42 1.
Bsn.
# w
(I & II)
p
&
R

B b Tpt.

r
(I-III)

&

B
R
Tbn.

?
(I-III)
R

Tuba
?
R
j
w w
j
w
Trgl.

w
B. Dr.
F
f> F F
Turn to a string player

f
5

# .. # # #
42

S &
fwic - ked!? F
Dark strings
f
dif - erent-
F
sof - ter

& n .. # #
#
3

> #
A

f> F # f F
Is - n't it just- wic - ked!? Dark strings dif - erent- sof - ter

T V .. #
f# > . f F
3

#
Is - n't it just- wic - ked!? Dark strings dif - erent- sof - ter

? .
B
3

Is - n't it just- wic - ked!? dif - erent- sof - ter

# # ww #w # ww #w
5 div. a 2
r

42 non div.

&
# w # p #
VI

p f >
@ @ @ @ @ @ @ @ @ @ @ @ non div.
div. a 2 3

ww r
3 3 3

& # # #
#w J J
#w p
V II

p f>
w
B #


div. a 2
. #w # ww #
non div.
# >



# w @@ @ @ @ @ @ @ @ p
#w
fR p
Vla.

p p

3

. ww
3 3 3

? # w . w # > #
div. a 3

R
# # # www
non div.

p w p
Vc.
F p f
? # w #
# #w r
div. a 2 non div. 5

pw >
D.B.

F >
 8 Tempo II: movement ( q = 92 )
6

?
42 44 B
51

Bsn. #
(I & II)

42 44
51

&
F Hn.
2 4
(I-IV)

& 4 4
#

B
42 44
Tbn.
? 42 44 #
(I-III)



42 44 >j >j.
42 44 .
Trgl.

p f p f j
sticks

42 44
S.Dr.

B. Dr.
f
Lift right hand and draw across,

P movement on a stringed instrument. p f

Tempo II: movement ( q = 92 )
imitating the action of a bow Turn to the conductor
6
j # -
2 4 # #
51

& #. . 4 4
3
S
J # J
p f
3

P
# j
halve the bow pres - sure thin, ras - py gree - tings, Mu - sic - Admi
- - rers! La - dies and Dudes, X X

# - 42 44 j
3

& j #
3

. # .
A

P f
# # > n >
halve the bow pres - sure thin, ras - py gree - tings, Mu - sic - Admi
- - rers! La - dies and Dudes, X X

V # . J . 42 44 # #
3

T
J J
P
3

. f# # > # >
? #. n
halve the bow pres - sure gree - tings, Mu - sic - Admi
- - rers! La - dies and Dudes, X Y

J 42 44 J J
3
B
3
#
halve the bow pres - sure gree - tings, Mu - sic - Admi
- - rers! La - dies and Dudes, X Y

6
j
Tempo II: movement ( q = 92 )

42 # 44 w bw b
# ww
51

&
div. a 2 sul pont.
VI
# w w #
f >
div. a 2
>j
42 # 44 ww
sul pont.
V II & # ww # ww #
f
div. a 2
B ww 42
sul pont.
44 ww # # ww
>
# #
Vla.
J
f
# ww # w # >
44 # w
sul pont.

? 42 #
div. a 2

.
div. a 2

non div.

J
norm.

Vc.
f
 j 9

6

# J

3

59

&
p F
Fl.
(I & II)

Picc. & 3 J
p F

& .
F
Ob. I

F
Ob. II &
r

3

# # J
J .
6

& # #
a2

# # #
3
B b Cl.
p
(I & II)
p f
B ww
# # #.
a2

p
Bsn.
(I & II) 3

& ww #. #
59 3
a2

# #
F Hn. p
(I-IV)
#. #
3

& # ww # #
a2

#
p
B ww #
a2
#

Tbn. P
? #w #
(I-III)

j
w
Trgl.

# w
59

& #w
Hp. p
?
An

p
# w .
59

& #.
3

>
S

p
Ghosts sing [NG] Or - che - estra plays

& # # #w
# # .. .
3

>
A

p
Ghosts sing [NG] Or - che - estra plays

# # ww # # ..
3

V # n.
>
T

p
# > .
Ghosts sing [NG] Or - che - estra plays

B
? # # # . # .
3

Ghosts sing [NG] Or - che - estra plays

non div.

w
59

&
norm. div. a 2

# ..

VI

norm.

non div. div. a 2

V II & #w #.
norm.

non div.

B #
6 6 6 6

# # #w
6 6 6 6 6 6 6 6

.
div. a 2
Vla.
# # # # #
p

? # w # # # # # # # #.
3

# #
3

# # #w
non div. div. a 2
Vc.
3 3

? #
pizz.

D.B. # #
p
 10
7

& # # 32
# #
3 3 3 3

64

Fl.

P
(I & II)

& # j 32
Picc.
.
r
# - -
P
# # . . 32
Ob. I & #
P 3 3 3

& # 32
Ob. II # #
P

B b Cl. & #w 32
(I & II)

Bsn.
B #w 32
(I & II)

& # J 32
64

F Hn.

& # J 32
(I-IV)

7P f
32
. . # .
64

S & #. J
P f
fixed to the notes I Com - posed-

& 32 j
A
. # .. .. #w.
P j f
fixed to the notes I Com - posed-

T V 32 . # .. .. w

P f
fixed to the notes I Com - posed-

? 32 . . j ww ..
B .
3
fixed to the notes I Com - posed-

#
3

.
# # w #w # # # #
#
7
32
64

&

VI
F 3


echo

@ @ @ @ @ @ @ @ @ @ @ @ # # #
& w 32
3 3 3 3

#
echo

J J w #
V II

F 3
B .
w #w # .. # # # 32 # w
div. a 2

non div.

@ @ @ @ @ @ w . # ww
Vla.
F 3 echo
. ww
3

? # w . w
3 3 3

3 ww #
non div. div. a 2

2 w
F
Vc.
echo

D.B.
? 32
arco

echo
 11
44 43 38 44 .
68

& #
3

Ob. I
f

& 44 43 38 44 .
3

f
Ob. II

B ? #w. 4 #w 3 3 4
4 w 4 8 4
a2

#w. w
p
Bsn.
(I & II)

44 43 38 44
68

& # ww
# #
F Hn.

(I-IV)

B ?
#w. 44 # w 43 38 44
w
Tbn.
? 44 43 38 44
(I-III)

#w. w

? 44 43 38 44 .
#
# w . P. . . # . n
Tuba

w w
? 44 43 38 44 . n
68

>
Timp.

44 p
Trgl. 43 38 44

44 43 38 44
68

&
Hp. p
? 4 3 3 4
4 4 8 4 j j j

E n F# G n A#

P Bb Cn Dn
F p
#. j 3 p - P
Fluid movement

& J . # .. # # . 44 # # # . J 38 44 . # -j # . # -
j w b
68

J J 4 J
S

P p P j j F3 p
j
I mean, the notes he Com - posed- The Com - po - ser. we dare not dis - o - bey, es - cape...

-
& # j .. . # .
.
44 j 3
# 4 . n J
38 44 . # #. -
j
- j # b
# - # .
A

P j j p - P F- p
# -j # . -
I mean, the notes he Com - posed- The Com - po - ser. we dare not de - vi - ate, dis - o - bey, es - cape...

.
V # .. . # # # .. 4 # ..
4 # .. 43 . 3
J 8 4
4 J J n ww
T
J
P he pThe Com -npo- . n -
F - p
3

3 ww
I mean, the notes Com - posed- - ser. we dare not de - vi - ate, dis - o - bey, es - cape...

? j . j 44 # .. 43 J 8 44 J J
B . # # ..
.. 3
I mean, the notes he Com - posed- The Com - po - ser. de - vi - ate, dis - o - bey, es - cape...

o
j div. a 2 j
.
& .. 44 43 38 44 >
#
68 non div.

R
J
VI

F
non div. r
& .. j 44 43 38 44
V II
.
J F>
j 44
non div.
44 > .
B .. # 43 38 .
div. a 2
Vla.
. R J
J F
j >
. .
? ..
non div.
44 43 38 44 R J B
Vc. . J #w w
P F
? . j 44
43 38 44
pizz.

#
w
D.B.
P F
 12
r
j
b j # .
8
r
.
r
78
r
#

1.

Fl. & #


(I & II)
F p f
. b # 78
3 3

&
Picc.

F f
#
Ob. I & b. 7
8
p f
& # . 78
Ob. II
#
p f
# # 78

6

B b Cl. & # # # #
(I & II)
f p f
? b 3 j 78
b
3 3 3

p
Bsn.
(I & II)
F 3 .

7
76 1.

& F 8
F Hn.

78
(I-IV) a2

J
3

&
3

f
# . # #
& # # J # # 78
p
B b Tpt.
p
(I-III) ~~~~~~~~~~~~~~~~~~
78
& # #

F - p
j - -
? - J 7
1.
Tbn.
8
(I-III)
f 3
3

?
3 3
78
. .
Tuba

w b >
p
? . j . j . j 78
76

Timp.


b # # ggg ggg b # 78
76

& ggg b #
ggg g
Hp. F P g
? . 7
j 8

o
j o
wo .
#
8

78
& b
b #w # ..
p
VI
J o P

wo .
div. a 2

j r j j 78
& r j # b
b b w b b ..
V II r r
b . .
P
. . op o o o
b o o o
o o o o o o
b o o o o o
o o o o b o
o o o o o
o o o o o o o o o o o
B . . & o o o o o
7
8
Vla.
J J oo oo o o
o b o o o o o o o o o
f
o b o o o o o o o o o o b o o o o o o o o o o o o o o o o o
B o o o o o o o o b o o o
o
o o o o o o o o o o o ? 78
o
Vc.

f P
? . w . . 7
arco

b b 8
3 3 3

> w . >
D.B.

F
p
 13
j .

9 undefined meter; downbeats only a tempo

& 78 # . 44 32 44 32 # 44
80 1.

Fl.
(I & II) J . p . w

Picc. & 78 . 44 32 44 32 44

7 . 4 3 4 3 4
Ob. I &8 J 4 2 4 2 4

Ob. II & 78 j
. 44 32 44 32 44

j
. .
& 78 # . 44 32 44 32 # 44
1.

w
. # # ww .. p .
B b Cl.
(I & II) J # #
? 78 . 44 #
# 32 n ww .. 44 32 #w 44
a2

p
Bsn.

P
(I & II)

7 44 32 # w . 44 32 44
80

&8 # # # ww
# # w.

# nw.
F Hn.

& 78 44 # 32 w . 44 32 44
(I-IV)
? & # ww
#


& 78 . 44
n b
32
b b ww ..
44 32 44
B b Tpt.
J
j
& 78 . 44 32 44 32 44
(I-III)

b bw.
?7 4 # # 3 ww .. 4 3 4
8 4 2 4 2 4
Tbn.
? 78 44 32 44 32 44
(I-III)

# #w. w

? 78 . 44 32 44 32 44
#
Tuba
w. w
F>
? 78 j 44 32 44 32 44
.
80

Timp.
P
7 44 32 44 w 32 44
Tubular Bells

&8 #w w
p w.
Tuned
P.

T.T. 78 44 32 44 w
p 32 44

Moving foward towards the conductor at a very slow place,

f p
activating core muscles to create the illusion of floating and to not distract.

44 # > ..
a tempo
#
& 78 32 . 44 32 # 44
9 undefined meter; downbeats only

80

J w w w w

S
3

f p
Or, per - haps we dare... the con - ductor-might-improvise-a gesture-and-the-mu - sicians-interpret-it-spon - tane - ously...

j3
& 78 b 44
# .. 32 . 44 32

44
> w w w w
A

f p
44 > ..
Or, per - haps we dare... the con - ductor-might-improvise-a gesture-and-the-mu - sicians-interpret-it-spon - tane - ously...

T V 78 J 32 . 44 w w w 32 # w 44

f p
44 # > .
3

44 w
Or, per - haps we dare... the con - ductor-might-improvise-a gesture-and-the-mu - sicians-interpret-it-spon - tane - ously...

? 78 32 . #w #w 32 #w 44
B J
3
Or, per - haps we dare... the con - ductor-might-improvise-a gesture-and-the-mu - sicians-interpret-it-spon - tane - ously...

# 44 ()
9 undefined meter; downbeats only a tempo

& 78 . 44 non div. 32 32 44

80
div. a 2

J #w # ww
P
VI

j
()
& 78 # b . 44 32 44 32 44
non div. div. a 2

P # nw ww ww
V II

o
()
Vla. &8 J
7 . B 44
#
32 div. a 2
# ww ..
44
# ww # ww 32 44
P
? 78 . 44 3 w .. 44 ww ww w 32 44
# #
div. a 3

2 # ww . #w w # ww
Vc.

P > 55
? 78 . 44 32 ww .. 44 ww ww w 32 44
> #
D.B.

F F >
 14
. .
5 # . . . #
10 11

& 44 42 16 . 44
Fl.
R
f
(I & II)

44 # . . . . # . .
42 5 44
The conductor makes a gesture
& (probably 16
R
Picc.
of an aggressive
character); the players improvise
f . .
. .
5 # . . # . .
a suitably chaotic response.

Ob. I
4
&4 2
4 16 # # . # n . 4
4
f . .
Ob. II & 44 42 5 # . . . # . # .
16
.
# . # n . 44
f .
& 44 42 5
16 # . # . # . # n . # . n r 44
. . . .
B b Cl.
.
f # . . . n . .
(I & II)

? 44
Bsn. 42 5
16 . .
. # . . 4
4
(I & II)
f
& 44 42 5 44
87

16
F Hn.

& 44 42 5 44
(I-IV)
16

# .
& 44 42 5 # . # . # . n . r 44
a2

16 # . n
. . . . .
B b Tpt.
f .
& 44 42 5 # . # . # . # n . 44
(I-III)
16 # . n r
. . . . .
f
?4 2 5 # . . n . .
. 4
a2

4 4 16 B
. . 4
. # . .
f
# . . n . .
Tbn.

? 44 42 5 . 44
(I-III)
16 B
. .
The conductor makes a gesture . # . .
(probably of an aggressive f
? 4
a4suitably chaotic response.
character); the players improvise
42 5
16 44
Tuba
. .
f
. # . .

? 44 42 5 44
87

Timp. 16

44 p

j 42 5
16 44
44 . 42 5 44
Trgl.

B. Dr. p 16

& 44 42 5 44
87

16
Hp.
? 44 42 5
16 44

11
f
Several singers (group

- .
10
j
A) creep forward

S & 44 J
# j #
j 42 5
16 44

f
Ha! The Com - po - ser could - n't have i - ma - gined that!

& 44 - . n j j 42 5 44
A J # j 16
f
- . j j
Ha! The Com - po - ser could - n't have i - ma - gined that!

T V 44 J # n
J 42 5
16 44

f -.
J n
Ha! The Com - po - ser could - n't have i - ma - gined that!

?4 # J 2 5 4
B 4 J J 4 16 4
Ha! The Com - po - ser could - n't have i - ma - gined that!

>
arco

. . # .
b 5 # . .
10 11

& 44 . 42 . 44
pizz.

j R 16
non div.
VI
R
f f

> # . . . . # . # . .
& 44 . 42 R 5 . # . # . r 44
pizz.

# .
arco

j 16 n
non div.

V II

f f .
> . # . # . # n .
The conductor makes a gesture
# . . n . .
arco arco

B 44 . 42 R 5 j r 44
.
pizz.

j
(probably of an aggressive pizz.

16
non div.
character); the players improvise
.

Vla.

f f f
a suitably chaotic response.
arco n n > . . . n . .
#arco
? 44 . j 24 R 5 j j . . 4
pizz.

pizz.

16 . # . . 4
non div.

Vc.

f f f f arco

?4 . j 2 5 . . 4
16 j j j
pizz. pizz.

4 4 . # . 4
.
D.B.

f f f f f
 15

#
Tempo III: Action! ( q = 116 )

12

& 44 42 32 44
95

B b Cl.
(I & II) f flamboyant, soloistic

4 2 3 bw. 4
&4 4 2 4
B b Tpt. F
bw.
& 44 42 32 44
(I-III)

F
B 44 w.
42 32

44
Tbn. F
B 44 w.
42 32 44
(I-III)


F
4 2 3 4 j
4 4 2 w 4
S.Dr.
p
12 Tempo III: Action! ( q = 116 )
F
& 44 42 32 #w. 44 # #
95

F
[tongue-trill] [whistle]

A & 44 42 32 #w.
w.
44 # #

F.
[tongue-trill] [whistle]

T V 44 42 32 w 44 & # #

w.
[tongue-trill] [whistle]

?4 2 3 4 # #
4 4 2 4 &
F
B

[tongue-trill] [whistle]

12 o w
div. a 2( q = 116 )
Tempo III: Action!
wo
& 44 42 32 44
95

p
VI

& 44 42 32 44
#
p# # # w
V II

? 44 r 42 32 44
Vc.
# . . . . . . . . .

? 44 2 32 44
D.B.
# . . . . . . . . . . . . . . . . 4
 16

## # ww
13
ww
14

103

&
echo3
Fl.
(I & II)

Picc. & # . w w
echo6
Ob. I & w w
3 echo
& . w w
echo

. 3
Ob. II

# #
# #
3

## ##
3

B b Cl. & # # # #

. . . .
(I & II)

echo . >
3

? b ww
3

B
echo
Bsn.
(I & II)

. ww

103

& .
. echo
.
F Hn.

# ww
(I-IV)

& #
.

echo

1.
b w w
B b Tpt.
&
echo
(I-III)

p #.
13 SOLO SOPRANO 14

# ww ww ww ww #w . # w
103

S &
p
Ah
[random text. Alternate ad lib. between the 2 notes given. Ah

A & # ww ww ww ww

p
[random text. Alternate ad lib. between the 2 notes given.

T & V
ww ww ww ww

p# ww
[random text. Alternate ad lib. between the 2 notes given.

? ww ww ww
B &

# > > > > > >

[random text. Alternate ad lib. between the 2 notes given.

# . # >
14 brittle

>
13

J
103

& J
p # f> violent
> >6 > > > > >
VI

3
#. # >
& J # >
J > # >
p
V II
f violent6
# > >
brittle 3

Vla. B
f brittle
 17

~~~~~~~~~~~~~~~~~~~~~~~~~~ #w
32
j #w
114 a2

& R
#. . f
Fl.

p
# w ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(I & II)
#
Picc. & R 32
f

& #w 32
Ob. I
R
f
& r 32
#w
Ob. II

r 32
&
3
B b Cl.
#
(I & II)
F
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j
p r
B #w # # # 32
J R
F ~~~~~~~~~~~~~~~~~~~~~~
Bsn.
(I & II)

r
n ww 32
J
114

& R
3 3
r

F Hn.
(I-IV)
n b b ww 32
& R
3
r
b b ww 32
& J R
B b Tpt. 3

b # # n # . 32
(I-III)

&
R
3 3 r
B # # w # .
32
R
Tbn. F
(I-III)
B # # n. 3
R 2
F
?
# b
R 32
Tuba
F 3

? # w # 32
114

Timp.
p

w 32
p
B. Dr.

#. # w wild vib. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

32
114

S & #
Ah

3
A & 2

T V 32

B
? 32

> > > > > >

# #w # ~~~ >
div. a 2

# # #w # ~~~~
# J R 32
114

&
# > > >6 > > >
VI

# # #div. a 2 ~~~ >

3 3

#div.w a 2
& # j J #w # ~~~~ R 32
#
V II
> > fl
# div.~~a~~2 ~~ >
3 6

# # # wdiv. a 2
B j # J # . #w ~
# ~~~ ~~ 32
> > # # fl # . R
Vla.

fl fl p >
> # div.~~~a~2 r
? # # > r #
#

#
#
j # wdiv. a 2
#w # ~~~ 3
3

2
> . # fl #
Vc.

> p >
f brittle > r fl fl
# # # div.
w a2 ~~a~2 j
# div.
? # .. # #w # ~~~~# 3
2
> fl #
D.B.

f 3 fl f fl
brittle
 18

.
15

& 32 44 # # 32 44 32 44
Fl.
J
(I & II)
f
Picc. & 32 44 32 44 # 32 44
f
3 4 # .
Ob. I &2 4 J 32 4
4
3
2 4
4
f f
& 32 44 # . 32 44 32 44
Ob. II
J
f f
& 32 44 j 32 44
32 44
a2

B b Cl.
f # # f
.
(I & II)

B 32 44 3 44 32 44
a2

. r . .
?
Bsn.
# 2
(I & II)
p
>
& 32 44 n # 32 44a 2# # 32 44
3

# # J
B b Tpt. F f
j
& 32 44 # 32 44 # # 32 44
(I-III)

3

# # >
F f
B 32 44 . ?
a2
32 r 44 32 44
#
Tbn.
B 32 44 . 32 44 32 44
(I-III)
? r


? 32 44 32 44 32 44
Tuba .

r . .
p
? 32 44 32 44 32 44
.
119

Timp.
#
p f
j j
32 44 . 32 44 32 44
Sus.
Cym. p f secco
#
& 32 44 . 32 44 32 44
119

p F
#
# b #
Hp.
? 32 44 32 44 32 44
Gb

15
f TUTTI # f
& 2 j 44 #
3 32 j
#
44 32 j3 j

44
whisper

# .
3 3

S
3

f 3 f
3
Lis - ten to the in - ter - val - lic re - ci - pe: Four whole - some per - fect fifths three in - can - des - cent ma - jor thirds;

& 32 # j # 44 # 32 j

44 32 j j
#
44
3 whisper

# .
3 3

f f
3
Lis - ten to the in - ter - val - lic re - ci - pe: Four whole - some per - fect fifth three in - can - des - cent ma - jor thirds;

3
V 2 # J 44 32 j 44 32 j3 j 44
# #
whisper 3

T .
f #Lis - ten to the in - ter - val - lic
3 3

f
3

32 # #
re - ci - pe: Four whole - some per - fect fifths three in - can - des - cent ma - jor thirds;

? 32 J 44 32 # . 44 44
whisper
B J J J J
3 3 3 3 3

j
Lis - ten to the in - ter - val - lic re - ci - pe: Four whole - some per - fect fifths three in - can - des - cent ma - jor thirds;

# . ww

15
#
pizz. arco

& 32 44 32 44 32 44
div. a 2

non div.

VI
f fl

arco

& 32 44 # 32 44 j # .. 32 w 44
pizz. div. a 2

ww
non div.
V II
# w w
f arco
B 32 4 3 4 div. a 2 .. ww 3 ww 4
pizz.

4 # 2 4 2 4
non div.
Vla.
J
f fl
non div. #
arco

? 32 44 32 44 j 32 w 44
pizz.

w ..
div. a 2

# # w
Vc.
f fl
?3 4 3 4 3 4

pizz.

2 4 2 4 2 4
non div.

f fl
D.B.
p
 19
3 #
& 44 # .. . # Kr . r

125

Fl.
p . >
(I & II)
3 f f
4
Picc. &4
f
& 44
R . # Kr . r

p F >
Ob. I
f f
. Kr .
& 44 R r
#
p F >
Ob. II

f #f
j3 Kr r
B b Cl. & 44 b b w . b .. .
# # ..
p > f
f
(I & II)

? 44

B
# ..
. R >
R
j#
3
Bsn.
..
f
p
(I & II)

r >
& 44 .# ..
125

.
# # . R R
p F R f
r
F Hn.
>
& 44 .# ..
(I-IV)
.
# # . R R
p F Rr f
# # # .
& 44 .# #
R R R
B b Tpt. p F
f f
# #.
& 44 . #
(I-III)
R
R R
p F f
? 44 r

Kr r
.# .. B
# w . .
Tbn. p FR f
? 44 r rK r
.# .
(I-III)

#. .
p F f
Kr
? 44 r . r
.
3

f . # . #w
Tuba

p F f
K
?4 . r .
125

Timp. 4
Marimba
f
& 44 # #
3

Tuned
P.
f
j
44 .
f
B. Dr.

j
& 44 #
125 3

# # # ww
f p
j
Hp.
?4 #
4
An

& 44 . # . . . J
125

sto-ny- faced mi-nor thirds ob-no - xious ma- jor sec-onds (four of them!) Se - mi - tone

& 44 . # . . . J #
A

sto-ny- faced mi-nor thirds ob-no - xious ma- jor sec-onds (four of them!) Se - mi - tone

T
4
V4 . # . . . J

. .
sto-ny- faced mi-nor thirds ob-no - xious ma- jor sec-onds (four of them!)

?4 J
B 4 . # .
sto-ny- faced mi-nor thirds ob-no - xious ma- jor sec-onds (four of them!)

( ) 6
# > 6
non div.

& 44 # # . . R .. . #
pizz.

125 3 arco arco

VI
R #
f f f
arco #
4 #
non div. non div.

& 4 ##
pizz. 3 arco pizz. arco

# J
f # # #
V II
f
#
pizz. #
B 44 # # .. J
non div. div. a 2

# # J
arco pizz. arco arco

J
f
Vla.
f 3
# # #
# j
non div.

?4 #
non div. pizz. div. a 2

. B
arco arco

4
div. a 2
Vc.
#
f
? 44 div. a 2 j
pizz.

. #
arco

#
3

#
f . .
D.B.

 20
# #
16 rit.
# # # #
6

133

& I 6 # # #w
f F
Fl.
3
# # # #
(I & II) 6

#
6 3

& .. # j
Picc.
- # .
f F 6

# - # # - #
& .
b


.
Ob. I

f 3 f 3
F

&
3

# # # #w
3 3
Ob. II
# . # . - # -
f F .
f . .
# .
n # # #
# # # #
# #
# # # # .
ww
B b Cl. & # # . #
(I & II)
f 3 F - 6 P - P -
6 6

# #
36

B # # ? # #
3

?
b B
#
3 3

Bsn.
#. # # .
(I & II)
f F # J
#w
& # # #
133

# . # # w . # # ww
p f fl p f fl p f f F P -
r . # #
F Hn. 3
(I-IV)
#w .
& # # # # w . .
?

p f fl p f fl p f f R P
n # -
& # . # # .
#
#
# #w

# # # #.
B b Tpt. f 3 f
# # - r
3

n #
(I-III)

& # # #
3

. # . # - #
f f F

3

B # . b #w # .
J #fw w # .
f 3 R
# .
Tbn.
(I-III)
? n
J #. #. # #.
f 3 f F
Tuba
? b
3

r
f #w w
?
133

Timp.
#w #w #
f P

Tubular Bells

Tuned & #w #w #w
P.
f F P
n b#nn .
#n
133

&
Hp. f p
? # # .
#
E n F# G b A n
B n C# D n

16

b > > > > > > # # # # #

rit.
# # # # . j
div. a 2

& # # . #
133

. . J .
VI
f 3 F P p 3
3
6 6 6 6 6 3

# #
3

- # # # #
& # # n b
3 6 div. a 2

# - # #
fl > > > > > >
V II
f fl f
F
# #
3

# - #
non div. 3

B # b
6
3 3
Vla.
> > > > > > # - # # - #
f 3 3
f F P
-
3

#. #.
B # # # #
3

?
6

b #w w w
> > > > > >
Vc.
f 3 f P
# #. #. #
3

? #
arco

n b #
D.B.
#w w w
f f
 21
Tempo I: fun and exploration ( q = 76 )
32 44
137

Fl. &
p
(I & II)

& 32 44
Ob. I #
p
3 4
Ob. II & 2 4
p
& 32 44
#
B b Cl.

p
(I & II)

? 3 # # 44
# 2
a2 3
Bsn.
# -
(I & II)
p p
? #w 32 44

F Hn.
(I-IV)

? 32 44
w
Tbn.
(I-III)

? 32 44
137

Timp.
#w

32 44
Glock.

Tuned & #w # #.
P.
p P 3 3

w 32 w . 44
p
B. Dr.

Tempo I: fun and exploration ( q = 76 )

P p
32 j j # 44
#
137 They arrive

& # # #
S

P Re - mem - ber this chord.

p
Feel it

own it

32 j j 44
A & # #
#



P p
32 #
Re - mem - ber this chord. Feel it own it

44
V # # #
J J
T

P p#
#
Re - mem - ber this chord. Feel it own it

? 3 # 4
B 2 J J # # 4
Re - mem - ber this chord.
3 Feel it own it

# w
# # # w
3

.
# # w #w
Tempo I: fun and exploration ( q = 76 )
#w
& # # j 32 #
44
137
non div.

.
VI

@@@@@@@@@@@@ # # w #w

3

32 44
3 3 3 3

& # # . #
non div.

# J
J J
V II

div. a 2 w . .. # non div.
3

B # w 32 . # w . # # # w. # . # 44
J #
div. a 2
Vla.
# w @@ @ @ @ @
3 3

#
3 3 3

? non div. 3 B # # w . . # ww . w # ? 4
# 2 4
3 div. a 2 non div.
Vc.
# - p
p
-
? # 32 . 4
non div.

# # 4
arco 3
D.B.
w #.
F
 22

Tempo II: movement ( q = 92 )

17

& 44 n # # # # # #

Fl. # #
p
(I & II)

? 44 # #
Bsn. # #
P
(I & II)

& 44 # #w
143

# #
p # w j
# J
F Hn.

? 44 #
(I-IV)

p# w
J
? 44
p p
Tuba

> >
? 44 w j
w
143

Timp.

4 pw w
4
44 w
Trgl.

T.T. w

#
& 44 j
# # . # # # . J
143

f 3 #
#
? 44 # .
3
Hp.

#
w E# F# G n A n w
B n C# D#

Tempo II: movement ( q = 92 )

17

& 44
w w w
S
* If the solo part written is too hard, here are three alternate possibilities:

1. A solo overtone singer improvises, similar in shape to the part written. Ah

& 44
2. A group of overtone singers improvises.
3. A solo singer sings the notes in any convenient octave to "Ah".

w w w
A

#Ah # # # # #
V 44 #
SOLO
&

T
[overtone singing]*

F
altri tenors join bases

? 44 #w ww ww
~~~~~ w
ghostly

~ (w w)
B
w
Ah
17 Tempo II: movement ( q = 92 )
# # . # J # #
& 44
div. a 3

VI


4 # # ... # # www
3
div. a 3

&4

V II

B 44 # # ... # # www # # www . # #

div. a 3

J
Vla.

? 44 # ... # www # www #
div. a 3

Vc.

3
? 44 w r
w w w
# # w
3
D.B.
p F
 23

# #
18

& # # # # # #
150 3

B b Cl.
(I & II)
P
#
?

Bsn.
(I & II)

?
p
Tuba

>
? j j
w
150

Timp.

w
Trgl.
T.T. w

# # #
& # # # # #
150 3

#
F

Hp.
?
En E#

P
18

j # .
3

#.
cute

150

& # . . . . .
w w w
S

P
Ah We are lit - tle Ghosts in the Or -ches - tra!

.. j ..
cute 3

&
w w w # . . . .
A

#Ah # # # # P cute
# # #
We are lit - tle Ghosts in the Or - che - stra!

# . . . # .
SOLO

# V .
# . &
TUTTI

& V J

T

P . . . .
[overtone singing]* 3

. .

We are lit - tle Ghosts in the Or - che - stra!

? #w ww ww
~~~~~ w
cute

J
~ (w
B
w w) 3
We are lit - tle Ghosts in the Or - che - stra!
Ah

b
18

& # # # # #
150 div. a 4

VI

& # J # ... . # # www

V II

..
B # # J . # # www # www

Vla.
3

? # www . w ww
Vc. .. ww w

? r
w w
# w w w
3
D.B.
p F p
 24

#. . # #. # #
32
molto espress. 19

44 42 44

# #
.
157

Picc. &
P3 3
5 P3 3

32 44 n # # - -
# # # 42 44
#
3 3

&
a distant fanfare... R R
B b Tpt.

32 44 r r
42 44
(I-III)

& # n
# - # -
3 3

a distant fanfare... #
.
B 32 44 42 44

Tbn.
? 32 44 42 44
(I-III)
.

? 32 44 42 44
p
Tuba

> w
? 32 w j 44
w 42 j 44
157

Timp.

32 w 44 w
42
44
32 w 44 42 44
Trgl.

T.T. w

#
32 # # # 44 ## 42 gggg # 44
# #
157

&
gg
p ggg
# g
32 # 24 gggg
Hp.
? 44 44
. gg
En En Fn Gn An
B n C# D n

F> j > f
19

32 44 . 42 44
157

& J
w w > J #
S

F> f
Ah What year is this? Ac - - -

32 44 . j j 42 44
&
w w
j

> > this?
A

#Ah . #. TUTTI F
> f
# > >
What year is Ac - - -

& J 32 44 . V 42 44
T
J J J
f
3

F ghostly F > > >

What year is this? Ac - - -

? ~w ww 32 44 . J J J 42 44
B
~~ w
(w w)
~~~

What year is this? Ac - - -

Ah

# ... # wwww
# # # n 44
19

32 .
& # R 42 44
157

VI

r
& 3 . # # 4 # # wwww # # wwww 2
4 #
4
div. a 4

2 4 4

V II

. w w
B # 32 # # J .. 44 # www # www 24 44
div. a 4

Vla.
R


? 32 # ...

44 .. ww ww
42
44
. J w
R
Vc.

? r 32 w . 44
. # # 42 44
pizz. arco

w w
3 3

#
D.B.

F
 25
# . .
.
undefined meter; downbeats only a tempo

& 44
164 a2
Fl. J
(I & II)
f 3

& 44 # .
a2
. .
Ob. I
.
f 3
4
&4 # . .
Ob. II
# . .
f 3
& 44 # . . .
a2
B b Cl.
.
(I & II)
f 3

? 44 .
#
a2 3 1. 6

fl . .
Bsn.
(I & II)
f
#
& 44
164

#
F Hn. p f fl p f fl p f
(I-IV)
? 44 #
& #
p f fl p f fl p f
a2
.
B 44 r
J
3
?

J f fl . .
.
Tbn.

? 44 J
(I-III)

3

w
f fl .
.
? 44 . .
3
Tuba

w fl
4 w #w
Tubular Bells

&4 w
p
Tuned
P.

& 44
164

Hp.
? 44
w

P F
undefined meter; downbeats only a tempo

& 44 w # . r j .
164
3
S
w . .
P F
cording_to_the_title_page, we_were_composed_in_Two_Thousand_and - Four - teen is that the pre - sent, or the dis - tant

& 44 w . r j . j
3

w # .. # # .
A

P r 3 F j
cording_to_the_title_page, we_were_composed_in_Two_Thousand_and - Four - teen is that the pre - sent, or the dis - tant

T V 44 w w .. . J . .
P F
cording_to_the_title_page, we_were_composed_in_Two_Thousand_and - Four - teen is that the pre - sent, or the dis - tant

? 44 w w . . # . #.
J
B R J
3
cording_to_the_title_page, we_were_composed_in_Two_Thousand_and - Four - teen is that the pre - sent, or the dis - tant

# > > > > > >

non div.

>
undefined meter; downbeats only a tempo

4 R
164

&4
f
VI
3 3 f
> > > > > >
# >
6
non div.

& 44
3

fl 6 R
fnon div.
V II
f
> > > > > > >
3

B 44 ww R
f
Vla.
f 3 3

> > > > > > >
6

? 44 w #
ww B R ?
non div.
Vc.
w
f 3 3 6
f
? 44
pizz.

D.B.
w w
f
 26

~~~~~~~~~~~~~~~~~ 3
20 21

170 a2
Fl. & #. 8
F
(I & II)

# # # #
# # #
38
&
P
Picc.
3 3

b # >
#.
>
. 38
3

& #
a little shock
Ob. I
b
p P p f
#
3

b 38
3

& #
a little shock

b
f # > . .
Ob. II
p P 3 p >
#
3

b # 3
3

& b # .
# 8
a little shock
B b Cl.
f
p P p F ~~~~~~~~~~~~~~~~~~
(I & II)

#.
3

? j 38
Bsn.
(I & II) # # # w

? # 38
170

& J J
F Hn. f
# 38
(I-IV)

& ?
f J J
# 38
3

&
#
B b Tpt. f
# 38
3
(I-III)

&
#
f
? B # . 3
a2

8
Tbn. f 3

(I-III)
? j j 38
#
f fl fl
? j j 38
f # fl
Tuba
p# p# fl
> >
? j # 38
170

Timp.
#w #
F f
w w 3
8
38
Trgl.

w w
3
T.T.

8
B. Dr.
p P
b b b b
b n b b b b b b b 38
170

&
3

b b
p 3 p
Hp.
b bb 3 b b b
? bb b b 38
Eb Fb Gb Ab
3
b b
Bb Cn Db

20 21

& # # # # w 38
170

#w #w w
S

past? Ah Ah

& # # # #w 38
#w #w w
A

## # # # # #
past? Ah Ah

w 38
V #
SOLO

T &
3 3

# F ghostly
[overtone singing]* [overtone singing]*

w
past?

? # #w ~~~~#~ ## www ww 38
~~~~~~# # ww
w

~ ~~~ ~ ~~
B

past? Ah ~ Ah

# # # wwww # > > > > > > #

#
20 div. a 4 21

J . j 38
170 pizz.

&
non div.

p
VI
f 6

div. a 4
non div. # > > > > > > #
& # # # # wwww # # # # wwww # J . j
pizz.
38
#
V II
p f 6
div. a 2
# # # wwww # # # wwww 38
div. a 4

B # #
div. a 2

# .. j
3 3

# # # . . p . .
Vla.

f p fl fl
? # div.#aw3 j j 3
div. a 2

. #w # # # 38
div. a 3

# # .. # # ww # # # ww
div. a 2 non div. 3 3

# # #
3

P #
p . . fl fl fl f . . fl p . . fl
Vc.

? # # . # . j # # j # j 38
arco 3 3 3

#w w #w . .
p fl fl fl f . . fl p . . fl
D.B.
P
div. a 2

 > > # >
22 27
~ # > >
# # >
& 38 r r # . 4
4 # j
J J
178

Fl.
(I & II)
> > f# w 3 # >
#
3 3

&8 3 44 . # J
Picc.

f
# > > > > > >
3 4 #. j
6

&8 4 J
3

J
f >
Ob. I

> > > # >

#
3

& 38 44 # j # j J
3

# #.
f >
Ob. II
> > fl 3
# > > # >
3

& 38 # # 44 #
3

.
3

B b Cl. # J
r r >j f# w 3
. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # > a 2
(I & II)

.
3

? 38 # 44 # # .
# #
J #
F ~~~~~~~~~~~~~~~~~~~~~~~~~ # #w
Bsn.
f P
#
(I & II) 3

> >
? 38 # J 44 # J J . # # >
178 6

J & J
3 3

F Hn. 3

? 38 # 44 # j # J .
>
# J
> > >
# J
(I-IV)

&
J fl 3 J 3
> > # >
3

& 38 # 4 # . .. # # J
3

.
3 3

J
# 4
#
B b Tpt. f
33 > # > >
# j
3

& 38 # 4 . . #
3

J
(I-III) 3 3

# 4 #
f >
B3 # . . . 4 . # . . ? # > B
8 4 #
6

J
f f
#
3 3 3
Tbn.

? 38 j 44 # j J . j # >
(I-III)
#
3

#
6

J
fl fl fl f
3

? 38 44 j # j . j
3

j j
3 6
Tuba
# # fl #
f # >
fl fl3 fl
? 38 # 44 j 3 j
# .
178

Timp.
> # #
f f 3 >j
38 44 .
j j j j p f p
38 44 .
S.Dr.

3 3

f
f
B. Dr.

f 3

& 38 44
22
# # # #
178 3 3

S
3
I was i - ma - gin - ing you, Mu - sic - Ad - mi - rers! La-dies and Dudes,

3 4 #
3 3

&8 4 # # #
3 3

A

# #
I was i - ma - gin - ing you, Mu - sic - Ad - mi - rers! La-dies and Dudes,

& 38 44 # #
TUTTI

T V
3

f I was i - ma- gin -#ing #you,

3

n
3

#
#
Mu - sic - Ad - mi - rers! La-dies and Dudes,

B
? 38 44
3 3 3 3

22 I was i - ma - gin - ing you, Mu - sic - Ad - mi - rers! La-dies and Dudes,

> > > > > > > > >

# #
div. a 2

& 38 44 . J J
178
arco

J
p
VI
f div. a 2
# > > > > > >
6 3

# > > >

& 38 # 44 # J
arco
. J # j # # J
# p >
V II
f
> > > 5
6

> div. a 2
# >
# J
# # J
3

B 38 4 # # J
non div.

j r 4
3 3 3 6

# #
f # fl p. #
Vla.

f3fl p. .3 . . fl f p
> # # >
3

? 38 j r 44 3 # # >
# J
3

# j # J
5

non div.

# #
6

. # #
f fl p ffl p. . . . fl
Vc.
f >
> pizz. p
5

? 38 j r
# 44 # . # > # #
3

3 3 non div.

# #
6

. J
f fl p ffl p . . . fl
D.B.

> f P
 28 j

6

# J

3

43 44
184

&
p
Fl.
(I & II)
F

3

Picc. & 3 J 43 44
p F
3 4
& . 4 4
F
Ob. I

F
Ob. II & 43 44
r

3

# # J
J 43 44
6

B b Cl. & # #
p
pw
(I & II)

? # w # 3 44 r
# # 4 j
a2

Bsn.
(I & II)
f fl p >f
& ww 34 44
184

#
F Hn.
43 44
(I-IV)

&
# ww # #


B ww # 43 44
Tbn.

? # w #
43 44
(I-III)


? 3 4
r
Tuba
# # 4 4
f .
>
? 34 44
184

Timp.
#
j p f p
w p
>j. 43 44

43 44
Trgl.

f j

43 44
S.Dr.

p

b bw
B. Dr.

b b b b b bw
b b b b
b 43 44
184

&
Hp.
P
? 43 44
give 'edge' to the violin line

Cb

p -.
& # J # # 43 J 44
184

j p
X X Might you con - tact me? The Com - po - ser.

-
A & # # # # 43 . n J 44

p
# > n > - . 4
X X Might you con - tact me? The Com - po - ser.

# # 3
T V J
4 J 4

# > # >
X Y
#
Might

you

con - tact me?
p n - .
The Com - po - ser.

B
? J # 43 J 44
X Y Might you con - tact me? The Com - po - ser.

# #.
. # # # 44 .
5 div. a 2

43 r .
184 solo or small group tutti

VI & R
p p p
# > 44 .
& # # J 43 r .
non div. div. a 2
V II # # R
p p p
44 .
5 arco

43
6 6 6 6

B # # r .
6 6 6 6

Vla.
# # # # R
p p p
# # .
? j j # # w # # #
# # # # . # . 43 j 44 n R . r
3

div. a 2

. B
pizz.

arco non div.

Vc.
# . f
f p 3
p arco fl p p
? j # # # # 3 4 r
D.B.
# # 4 . 4
F f >
 29
ww # # ww ww # # ww
23

b .
7

#
190 1.

&
P
Fl.

f
(I & II)

# I
. w
Picc. &
3

# # . . # . . .
& #
3

Ob. I
. # . .
f 3 3 3

& # # # . # . .
3 3
3

f . . . # . .
Ob. II

# . . # . . .
3

& # # # # # # # #
3

B b Cl. # . # . # .
(I & II)
f 3
3 3

? #
6

r B
Bsn.
# # n
(I & II)
p
j
3

j
r #
190

& #w #
a2

# # . - - - .
F F .
F Hn.
p
j
(I-IV)

& #w r j
a2

# . -
- -
.
.

F F
# # # # # # . . # . . . . - - - . .
&
3

# # . # #
a2

J #
. . F J
B b Tpt. f 3 3
3 3 3

# # # # j
(I-III)

& - - - # j
3

# . # . . # # .
3 3 3

. . . . . . .
f F
B
1. # . . # . . . . . .
? B . - - -
b . .
J
f J
F
3 3 3
Tbn.

- - - . .
3

? # . j
(I-III)
J
F 3

? j

Tuba

p. F
(
?
190

Timp.
#
f F
B. Dr. F
190 g # w
gg # w
& gggg # w
#
#
# #
#

ggg f # #
ggg # w f
? ggg # # ww
Hp.

# # ##

E n F# G n A n A#
B n C# D n

f # j
# # b
23

# .. # #
190

S & J
f
3
To send a mes -3sage in - to the fu - ture is de - ci - ded
3 - ly dif - fi - cult.

j # j
#
3

& # #.
3 3
A

f To send a mes -sage in - to the fu - ture is de - ci - ded - ly dif - fi - cult.

# # # # . J
3

T V J
f
3

j
To send a mes -sage in - to the fu - ture is de - ci - ded - ly dif - fi - cult.

? # # # .. J
3 3
B
# J 3

3
To send a mes -sage in - to the fu - ture is de - ci - ded - ly dif - fi - cult.

#. #
# # wo
3

#w # 23
j
# w # . j j # w
190 non div. div. a 2

& .
F p b
VI

3 fl fl
@ @ @ @ @ @ @ @ @ @ @ @ w # # # non div. wo
& J #
3 3 3 3

. j j
div. a 2

j
J #
p .
b b w
V II
F o
fl fl o o b o o o o o o o
B .
w #w w
# w # # # w . j j j o o o
. .
div. a 2

non div.

# & o o
Vla.
@@@@ @ @ p . oo
F fl fl F
o b o o o o o o o o o
3 33 3

# .
3

B # w . . ww o o o
pizz.

w ? j j B o
div. a 2 non div. arco

# J o
p
Vc.
F F F
fl fl
? >
pizz.
# # n j j
b
arco

fl fl >
D.B.

F p 6 F
 30
w b #
# 32

196

Fl. &
(I & II)
p f p
b . . # 32
Picc. &
p f 6 p
b n
Ob. I & . # 3
2
f 5 p 3 3
f 3 3
p
b n 32
3 3 3 3

Ob. II &
p f p
j # #
32
3

& w #
f #
B b Cl.
p f
p
(I & II)
j
B
w b # 32
3

#
p
Bsn.
(I & II)
f f p
r
& # 32
3

196 3

-
F Hn. P fl fl f
r 32
(I-IV)

& #
3 3

-
P fl fl f
- - - 32
& R
B b Tpt. P f
(I-III)
r 32
& # - # - -
P f
B - -
b
- ? 3
R 2
Tbn. P f
(I-III)
? - # - - 32
R
P f
? r 32
w
Tuba

w3 )
? 32
196 3

Timp.
F
..
Glock.
.. #w 32
Tuned & R R
p
P.
j

32
p 32

Trgl.

p f>
B. Dr.

ggg ggg #
ggg # ggg # 3
ggg gg ggg J
196

& ggg 2
ggg f ggg ggg
gg ggg ggg
Hp.
ggg ggg #
? & ggg #
g ggg g # 32
g J

F f
# . j j # # # # 32
196

S & #.
F You can do it by e - mail! Bring forth your
f
smart - phones!

j 3
& . j # # # # 2
.
e - mail!
A

F f
#
You can do it by Bring forth your smart - phones!

# 32
T V # # . # j # j .
F You can do it by e - mail!

Bring forth your
f
smart -

phones!

? # 32
B . # j # j .
You can do it by e - mail! Bring forth your smart - phones!

wo j # > 32
& w # w
196 non div.

R

VI

P
wo J > 32
& R
non div.

w
V II

o o o b o o o o o o b o o P o o
o o o o o >
o o o o o o 32
& o o o o o o B R
o
o oo o
Vla.

o b o o o o o o o o o o o o o o o
o b o o >
B o o o o o ?
j B R 32
Vc.
o o o
o o
p
? w j 32
pizz.

# .
w #
D.B.
p
 31
j # J
24
#w
& 32 # # 44 #
202
2.

.
J . . . 7. . . .
Fl.
(I & II)
f p
Ob. I & 32 # # n
#
j 44
f
3 j 4
Ob. II & 2 #w 4
f
. # . # .
3 44 # . # .
3

a2

B b Cl. &2
f a little aggressive . #
>
(I & II) 3

# # . # . . . . .
B 32 .. 44 ?
1.

Bsn. J w
(I & II)
F 3 3
f
& 32 # # # 44
3 3

# ..
?
202

J . . . . . .
F Hn. F
& 32 # 44
(I-IV) 3 3

# # . # . . . . .
a2

F
& 32 # ww #
44
B b Tpt. F
3 4
(I-III)

&2 4
w #
F
? 32 w 44 R
w
Tbn. F p
? 32 44 #
(I-III)

w R
#
F p
? 32
3
44 j
# #
Tuba

F w >
3 4 #
#
Marimba

&2 4 #
Tuned
P.
f 3
& 32 44
202

Hp. f
& 32 44 # # # #
3 3 3 3 3 3 3 3

3 3 3 3
?
nn C#

C

f
> >
24
#
& 32 44 # #. J
202

S J # #
f
3

j j
Give me your re - ac - tion; what you

& 32 44 # #. n
3

> > # #
#Tell

A

f
> >
Give me your re - ac - tion; me what you

T V 32 44 # #.
J J # #
f
3

# #. # > > # #
Give me your re - ac - tion; Tell me what you

? 32 44 #
B J J
3
Give me your re - ac - tion; Tell me what you

( )

div. a 2
j #
24

3 #w # 4
&2 # #
3

202 pizz.

4
non div.
VI
f J #
f 3
div. a 2

& 32 # # w# n j 44
pizz.
V II
( ) # #
f J 3

B 32 44 # # # #
6 6 6 6

# #
6 6 6 6 6 6 6 6

Vla.

B3 . 4 @ @ @ @ @ @
3 3 3
?
2 4 w
3

# .
f # #
Vc.
> P > >
? 32 4 >
. #
# 4 w .
arco 3 pizz. arco

>
D.B.
f > P
 32
? 3 44

206

# 2 # # .
3

Bsn.
(I & II)

32 b b b 44
solo
B b Tpt.
&
F
(I-III)

? 3 4
2 4
3
Tuba
f # # #w #
>
32 44
206

&

# #
Hp. 3 3 3

? 32 # # # 44 #
3 3 3 3

# #
3 3 3 3

# # # #
3

C
# #
Cn G# D# 3 3 3 3 3 3 3

32 # 44 j
206

& #.
3
S
J J #
3- this 3
j
make of this thing, this 'con - cer to', 'li - a - son' for

& #. 32 # # j 4 j
3

# 4 #
3 3
A
#
j j j
make of this thing, this 'con - cer - to', this 'li - a - son' for

. 32 44 #
# # #
3 3 3

T V

? .
make of this thing, this 'con - cer - to', this 'li - a - son' for

B # 3 #
2 #
J
4 #
4

J #
3 3
make of this thing, this 'li - a - son' for

3 4

arco

#
206

& 2 # # # 4
# # # #
VI

32 44
arco

& j j
V II
# # # # #
# . #.
B 32 # # # # # # # # # # 44 @ # @ # @ @ @ @ @ @
6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6

Vla.
#

? 3 # # @ # @ @ @ 44 @ @# @ @ @ @
3 3

#
3

#
# 2 # > # . J #
3 3
Vc.
# #@ @ @ @ @ @ @ @ @ @ @ @ # #
> P>
? 32 # pizz. 44
3 3 3 3

pizz. arco arco 3

J
3 3
D.B.
> # # # # # # # #w
> >
P
 33
b
b
25

. 32 44
210

&
p echo3
Fl.
(I & II)

. b b b . bw 32 44
3
b
Picc. & b
F 3

Ob. I & . J 32 44
p echo
? 3 4
210

& 2 4
b ww ww
F Hn.
b ww ww 32 44
(I-IV)

& ?

? 32 44
bw w
Tuba

? 32 44
210

b w b w
Timp.

pw 32 44

32 44
Trgl.

w

32 44
T.T.

B. Dr.
p

b b b b 32 44
3

210

&
3

b b b
3

p b
F 3
b b
Hp.
? 32 44
# # # # # #w
b
b

E# Eb Fn Gn Ab
Bb Cn Db
25
F
& # 32 44 b n b
210 3

S # #w #w
F
or - ches - tra and voi - ces Trans - mit your

& #
3
32 44
A
# # #voi # - #ces # bw b w . b n b w b
j F
or - ches - tra and M

T V # . # # # # # b b b 32 b b b 44 b b

F
3
or - ches - tra and voi - ces M

? 32 w 44 b w
# # # ww # # ww ww b b ww b b
3
B
# w bw
or - ches - tra and voi - ces M

25

3 44
div. a 2

210 div. a 2

& b 2 w
non div.
VI
b w . b bw b w . n n b w . b
p
32 44
&
b b b b b b b b b b
V II

p

B @ # @ # @ @ @ @ @ # @ @ @ @ @ @ # @ # @ @ 3 44
3 3

# # # # b 2 b n
3 3

Vla.
# # # n n n n
p
? bw 32 b w 44 b w
b b ww b b ww b b
div. a 2
Vc. # # # # ww w w bw
p p
? bw 32 w 44 b w
D.B. # # #w bw w b bw
p p
 34
n #
26

32 44 b n # b J 42 44
218

Picc. &

32 44 j
n 42 # 44
Glock.

& n j
# b
b
Tuned
P.
j j
3 4 2 4
2 4 4 4
32 44 42 44
Trgl.

B. Dr.

n #
32 44 b n # b J 42 44
218

& J
Hp.
? 3 4 2 4
2 4 4 4
E n F# G n A n
B b C# D n

P
26

& b J . n. b bw 32 44 42 44
speak

n
218

S J
P
com - ments, ques - tions and com - plaints to: G O R D O N

32 44 42 44
speak

& bw ww
bw
A

to:

G O R D O N

3 4 2 4
T V b w 2 4 b 4 b b 4

G- O- R- D- O- N[nnn]

? bw 32 44 b
B
w ww 42 b 44

j
#
G- O- R- D- O- N[nnn]
26
n #
j
b
n
44 b
div. a 2

32 24 44
218 non div.

& bw b w . b bw n #w b w . b bw b. b n n
n w
VI

& 32 44 42 44
V II
b b b b b b b w b b b b b b b
p
B 3 4 2 4
b b 2 w 4 n n b 4 4
pw
Vla.

? bw bw 32 # nw 44 b w bw 42 # # 44
w bw w # n n ww ] bw w b b ww
Vc.

p
]

? w bw w 32 w 44 b w 42 # 44
D.B.
w bw w # w bw
p
 Tempo I: fun and exploration ( q = 76 ) 35
. #
.
27

& 44 . .
226

.
Fl.

(I & II)

b n b # .
& 44 .
p3
Picc.

4 #
Ob. I &4

Ob. II & 44 w w w #w

B b Cl. & 44 j # w # # w # n w #w
n n ww f b .

(I & II)

j #. .
? 44 b b . B # #. # n .
b b ww
.
Bsn.
(I & II)
f
& 44 j
226

b ww b b .
f.
b b
F Hn.
(I-IV)
? 44 b ww
J
f
4 r
&4 # .. #
B b Tpt.

& 44 r
(I-III)

.
? 44 B # # .. n ..
R
Tbn.

? 44 #. .
(I-III)

R

?4
226

Timp. 4 b w b
f
Tuned & 44 . b w n b
P.
j
44


4
Trgl.

B. Dr. 4
() .
b w n b
& 44
226

Hp.
? 44

Tempo I: fun and exploration ( q = 76 )

F F 27 Turn to a string player
ww
Turn to the conductor [whistle a note

& 44 j . j

226 you can hear]
ad lib.

>
S

F F
[at] the aus-tra - lian voi - ces [dot] com OMOMOM....

& 44
[whistle a note

j j
ww
ad lib. you can hear]

.
>
A

[at]
F speak
the aus-tra - lian voi - ces
p whisper F
[dot] com OMOMOM.... [whistle a note

V 44 n n j j b bw b.

speak you can hear]

.
ad lib.

>
T

F speak p whisper F speak

> . b b b b ww b b ww
the aus-tra - lian voi - ces (all one word) [dot] com OMOMOM.... [whistle a note

? 44 n
ad lib. you can hear]
B
J J

.
the aus-tra - lian voi - ces (all one word) [dot] com OMOMOM....

b w b w
27
Tempo I: fun and exploration ( q = 76 )
n
www w
# www

div. a 4

w
& 44 # w
arco

226

b. b bw
n w p
VI

p
4 arco
w
div. a 4

&4 w j ww # www
b b b b b . ww
V II
p f p
j ww ...
# # # www
div. a 3

B 44 w nw
arco

w .
p
Vla.

p f
arco
j # # # www ww ww
div. a 3

? 44 n w bw w w
n w] bw
bw w b b .
pn w p
Vc.

f

]

? 44 w bw w j
D.B.
w bw w b .
p f
 36
# .
#
234

Fl. & J
(I & II)
F

& # .
Picc.
J
F
& # .
Ob. I
J
F
& j
#
F.
Ob. II

j
# # # # #
a2 3

&
3

#
3
B b Cl.
# .
(I & II)
F f 3
B # . #
a2
Bsn. J
(I & II)
F 3

b b n
234

& J
.
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. .
F Hn.
[tap the inst. very lightly 3
f 3
b n # b b n
with a fingernail ad lib.]

? b
(I-IV)
.
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. . &
[tap the inst. very lightly 3
f 3
b .. b
with a fingernail ad lib.]

& .
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. .
B b Tpt.
[tap the inst. very lightly
with a fingernail ad lib.]
f 3
# . #
(I-III)

& .
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. .
[tap the inst. very lightly
f 3

# # # #
with a fingernail ad lib.]

B .
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. .

# #
3

[tap the inst. very lightly
Tbn. with a fingernail ad lib.]

?
(I-III)
.
. . . .. .... . . ... ... . . .. . .. . . ... .. ... . .. .
3

# b
[tap the inst. very lightly

#
with a fingernail ad lib.]

Tuba
? .
. . . .. .... . . ... ... . . .. . .. . . ... .. ... .. .. .
[tap the inst. very lightly
with a fingernail ad lib.]
3

? # #
234 3

>
Timp.
F
#w
#w
234

&
Hp. f
? #w
#w E n F# G n A n
Look very amused and interested. Upon clicking B n C# D n
Heads up, above the conductor/audience the tounge every third or so time, make short jabs
and flicks in the air (as if you were throwing a dart).
f Turn slowly (inwards) towards the back of the orchestra. Keep feet planted.

& # w # # www
234
. . .. . . . . . . . .
S . . .. . . . .. . . .. . . . . .. .. . . . ..

f
[tongue clicks low pitch]
Rrr [rhotic]

A & . .
. . .. . . .
.. .
. . . . . .
. . .. . . .. . . . . .. .. . . . .. # w # ..

f
[tongue clicks low pitch]

# w #
Rrr [rhotic]

T V . .
. . .. . . .
.. .
. . . . . .
. . .. . . .. . . . . .. .. . . . .. V # #
f # . # ww
[tongue clicks low pitch] Rrr [rhotic]

B
? . .
. . .. . . .
.. .
. . . . . .
. . .. . . .. . . . . .. .. . . . ..
[tongue clicks low pitch] Rrr [rhotic]

#
non div.

( )
pizz.

234

&
# # # # wwww wwww f
VI

()
. #
non div.

&
pizz.

n n n n n n n n wwww wwww f
V II

div. a 4 ( ) non div.

B #
pizz.

n b n n n n n wwww wwww ...

f #
Vla.

.
div. a 5
?
non div.

pizz.

# # # # # .... wwwww wwwww wwwww f #

Vc.

div. a 5

arco

? #
pizz.

D.B.
# # wwwww wwwww wwwww wwwww
f #

 37

28
accel. Tempo III: Action! ( q = 116 )

B b Cl. & # J 43 45 38 41 85 44
(I & II)

b
& J 43 45 38 41 85 44
244

b
F Hn.

& J 43 45 38 41 85 44
(I-IV)

b
& J 43 45 38 41 85 44
B b Tpt.

b
43 45 38 41 85 44
(I-III)

& J

T.T. 43 45 38 41 85 44

p
Tempo III: Action! ( q = 116 )
F P
28 Turn to the conductor accel.
U U U
S &

j
.
j
43 .
j 45 . 38 41 85 . 44

F P p U U U
Si - lence yes, the con - duc - tor con - ducts- si - lence!

& #
#
j
# .
j
43 # . j 45 . 38 41 85 . 44
.
A

Si - lence yes,
P
the con - duc - tor con - ducts-
p si - j
lence!
U U U
V # # . 43 .. 45 . 38 41 85 . 44
T J J
# P
yes,
.
the con - duc - tor

con - ducts-
p si - lence!
U U U
? .
B J J 43 J 45 . 38 41 85 . 44
yes, the con - duc - tor con - ducts- si - lence!

Tempo I: fun and exploration ( q = 76 )

j j j j
32 j # j
rit. 29

& 44 43 44 44
1.

# # j
254

B b Cl. # .
(I & II)
p #

& 44 43 44 32 # 44
254

#
P #w
Hp.
? 44 43 44 32 44
A#

P
rit. 29 Tempo I: fun and exploration ( q = 76 )
U
& 44 43 44 . r #
32 . # j 44 # j . j
254

S
w

U P
the notes one - at - a - time [M] the notes be - come a

& 44 43 44 . r j 32 . j 44 j j
# ww . a
A

P
U 44 . r j
the notes one [N] the notes be - come

T V 44 43 ww 32 . j 44 j # .
j

U P j
the notes one [N] the notes be - come a

? 44 w
B 43 44 .
R J 32 . 44
J
#.
J
the notes one [N] the notes be - come a

Tempo I: fun and exploration ( q = 76 )

44 j
rit. 29
U
& 44 43 44 32
254

# .
j
# . - -
VI

U j
V II & 44 43 44

32

#



.
# -
44 j
# -

U . j 4 j
B 44 43 44 32 . 4
Vla.
- -

 38

#
30
# . .
& . # 68 # # 44 #
261 espress.

Picc.
J
P
68 44 .
1.
# # J .
& J
F
Ob. I
3 3

6 4 # j # . r
& 8 4 .
3

B b Tpt.
p - # .
68 44 # j # . r
.
(I-III)

&
3

p -
-
B 68 ? 44 # # .. .
p J R
Tbn. 3

? 68 44 # -j . .
(I-III)

3

p R

68 44
Glock.

& . . #.
. w
Tuned
P.
P

68 44
p
B. Dr.

68 44 . ?
261

&
# .
Hp. p 3

? 68 44 . . # #

3

An
30
F f
68 44 j
. j # .
261 3

& #.
3

. . .
S

F f
tune... [N] mi - nor third; per - fect fourth; per - fect fifth ma - jor

68 44 j
. # . # j .
3

&
3

.. .. .
A

F #
tune... [N] mi - nor third; per - fect fourth; per - fect fifth ma - jor

68 . 44
T V . .. J
3

p
tune... [N] fourth; per - fect fifth

B
? 68 . . 44
tune... [N] fifth

30
# >
non div.

68 . 44
div. a 2

.. .. R
261

& . ..
. p
VI
f
>
68 .. 44
non div.

& # .. R
div. a 2
V II
. #
p f
>
68 44 R # .
non div.

B
div. a 2

p J P> .
Vla.
f p
> j
non div.

B ww 68 .. 44 R
div. a 3 div. a 2 non div.

w . # # .
p P>
Vc.
f p
D.B.
? 68 44
pizz.

p
 39

3# # # . j j

31 1.

B
269

P
Bsn.
(I & II)
j
#
brassy blend with violin tune
brassy

269

&
a2

F # # w # w
#
F Hn.
(I-IV)

&
# # # #

b .
3

&
b .
B b Tpt. p.
. b .
(I-III) 3

&
b .
p
# . . .
? # . J
p
# . . .
Tbn. 3

? . J
(I-III)

p 3

#
Marimba

&
Tuned

f.
P.

j j j
. .
Sus.
Cym.
p secco p

? #w
269

&
p p
#
# # # # # # #
Hp.
?
E n F# G# A n E n F# G# A#
B n C# D n B n C# D#
31

& # . j j . # # # # .
269

#
3 3
S

se - cond; se - mi - tone; ma - jor se - venth third; fourth; se - cond;per - fect fifth up - side - down ma - jor se - venth;

& j j # # # .
#
3 3

. # .
A

f # .
se - cond; se - mi - tone; ma - jor se - venth third; fourth; se - cond;per - fect fifth up - side - down ma - jor se - venth;

.
T V J J
f .
se - cond; per -3fect # .
up - side - down ma - jor se - venth;

Ma - jor se - venth fourth; fifth

B
? J
3
Ma - jor se - venth per - fect fifth up - side - down ma - jor se - venth;
31

# 3
# # j
269

& . w
#
P
VI
F
3
& .
arco

#
P w # #
V II
F
# 3
B # #
# #
arco
Vla.
# #
F P
B

div. a 2
?
# # w w
# #
Vc.
P
arco

D.B.
? # # #
P
 40
. -

277

B b Cl. & # #. # #
(I & II)
p
n
blend with violin tune

j # # # # #w
b # #.
277 3

& J
1.

J
F Hn.
(I-IV)
p fl P
.
& J
B b Tpt.

.
& J
(I-III)

Marimba

& #

Tuned
P.
f
.j
Sus.
secco

Cym.

#w w

277

&
Hp.
p
An
?

j
277

& ..
#
S

third; se - cond;

& j j #
#
A

third; se - cond; third; fifth

T V # ww
j
#
third;

third;

? J J

B

third; se - cond; third; fifth

#. 3 ( ) w w ( )
j
arco

#
277

&
div. a 2

# . # # # w . . # #

VI
f P
# 3
& j # # # ..
V II
# #. # n
f P

B # # -
Vla.
- # # w # #
P 3
-
? # # #
div. a 2

n n -

# #
# # # # #
P # -
Vc.

-
? # - # #. j
D.B.
# - # - #
P
 . . . # . # . . # .
n . . .
41
32
# # # . . . # # . . # . # # n # . . # . # . . # . # n . # # . .
78 3
4 J 44 # n 32
285

Fl. &
(I & II)
f 3

. . # . . .
. . # . # J n 4 # . . . .
& 78 # . . . . 43 4 . . . # . # . # n . # . . 32
Picc.
.
f
3

# 7 # 4 #
3 # # 3
Ob. I & J 8 J 4 J 4 J 2
f 3 3 3

# 7 # 4 #
3

#
Ob. II & J 8 J 43 J 4 J # 32
f 3 3 3
3

78 j
& j 43 44 j
# # #
32
3
B b Cl.
# # # .
(I & II) f # #
# 7 # 4 #
? B J 8 43 J # ? 32
a2

J 4 J
f 3
Bsn.
(I & II) 3 3
3

& # # # J 78 43 # 44 # # # . j 3
285 2.

# # 2
3 a2

J J >
F Hn. p f 3 3

78 43 # 44 # # # . j 3
(I-IV)

a2

& # # # 2
# # J J >
p f 3

# 78 # 43 j
# 44 # # # # # 32
3

& J # #
B b Tpt. f 3

78 # j # J # .
43 # 44 # 32
(I-III)

3 3

& J # #
f
? # # 7
J 8 3 # 4 #
# 3
4 J
1.
B
a2

J 4 J 2
Tbn. p f 3 3 3
3

? 78 43 44 . 32
(I-III)
j
# # #
f
p f
Tuba
? 78 j 43 44 . 32
# # # # #
? 78 j 43 44 . 32
285

Timp.
# # #
f
78 43 j n 44 32
Glock.

& # # # #
3

# # # # n #
Tuned
P.
f
. 78 43 44 . 32
78 43 44 . 32
Cr.

Cym.
B. Dr.

32
# # # # #
# #
# # # # J
n #
# # # # # n #
# 78 # 43 44 32
285

&

VI

f
#
3

# 7 # n 4 #
@ @ @ @ @ @
& # @ @
# J 8

R 43 # J 4

J 32
@ @ @ @
V II

f
#
3 3 3 3

B # .
# 7
J3 8 43 #
J3 44 #
32
Vla. R J
f j3 r j3 j33
div. a 2 # # #
3 div. a 2

? j # . . 7
#
3

44 #
. 43 # 32
non div.

J # f 8 # #
# . R f #
Vc.

? # 78 r 43 44 . 32
arco

D.B.
# # # #
f
 - - # - . . . . # # . . . . . . .
. . . . . . . . - # # - # # # . # # . . . .
42
n n # . . n n - . # # #


& 32 # R . 34 # 45 44
291

Fl.

n . . . n . . . 3 . . - . . . .
. # . . # . #
(I & II)
. - - # - . . . . # . . . .
3 3 3

# . - . # - n
Picc. & 32 R 43 45 44
3 3
3

#. >3 > > #

& 32 w 43 45 # 44 # #
3

Ob. I
J
f
#. >3 > > #
& 32 w 43 45 # 44 # #
3

Ob. II
J
f
j 3 >3 > >
& 32 # # .. # ww 43 45 # # # # #
44
# #
B b Cl.

f 3 # > 3 # #
# n
(I & II)
> # > . J
#. #w f 3 3 # # > >3
> >
? 32 J 43 # # # 45 # 44 #

3

Bsn.
# . ## # # # # #

J >
(I & II)
> > > > . > 3> > > > 3> > j
.
& 32 # . # # # . .
43 45 # # .. 44 #. #
3

# #
3 6 3

j
291
3

> # # #
> > >
> > > > . j
F Hn.
.
& 32 # . # # .
# .
43 45 # . 44 #
(I-IV) 3

#
3 3

j .
. # # # # #
3

> > > > #

# . j > > > > >
3
& 2 # . # # # # .. .. 43 45 # # # # 44 #
3

# #
3

> # > # #
B b Tpt.
#. > > >
3

3 # #w 43 45 # # # 44 #
(I-III)

&2
# #
3

J # #
f 3 > >
>
3

B 3 #.
#w # #
3

3 5 # . 4 # # #
4 # # n
?
2 J 4 J 4
Tbn.
f 3
>
3

? 32 43 # # 45 44 #
(I-III) 3

#w #
3

# . . # .
3
#


. J > # > >
? 32 43
3

45
3
44 j #
3

#w # # # #
# . . # .
Tuba

. > # > >

>3
? 32 43 54 44
291

Timp.
#
f 3
n # n R . . . - # # #
& 32 43 5 4
3

- - 4 #
3

Tuned # # 4 n
P.

32 34 5
4 44
32
43 45 . 44
Cr.
Cym.

p
B. Dr.

n # n n . n
#
n # - # -
#
# # # 44 #
& 32 R 43 45 #
291

3
VI

>3 > >

3 33

#. 5 # # #
& 32 w 43
# # # # 44 # # #
div. a 2

#
non div.

J 4 n #

V II
f
>3 >
3

>
3

j w #
B 32 # . 43 54 44 # # #
div. a 2

Vla. # #
f 3 >3 >
#. j j
? 32 # . w # # > . 44 # #
.. J #w 43 45 ## # #
3
Vc.
# # . # # #
J
> > 3>3 > >
? 32 43 45 44 # j # >
66

#w #
# #
3

# # . # # > # > >

D.B.
>
 . . . . . . . . .
.
43
# # . n . . . . . .
. .
. . # # # #
. n # # #
# . 32 44
&
295

Fl.
(I & II)
. f . . . F P
# . . . # . # . . . . . . # . . . . . .
Picc. & . . n . 32 44
f F P
3 4
& w
3

Ob. I # 2 4

& .
a2
32 44
B b Cl.
# # - #
(I & II) # f .
? # B .
a2 32 - # . 44
n # f
Bsn.

> >3 >

(I & II)

>
# # 32 44
295

& # #
p . #.

F Hn.

& #n . 32 44
(I-IV)

# # # . #.
p
& # # > # > # > # 32 44
B b Tpt. f >
(I-III)
> 32 44
& #
f > > >
? n # # # 32 . 44
. # ..
Tbn.

? 3 4
(I-III)
# 2 4
# #

? 32 44
Tuba
n # #
32 44
Tuned & # n
# # #
P. F P
f
# > >

>
# # >
32 44
295

&
f
> >
#
Hp.
32 44
& # #
> >
E n F# G n A n
B n C# D n
f
F f
& . # .. 32 # # 44
joyous

295

F joyous f
j
Ah Ah

& . - # 32 . # 44
A

f
3

F #
Ah Ah

32 . # 44
joyous

T V
F f
32 .
Ah Ah

? 44
joyous

B #
Ah Ah

#. - # . 32 . . 44
295

VI & #. . #.
F p
# 32 44
& - # ..
p w . .
V II
P
- div. # . # 32 44

non

B # #
Vla.
- F
# .
33

? n 32 - 44
non div.

Vc.
n # # # #
F
? n # # # 32 ... # # ... 44
div. a 2

D.B.
 44 . . .
# # accel. 33 Tempo II: movement ( q = 92 )

& 44 42
298

Fl.
(I & II)
p
# . . .
Picc. & 44 42
p . .
. # . . # # #
4
& 4 r # # # # . n # J 2
4
B b Cl.
# . . .
(I & II)
p f

B 44 42
Bsn.
(I & II) R
# #
3

#
& 44
solo

B b Tpt.

42
F
(I-III)

? 44 B
42
w
Tbn.

(I-III)

?4 r 42
Tuba 4
P# w .
p f
? 44 42
298

#
3
Timp.
#
>

Tuned & 44 # 42
P.
p
>j >j
44 . p 42
44 p f f
. 42
S.Dr.

f
B. Dr.

33 Tempo II: movement ( q = 92 )

F f
- #
accel.
3
& 44 J # J w # .. j 2
298

R J # 4
S

f
3 3

j
Ah Ma - ny Mu - sic - Ad - mi - rers are a - verse to

r
& 44 j j 2
3

# .. # 4
3 3
A
#. - w
p f # 3
Ah Ma - ny Mu - sic - Ad - mi - rers are a - verse to

V 44 . - # .. 42
3

J # . R J #
# #w
T

f # ..
3

F n
Ah Ma - ny Mu - sic - Ad - mi - rers are a - verse

?4 J ## 2
3

4 . R 4
B
# ww ww ww # # ww 3
Ah Ma - ny Mu - sic - Ad - mi - rers are a - verse

33 Tempo II: movement ( q = 92 )

#
#
accel.
4 J 2
# #
298 pizz.

&4 # 4

VI

p f
# #
& 44 b # J 42
pizz.

- # w # #
V II

p f
B 44 # j 42
# - . #w w w f # fl
Vla.
p
? 44 ww
# # www ww ww j r 42
non div.

w w ww
w w # # ww w f # fl #
Vc.

p p >f

?4 w 2
j r
# # www
non div.

4 ww ww ww w ww 4
w w # # ww w # #
D.B.

p f fl p >f

 45
>
2 4 5 4 J 2 4
306

&4 4 4 4 4 4
f
Fl.

>
(I & II)

Picc. & 42 44 45 44 J 42 44
f
Ob. I & 42 44 . . b 45 44 42 44
f 3

& 42 44 # . # . n 45 44 42 44
3

Ob. II

f
n
B b Cl. & 42 44 # . # # . 45 44 42 44
(I & II)
f 3
B 42 44
3
45 44 42 44
b
Bsn.

(I & II)

r
& 42 44 # # # 45 44
+ 42 44
306

p f fl p f fl p f p

F Hn.

r
& 42 44 # 45 44 42 44
(I-IV)
# # ?
+
p f fl p f fl p f p
n
2 4 # . # # . 5 4 2 4
&4 4 4 4 4 4
B b Tpt. f 3
& 42 44 n 45 44 42 44
(I-III)
.
# .
f 3

B 42 44 # . b 45 44 42 44
J
f 3
# .
Tbn.

? 42 44 n
45 44 42 44
(I-III)
J
f 3

Tuba
? 42 44 b
3

45 44 42 44


6

& 42 44 45 44 42 44
Glock.

F
Tuned
P.

j
Sus. 42 44 45 44
f
secco 42 44
Cym.

P breathy
> > 4 > > .
& 42 44 45 j . .. .. r 2 4
# . 4 # . J 4
306

R 4 > >
S

> >
jar - ring,
P breathy
ras - py,
me - tal> - >lic, se - vere, sa - vage sounds

& 42 # 44 45 j . R 44 . .. r 2
. 4 #. 4
j 4
A
>sa - vage
>
jar - ring,
P breathy
ras - py,
me - tal> - >lic, se - vere, sounds

V 42 44 45 b J . R 44 . .. # # 2 4
# . 4 # . J 4
T
R > >
Pbrasbreathy > > . # #
5 J .
- py, me - tal - lic, se - vere, sa - vage sounds

?2 4 R 44 .. R # . 2 # . 4
B 4 4 4 # . 4 J 4
ras - py, me - tal - lic, se - vere,
> >
sa - vage sounds

>>>>>>
b > > > > > > .
div. a 2

non div.

& 42 44 45 b j 44 42 44
div. a 2 pizz.

306 arco sul pont. arco
VI
# 6
f p fl f
>>>>>>
6

sul pont. #
3
3

j .
& 42 44 # 45 44 42 44
non div.

3 div. a 2

# n b #
3 6 pizz.
arco arco
V II
fl > > > > > >
f fl p fl f 6
div. a 2 # #
B 42 4 #
5 #
# J 4 2 4
b
6

4 > 4 4 4 4
sul pont.

> > > > > p

Vla.
f

3

44 #
# J
3

sul pont. #
? 42 45 44 42 44
div. a 2 non div.

b
6

> > > > > > p

Vc.
f 3 3

pizz.#
? 42 #
div. a 2

44 45 44 42 44
D.B. n b
f
 # > >
34

# >
46
~~~~~~~~~~~~~~~~~~~~~ # >
4 3 4 J 3 4 3
a2

J
312

& 4 #w 3 8 4 2 4 2
>
Fl.

F # w f 3 F # # #
(I & II)
#.
Picc. & 44 38 # 44 J # 32 44 32
F 6
f 3

> > # 44 J
>
& 44 # . . j 38 32 44 32
3

>
Ob. I
f f F
> > 38 44 # >J
#
3

& 44 # . # j 32 44 32
3

. >
Ob. II
f f F
# > > 44 # J
>
#
3

& 44 38 # 32 44 32
a2
B b Cl.
# 3 p# # #
3 f F >
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #
(I & II)

1.
~~~~~~~~~~~~~~~~~~~~#w #
B 44 # w ?
# 3
8 44 # 32 B 44 a#2 # 32
J
p
Bsn.
(I & II)
F f J. F

> > . . . 44 # >
4
&4 j # 8 # .
3 32 44 32
312 6
a2

J
f fl# p
fl fl
F Hn. 3

? 44 # # > > > 3 a 2# . . . . 44 # > 32 44 32

(I-IV)

& J 8 J
J 3 p
f
> > 3 >
3

# # 4 # J j 3 j
4 # J 8 #. # 4 3
&4 # 4 # # # # . 2 n # 4 2
B b Tpt. 3 3
F F p
j > # > 3 44 j
3

4 # 3 j 32 j 44 32
(I-III)
8 #
3

&4 # # # #. #
3 > F > F # n
> p
B 44 38 # 44 ## # # ..
j 32 44 32
a2 6

# J F J
f F p
# >
Tbn.
(I-III)
? 44 j 3 44 # . 32 # 44 32
# # 8 # B
6

J J J
f fl fl fl f F F p
? 44 j
6
3
8 j 44 32 44 32
f # fl w .
Tuba
# p
fl fl f fl

? 44 # 3
8 # j 44 32 44 32
312

# #
> >
Timp.
f f 3 f p >
44 38 . 44 j secco 32 44 32
.
4 3 pj 4 f 3 4 3
Sus.
Cym.
4 8 4 2 4 2
B. Dr.
P

& 44 # ww 38 44 # # 32 44 32
312

# # # n # www
f #
Hp. f 3
& 44 38 44 # # # 32 # 44 32
3 3

3
?
3 3 3

n
3 3

# # # w
An
D# Dn

34
F
4 3 4 3 4 3
#
312

S &4 8 4 2 4 # 2
F
Are you e - ven on my side?

A & 44 38 44 32
#
44

32
Are you e - ven on my side?

T V 44 38 44 32 44 32

B
? 44 38 44 32 44 32

> >
# # >
# 44
34 div. a 2

& 44 38 44 J 32 32
non div. 3

# #.
312 pizz. arco pizz. arco

J #

VI
f 3
F f p 3 3 3
4
j # > > 3 4 # > 3 4 3 3 3
non div.

# #.
div. a 2

#
pizz.

J
arco

& 4 # # 8 4 2 # 4 2
pizz. arco
V II
> J
f div. a 2 F f p
> > > 3 # >
# #
3

B 44 44 32 non div. . 44 3 3 3 3 32
pizz.

j J 8 J
3
Vla.
# . . #
p f fl >> f3 F P
j
44 # j
? arco 38 j 44 @ @ @ @ @# @ @ @ # @ 32 n
# 44 # 32
div. a 2 3 3 3

3 pizz.

3 3

#
non div. 6

# # #
p . . f fl P
Vc.

>> f fl f
? 44 # j 38 j 44 3 44 32
2 .
pizz.

#
3

#
non div. 6

#
p . . f fl f
D.B.

>> f fl P
 47
..
3 4 3 4 J 3 R 4
318

Fl. &2 4 4 4 4 4
(I & II)
3

Picc. & 32 44 43 44 J # 3
4
. #
R 44
3

& 32 44 43 44 43 . 44
Ob. I J R
3

Ob. II & 32 44 43 44 j 3

3
4 .
r

44

& 32 # . 44 43 44 # # # 3 # # . #
4 .
44
B b Cl.
J R
(I & II)
3

B 32 # . 44 43 44 # 3
4 .. # 44
Bsn.
J R
(I & II)

f
3

& 32 44 b 43 44 43 44
3

n b b w
318

b b

F Hn.
(I-IV)

& 32 44 43 44 # 43 .. # 44
J R
B b Tpt. 3

3 4 3 4 j 3 3 r 4
(I-III)

&2 4 4 4 # # 4 #. # 4

B 32 44 43 44 J 43 .
R 44
1.
?

Tbn. 3

B 32 44 43 44 43 44
(I-III)
? j
# #
f fl
? 32 44 j 43 44 43 44
Tuba
# #
# f
? 32 44 fl
43 44 43 44
318
3

P
Timp.

p
32 44 p
. 43 44 43 44


32 44 43 44 w 43 44
Trgl.

Cr.
Cym.

& 32 44 43 44 43 44
318

# #
f >
# # 44
Hp.
? 32 43 44 43 44
3 3

#
3 3
#w
A#

p f - -.
& 32 . # 4 # 43 44 43 44
318

J # 4 # J J
> >
S

p f the, the Com, - the Com - po,

3
we should be al - lies, you and I- - the Com - po - ser.

3
& 2 # ..
j3

4
4 #w - 3 -
4 . n 44
J 3
4 4
4
A
> > J
F
we should be al - lies,
p> >
you and I-
f the, the Com, - the Com - po,
-
-
-.
the Com - po - ser.

T V 32 .
J # 44 # w
J 43 44
J 43 44

p > > f n - -.
3

44 # w 34 n 4
we should be al - lies, you and I- the, the Com, - the Com - po, - the Com - po - ser.

B
? 32 J J 4 43 44
you and I- the, the Com, - the Com - po, - the Com - po - ser.

3 ( )
.
& 32 44 43 44 . 43 44
318 non div.
VI
# # R
p 3 background foreground
( )
& 32 44 3 3 3
43 44
43 44
3

j r
non div.

# # n ..
V II

p > background foreground

B 32 # 44 j 43 44 43 44
arco

3 3 3

#
3

Vla.

>
j
? 32 # 44 # # # n 43 r 44 43 44
arco

#
f
Vc.
> p
?3 4 # # 3 r 4 3 4
arco

D.B. 2 4 # w 4 4 4 4
f
 48 j
1. 3

# J
6

# b
3

4 2

324

&4 4
p F
Fl.
(I & II)
F
.
.
3

Picc. & 44 3 J 42
p F

& 44 . 42
F
Ob. I

F

Ob. II & 44 42
# r
3

j ## J
& 44 # # J 42
6

b - .
a2
B b Cl.
p
(I & II)
F p
B 44 w
# w 42
joyous

Bsn.
(I & II)

& 44 - # . ww 42
324 a2 joyous

J
F Hn. F

& 44 42
(I-IV)

joyous

# ww

4 . 2
& 4 n j
joyous

# # 4
B b Tpt. P fl p
& 44 j . 42
(I-III)

joyous

p
Pn fl
? 44 n j ww
42
assertive
B
# #
joyous

Tbn. P fl P>
? 44 j # w 42
(I-III)

assertive joyous

#
P fl P>
? 44 j j . 2
joyous

# . . . . . 4
5

Tuba
#
P # fl f
p f
? 44 fl . 42
324

Timp.
>
w
44 >j >j. 42
4 2
Trgl.

4 4
f p f j
44 42
S.Dr.

B. Dr.
f
# # # #
4 # #
# 42
324

&4
Hp. p
?4 2
4 4
G#

f
.
& 44 J b . b # 42
324
3
S
J # J
f
3

# j
Should a - ny - one be feel -ing bored or dis - tressed La -dies and Dudes, X X

& 44 # j j . 42
3 3

f
# > n >
Should a - ny - one be feel -ing bored or dis - tressed La -dies and Dudes, X X

4 n . 2
V4 J #
3

T J J 4
3

f # > # >
? 44 # b .. b
Should a - ny - one be feel -ing bored or dis - tressed La -dies and Dudes, X Y

J J J 42
3
B
J #
3

o
Should a - ny - one be feel - bored or dis - tressed La -dies and Dudes, X Y

wo ##
div. a 2

. # # ##
5

4 2
# w
324 joyous

VI &4 4
p
wo # #
& 44 #n J . 42
non div. joyous

b b wo o o b o o o o o
V II

o o o o p p 6
non div.
o o o o

5 arco

# # # # J
div. a 2 5

B 44 w j
42
6 6 6

arco

o o o o #
w o o
Vla.
F o p joyous p
P o o b o o o
j j j o o o @ @3 # @ # # # J
? 44 n . o j j # # w # 42
div. a 2

#
pizz.

arco
Vc.
# # .
p> > > F p f p
5

? 44 j j
j
. j b # j 42
pizz.

J
3

D.B.
F > # #
p> > >
 49
2 #.
35
4 #
joyous

3 4 5
330

Fl. & 4 #. J 4 2 4 4
f
(I & II)

# . joyous 44 #
Picc. & 42 J 32 44 45
f
#. 44 #
Ob. I & 42 J 32 44 45
f

Ob. II & 42 # .
j 44
# 32 44 45
f
2 # 44 # 32 44
B b Cl. &4 # 45
f
(I & II)

Bsn.
B 42 # 44 # 32 44 ?
45
(I & II)
f

& 42 # 44 32 44 45
330

#
F Hn. f

& 42 # 44 32 44 45
(I-IV)

#
f
2 j 4 3 4 5
& 4 # # . # 4 # 2 4 4
B b Tpt. f
2 44 32 44 45
(I-III)

& 4 #

f
B 42 44 32 44 45
Tbn. f
? 42 # 44 # 32 44 45
(I-III)

f
? 42 44 32 44 45

Tuba

& 42 44 32 44 45
330

Hp.
f
? 42 44 32 44 45

F
35
U
& 42 44 # . j . j 32 44 45
3

#
330

S
# # ww ww
F U
here is a phrase of Tchai - kov - sky to smooth things o - ver...

& 42 44
. j . j 32 44 45
3
A
# . #
j F U
here is a phrase of Tchai - kov - sky to smooth things o - ver...

V 42 44
# # . . j 32
#
44 w 45
3

# #
T

j F j U
here is a phrase of Tchai - kov - sky to smooth things o - ver...

? 42 44 . . 32 44 # 45
# # # # # # # #
3

B
#
j
here is a phrase of Tchai - kov - sky to smooth things o - ver...

#. # n >
#.
35

2 44 # # 32 44 45
330

&4 J R
p
VI
f f
2
&4
44 >
32 44 45
V II
R
f p f
>
B 42 # 44 32 44 45
6 6

R
p
Vla.
f f
? 42 # 44 # >
32 44
B R 45
arco

p
Vc.

f f
?2 4 3 4 U 5

arco

D.B. 4 4 2 w # 4 # 4

 50

Allegro con grazia ( q = 144 ) Tempo III: Action! ( q = 116 )

# j # j j 2 U
& 45 # # 78 42 78 42 78
336

B b Cl. # 4
(I & II) F
# U
?5 #

# 42 7 2 7 2 7
Bsn. 4 J J
J 8 4 8 4 8
(I & II)
F
j j U
& 45 # 42 78 42 78 42 78
336

F #
F j
F Hn.
U
& 45 j # 42 78 42 78 42 78
(I-IV)

. #
F
45 42 78 42 78 42 78
u
B. Dr.

Tempo III: Action! ( q = 116 )

Allegro con grazia ( q = 144 )

& 45
U
42 78F j j 42 j 78 j j 42 f j 78
Vocal Percussion ad lib.

336

S
.. [bubble-
T K T K T K T K

fj
popping]

& 45
U
42 78F j j j
42 78 j j 42 78
Vocal Percussion ad lib.

A . . . .
[bubble-
S S S S

2 f
popping]

2U 7 2 j j
5 . 78 J J J . 78
Vocal Percussion ad lib.

V4 4 8 J J J 4 4
falsetto

FM
T
M M M Da! M M M M Da!

U 78Fj j j j j j j f j
Vocal Percussion ad lib.

B
? 45 42 42 . 78 42 . 78
Doh Doh Doh Doh Da! Doh Doh Doh Doh Da!

Allegro con grazia ( q = 144 ) Tempo III: Action! ( q = 116 )

U
& 45 j j j j 42 78 42 78 42 78
pizz.

F
V II

5 U
B 4 j j j j 42 78 42 78 42 78
pizz.
Vla.

F
B5 # #. # 2U 7 2 7 2 7
4
3

Vc. 4 # 8 4 8 4 8
F f F 3

? 45 # # U
42 78 42 78 42 78
pizz.

D.B.
J J J J
F
 51

# # # # . # # # #
# #
& 78 J 42 J 78 42 J 78 85
344

Fl.
(I & II)
p b b
b b b b
7 J 2 J 7 2 J 7 5
Picc. &8 4 8 4 8 8
p
# # # #
Ob. I
7
&8 J 42 J 78 # #
42
#
J 78 85
p
7 # # # . 78 # # #
Ob. II &8 J 42 J 42 J 78 85
p
7 . .
B b Cl. &8 42 78 42 78 85 # # .
(I & II) p
j .
& 78 # # 42 # J 78 # # 42 # 78 85
344

J
F Hn. p
7 j .
&8 # 42 # J 78 # 42 # 78 85
(I-IV)
# # J
p
. .
B b Tpt.
& 78 42 78 42 78 85 # # .
p
(I-III)

# >
B 78 42 78 42 78 85
R
p
>
Tbn.

?7 2 7 2 7 5
(I-III)

8 4 8 4 R 8 8
p
? 78 >
Tuba 42 78 42 R
78 85
p
b b
& 78 b 42 b J 78 b 42 b 78 85
Glock.

J
Tuned
J
p
P.
j
78 42 78 42 78 85


78 42 78 42 78 85
Trgl.

B. Dr.
# # # # . # # # #
# #
& 78 J 24 J 78 42 J 78 85
344

Hp.
p
? 78 42 78 42 78 85
E n F# G# A n
B n C# D n

j j j j j j j j
& 78 42 78 42 78 85
344

S
T K T K T K T K T K T K Bleh Bleh Bleh FL T KL T

j j j j j j j j
A & 78 . . 42 78 . . 42 78 . . 85
S S S S S S Bleh Bleh Bleh FL T KL T

j j 78 J J J
T V 78 J J J 42 . 78 J J J 42 . 85
M M M M Da! M M M M Da! M M M Bleh Bleh Bleh FL T KL T

?7 j j j 2 j 7 j j j 2 j 7 j j j 5
B 8 4 . 8 4 . 8 8
Doh Doh Doh Doh Da! Doh Doh Doh Doh Da! Doh Doh Doh Bleh Bleh Bleh FL T KL T

7 2 7 2 7 j j 5
8 .
344

&8 4 8 4 8 # . .

VI
p
& 78 42 78 42 78 arco j j
# . . 85 .

V II

p
B 78 42 78 42 78 85 .
arco

Vla.

B7 2 7 # 2 7 # 5
8 .
pizz.

?
. .
arco

8 4 8 4 8
p . . n
Vc.

? 78 42 78 # .. 42 78 # .. 85 .
pizz.

arco

p
D.B.
 52

b b #
# #
#
# # # # #
42 78 85 42 J J 68
350

Fl. &
(I & II)
p b F F p
b b b b
2 7 5 # # 2 J J 6
Picc. & 4 8 8 4 8
p F F p
# # #
Ob. I & 42 78 # 58 b # b # 24 # J
J 68
p F F p
b b
Ob. II & 42 78 # # 58 # # 24 # J J 68
p F F p
. . j 58 # . .
.
# .
B b Cl. & # # . 42 78 # . # .
j 24 68
(I & II) . p .

42 78 # 85 # # 42 # J J 68
350

& #
F Hn. p F F p
58
42 78 # # # 24 # 68
(I-IV)

& # J J
p F F p
. . j 58 # . .
.
# .
B b Tpt.
& # # . 42 78 # . # .
j 42 68
(I-III)
. p .
> # >
B 42 78 85 42 68
R R
p p
>
> 2 #
Tbn.

? 2 7 5 R 6
(I-III)
4 R 8 8 4 8
p p
? > 24 >
Tuba 42 R
78 85 R 68
p p
b
Tuned & 42 78 b 85 # b # b 42 b J J 68
P.
p F F p
j
j 42 78 58

j 42 68
. 42 78 85 . 42 68
Trgl.

p p
secco secco

42 78 58 42 68
Sus.

Cym.
B. Dr.

.. ..
# #
#
# # # # # #
2 7 5 2 J J 6
350

& 4 8 8 4 8
Hp.
p F F p
? 42 78 85 42 68

j j j j
& 42 78 85 42 68
350

S
Bleh Bleh Bleh [in] T K T K Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in]

2 j 7 j j 5 2 j 6
A & 4 8 . . 8 4 8
Bleh Bleh Bleh [in] S S Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in]

j j
T V 42 . 78 J J J 85 42 . 68
Bleh Bleh Bleh [in] M Da! M M M Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] M Da!

? j j j j j
B 42 . 78 85 42 . 68
Bleh Bleh Bleh [in] Doh Da! Doh Doh Doh Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] Doh Da!

& . 42 78 # j j
. 85 . . 42 68
350 pizz. arco pizz.

VI
.
f p f
2 7 5 2 6
& . j j 8 . .
pizz. pizz.

4 8 4 8
arco
V II
# . .
f f
p
2 7 5 2 6
B 8 .
arco

4 8 4 8

Vla.

? 42 78 # 85 . 42 68
pizz.

.
arco

p . n
Vc.

? 42 78 # .. 85 . 42 68
pizz.

arco

p
D.B.
 53

# # .. .. # .
# J
& 68 78 85 68 42
356

Fl.
(I & II)
p b P.
b. .
6 7 5 6 2 J
Picc. &8 8 8 8 4
p P
68 # . #. # .
Ob. I & 68 78 85 42 J
p P
Ob. II & 68 78 85 68 # . . 24 # J.
p P
. . # . . . 68 # . .
.
. 24 # j
B b Cl. & 68 78 85 # j
# # . # . . #
p .
fl
(I & II)

.
& 68 78 85 68 # . . 42 # J
356

F Hn. p P
& 68 78 85 68 # . . 24 # .
(I-IV)

J
p P
. . .
.
# . . j 68 # . .
.
.
B b Tpt.
& 68 78 85 # # # # . . 42 # # j
(I-III)
p .
> fl
> # >
B 68 78 85 68 # R 42
#
R R
p p F
> # > >
Tbn.

?6 7 5 6 R 42

(I-III)

8 8 8 8 R R
p p F
> > >
Tuba
? 68 78 85 68
R R 42

R
p p F
b .
Tuned & 68 78 85 68 b . . 42 J
p P
P.
j
68 78 85
68 42
68 78 j
85 . 68 42
Trgl.

p
secco

68 78 85 68 42 P
Sus.

Cym.
B. Dr.

# # .. .. # .
6 7 5 6 2 # J
356

&8 8 8 8 4
Hp.
p P
? 68 78 85 68 24

> > > >

& 68 78 j j 85 68 42
j

356

S
> > > >
Ft T K T K Ft T K T K T K T K Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] Ft T K T K Ft T K T K

6 7 j j 5 6 2 j
A &8 8 . . 8 8 4
Da Ka Da Ka Da Ka Da Ka Da Ka Da Ka S S Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] Da Ka Da Ka Da Ka Da Ka Da Ka Da Ka

. . 78 J J J . . j
T V 68 85 68 42 .
M M M M M Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] M M M Da!

B
? 68 . . 78 j j j 85 68 . . 42
j
.
[gutteral] [gutteral] Doh Doh Doh Bleh Bleh Bleh FL T KL T Bleh Bleh Bleh [in] [gutteral] [gutteral] Doh Da!

& 68 78 j j 85 . . 68 42 j
arco arco

356 pizz.

# . . # . . .
. . .
VI
p f
F
6 7 j j 5 6 2
8 . . 4 j
pizz. arco

&8 8 # 8 #
arco

. . . . . . . .
V II
f
p F
B 68 7 5
8 . 6 2 j
arco

8 8 4

Vla.

p F
? 68 78 # 85 . 68 # . 24 j
pizz.

pizz.

. .
arco arco

n
p . n p . .
Vc.

F
? 68 78 # j
.. 85 . 68 # .. .. 42
pizz.

arco pizz. arco

p p
D.B.
F
 54

Tempo I: fun and exploration ( q = 76 )

36
U 44 32
& ww .. # # ww .. ww .. # # ww ..
p
Fl.

I
(I & II)

U 4 3
& 4 2 # #
. # .
3 3
Picc.

p
U 44 32
&
p
Ob. I

U 44 32
Ob. II &


p
U 44 32
B b Cl. &
# #

p
(I & II)

Bsn.
? U 44 32 # #
p
(I & II)

U 44 32 ww
&
362

F Hn.
p
(I-IV)
U 44 32
& # # ww
p
U 44 32
& # # ww
B b Tpt.
p
(I-III)
U 4 3
& 4 2 w
p
B U 44 32 ? # ww
Tbn. p
? U 44 32
(I-III)

#w
p
Tuba
? U 44 32
#w
? U 4 3 p

362

Timp. 4 2 # w
p
U 44 32 # #
Glock.

Tuned & # # #
P.
p 3 3

36 Tempo I: fun and exploration ( q = 76 )

U F F j
44 32 #
S & # # # # ..

U F
Re - mem - ber THAT chord?
Fco - lour change make it sound wi - der

& 44 32 j
A # # # .
U F F
44 # j
Re - mem - ber THAT chord? co - lour change make it sound wi - der

V 32 # .
T # #
F F
? U 32 # j
Re - mem - ber THAT chord? co - lour change make it sound wi - der

44 # #
B
# # ..
Re - mem - ber THAT chord? co - lour change make it sound wi - der

# # #w
3
Tempo I: fun and exploration ( q = 76 )
#.
3

#w # w #w w
36
U # w # ww
arco div. a 3

44 32
non div.

&
pizz. arco

p
VI
F
U @@@@@@ @@@@@@ # # w #w

3

44 32
3 3 3 3 non div. div. a 3

& # # www
div. a 2

.
pizz. arco

# J J J
F p
V II

32 w . .. #
3

U 44 . #w. # # #
# www
non div. div. a 3

B #
div. a 2 arco

#
pizz.
Vla.
@@ @ @ @ @ p
F
. # ww . #
3 3

32 # # w . w
3 3 3

? U 44 # ## www
div. a 3

div. a 2 non div.
pizz. arco

F
Vc.

p
? U 44 32
D.B.
#w
p
 55

? B 44
368
3

#
Tbn. p
? 4
(I-III)
4
3

p
?
3
44
p
Tuba

#
44
T.T.
pw 44
w
B. Dr.
p
# # 44
& J ?
368

Hp.
f p
A#
? 44
# ww
#w Lift right hand and draw across,

p
imitating the action of a bow

44P j r
movement on a stringed instrument.

& . . # .
368

S #. . #

4P
thin - ner halve the bow pres - sure please, halve it a - gain

& # . j
breathy

# # - . 4 j
. # .
A

# . P p r
thin - ner more shal - low halve the bow pres - sure

j # - # . 44 # . . . # . #
breathy

T V # - . J J
- # . P p
j 44 # . J .
thin - ner deep - er more shal - low halve the bow pres - sure please halve it a - gain

? J . . R
breathy

# .
- .
B

deep - er more shal - low halve the bow pres - sure please, halve it a - gain

w
norm.

sul pont. div. a 2

4 #
& # ww # ww # ww ..
368

non div.

4
non div.

p
VI

#w
norm.

44
sul pont.

&
div. a 2

non div. non div.

p # w
w # ww # ww ww

V II

#w
44 div. a 2
sul pont.

ww ww ww ww
norm.

B
non div. non div.

p
Vla.

.
? sul pont. # ww
44 # ww # ww ww
norm.

div. a 2
Vc.
# # ww
R p p
? r 4
D.B.
#w 4
p
 56

37
# #
. 42 44
a2

Fl. &
(I & II)
p
# # 2 4
Picc. & . 4 4
p

42 44
1.

B b Cl. & # #
(I & II)
p
# #
44 # w
a2

Bsn.
? 42
(I & II)
p 3
F
24 44
376

& w ww
F Hn. p
42 44
(I-IV)

& #
ww
pw
? 42 44
376

F
# # #
Hp.
? 42 44
# #

## #

# # # # 3
37
# # # # #
42 44
div. a 2

J
non div.

& J
3

F #
VI
p F
F
# # # # # # # # #
42 # 44
div. a 2

& # n # # # # # w # # . #
V II

F p -
non div.

B
non div.
n # # 3 42 # 44 # # .
div. a 2

.. # n
-
Vla.
F p P 3
F
? j . 24 # 4 # # j j
w
non div. div. a 2

. w . 4 # #
J
Vc.

p F p F
? 24 . j 4 #
w 4 #.

D.B.

p F p F
 57

rit. rather slow ( q = ca. 64 ) 38 a tempo I

32 # # 44 # # .
384

Fl. & J
(I & II)
p 3 p
3 # . # 4
Picc. & 2 J J 4
p 3

32 # # # 44
# # - # #
Ob. I &
p 3
F 3

Ob. II & 32 # 44 # - # #
p F .
b b b b b b b J
3 3

# # # 32 44 .
& # # #
a2
B b Cl.
p p
(I & II)
p
j
3

? B 32 # w # .
44 . ?
a2
Bsn.

(I & II)
p p
32 j
# w # . 44 . #
384

&
a2

F Hn. p p
32 . 4 # #
(I-IV)
# 4 #
3

& # # # #
P
b b
& 32 b 44 b b b b b b b
b
B b Tpt. F 3

3 . 4
(I-III)

& 2 b 4 b b b
3

P b.

B 32 ? . B 4 # # # n n
4
Tbn. F p
? 32 . # 44 w #w
(I-III)

F p
? 32 44 .
Tuba
p
3 #w 4
Glock.

Tuned & 2 4
P.
p
? 32 44
384

.
# #
Hp.
? 32 44
# #
rit. rather slow ( q = ca. 64 ) a tempo I A small group of singers (group A) retreat a few steps

F F
38

32 # . # 44

384

S &

F
co - lour change co- lour change

A & 32 . # 44
F F# .
co- lour change

32 44
T V .
F F
co - lour change co- lour change

B
? 32 # # . w 44
co - lour change co- lour change
rather slow ( q = ca. 64 )
()
rit. 38 a tempo I
# # w w 3 4
div. a 2

384

VI & # 2 4
f p
f j 32 4
& # # # w # . . 4 #
# w .
3
V II
n # # n
p p
() 4
B 32 .
# # w w # 4 w
3

Vla.
w
f p p p
#
? # # 32 44 B
non div.

#w
3 # w
Vc.

f p F espress.

? # 32 44
D.B.
#w p
f p
 58

rit. rather slow ( q = ca. 64 )

# j
.
39
1. # 3 # # 44
3 3

# 3 # .
3

2
392

&
. . .
Fl.
(I & II)

#. # 44
echo

& 32
Ob. I
J
echo
32
1.
# #. 44
& w
. echo .
B b Cl.
(I & II)

? # . 32 44
Bsn.
(I & II) # .

3 4
& w
392
F Hn.
(I-IV) 2 4

B # .. 32 44
Tbn.

? # . 32 44
(I-III)

? 32 44
Tuba
# .

B. Dr. w 3 w .
2 w . w . 4 w
4 w w
rather slow ( q = ca. 64 )
F p
rit.
P
39

# . 32 44 # . j
.
392

&
J
S

F P p
make it go high - er dis - ap - pear up - wards halve the bow pres - sure

& j 32 # 44 # . j
# . # .
# .
A

F pco-lour change
# .
make it go high - er dis - ap - pear up - wards halve the bow pres - sure

T V # J . 32 44

F # .
make it go high - er co-lour change

? 3 4 w w w
[rub hands together, ad lib.]

J 2 4

B

make it go high - er

rather slow ( q = ca. 64 )

# #.
rit.
# # #
39

. # 32 w # . J #w 44
392 div. a 2 non div.

& J

VI

j
3

32 . # 44
&
div. a 2
V II
. . .
echo
p
Vla. B w w 32 44

B # ? w 32 44
Vc.
w
p
? 32 44
D.B.
# . w w
 59

#
#. # 32 #. U

400

&

Picc.
p echo U
B. Dr. w w w 32 w . w .
#w
# # #w
(sounding an 8ve higher)

3
400

& 2
p u
Hp.

? 32
A#

j 32
3 singers take a step backwards

# -
400

& #
3 3
S

it's out there (kind of like, lost, sort of...)

j 3
& # # - 2
3 3
A

it's out there (kind of like, lost, sort of...)

U
w w 32 w . w .
[rub hands together, ad lib.]

V

T

U
B
? w w w 32 w . w .

# w
32 U
# # w
400

VI &
# U

3 # w ..
&
non div.

2

V II

# # w # ww
div. a 2

B 32
p
Vla.