‘THE CAMBRIDGE HISTORY OF WESTERN MUSIC THEORY CAMBRIDGE,segue enn rath Contents Con oe SE err ‘eta aig ope ae athe Some yale Pe Nera mrvoninisce ttf at ernan cpanel sitefewes sik ‘canbe Cay renee Notes on cotati i ‘Avhouldgmets i Siesta ineacaaaeleasag pecan ist ofabbreviations exit “einonten rr nepc Sus pm Cae ey Inerstion + ante ght leben re Ca parr Aa cr poate Br DISCIPLINING MUSIC THEORY ey fom Cen Past de 1 -Mupping tbe wera 27 ‘Deen ea any ee sense nuasios Eiger eeg onl 2 tk pcs te pee 46 steno isewt Sm erreeriaed nea as cena 5 Epnemologi of msc cheoy 78 tne SPECULATIVE TRADITIONS 4 Gree mt tory 109 “moss j waraiesan Crp Dany tothe mores hreprsser cance See aera 5: Te rmamiinot et etary eM Ag 16 isha (eaten. wows 6: Metical eanonis 2667-Tuningand emperent 193 S-TheraeoPhanonicsiathesenereelon 235 9 Fromacustisto aplaie246 so-Musicthooy and mathemasis 272 REOULATIVE TRADITIONS A Mapping tonal sues 12 Nots akan made the eater Milde gs $07 (@)remaane atta ceo composi and oY intl pepe 3 1 Tons oration a sventenhcensry site 407 14: Duals ol pace and eansfomaton nee ceary mos thought 455 Compositions They 15 Organum- dat snrputsine Mile Apes 477 16: Gounserpin peggy ne Remasance 503 17 errs thony 534 18 Steps Pats conerapancl ery in 1725 prone dicen 354 1g Tweherane teary 605 © Tine 20:Theerlation ofthythmicnoation 628 24-Thcories of mas yeh nthe heen and neeenhceneres 657 12+ Rythm in retethcetay thr 695 yusrin tosbox Tomliy 25-Tonaliy 725 24: Rameau and ighrert-enary amo hey 753 25. Nineentscentury harmonic theory the Aue German egy 78 246 Heich Shenker 2 A. Moves musicales 27 Musica hele 847129-Themaseand moti amit 907 1B Musiepchologe yo Boepstics $27 138 The phology ofc 956 ndecfaslos 982 Inde ofits 93 Plates Patex.2 Frontispiece Fratchino Gato, Thos was (450) nary ofthe Library the Unies af Wisconsin Madson pages ate 12Fontspacet Athanasius Kher, Maoyie ers 650). Coax ofthe Library the Univers of Wisnasinadson 6 PureGx Amonochorvexework. L Foglanansua tte, L12v169 Presa Gan, Paci mae (48) 007 15 ate7.2 Chromatic je inemastion mosacoel by Hane Sls, Deas pee 1579-399 0 Patc7.a Zara's monocho for a/7-comms temperament, Le aes (1559, .130 203 Pinte 7.3 Chien Huypene' table withthe omparson ofthe 32006 “pve pd meienne tuning Lt uke le ere (89), ‘poste ts 23 Phte74 Andress Were monochor, inthe ngrtng belonging this ite Tempers (69) 2 Pat Robec Fads “Dine monochor frm Uringt ae (6179. o. Courey ofthe Weleone Inset Libra London 230 Pate #2 Robert Fads “Man te microcosm” Rom Urea om edri(a6u) 9. as. Courter ofthe Weleome Inst Liban, London 32 awe 8.3 Keplors plaeay se om Heronuermand 69) p.307 338 Peni The Guldnian and Goan, Penn, Lira mad 6), 9 Courznyof Unversity Michigan Libary us Pea Tide page anon, Prt naar Henke, 152). Cooreyof ‘he Newberry Liry 6 e122, Vane digrm the modes, om Rcaetin(a539hf0 30073 Pie 1232 Garo ilsratian ofthe ote species wh Cleans ‘mnoation fom Lama. Couey of Mich Untesy Libary 399 ate12.30 Ghravilweaton oar spe om Doce, pers. wo ‘ate 12.3e_Glarcin's rate moses frm Delon. 140 3 Pate 124 Oxtve spe as onder the modes rom Zino, Dinaat anti, 306 ssfPhe 1+ Mainichi tks om Nevin mre “sniinay 719) p36 Plt 8a Tie pape Ar Gre ramen (7%). Couey of Columbia University Libre Pht ab Tide page of Fun, Cra af Peas 172). Coary of New York able Lay Phe 1822 Roni of Fux, Gms ars (1725) Phie1825 Rontspee of falln tans, Stet paras 078). ‘Cours of New York Publi Libary ute 32 Pacem rom Rance Cale mt, con, 189. Courts of Sibley Libary ist School of Muse ue 30 Ptigmsta fom Marin, onlay. 38 ‘Cours of Cana UnvsiyLibrarer Puerta Permutation ofcneenances fom Arash te dlrs (0580p 30 Cours f sham Memorial Libary Harvard Unies Pstent.gb | Pemutidon fcontonancs hm Bsa, Compt aide (W677yp 42. Courtesy of Biber Pani, Rega Ela Patea5.1 Grd ofan ens ro Howie er odo atchn Kae (1879) 9-67 Plawea3.2 Schenker ans Hae’ Sanat in G mio Hob. ss fom Te Mason al 24 Pste24.1_"Thepetctealenc, om ea Philippe Ramen, Ts de Plame (738), Book , Chapter 52.57 Plate24.2 Tempe cence, sea Pilppe Ramen, Ta de Plano (Pars 72) Bone, Caper 79.65 Plae24.3 The care sae, oot Rasen, natn ric de Phan (750, Pa Pe 25.1 Weberschare of key aionship fom Ura it genio The de Tact p82 Paes. Schoener "Chart ofthe Reon om Sct Fron of ‘Haman p.20 ‘Pte26"Dagram franco ae om Rich's Pa eae eso mate 0 p30 4s 556 556 97 sr 559 9 se 7 ca fog gues gore Anhiscueof maseheonyin Arsideinianss gen Figuren2 Arditectareof muse thor in Marche oP » Fipore4x The Pyehagonanlambde as ‘gute 42 Formulas for theaetimescand bamenic means 6 Bpureq.3 Thetis genera of Areas io Fpureg4 Thana dvsion ofthe monocoed a8 Fpuregy Clone? sides ofthe crchord genes to Ppureg The Artorenian ocave specs a Pgurea7 Theta sited en Aritoxenusandwhe“younger theorists" 136 Bgurea® Pokemy’s toi 1 Fguregg Artides Qgietians? sity eran 1 Figures. ThePyhagoreenerathor ne gues Thecthinadreeracord a Fgutes.3 Pishcolleion fe South German schoo! ie Fgutes-4 Pl collection fala de masse Guido 16 Fgureé Ramis monochon von nua 3.2 Tgureé2 Theale reiting fom Ramis monochon!dvsion i Muse rata 3.3.2 fo ‘igre 63 Rano monochord sion ended a sagged in Mase ree 82.5 a ‘ip 6 Thetmonichord divs of ipod prime 2 Fureéy Themonochorddstn of Die ergatanrs rime ee hy ures Themonoconddision of De rine 1 pure Froprsons ofthe Pyiszren dizoniseale a Pures Folens symnedatotesale a6 Pures Newen’sclorsele a Figure1oa The Pythagorean tas gure 0a Zales a gute 103 DerMuresreprenation ofthe yngorenconsonces 381, gute 4, JobinofAighem, lags ad aucenlc odes a gute 05 Menem’ penmtaion able 25 Feureto Laguna matric 387 Latfare igure1a7 Fore nly segment of Webern, Op.7,NO.3 Figures Hohe: Sting diagram gute 2 uc adapted GPS plos-gnemnano sale pst. gure Resonreced Byantine rican! ale guress4 Hci modal ais gurents The ica see sjtem and Dasean noation gure 118. Mal akervon fs melody y shit of poston these ‘om Me trite IBpures2.7 Chnomaticaletion in Soe cds pure 11. Alem, Notes Authentic nd pag modes ising by dvsion of modal ceave Figures. Spevesof ithe an furs od the modes in ern, Plage Fgurei4 | Hayponane’s pitch ancions signal w membersors mje ind Figure142 | Haypaman’ pitch factions signal wo members ofa inor tnd Figure143, Oeingn's diagram of on space Figure 44 ARlemannan map of Cj ona Figure ig3 ARlemanan mp of minor tooany gue146 A Rensnnin map of Csjormiportonalcy gue 47 A Renannian map aor major analy gure 15.1 Concordidicond hierarchy offon of Gand Fgure16 Mannersofdaborsings seer Sancta Maria gure18. Counterpoint eacnomiee gureao Gata bic modes guresoa Garand nee shaper Bgureso4 Fanco'snoeshapes Bgureso4s Franco's modes gureao anc’ rae for imperiton aaron Bpureao_ Jehan des Mares nom shapes gurea07_Jehan der Mares mention ine gure208Diminstionby ewohids in Jetun ds urs guresog_ March's donno eureaoio Matchen semibeesin oping Rpuresoir Varios wap init proportions snc, Soir) proponent ir ragure20.33 Calis wing the“Rale of Tce” Bgeres04 Cations wing the “Role of Tce” Rorea2.1 Netricwaveamassof Chopin, A major Plone Ngores2 2 Neumin's formation otha pie 25 39 za Fe ™ 0 on om os 86 7 638 igre w gureaa3 Neumann's dynamic shalings mo gurea24j Musical horizons gureaasloterations bemscn rycen oo Fgureaa6. Varecesofmearil donne a Fgute2a7 Nestle of rhythm in che our of Bad's Eoglh Sura ‘Amar ms Figurea28_ Meter yt intercon in Haye Symp No. a4, et m3 gure) Hypermescanstoftheentresenad movement of BecthovensOp. 3 ns FRpureas-to Riythmicuraons ass brmonic series, 78 Rpureas ts Manigulaconsoftine pincers m FBpurea}.2 Tol mice afer Schenker 79 Fpareaya Rameau’ detonation ote mmr reaton been Subdomiman and dane with ad minor hind ct igureayn "Caden ihe re eid ofthe slow movement rom eethoven, “Walisea” Sonat, Op 53,aeeRiecand ~~ igure2pRetschmatc amass of Bsthovers Sting Qu in mor, ‘Op 135 ie Peat Presi Ms .212 os guteap.Ruwer'ssemioicaayls oF motial agent song ongially| Publish in ape, mse ede (972) ws gore 30.1 Merman’ rapt Hayd's Sonata in mj, Hob x4, fist movement on Figoreji Funcconsformessring “musial diene sRerTorenz gt nRpure31.2 The“Lippr- Mey" Law ” bpure313, Example Meers"LaW af Good Cnsaution™ on Bguresi4 Namoursimpicaion-raliation mode o7Contributors CGxrcony Barer ie Asiane Pofso of musclogy ath Unveniy ofowa, ving resid hs Ph.D. fom Priston Univers ino. He sure com plein book on alan instrumental msl of he ate event cey fr the Universi of Califia Pres, Rent articles aclu “Noval Theory, Church Key, andthe Sonata athe Eidofthe Seventh Century” (998) 2nd “The Vilna Sale: touring the Clin the Baroque Bes" (938). ly Baar is Ane Paso ender Profsor of Mas Cambs Ulery Hei neta ei ofthe series Cambridge Sofie a Mosc Tory a Ansys, nd Senior eto or he New Gee Desay of Mice ant Mist 2nd lon (00), tutor ofthe Boks des) ant Ma ate he Nth Cater (Ggpasand ator of he lame Some Mateo era (980) nd Ms hoy te ge of Ramat 998) Ania Manta Bosse Benorn ls ProsorofMusicathe Unies ofl, vis She hat pblied exensiely on apt histor mac ntaton thea snl memory coding her book Nessoatn xt PportnSus ri en Proton (0999. Her ace “The Myth of deni pr rio pron” Joma f Mat) 9} won the Af lnstein and of he eres acl Society 295, Davio W. Beaxsvent is Profesor of hlusia Mills Colles Hisrscch inet Ive tangedtiom Armd Scenberg tonal hoi athe masta thechoughfjoke Cageand asserofthesvane garde Alongiith Christoph atch, hehasditedbookoFesayscrloringinrltionsips between nyamaand thet of een Tary ene potion ot P93) Lesuts Davuo Bustos i Aasiant Poe of Muse Thay athe Unies of Wicoasi-adon. He received his PD. tom Piston Universi nd the author of books Skt sumer th Clin of Thy (90 an The Masi Tar of Coy Wako 97. CCatvin M, Bowes, Profsorand Flown the Melia nite ofthe Univeriy ‘of Nowe Dame has read and stil medieval hor for over fry year. Hi 00 ‘ated custo of Bocchis's essen mai server fondo work inthe ston of misc han an the ils mir tite msn which eet ‘nth Micha! ead documents expen fancenthenyin the Mile Ags Seon Bunsen Profesor of Music and Char ofthe Musi Deparment a Princeton University Hehaspablshelonarangeofpisconceaingtheciesmand mys oftonal mos nclong he ook Bstine e995) dy oF eva and reception Beethovesheoispe Hea thecranslrrat A.B. Mar Mesa! ‘Aamo (1997 and otro Beth a His W200), Daven Buruan is rofesor and Asie Duscor of The Sco of Muses The ‘bo Sate Univer He has published extension mus copllon nd perp tun eos of West oly cling the book Misc’ Cae Pepi ad Cage 999. Wictiaw E. Canin isAsodaterfeir of Msiat MeGil Univers Monte Hs rare inert ale the tory of monic and eyecare he modem er and theories of msi frm, His bok Clas or A Tay of ral Peso he amen Mf ape, Mz, Behre( 3998) Be 939, Willa Ber Aa rom the Soi fo Mase Thor owas Cwearsrsxs isProfsorof Mosc and he Hemant the University ‘of chicago and Ghai ofthe Music Depareent. He as public wie on topics of epmadeen hori! muse theory abd acts, ncading Rane ed Masia Tpit te Proc Bnighonnet (193; inne of Wallace Bey Awad fom the Socket for Muse Ther, 193) and Ast aed ht f Masi Cmpeton eh Gorman Elite (995 colaboton wih Nancy Rake este presen of ‘he Soy For Must Then in 99, hes ao held appointments ache Unies oflowaand the Unversity enya. ‘Atanar Cones is Willan H. Rone! Profiorof Masi Enexcs st Sanford Uv aving revo bel appoineatst the Unies of Mihi ad the Sue University of Now York tBu, He are te BS degre in Vain och Jalard School fs andthe PD. a Muskology fom New York Universi His ror reich spar are ory muse hor nd French Baroque mai, invthich hes paises nee mor re pblason wan ein oh "ler Rs de Foe” (1660 apearing nwo anon) ofthe new Fs op of Lal being ied yO erg Davio B. Cowes is Asisant Profssor of Mosca: Haran Cais bing pre ‘ously age Trs Unies. Ph. graexe fom Brandes Univesity 994), his research feces upon medial mai theory a wall tpi of eigen century sie thear Nicwotas Coox Resch Proftwor of Made atthe Unversy of Suampeans eas lo eh in Hong Kang and Sy: His publaans avera sie rnge ofmusi eopics from ans and aesthetics to psychology and pop muse. Among his snow seen books are Ang Mae! Medi (998) and Sas A Vey Shot rutin (198), Hes Bio ofa oft Raye Mil Asin. Jon Covacit is Asai Profesor of Maicatehe Univesity of Nort Carolina st Chapel Hil A grate of he Universi f Michigan (999, i researc hs oo ‘erm specs fal venti entery musical thoaght well aero theary nd ana related to poplin ‘Wistns Dnansis is Readerin Msiatthe Univer of Sthampton- Hib ‘ngs inca «bandbook on Beethoven's ie sles sg) anita Schceran malssn Fain 2995) asc of Hays quartets aor) 20s be was awarded 2 British Aeemy gat Fr research onthe application af Sehenkeran theory to string quarts. Jowariam Dosa Profesor f asics he Unies of Realing, ving rose ‘oly he! appoincats Kings Cle London andthe University of Sothere Calon. Hisboks inca Seng Prt aie (1999) Fermi Mais Shed Coens (995), and Musics Thr ed Paci, aratorl with Ao ileal (1g), He was Founding itor (982-86 he journal Musi Ana Sanast FoLLER Is Professor of Muse athe State Unies of New Yorks Stony [Brook Her research hs focused on medieval an Renisnce msc teoy anal of ealy music and eltonsberseen musi theory and msi repertory pe0aly ‘vith ead teary polyphony ad the msi ofCullume de Maca. Recent a= leshave app in Bey iH, f Mise They, ona fhe ae Masog Sey and Te Ail Qa. Ropeay Gyenoixass texchesin the Schoo of Musicat Nonwestezn aie Hebsspublsbd ihe areofmusiccogiton including ACh Poss aie ul he Pay of Comet 198, and caren Eatr ofthe joural Mase ‘oe. He was tne the Unies of Pensyani under Leonard B. Meye, gene Narmour and Eugene K. Wl. Boxoerre Gxenn is AsocateProfsor of Musica the Obi State Unser He Specs in the history of theory and ashes andi funding member ofthe Soc or Muse Theor. Preriors Govr isa Welkome Reser inthe Miory of Metcne a the ‘Unser of anc: She hs published extensively on ety moder ineletal nd ae clar, andi cuready working on muse and hing andthe eof rusia models la meal and seca thought. Her most ent publexcons Indlade ss, Sec and Nata! Map i Sereteont-cety Exped (999) an ctl volune onus Hela a Cull Concent” 00) Jax Hentincen isthe Dery and Hele Hayon Profesor of Musica Louisana State Univer. He hs publ ctl eitons and ansitions of tenses by Marcher of Pa and Prosdocino de Belfomin eels mers aries 00 ‘opis eoneeing medial music theory and ts tansmison. His ineests cho Include evens century music and aesthetics. fxiaw Hiren i Asocte Profesor of Maca ehe Unley of Wisconla ‘Mado, Hehas pblsedwidlyon he antroplogy of se thoy fom hee ‘wen rough serene centry. CcnttrL4 Couins Jupp is Asociate Profesor of Muse Tent the Universi of Pesan. Se bss pubs extrsivey o de mott of Jengun es Pes, saipisofearly muse andhsory of mui than sledge ole, Tes ‘Since ty M99 and ber ok Reng Rea Mase Thar erg ‘wl ye anc0- Her curee projec nade a dy ofmasicant dope nee Rensstance ann exploration of nineencentary anion theory tees inc Elis Hanae Keonrexnovwen is Asocite Profs of Masia he Universi of Alber He has push on atonal tery, Neo Riemann theo and on Maret proaches weal que Jou Lesten, Dea ofManves Collegeof Musc and Profesor Berea The Cy College and Graduate School ofthe Cty Univesity of New Yor, li nd scholar whose books onthe hitary of thay aclude Pom Mads to Ree: Gera ‘Thy, 92-18os (2980) and Compt horyte Centa (gar ‘he Wace Bry wud fom the Soc for Muse Then, 399) Hs est eat oki at? Hons Sl Va: Sl, Seat, ema wine OF the ASCAPDeens Tor Ava, 020) Justin oxox ic AsocteProfes of Musica Carlton Clg in Nore, Minne Heh publishes wrous antler and reviews on rhythm and eter mic perception and cogiton, an masseter, ncading she ary "Rye Me Now Grne Doyo incon sis, eon (20). Trowas J. Marites, Profs of Music Histon loans Univers iio toro the Tawa Mca Latino and gentle of re an Ls Misc ‘Thay. He ste auhor of evel books nd cuneous ates on ancient rec and ‘neal musieand msieer. His mest eent ook Apts ye rk is wd Maia iy eth Miie ges 99) as nocd by bck che Scie of Mase They (Walls Berry Aad, 200) andthe Ameren Muscle Socety (Ou Kinkeliey Ava 200, Parasex McCants i Prof of Music Thay Yale Unies, Hes ao ‘aught a the Entman School of Musi of the Univesity of Rochester, ama theUniversi of Teas a Asin. Hes blake ook, gail Dans, estonia tla scorn eh opissschomatcaminineset century muse, eae approaches to mascara and the mae of Shoskovc, Ccarwannee Notas b Asscite Profesor of Mase Then atthe Universi of ‘Werern Onaraswhetesewae appointed in ogo ar ecsing her PD om Yle [University Her resarch nest center on mathe des io music theory and om heat asc Amon Webern Iubous Rasch is Asscste Profesor of Mascology athe University of Ure Hehas publ widely concerning the msi sera ehe Netbeans especialy suring he seventeenth spn gezeth entre) andthe stor and hooey of HN sd enerament stems. Hei presently preparing genera book about the muse Ino a the Dutch Republi a wlan eon ofthe muse eorespendene of Les Rormtann isdeparementchicand Asociste Profesor of Muse Thar athe Unity of Califor, Sata Barbe Previous apoiniments ince Hard Unie, Tale Unies and the Univer of licig. His publstios laced aso rt Karan Ast Had wo books Est Ks Trt Jd deat (985 winner of she Oustanding Pablction Avard of he Society ir ‘Mose Theo an rt Kad Sled W092 evan Senunnar is Asocate Prosar ia the Facaly of Music 2 MeGl Unive in Mone He is bli! widely on qo of Renscemsie eon anise ea choirconsotr His nto Mal Conte Ree ‘Spe ws pubis in 995, Rosrar W. Wasox i Posse of Music Theay and Afiite Psa in Jae Sti and Contemporary Media che Baseman School of Masi, Unnersty of Rochester Heth eutor of Vie Ham Toy fom shige Seteler «ad coer (985 and anambe fate concering the isory of msiteory ‘od vee cemury muse tps Ackaowledgments leisy plese dry acknowledge here he lp Tw eee rom may cl Jeegesinthlong arden prcesf ogmnizingand esting thiskizors Fst must ‘tank Profsor lon Bent of Comba Unversity who oily enced f his oj and invade sume eit ono lan hs fers cena enou {gst and ace ehrugh ll sages of es eoncepon. The Cre ty of se Pa einmany respecte th futon ofhirvson, eso, mae tsa Penny Souter of Cambridge Unies Press. Without be eneray nea nd ar ofthe cureh and is sacred chant reper. Thus, Joseph Smits vn ‘Wasser las pointed ot there ws promoueed talon between the eutortas casi nd the ents ga dough se hes such 3 Hua soe ‘niga o reco the vo)" No lng ould ste musa ein ho a ‘muses pacceanen hecontempltivee ofthe bs torts inal has ‘ver pasibleouside Noes’ opel prio cl wherehe composed he Conclae lpi shor bforehsexccton- Given thai musa wer inte Males were soit in some way wit the char, wold hae bene ‘Blefethem mt eokmebencrneema stems they woul have heanand canal intcrdalyofcesoforip- dhe aps With rewind for Caroling authori eo ring ome ind of order Barong but atic ‘han prarie, choi diets were preset hike omens fr lasing nating, leaching singers sabia chae epee. erln ses rc, Madi ‘lng, om the ne ninth ena as only hein sch prope echonk oF si le though Aurelian included geneous coverage of ore specultve ‘opis ote in arma Se Chap 1p 314-19). And as morc FT ‘ance problems sas with she eduction of improv organam and dis ‘Soin pagal demands fe the alo - show alka mension Ce vesargsly peso muchisosof modidenty or dsonance regulon cata the mos: imacable problem to medial musicians with the nse of conmapural {a ie opie gnetn, ne Chappe pte eae, Sonafionuics nr Stmeajacaaser ae kee skey href it Renting {ete its tn ert ent en 12 Re mu ba nace 12 inte eat singing 2s itwas the coneptualiation and notation a icy of hte values byntich nenrdinae dhe voces oma ens) ‘Whee taaninion into che West of many o Arse’ stint veins byarab rer begining inte eli cent musics al were provided ith sn snimpeachblesahory by whic leptimie the ins of popu wis ‘Aureln and Gao, mal as ered y the wet cenaty ‘rasnioreofat- Fin, moses.” Toke sur asthe venerbleceul the "seam genet” migrate om te Chere znd monastic sols 0 ene formed universe of Blogs, Ps, a Oafod sas connate a fr thir om gles fae aa in he Boedhisnpuraligm. Mach more “goo, shop wa endef ane sats (emo) who sterpted tw fer reltion and coco free venus parameters of pi caning ase prc through ee exok gent of he cape And ewe when speck lise opie werent were fen donesowithinstraehaglarady pr alam Hundreds of mac treatises were penned and copied throughout the Male agssthatofesd more ores pac uiance om cry pose rable ‘Slngng td composin he bounds benvcen the wordy recogni) Bens ‘eos thei became incresingly conspicuous ring te then four ‘een conus, mscans ane inthe newly Boars universes devote most fir enrplsto kes of maa a, Whe i erage am ceggeration or ‘AlbreceRitler ott msc ered the Mle ges shone as practi, there sno question that the prestige of music hor was now edning pre [Sproul psophie and cette dscipine ut ie woul be wrong toast process simply sone ofan vir oagogy ofa pati evermoreencenchlg upon the tory orm eee Mie pe kt fm trnmping over a. Rater, twas moe ae of si tory Bing refuted pois configured 02s to acomate Bete the domain of ‘mses. Lamence Gare hs reat tht thoy al rut emerge eee ee a a ee ne toes Sxpiees nese eenereemnetyecct Seen gente See teoaeet maton apt rr ieneeamn one cnt tenet ag ieee aera eae eerie SOS reac iramaemenscstencationk sGgabatena ecurenataneto Seer ec EE atertntecateteant ym Soa oe ieinthe Mile Ags nots much dnincecptemolgil genres but ore asa mi inl yes, sol non, and mse contents ~ Fares that may be lretly combina in any given ene” Mos eas of speculative” mic ‘hor inte oe Mile Ages ropa any sea dics oes harmony (orat leas tempered iby hathy dove of Arsen spice. Instead the ttbors of thaw tates monty colt writes of englopedie Siena of om recurve muses kelp sch as eb des Mur, Jacques of Lge, Water of (dizgtn, Murcheuo of Pads, or Jee of Moravia ~ took many of te rece ‘vans opis ofl armani the erchor, octave specs, celtions oiceral rains —and adap them with various degre sucess oss of oneenporary mesic practi Problems of pch material as, ade, sd nye) were roped ur the rubric of mae pou tha of yn and me sural hor (ealyakingoFadanced counterplod under there oma ae rai, ven ha eerted tol of spare anon ~ ee manochors was oH sel nabighly practical way by teaches 2 mus nsumen to tabla pices sda fr singers, The ak ofthe muse thiri wasn that ofthe racic pe gogo teh the ements of mus to be applied by he woul he prormer oF ‘compo, while conveselblping to dpe tn race through he esablsh rent oF ela ues. This by no meats saya apc” kode oF musics incomplee drat suc Enowedge aad but many to he erent ‘hae eold bea also wise ran The tc ma ober Middle Asa now te “cor pers et erfeas”~onewho ara kes Bu coal em {Guido poisons bed ™ With hebumsniscremsalofacen Geek though inte ler blot eth ot Wend some reed inert the etin peraigmofcesicamenks Idee, among many Talan humanist, we wien» verb "ania or se theory? 5 Krad Jeppee hs so apy pie” Question of ie custo ad tuning were stacked wih ago hot en sce the mses group of “are kiss? reported hy Arsene almost 3000 years elt, Pranchino Gali (a4ss-s52s}easonesuchindvdo Iesnoreout signee tachi serine tubule of 1493, the Teor ma, xpi eure ee Grek appellation thar” tn he sable to find and ase any alent wet eater mae 27 Aeron cen en one: Nola me wa 2 et mara emer SG eae en ae ‘polar en doy ei fr sil ie teil cept mer ‘Gesmen tutcoetn ins gs af Gober ak 2 Used ac ema are a Tse _ 12 Ret nda aad ey tal a ene i een valent tacaton > top chlo the be Casts made the ist rears in undesning ‘Greckmavetheone" Therein publcons osc hoy sich ae Gf ‘oot aheadymixofamiguaan piste ancien Geek oeand genres,000- ‘hor akeustins asedon Pll and Prolenandeectonsapon the cxharicand mais powersof mai Yevssnorwrdhy ta Gafariodi ocsechimselesrited scawritrtteancenpaametrs me hr orn his exe major enteyhe pleted Sulzer’ gre rescue projet by rigorously working ou the epstenologa bss upon whic vail here esoning maybe conduc), Thus, im Slae’s program, "theory" would acess encompss hose" ements tan fy and regulation news to se struction of ay fi addon tos more shstaced, nem eins, But while Sulze'senjopedia may hve shechel tut what sek 2 program of muse might etal Gin the various ais writen by Johan Kirnbergerand issues). P Schule as Joba Fok (2749-9838, Cale Theor de Mas that sere fll Sle pan. Fr fom rsncting mise tony 0 ref ain fine alcaaons 8 ‘ning, Frkl edtines ts rd pelaggialdiepline of mesial sady "insair sits nec an olan anconnisers Spc Frklices fre parts ithinhs program of music theory. Phys, Mathemati.Grammar, 4 Rho. Cris. as 1 nd 2, roughly speaking, cover the cadiona specs Lae domain af ase har, lec pine with new scence and tung Pus 3 and gover the addon regulate fonctions of ma ria an oct stems of ls, es, ons td me, 6 well 5 et appsion by ompes ines of pas, genre, and rhctore: Fal put freshen ne oncern ha wll ply an incresingy important roe in musitheoeialdiscsions ‘rite aay Hereche thei sconce withsoeh clase quale the nner Character fa mus work” Forel’ program consaesanexruodiny change inthe meating of msi tery by rally expanding it orn in reaton to pea ‘el peagoay and erica, No longer was us thary 2 liminary or maps fe oandton to practice. On the contrary it was patil pedagogy tat ws now 2 sero theone 2 fora “Ure Tre Mae 77.‘Wish te sven oe nloetenth cease he foading fhe many mesic on senatovesand school chronghourEaroe tht would insetoalze de aningot thenextgeuratonsot perores composers ndcondsctorsmasictheoyatred ing numer of competing dispar prime clade easy sates On the ‘one hand chesltaran um ofmsiteoryeiencein Forks program wastaken bp by 2 sisen-cenary theories in whom works theory ws alguily tndesood sa general progrim of musi pedagony Chasers Goud Weters comprehensive Kantintnn, the Veract cia genet Tae der Towstoe (Maine, 281728). Yet ini tendenias empiccsm, Weber's "Sytemitily Argel That of Composton” hardy would fe recognized as. theory of mas in any sense by er suchas Garo or ven Matheson for dat rue." Onthe other and ome aahorsontinted epee eter near inte ‘nite moreadonal sens ofsecalefoundaions eg More Hapa nis theate of pr Heplan muse dl, Die Nt der Harm nd Mer er ‘Phere der Ma Leip, 853)-Sellter waters confated “eo” wih he ost udimentaryprogrim of msi ala he flowing pocket cachism pub- lish in Ameri in 16 Paar Taro Big a Pratl Get the Sty of ‘Thre as, Har, Mail Compan ad Fore Ci 2879. eer isone ment tat might ae many of thse varous conigurtons of ie ‘ceaneanarymisc hen” ogee thats inrensingy lied yon tbe ‘tly of sea works rom which ey dedacel and usuated = her aching ‘While selected examples of msc ana ca be cle sar back asthe Midale Ages, seas only intheninesath ener tha ert would really te musi xa Plesin bert, more oen than nor drs rem ply enlescing canonofcls ‘Seton, Tesi a mst ater wt ats caer Uist lok individ wrk node to drive normative puters of composional picts Tater ens was eployed to gan nigh ine and wadertading fh individ ‘ing particulate aor the tyro beng coached in che hcicoPDe legal onanism, For the ast ardene Romani, i fc, maserors were Acne precisely by sha uiquees ther sus sublime creaons of ents hat ‘we migvonly bela o compen hough ever rele trough profound ad prolonged enetpstion™ (us then des he acti of misc amass cutback noone wih ee oii Paton ocupurione betes) By the bgining of he sweatethcentuya sharp escon tomas henry ap goin ad et Puy in respons othe grand there projets of 2 em ing ts ncn mi tr et to ‘Cute awed Wy Cae Aer A a yee ee SECS Geom ie enn ee pe homes Sen Sa an tn ap el schol such a Hugo Riemann (ho, onc ever acu etd any of is trols at theoretical)” were us roll Scheneg onl agate the pete ‘on and cosets of aden musi hearts; nded the whole peice wo the ‘dean of Schonberg ua Hama) opesiithslsering sale nthe hdebound discipline of Muska” ad itt pene Hela ‘Scheersom cts werethe oncer gids” of masa hemmenewes pened by thelies of Hermann Keesha. Pity, Seeker entitle his om rebabils ‘aon poker "New Mica Theaveran Fantasia cea cantraisiacean we ‘mpresioniti poe nadigs of Keesha nd is cmp. Poem se, she ent centary witnesl an unprecedented expen of mesic tery No since he ate fen centr wa thee such frmentacion of ‘hors thooght i all is various ges: spect, prac, and atc Ceiniyone expaation ane ose los of como anguage of armonie ‘say. nthe cave of Schoener f cn, heal the formulation oF cel new compen ter of ser “ang me sane else #9 oe notice tht he belied wae te stra an eae soso oF harmon a Uy For Helrch Schenk onthe other ba hi ented a defensive sno re ‘onary musi theory hi Seugt to rescue and alist waning onl eaten oF which he Blvd himself oe a oun and expose. The two theoretical ae igs tha Schoenberg ap Schenker bequest thse of compostional (rescp ‘iv seri theory an of any serve cna theory respecivey = proved wo betwoaf de most reslen an resonant nthe wench cet Anthr remakabledevsopent ower mae thay wast bro ofsorlaton 3 became lneesingly stated within Une o- ‘rams Likes medial peers, the oder university, parca in North ‘Americ, as fered angel home to the deste sc thers. This pres Sonlzstion of muse theory may be rita w 2 umber of tors. There was ef ‘rune the rot of muscolgy fuel an academies linn whic he sha ‘iy of music masa acest Gclading tose ohisore maser) tracted. There was ako 2 fvoable ileal ciate, pri ti ‘oti in which “pstiae” scenes were widely clad musi analyst asa beefy ~ or at east certain styles of moe "ormaisi™ anal which Schenker’ rial became» pine exampl}” Ral cher wa rowing ene share praca object matter fms theory pga tory comer ee oman mss pars, see have see) Seman speci oie esching egttirhsmg aarti esac taeponsepat sienna bce Ede mn St i ied i Fr ina mri of nec ogi sins mo Nocti common se T9e“Ths, by the apson, we find heft academic apoinenens of mse theory in several American msi departs default advanced dere programs ‘nunc theory (The Tle Unnersty Department of Mase unde he eesti of ral Hindemith seems to have ben test aaemicinetacon to csablsh use ‘horde inthe moderers)Signcatoo was the fouding sce schol yours evra n mai thn lading he oa of Ma Ty (5) Prnpesne of Now Has (963). The former ural was oct apeopitely gh with the Yale progr, he Inter with he mie department at Pico Unive, here a cmbined program of campeon ahd tory was developed nde the ledeship of Mion Ras. Noto too, es he Rundi oF the ‘Sic for Mise Than in 197, the fst schol ait ore nee dcpine ‘feasieteoy since Mier sorginzaion ome wna earetier And while ‘his pofesoniztion of msi theory wa nly imi Nera Area ni ‘esis, n more recen yeu it as becone rosy inteotionsl in snp, with ne Courses of study, dere progr, coaferens, an publietons Severed to music ‘hear springing up around the wor each ex “Athe opening ofthe went cent then there seems ide dou tht msi beara once sain rly found is place nthe schol say of muse Toe sure, ere remain any ofthe same dcp tensions we ave Winessad in preis centuries ese racial and speculate strains of msl stay, beweea Sep fe and presenpive ethos of uy. And musietheory has contnued 0 ets shire oferticmsinhewak ofthe eer eof pstmoder mast the daseof ‘he twentieth cena putea, number fmol vel hors Sockets prcened moderait mentality inoceno gustionsconceigeae ‘srl orsocl content Certainly rion mun theos hele, thre ve Bock pint debatss and some snrious ad-wrnging concring the sent spd ‘nctnds of me hey Buse ener ow millenia inde now rnd al? ils ld diipin of one theory new ene feonfdence a energy ems to be animating the work of erin One of the mor remarkable sighs of ie nee alaatonsscenin herent esurgence of rab seas beorzng mang 2 number of sols. Foe insane, ue the geet bic of “hee-Riemannian™ ‘hor grup of ors ed by Dai Len, Richard Cah, sao Covgh ave Seaght woexendimapintely some eas dra ftom Hoyo Ritannstheoryohae- ‘moni aneins wing advanced tol ofalgebra group theory Thea sts ‘mach rodedoce nigh aay rom ms prac, o rege misc pda 13 lath len mae doen nthe hyo eg (Tet ‘ecient sees each ngedaconea Neo cman They Sane ts ia Pespecte” gov Raber thy sim fos motto osc explore the iver ofa ‘etre in det understand fe Soules popes ad pote. This mac ‘Sonate seemingly dommaneadisonofyperlzvehammancs consi srk le tape inthe rg hiseryof musi theory and ages ache venerable eady ‘fama asenisione amos nso years ago by Bocties may setae the pa tpt snimate he magnsion of scans. " "haved his shbrovaed and obvinsy highly sce —sney fhe dip ary peternutions mus theory atin pens pone ofthe name i als ing the presen volume in deiningis proper sujet mate. The problems tot simply one of csi of be and lex axonomi ath, gs the Fandanetlontolgial langs of meaning concenng mate hres To rea Dabs’ calege asl atthe begining oF his introduction, we can see how the swing ior o mse theory” poses any aber of formibe prises. To ‘esta meaning such story woul ave to be oth pospectve and ease the eel nea lok Frat tthe changes and ryptresf meaning ta ert ‘deren or sexi conepins~ migration into the emerging Bes of oui apd anal, feral a wall ook backwards aed recoastuct ealied dnp of music theory containing tops that wee at originally cons credo bepaeoie program fst sacha he propane wes ofthe Mile |Aesormany ofthe reese of mise poets and ptformance rom the Rarague abd Clasical ers. Put simply a comprehensive sory of mai theory mut neue rodigioos oan of op and problems haere ifrng une ot property Considered tbe pacofie ‘Sotho of msc theor only cneshable,the ie abandom nye de icon a ory nd allow insted fora Hebe nexwork of meanings Dla as proposal ane way od his dsinguishing wate adc” ofmaieteon ForDahlaus,the"speculatve" and “practi” esions we have jase cons ‘ate wo dct dons of “theornng” chat eed tobe kept conceal ep 1, however entangled they may appar within ay ven txt. The “spect” ‘ean be craters the “ntlog contemplation of tone se8" Tis vould encompass, thes, aoe only the wadtonal props of cs! harmonis {nl canis but much rere nthe res of acount abd tuning eon during ‘th serene a ighenth ears and tone ppchology in he inten nd ‘venti entre The send practi” wait characte by Dabbatsas ‘he"rgulation” and condition” of dite one tes api competion 35 Daas rnd er ptnhpase. Asa platy spline, sach muse “theory seeks to dew fom practice onbativerai of4yatacand mod ofsructarehie sete sme ine cpio that racic through polgopealstrcures, Here we would have aneven moreexpan- ste crtegoy of plop etings crossing the cence and touching st about very peat of mise: couaerpoist, harmony, shy, mtr, melody, om, emt and ye Dahlbas adds thd hore dion ois outline ove hat Fally ny ros v prominenein the nietsenth century abaugh wa freon, we ven Fork: mse als er tbe usc aml studies nial ‘noses works ots nah to derive norma patter ofcmpostondl pace, as {ots understanding ofthe indvdating parla of the sewer, Dablautcaleachofthethcocil iin padi Chraing rm the tion of rene Thomas Kubo." shouldbe oo rm out bi store ‘ver thi th boundaries tong these tne traditions ar poroas May haces theorist mic them daly fen gute neat ways (For expe, ‘wold arly be an foresee dentate hose element of Scher’ cory aca colt howe ha taal let alone een peruse) Sl hese thc radios canbe afl Heiss in sorting ost the very of eeotet “sys wefnd throughout history. By thinking of msi theory essa epitemsigy hanasaconrpeua atte, eins tis possible to map ot aking oF hii xo Tudo fuse ought while atthesame ine xcouning fr dverencsand dive= sly wha dhs hough egos widhoutsying hatte wringofsuch ahs els potenti: We bea aly lnc bickward afi ofthe atemps fo eomstrue x story of mus hear Se wa some of hse might be. Peas the fs such atempe was by ‘rans Jone eas (74y-s872) ho published hs eds de Pharma, sos coer tae sinc tata in 140 as monograph to price is famous wetke on harmony ln ft, the Aguse was subseqaey revs and tncnde athe fourth and conan acon of ee fps Tad de har tne) In desutry survey of theoreal wings thi begs nee idle Ags, "ess steed tn cron he elon of aemons tough culminating en formation oft Inspied by Hegel's pesophy itor iss mai ‘horses vee nFanemerging tonal consounessealingcrosrsne anthems ‘erefre notsot ether pre or censr nyse rer depending pon owt "oly he wter arable piven hits spt.” Bales, Pee myopic tscnlogy coped with an anos pathological ornate prejaice severly com rice thee ois ure one farther mare By his trail sloppy col Sin 5 chewen esa erg slam! 23 Seca ny rfc thr ete ieee ery he Reet cu CharT ae ffir reve schol value and breath sthough perhaps no es cing ini socks aodacy ithe Ghd Mlhone et publish in 2898 by go Rleminn 849-1939), Riemann war able fer afir moe deta stad than Fs orton masc theory since he Nc Ags, desing pon the us of he at fg:neaton of Gentan musiaogy to which he was hia an ace combate) Broadening his suneyto inde problems of mensiral theory, ouneroine, mode, faning acoustics, snd what he termal Gortowing fom Fok) "msc! os” ‘Reman produeo tanning hisorcl yeh of materi hatean sil be roi ably Feaatocaly- contd by shots dy Telingy,Riemane’s wok has been ‘eased ito English, a ute present lume, hs const! the ony sich ‘story to bepublse in Eaglsh Stl he Pa, Rian ear icp by sales al Whigs, one is whih ust harmonic eis are measur y he tent to whic they ate seen sh mbratng Riemann’ own cotrversil vi of harmon incon apd dean.” Al gen the vt inreae of msg omlage inthe cnty sae Remaan's Mistry was phe, heres eect argriphnic the dos noe anda aed of me corein ot gaifeston ‘As ated eae, the tenet ce ba on mpresie vanes in they of storia! mae tenn The eisone of Gerber and Gasser ofthe most Snporant media theory teats hav bee supplemented by ut more acre scholarly eicons Villy the ete raving corpus of Greek mse wings ‘now avaale in meticulously annie ansltins (and acest any chlor fommpeson and stay through eeonic databases) And inperantmonogephs now ‘cis thts lighton thee and works many ofthe me importne muse ‘is ncaing Ramee, Remana, Schoenberg and Schenker ‘One recent schol rojo lod rostral use theory, however, does stand cout rom the estan deseres special ents here. evanig in 197, a roup of (Geman musicologist under the leseship of Feder Zaminr 2 ee Bein Suulches ast fir Musfrsdung undertook produce anew nor of mane hor haemo w bes expansive in average ata dea ns este oF snbjct mate. Evenly co cotta fen wie, the Hein Getic dr Mulder promise the mse scholarly survey yx published on pcs oF toc maithnn sotto wring, tencfthe een pled somes hive ppatl in prints se he iigraphyom pp aires Ire ody be id that ‘Banyo the engey chapters in this project ~ me of which ate abs mono papi in themseler~ ate areal clase ces to hich al ie schol wl 2S RE ANE a th mc oe ae tore 11h pl aig pn his spelen cmp fy De amen ut ue ats ey a eb eo ie ewatagpt-rayeasthe on els ieeed ur Inded readers wl fd many eco to these isin he present Volune ndincucng this invodocton)- Bue oral tsinaipeseble schol wale, ‘he amine projesallean bean uwiedy’=and ncaa ~resure with tex fuuation a coverage among the individual conibtos. And fr he eet [king flere ia the German langage, te work wl obviously be oF ined vale. Testo mec the neds of English speaking sola then, that theCaxrige Hiony fs se Tay was conectes, We have for ores vo ambioous =n otawaysconsnant- gals. Fst, west to proiéea comprehense, broad tor ‘al suney ofthe ve avr tral ei of msi theory we hive ound shove that devs upon the prodigious amount of scholar esearch pradced ver tbe pt decades, Send, we sek todo son che neeaytctie mac possible Ty ‘te relevant analogy: we aim forthe expe, obserationl overview ofthe, with eheempinalsokieyandpopatc elena pete "Tthisend, hiya experts isthe ares of stra musc ery wer commis sion cy contribu t this pot. Felling Dahlhars sugeion, we have ‘npn tpi concep din, comping the peal, reguatary td ‘ulti taions bes otined° Within heehee oad ogi exe wl {uel setae we have played varie ofhistorographiclappreaches ina roth daconic hronobgiclly delimit) and synchronic (irony theme) stash pinot tine npg aly thor woth enoorged come p wit ap oganztionl eatey by which he ey sues ofthe caper could beeen eed, perbaps using ola et ee seaie tpi zuhors 3 nodal poms around which oes may be cuted ot rected. Te Cai History of Westra Toy shouldbe ses 829 ‘mores soureforscholae andes than asc tle Toobin hi gol hwebeen genezasin cur us of musa examples, graphs, abe, testa "windows" and ote stave rth ume demu recto ave bon, Provided to gude the ede to telted discuss in ote capes aswell © Uundescote the thematic uy of the volume (ese rossetiences re naa Iolfice type whi dhe et ad te Foetal, ach cape provided wih sown bibliographies of mportnt primary and secondary sources to which ee readerwille gules frherinfrmation cmon ctadsouresarebineisel, Dowever, scoring tthe isos pp.) Tesbouldgowithow ayn, though ll onethls doo ere hase el Ing these says cant posi presume comprehensive coverage or sc vasentleetual and crete domain. As replete sree te to make hvala, ‘herewillabvouy be gaprandomisions Mon cri we desdearlyon hath nun ingle non-Western traditions fem hoi coul note given ay sponsible coverage within the mods scope ofthe presen projec. Bur cen hin ‘he Weern domain, tay authors, eaeortel concepts and maton ane sk ‘eu unmentioned. tthe sxe tine, ther has bee some vale plication {neh tescment of eran prominent beri In pater mameslite Ariane, Zatno Ramen, Renan, and Schenk wil be quel encountered inthe ap ‘erofhisolume, charg ral oc fom anamber of ieedrectons Yet by this means, we hope precy eo inde the complex ~ and nterependent, nature fee muscaheorsalenarpr. Ahowph we nner promise abate verge four tapcs edo modes hope that within or hy one HEP hse ofthe ios ue of Westen mai theory ae agp ost the ell hort Problems, peor, and pablo disse, and varying sol Faction, Ines nen and hrc cones vend consi, m ‘To el the reader more efit navigate this volume the flowing dscasion povided san organizational venation, We ela Pat ith ra of met tone” sys a sou explore Soe of se cone poems ae ening msi theory fom ahi pespectie = most of which expand pon sus hachave been touche up in thisineducsoa. Ths, Ls lsu opens up ‘ourvolumespproprtely enough by analyzing the omtolicl peolem forging an “mapping ou” the concept pogroms ery trop anamber of Case suis. The esion betes muse aeary and pracie that Ihave aleasy Sounded 32 Leto i ds ftaducin res farther erent in Robert ‘aso panopte etsy on praca” music theory pedagny(Chape 2) Fal, ‘Nichols Cook spas to nventny an amalye many ofthe noe esto § seaclainsmade by musi theories ver he gem ome of them exp acu, otros coe (Chap 3 ‘Under Far I, "Spatve Tron we group together seven ess concening ‘hosecurentsofimesial thought uty be alae oth og entolgial xa ‘epton of ai ther discussed above This nls, arly deta casiers Sion of Greek musi! harmonics (Chapter 4 by Thomas Naehese) amd is siseminaionand ecepsion meh erty Mile Ages(Chapter by Cas Bowe) But Bowers chapter makes clear inthe vy east meeval writings the desea ‘eoson rth moe practice const the fr. In sgt potc mae, ower likens his econ colon of msl epstemolois to that of wiceleading sa pension: thedsonun cash ofa para chee tenthcentry gaat thes ‘ned tone of ration spective thor ulimatey resent cous ofthe Male gs tothe ipline we can eli theory?” Tis yess is mae moeonce in the flowing chapter by Jan Hsing (Chap The medleval scence If ining the monotone "ence sacs obs reste wee quale feiton of mans daa. Yr the everelaraing plc gus ts rest om ‘esedivsonsurngthe thinecnethmuph eet centr, aware com Srsrcon hough ning wereukinatety mote! by changes of mil patio: aol Rasch continses the unfolding tory of tuning nd temperament theory nto ‘ecient entry (Chaper 7 whee we nd me of he mos ane ene nis theme atemping o eon the msc refrence ajay eno on soninces wih epoca needs of tempered ewehe-ote eyo gamut ‘Ofmoresecre alain the tain ofan harmonics she sujet mater of haprer by Penelope Gok athogh esa opithatspeiely tobe fmiarto ‘nos masa ade: Duin the pend we rowel he scene revlon pan ing the “ong” Seemeeach century ancien easmolgil harmonics provided an fonder ~ am quate ~ mode f the universe ta inspire cent ch 36 ‘allo, Kepler nd Newton ithe own sears to discover he mathemztal avs regulitig the motions othe planes Yer noel of he setie work uring this peti ean propery be ase wo arn, In Chapter coauthored by Bande: (Greenand David Bt, we aes bo mato he aon problems spe= ube musi thery~undemtanding te att of sound, of altos of cnso- ‘ines and disonace ~ were absorbent the research panda of phyla ous eventual delopng int the niceah-cenary ld of ae sschl ‘lye have tempest to document he retin vga ~and perhapscren et venitonofsprltve musi theory by consdering thereat cond ‘oy a mach encanta scholaip(Chaper toby Catherine Nae). (Gen the oveneiming inporance practi pogo hs sora eyed ‘Se work of most mae hors the tion of-reulite” mae theoy covered ‘ner oe surprisingly comprise he bal ofthiryme In he opening chapers ‘at wil conse Sesion II, fr ashors wil cose he problem of "ns space asconepeulized by theorists athe storia moments. Thishaswaionaiy sts one hemor mporene shilling ae msc ney We wl sevinDavid&Coher'scontibton (Chapter haw the ery nacen of pich space andes ofthe proved adifcleonoogcalconanr or Caroling ‘eos and the reson stogae his ene inher tempest concen, Pe, to notte this sce, For subsequent generations of thers, calenges ly In ‘ecommodting nd srculting those concepts tonal pein the ight of xe ‘hanging compton! nguiges, wheter that ofan case Renlsance moda tx fonony (Chaper 12 by Case Calas Judd), the emergence of a wasposible Ij minar ky system nthe seveneenth centry (Chapter by Gregy Bare, trial aehvomac toa spce nthe miezethcentay i which new ode of ‘easposton lions dust peoperses cold beimaged (Chae 4by Henry ‘Klumpenhoaven. ‘The popu demands fompstional pedagogy thaincesingy encroached upon the domala oma ara bepnning the Mdle Ager constiue tebe ofthe chapters Seto IB. awe ease satire presented: mao organ ant cleat price (Chpur 15 by Seah Fale, Remssnce coneapana ago (chapter 6 by Beer Schabers pecs nunterpoin a compositonal dsspiny ‘ease (apr 8b an Ben) and yes compostion once lib ‘he went cea (Chapter 1b Jtn Cova) ccomting fr four of het. all ofthaechaptenaconsane episteoga eas wil agi bese inthe tors atempres bebo descriptive and respi to aecoune natal rs ‘empire component of crpostional practice wheat these ime egling a coding tha ery practice through te sstematzation of presepeve eles and erie taxonomies Although the mpc of hap 17 by Alber Can mig ace tof lace here cones the improvsionguieies feel instrament: tn many Raroqe mes eats too conse hey of compostional™ poste "Te the chapters of Seton LIC concen another inportan paameterof msi practice hess entangled with muse thar: musa ne Hee, perhaps tor than in any oer topic, we see how porous the orders canbe between chery tn practic, or may ofthe developments and siancs of composes neplring the repo parameters of ase ate diel contingent upon msc hey fo com cepa nieacon, notation and pedsgoe. Wher we oar problems of me lel mens notion (Chiper 0 by Anas Mars Bue Berge) case metal ‘heals (Chapter 2 by Wills Caplio ewense-sentinyconeeps of te 0d "oy (Chap by Justia London, here ohythmand meter ave ay con sututed rel meaphyscl alleges ipbeibehind he many “pc robles ‘of oting hind meri nractale philmophic snes the only sad phenomenology of masters. ‘Sto ID, which we have xo call “rp ark anther precious stippage neon premoloy fom te empires to therapy, Tonal Bran ye shows win Caper 33 one ofthe morluse ones categories si then hardened wth weighty rors doll and ator ‘nggage Yer sees tobe an indispensable concept Thesubsequen re eap- ‘er ofer moe famed ese studies of ts cocep as represented through he har rons theories of arpubly tre mos inca adres: Res (Chapter 24 by oe Leen, Riemann (Chapter 3 by David W, Bese) and Schenker Caper 26 by Wiliam Drabin. While mumeros other thease cnserel i ac oF ‘hse apes, the criomvate of Ramen, Ric pd Schenker ceri ons ‘ues the thre mot iorant thither rapping withthe probem of onal eit ‘ystems ofthe fundamental bss baronies, al he Ura oercre of ‘hemes compeling thers ever cone for moling hi tality. “A Tavealedy menana, se raonlefir roping silo chapersia Parltogether ett nse broader seis cahchapter da wthsome problem oP prac ti coy Each conser papi frmaltons har result rm mince proces hes empire bsenatos of msi pcscebesme the sarsng point Forever descripcone nd compoionl regulon. The Fours and Sal part ofbiavolume contain fr nay that insted remain within the seer pueda of "nase case” whereby the ens cance ponte nde ere oF capers 0 ples of mse. (Nicos Cook ha led hit erosive” mie ‘henry see Chater 3, 9 9-99) Aa, cannot be emphasized enh hat eis ‘candi det reo et the rego ans de with Pare [Nonethee in Sosan INA, we ate povided with thro capers tat emp 9 explore historia signin paraigms of sil amass 8 idepenene tai ‘ons. lahat Saray the east such raion fama, Patrick MeCreesscon sider in Chapter 27 the we of rhetri hough the seventeenth and ghee enn an analyte taonoay fr muse structure and compestonal proces. In ‘Chapter Sot Buracn urs othe nictentheentaty top of mews nd sonses dhe proonypil construct of “ona ort a async othe roar Problem offering ston formal models of musics. The Glaton ed eomparion of modes which conse stchasigaiianaspetof wostanajic ‘neha explor by Jonathan Dns Caper 39 fom thee completly ier Ing model relying upon conratng inlets! sources Schoener’ theory of {ecopingvarton ato inGocthean organic, srt somes ab ‘eration rom gneaielingusis and elas ser het an esos ‘th mthemail gop eo ‘We have cided eo chapters on mas pycology of Sean VB under ‘he gent rabrc ofan theories otha che Kinds ofguetos ast here sr ‘hore thi afen elite foe experience f ome musical pce ot ule ha fs Iya! hoo That Bok te mesic aaa moi prsbnog can be seen Concerned with he prc mse work and reception ~in theater ney Senne, cogniie Beng, Cancer with the pspcholopel eet of musa Le ath shown Chapter 3, ges ack ong wy ce angi scans have ‘ld upon an ssorementofenegtic meaphorso dsc he msl exper nce ewasonl athe ru ofthe event centr, though thatibecamethecenal Concern ofa ematabe rou of German speaking theorists. And twasnetuelter Ine twentieth cena a Rober jedingen shows usin Chapter 3, hit ste suctheoes of musal cognition were fisted ouch whieh the henoneolog ‘ealexperence of music culd be moreempisly aly w Civ the destyofsppeaces een bythe aos i dhs vlum, te ten the rede will no same mil diasonanes between copier. Aveeno the ‘mporance of certin theorists a hl egy ae not ays unions iceepet ‘ons tan tenes eoncepvay ight fom capt chpee: Theirs Fecicincumbent pon bimcl motto neecdeinallesesandazenpeta eo sch Sinrspances, Rath, authors have beh encouraged o find eet cw vane pont eo expres cir cwn opinions withour poem In evry ese we hie emp ove fits when wecat uc ltl the stores that nfl ve the Felowing pags ones el by many mes. Teahere fone unig theme to the tries hat emerge om al hese capers, pechaps, isn the perplexing nd neverending demas mis deny engender. ‘Sbplinedascemstostendaparefion price yetsineatabyUadeodat pace, dpi sha sins to eascen! story yt eroagh and though stove, ‘Uma, helee noneofthstensiontcanbe-ocshoukbe-rohed. Rather canbesenashpingto prove theory sh inpers of he msicthcores ene ris Fortheoryisnotus ascot sseratonal ool thee tala ell something howe thee whose them, erecta he Lata roeof enor” —spe > ncaa we can begin nerand how iors seer ac ab 2 ‘ntroropet militares oncsinwhich he thors to recat anobserver. Forever accofreticon mstneesry athe necaorina ec Serelaon with hoje undersrtiny, Teresina no tansendental pnt ofebsratin, gen tha suchrefeton mst abrays take place tien position falereandin ine Acre theory of nase then, recs inboth iections ling ws smc about the india tenis asitdoes about te msc ble roo ‘ideraon Atthesetime weasisorianscorrinothisopccal exis. thot own ‘elsions upon the ysshiing ack nou own es resaing something abouour ‘en positon in ehisabyrad afi hemenewts. “hse of massa wasaedy understood dhe epee cent by insight - hough ty itekoown ~ mle plage mane Jann Keel (e.1756-123) Inspire by he soe there of his camempoary John Gost Here, Kee recgeise a the eoaton oF muse teary Uke mse _alf-co efera reali windo oar nderanding of past ame alee Sinema cngeg sh wilcontnao ngs, 0 mst fom gene vino tel ten nd i ok istry ante shal pegs oe sean 8 mses nd he or The shiting configuration of muse they ovr the centres then fom under ining any ete din to anscendence olga coherence, a tendo the Alscipline ih cul italy apd reeance, The dering questions poses Wells thedifring ols and langsge sed to answer thee gusto cms Windows through eich ee iors may ok and glimpse 2 lew of past musa cules, 49 em tert rb tae att ene Psi‘hereby lowing us tose what robles of msi thery wee considered mos pres lngto sabe, whstopes ef pedagogy the oscil er stadets 0 master. Inshore, a theory ext may be el asp of mele and spills we abs ‘heserggleof thers to ansier anew the geod question ofthese: "Oui sue Rend eT, cre, een al hor Goetbe'sMephiso famously warns Fast. fom ‘hepespecine of heauthor ofthe eb, he sstemaihezingoFNewons ‘mechanial users might have indeed seed dseareningly monehromatc i capers w the ng clas of the “goden tee of ie” Ye eheors of msi, ‘wheheriyng ow othe enpiee ground orsxting high it the med ai of po “ston and absencon havenonths vas posed the caput to strut and ini. arom nding hry nl an elt geo mpovertiment, count gevetons of musi ve onde contay found chenalectal contemplation of rus to be ening nd non, oe that endows the musa experienc We) ineesio picmirean pounder meaning. Tehas ben acrid journey since Pyehagors ese ft he esith's forgeand contemplated the muerte tnt undeay the harmonious sound he fd ent ra og we contin conte tat delight phenomenon ‘mich vo octots out ear engages ou eins agit cur emotions, and Li at ‘oul, here wil aay eto who pare enlist ue They wil wish ‘age in thi bic selon of mas, ante the venerable nd honorable ‘seeupacon ht isthe ee sr of ai Bibliography Bal "Othe Und Autonomy They al Pract" Pal hey at Pras "Now Ropes. Baly Minne, Unset o Minne Pres, 3977 7. ead M, “Das muse Fuchu im ene Mien Rapin "don etm Mier CES (999) F334 Suma," nd Mouton i Hage Riemann History of Harm Thea MIS co). 14 Coren, NC Me Meinl aden bei, Neemse, Ue of "Oaoa Pres 158s Yrs Du C197. Cooler, "Ls Theos Pranic” nai deems Di tape sis90 ‘oven, “Peis and Emerging Tol Cemcsnen?in Ma hay ie of ana Bes Cabri Uae Pres 198 Bb. 37-36 Then ad sHiri a hyo re P C "it od Rr Unbesty oF Chg Prom 90599539 ‘ohn, Re “Intact to NerReminian Thon? A Sane aad Hite especie" 42 998.9. 6740, Dahan. ‘eh es Master er Gti der aks 98938 isthe Gray el teat 0698) Damier, Dan DR lias, Mat Tey ov at Sen 4 BO ‘uu Saget NY, Pend res 990 Fae "RFs Abi ath Wigs on Male” (96) a Sta x Oe Mo Prana a sos. rse8 Fork J"Oterdie Tre der syria. Framer Magn ath rspapp.a55912 on "Pa dc Contain to Masi Theory nthe Unie ies” UT 2 (igg.pn.1-4 ‘ous 8 sdution fenein Metical ets on Mic in Gage de Na Tr bcdogee. Geel Sado WAR, erm, PES, 97, Hg alge tion estes ri mse eM Aes 7th st 60980, 99.39-72, evel) € ein est Geib ened Lei Heh alow. Ty et Pract io of Gp fom Aico Mars, South Be, "Vanes of Nowe ane Pro 967 Deca, Ps “Rednking Cotenpory Mase Theo” in Ke Sor Ms ‘Decry, Cue, AKesain dD Shar Cece Ue oF Wagar 997 Pp 8-3, at hai tr eas Masa! hg Now He, Ye Uneey Scenic mpc i Mess Though Seen ety See ante rt "Ris neton Une Pres 91-157 ‘inl "Poe espa Mosher bm Mile? Rept de tes te Ml CMS (99009 185-201, Setoebe hs Hamid ena neh, ssns Rae Tay ‘fren, Behl Ue oars Pe, 78 Wether Svan Meta akan Melt, oh of gtr lr Rel an W aca, epg, VE Date erg fora, 968 Wei]. ie Mane ds Jounos de Greco? Some de Iemcinsn Mastic 3899900, 9. 65-139PART I> DISCIPLINING MUSIC THEORYMapping the terrain very mail clr posession eens ft comet mie shear. "mgp ofthe dors of ng or precept ad the retions beeen ese Aaonains ths providing adereeofcompletensandcoerenes en he diplne. The Werks of ome tears ona explicit and comprehensive mapping: hs pri ay the case in music theory of the sieeth and cary seventh centuries, Yet *hereaboarimplixtmappngsof mus theonywhicharetosomedegreeecoverble by dhe hstoran fen, the appeannce of pew theoreti constructs symptomatic fan underlying remapping of he rm of thers. Parculary afer heme ofthe sevetcenth century expt mppigs af theory eae wo havea esther nd Sef fancies, ten seaming wo beatemps wn Sable «dicourse eee ‘string onthe verge of fgmentaon: Forte purposes of this expose, we wil Sagan ce bron Msorkal caogaphies, ce Bs governing muse teary ‘rough the inten entry, she sco goering severtec and eighteenth entry theory and ee se orerning theory fer the eum ofthe nineteenth cea Architectures and harmonizations The most isc representation of mse theory i the kms an ae toanlrzot syeemaize «boy of knosledge tng dvion it ieled caeores AS ‘Sch iain clasiaton, with the inion tht the te pertain oa famous daa harmonies, pes, sys et) A simple phenome schema of asc Inight bypekedl dina he stiibees oF ch nd empraiy nde, ‘hors schemas often do tse sich inary Siiminstions. Except 2 pol 2a oe plesophial device, however, no shea which temps accommodate ‘he campleny of masa evens or paces can ever beso simple Thos, nado to penn schemas, thre are semis of neon sto fom the rs dio> _uhing fv example, betwen “thor” and "prac lacs Bensen ‘anon ie emmy ime en ‘atc eth er pf hs caper ec oul, Te Or oHFire Aree ofa thoy Ariier ui Ose ‘hesiations of credand secular muss the Senor example been hei tone of omporton ap reepon, o ecwsen conn of a and “phe nomena msc. So while hema hire vir of enforcing comprehensive snd coerce, ao tends tobe mutplictiv, impsing upon dering musi loans conse tcc which ae 0 high Segre sian and ofen dependent on exis jsicto, ‘Thesehemasaton of musi theory inthe Wester rations comes it being as2 aun etesion of Arsotlin syeemats. The ist subsanaeltincompletl su ‘ving hoy of ase they tht oF Atenas of Tena (375/60 8c) Be ‘ens eacompechensvertonlizaton of ms theory Tepes maint thre domains (pt, shyt, and malls) abd grounds he study of tse lomiins phenomensly in the chnenation of esl practic. In dong thi, “Arizonems ii the epic! phenomenon of sounding musi oer the disparte AIbenes of Fyagoran specltion ad edisonal mes espethey ah hs ‘reser storososr man thoy sors one ger temais Ge ho Chapa 4,pp 12079. ‘Amore compl compe ad degat architec f msc tery only to be feand mich stern Aristides Quintana three-volume Or Mai erty Rare ear)! Win this ambos and compen ee, Arties pense sively straighten mapping of eopcs ge Asian sx Ate conception smlkidinensonl primposng schemas coffers inecon, and form, Wh s mos ineresing ie anon of this rv Ture within thee Anids docs noc asia an ages cxhausngcach oF he mans and saomain in aa nded serves ol aginst which eelops& ‘ophitd mile Ptonie argument. Ino presen unl fran exe Proen abd afer mus selling deine ss “be knowledge of things seem a ‘oder ind tons The frstvolume rans betwee ete domain of theory andthe domain ofeompestlon. Huon, jh, and meter ar commensubly doped in crms of tems of seven catego the dy of harmonics defies the constes fmt, nena, al ges, topos, adult, nd mc eampostions 2 Seeman ua cal go p95 A eMac AN pa 5 Bre dann tan en enti te di yeni gi wth pas detcandeoaiosme nace ec ea Tega thngescaatirpnee hereon as See ee Suros ph lep machen aaeeranse en srossteyaf tt oonoe as eca ae Sooo es Fouclyopte md euro arte co Rea Se Fe abana oo = ema tha nat yo pach tio epi snttnue nns acnarboner acter aaa aed hie Guus eee oe ae Scope titty greensyeege ne ack tama aecleal tone serartees ii pina onogthe a weeny Se pea ieIpetineet eeu c onenaee ‘iccarahete ees atone ac See eee os aoe == eh og minke con owt oP Pe fete pea semen rar) ‘nine inary vecmpagte noes eee Tose shana mie arsenate teenie ae ene Sitpetate wallinplesteace anmadenac eed Shitervnmpemmnt coves camera eae Scum seogartyvsans pea teense Ete umes alten yinettoata area rasan awd pe aptopace os aeageaeg Stninicharsoninioiaroneectictorasa tens eee ee ‘Stanners tao Tae povicldian anes tesdaraccinbereeccepeos io Sdenlinroanistess aris netcathone Stara tbat bcecorland ese toni dusnin app. Frte Sociales rentersCe ee IT G93) Whats mor king abo thi anttoctre ie ean on excuse pheno tnaleteracosteny cance of hess of thefourea cet ‘Whar saosin, though, he way fa which this constancy makes ise che Timiaons of thescema, Masi henry iby nature and ecssty consent dis sili. tescons te destiny fay corel const become aed 33 tp ‘ven hen Artoxens ce Asis Quien conceive he pojts in tems of ‘peat, de procedure is more fen than nota way onal inher pio. Thebes complaonsamisicthney ihe oureeathand Beet enue Marches, Jacques of Lite Ticoris renee the chiar mas theory Ines way Yr ce modes of organization sem to become ovr yee dive of tpis covered enna of Helen ther, Botan canons mono Phonic modal dass, Guinan horscond chen sane an conga asc, heh otto ad menial hear, and een organo. Thayne ‘ork the stent cry tere the eve acer efor the os Pr er "sia where an inporant pr fhe theoretical er inolie the espero of Helene eta docrnes ad where a edo Plime he chloe systematics of the foureenth ahd em ceri, rn conception of imping coms io being nee simplest, the ask of meppnginhesisteeth centr is reconceved assythecrate thal. Theornation of dives tps olongeapre- liminary oeheraing bt rather a move of thcoriing in ise. Thus, sate ceca theory an se ise ely as exhaust, with al knee of sieve ‘th the iol Schemes of music hang Some ~ and often mull ~ ples ‘thin he whole espe to almost an organi unity ia which somo dsparte Fars oth ge evidence of and gain esonunceffo, unex wescendent once Ancilymniesati ofthe remaping seen in che mus henry othe Manes ‘toimastcr Rancino Gaff (452-1522) His eee major woes, the Theorie amir 149) the Prater ae 496) and era ion ‘metro 588 ato probly weiten sound 500), erate oor whol ths intnton Being sitll by serie ofc cons, baboon {al byte reprining ofthe oii of te Thai mse at ee dasa Le ar ‘ose Pate). "Te contents ofthe theses maybe summarized lows: hia ce 1. Thetrdionl schemas of msc Ii, Themahemaal unson of proportion I. The doctrine of proportion |, The dentin of mus ine fom ropason 1. ‘The generation fhe tetachon andthe ie rpc of impectcoase rca sie L.Thesper of pert onsonancesand thle deterinitions ofthe ight modes 1 Thetermiology nd mechanics of mesa music UL, Theclomens of counerpne IN. Adsions asters on the machemats of propoton Deharmris 1 eral 1, Thespesieofsercho het tations and renin IIL, specesorimeraldison JW, Madan he oreltion of asic wih the anneral oder “Two utes ofthis compton ear remaking. Fit since by dees of he inal vo en, Garo Holds othe raison! dinton beeen theory td practic whlch tos bene masarand ar Tischematc divs othe practi Gon the propery corel andes pertuprhe rongeberitage of al altho: inde rsalrancemaybe son the mao dbl of force {nd fieent-entary ths, Cafe, bone disolesthisdinineton ina seing Fishion neh sects Wher the This mace conti the mor abou: _seenpt song at musial bans othe ealanReaissance to sabe td ya ‘hse Bothina hamons and ts ew Helene predossors known 0 Glas, ‘th Prin mae aes extensive and ltt exclave reference nes fn porary compston De rane however, beefing fom aces he rings oF Arimoneni,Arstides nines, and ose impor las Prolem, exes 2 new dace gro Moving boon the mail orbodais of Pythagorean Proportions eonens he dosing of modes an eh concomitant note o pc‘THEORICA MVSICE FRANCHINT GAFVRI LAVDENSIS, pcs andin dongs rests new thers ope-emperument which nas fr harmoniss the music constractone ance nd motos nd petbp te {ports mail practice ase ory The second ferare wore remaking ia formal cone of Gan. ach of hee books of he Toss mass concn ight chapters, ech of the ur book ofthe rts mai ee, whe the our books of arn mar tents ‘gre conn epee aninedusonand vent eechapes(Le venue Secon) forty capes eel chapters, and en chaptrs. The reply a ee ‘sions make poste an exc analogy with contemporary cages tn tbe bur iteenth cena consequent othe eceulaon ofthe se Calis Pens Gaara, wich stem of mers nd paris an sexpenision oft mate smaticsofconicandcreular projections ew eatery bor, wwe calnatin eves ia Mecitor' fos lb ej of 1567. Whe exchenge imple rouping of py furs characerie of alr ep, this toga ba ‘ones such eres 2 amps healings and dance in erm of sopenenible Ser. The cusious dso of Garo’ gy might beset peor the me Function. The reasons ling bowen thee tre ete a of ieee sence han he schema or artecara rdaions of eater het te projton ‘proportions inthe race ofthe teatinescreatesan abandon ie Sse apa one diferent fom the argumentative an anata space of gen and ‘pees Gaia poison of epic ils resonance bees dons sup Thus, emg conceie ofemsitheor ofthe cet cetny a vong the harmonization of the mas dcouree in both senile abd rupusenile omains the orme the new project msitheory eolesroundtheonsioe ‘om fan unkoanged ang haamsneoks pitch pice ele the sealed a ‘alleton fhe medieval eats (Doubly i Ramis de area's Mesa 483), “when the sre dpa the moduli nee bythe octave athe ace Aivded tc ewele semitones, diseltng the dtlacion between ver sh fat Picheandin Vienna's Lm it al nods prac 535] nha thedhree dss gener atesyematced withinasngletempersmen) This harmon lean af pitch ce bs rama isthe pragmatics of compostion abn aro tat dla ater arin tha dante ‘he mall stem extended to gone pyphony in themime author Tce seule (523), wherein the succes companion of msi ines ies way the ion fsinltsnnus eomponison ands Zan a! amon [2558wherein counterpintisrlefine the phenomenal whol ofa msi usage caer {hansschesimple placement of ote gine note) Yeas, es authorize by is ym pry th the domino se supasenil, Gaff’ De ha chs withthe ‘nancsaftmusie gens with tev che semes ad the csmolopa soette ‘fhe worl, rsoanes pelle in the srctre a disposition of is ets ene the great there proectof music theory sequal depen onthe se thon ofp Plt eam ‘ramet gen tha asin cartography any hemosizaon 2 piling of one pombe "precon? theoreti tops galn anew pai While mos sent entry ects fr some acknowledgement ofthe adisona schemas of musi, ‘hei sabmsqent ondring and disibuson 0 tpi characte wig, ad henceimportant. (The concrn wis oleiag son sae by he etre alo tim ofthe mz geome, the practice of resenting materi under the orcs of theo and eopstons) Gas Zara's Le ti karmanl (556) vies lean fou ok he first eligi proportion the send wih the at emits of eoesonane, the third with composion, andthe Fourcwith ade Nol Vieni’ Li mri ale mado praia (155) spose guy ofthe ‘raion heretical pies before moving eheoagh ie lngthy books on “prac= {Gl tpi, the in inteacing melodie steals through te thee gener, the Sand exeing shisintoduton eo heir denaaiason of eral sano the thi poetng the distin stem om ee the gener, the fourth hing che Fales of eouneroinin che dferent genet nthe AF resenting the compreen ‘Shekeybourdof thea, LoSvio Zac's Pra asie (5931623 ls nwo yrs te our book ofthe fit volame contig respecte thetnowlede tfaouionand embellishment acer toch singer prabemscf yt, problems tf roporso, and the theory mae and rege ad the for Book ofthe cond tule ebosting he paseo prose comnrpin.Zatlio, Vienna ‘acco neces hae ach atta ncoommenYerach approaches the mpcsof rousietheoy fom diferent antag ocx harmonies msc hry according toa dient projeon or perp ‘Taxonomies and mechanics ‘ne fhe mos viv sacons ofan mpl emappig of mesic hry iain by comparing to shy Ine retin, eh Hare wee (1536-37 ofthe French vant Mara Mersne andthe Musgis avons (1650) of the esl ‘Athasas Kinch, Tey cover mach fe se mater (ith Kircher roving at times on Mersey suppose two very dierent mappings ofthe muse tran. Kircher pesens ar etree version othe proous century's hamenizton 2nd erseane anskpnes tena skenc ofthe gba cent. Kircher’ compendium unfls through evo grst divisors of espctely se and thre books 1 Thenstereofsound and oie 1 Theausic beth ancent and moles) ofthe Hebrewsand Greeks 1h Thebisemathemacesofkarmony IV Thediisons ofthe monochord V Thedlemenesof composition VE Mase seruments VIE Spe (both ence nd modern ales a che resins of poy an misc it Conbinuorcsandisappiction tothe composion msc DC Themapicafconsnanceanddisonanee X__ Thecorespoadene of mse mous othe harmonics of tir, esi, sadtbeuabere Whe thestcesion ftp given chi tble asa certain og clos rexdng fh Masai more. Te ft book oes with ries sore onthe ‘nds proc by ania i nes. In pitches ey fc on te treatments ofthe ubjesinclanal myh~ which ieleads eno Ktchers ‘kcnuntofsncient sci the ond book. This sorcof emai cootguy goers the progreson benwencachofthebonks Yeats more lial eee keen ting fom. In the er portion ote ninth oo dscslon of dios sounds (greats th trpes 3 the walls of ere) an the males sented hem leistoadisusion tec and archer costs, whic ads ia tarn othe co soucconofimectanicalinsrumens, which then ladsto scion fm ene, Mosrinrererting sth cong of tse subs: prodioas sounds often do thet racloos work ca diane, when the sure of the ound unknown ie ise Sound wihoutboly sour onc was sbonly penn be onary the righ arte coastutos excitement te ore oF MES ‘thoacobvieus human presen nally nso fas ecto hacffenboen ken or the voles a spits, ad spt are kaon 9 commaicate over sane without sound, musical eryptngrapy eontaters manda analy ths otc ete Theburonisasion nail eis itakento anesthe het, Ste the sable of romans, uneners long chains of smilies wh hak tepito epi any of whi can recur at arog places in varius Ce subjet of made makes ve seat pearance nthe Magi) Te task ofthe tort Shot to uncover the lon bowen mast to gad expand eh bt Imoniaton of mascal diamaneybringngeven te most emote ides oe Sorta projection: the the sheet ete enna but clninein exposition ofthe contigs of msi of name, of stronomy of angel tiga ek ingly aes inthe ose othe Mien Pate 22)Mersenne's treatises soggy dlerentin argunent and organization Reine seen books group a fils 1 Thephyic found he mechanics maton and th pil be VEXI Theme ofsong,thedocteinsof hens themeshare of competion 2nd pesormance IEXVIIL “The phys ah contraction ofall manner of ntraments XIX Atgunents fr aunvesal bamony ‘Whacis abn in Merscane the session with site, with he asians inks characterizing Kircher Wat seling ian obsson with he mechanic oF oa arin back to stds uiianasetnison of masicas"whaiaeen inode and motion ol heyood, an obeson wth phenomena Si tob oa ane een spor snd acedoes, yet moe ners to Mere the cb liom dea: the oan of ieee alsin varying environment ee ons ‘omar pie, mule ym oftemperne Inboth ates he ret tnecanies and he oleton of is heck the her sno thehemonzan uen opis tater th geneton one knowledge In disci the asso twelinks and simider hich gorcn Kircher’ word cw oder tkesshape, ne which organizes fel oc inp eo disor knowledge or artniz her topes, bot eo open out knowledges the gps Bese vise To agin dra nly to catgrphy this opening ou rts the sot of map which ces ote fore ime sevenzcth ad eighteenth entre ~ the mally or opopragbie map ‘nie the fous of he mapas rmsto the ate berwee nds Implicin Mesenneseopogrphy re the wo dominate epstenaloge ofthe seventeenth an cihtenth centuries toni and empire. The Sst pos ‘puts in whch spl rine eau nace or meni whom produce amples and wsuly phenomenal wile (in soe ways ey Beso [Sarigoous irene othe meget te organiza of marin eso Propositions and shenem whic charac nf the scent-sety mas ‘ese Masilly eh rationals acest apogee inthe harmonic cles ound ‘a Lenard ler Temes no hoe ase (1739) 9 ins ieee gu to be foand in he aioe rcorason ofthe gia msc polite later fleece cerry The second empiri epistemology abraccerabywhichs ‘ge ofan and commensrable areca be ordre axonomicly ose se fer thmgh decomposition or amass, This ordering of mus rege bserabe a enya the bans of msc gue inthe works of the ms ‘tie acon the eganng ofthe seveneeach centr. Most lng sakes posible an aerate the notion of 1 eomprebensie mapping a the disci {Wath espansion of mus! information ands frente, he Me fecomprehense rene bocome inesing es pluie Hene, we find arn 02 ‘axonony wie can encompass al now lehough atthe oso sy arly faction he msl dena or ened ofthe ter ighsenh centr Whi hedionsry ar neyelpelis woul see anu oransing nti ofan erplck mapping ote mustal dour ampli mapping very och sll In pices dhe seventeenth and ight centric, one wich a eer lc ob ses bah the mechanical he taxonomic ethos and artiste the mic ‘lacus (hs wll een tobe the cv the dition o enycopeia in calty store smasher fanion tosh exis mapping) Joann Mths, he the ist autor of coechense rain the cry eighteenth ey, sacs In the oro Der lene Caplin (1739) psn he sbeompion oF nus thar ihn mntcmatc (by which he mess he mitotic esi of the sor found in Zt ot Kircher) by psealting system of fur sors of musa ‘asonsips~ “natura "mora" “rstoreal® and mathematical" atthesn's ‘ystems of elaconshps may be conceived a speciing four musa fonctions, and hence four scree domains of tay) he “sear =the domain ef ous the Phenomena sis of ound) the orl the domain of ata je he pa tielarpycology of muse) tbe “ferric the domo erin ae sted che erfoatve an gammato specs of musical composi (sa the me pe ‘lon in theater tresses on performance sel? and) theme *hetraiionl horton of msl miter ‘Given this atem of our Fein, athe ass or desompositon ofthe Renasancesytesis masc a be ste (i the liter seentcn nd ight ‘cma within anyon of four discrete systems of perspec. Aone led thee systensare governed by shure epstemelops Thetase bck harmonic they an ‘he theory of muse afl oles the consrocton of taxonomies. Eien mor, ‘though, the sorts of terizatins most peclet his period come int bing 3s ‘raminations of lions bet enh of these fae perpen Euless oF armony wherein ny mul ioment seine by a inex of onanane dees fom wholsnunber sco through a ingenious aes, and Rams ere Spondinaly genet his ermony fom the etal ci the pn, The Study of harmony ad fc pest he rence faethe enon oF ‘henotonsaf proportion, commenunbiligyand balance These oaecand syle Imeogcer wih th cocston of performance practise ai mse het opeas round forthe ter egheancenary dy of pase cen the epson ft muir. Sm acral cnet nd ons of muse exe combine ‘oe te empiri eidence othe geneslogy of ms ah he cai reson Scrosionaescommon gine with gue nd dace Sterol cpt dn ee ire Histories and psychologies 4s oc the eps mapping of msi soars nthe lightenment ene aban Sone butaterasunesa more expt metathcorcial faction, Jus pea eth ‘wm ofthenneceneh century, Johan Niclas Forel as the allen hema oF mesic seaisin his lenin Gece der Msi 79 Masia grammar 1 Toots, sales, keys modes and melodic pts Harmony [ME Ryn icading pros, cen meee phase) Masi hetore 1 evodesrucues (hythmis; ogc, omopbonc poyphonk) TH Masi seleasdecrmioed by fnction huh chamber, desing Fom ace leas) Ms shel spcessdeemlned by function chr, camber heat) IV The ardering of musa es by eontent or chante argamenaie schemas, there ordering) Perfoemace vo, asrumentalcombinc) VE Musca cricisn Gh sty of es, noua of beau; person ad mona so) “Though Forks mapping ber lship to tha of previous eighteenth century verter abrazo an expt logy to lngusge. The ees) fr ths "hsacton bis gen Fk conse thoretca famework-260 lesion of derives sass which 0 ete the hisory of mae Yetnake con this amonorknelnwubacto srongintr emis. Whe Fork schema ‘scons tm matkan expansion ofthe scope ad power fae ory sche o he ‘Spee cent ringing andes ay pee th, rgumentaivestuctre, lean seston ean ger eidence x ompensatory impoversbnes: mest rvaly barony an the conracson of eles nd modes ave tee gradi inacours ahs change as eign longe representation of eae Bat rater x prc grmmnclconvensone which Grong nie name of her ‘onvearan) gover parca phenomena atures ofc "et ander sytem thure varios ames of sel reorecometbcng Yer wheres eaneesoE ‘musi grummarare nis, Sx aod commensiribe, teases of muscle ‘eae poenily infinite, contingent, an incommensurate. Akogh Fork ie 4 fat emt obit" a hare" 77 Seabee ‘hore sree rene “ober btu Thee des bree he gure ort Sr De ohn er elincludes the sation latent cep mas eo hss ‘oul easy have ben remuke or something mac iret. Bren ae, hear hreatens 0 ovr the cbs fis mii gamma Poke’ scheme ania nal general remapping of mas hor which occurs actheopenin ofthe nineteenth century. Thesgenymostating hs reaping the rely reat ovonof hay Padoskaly the mo compeling dene fo be Iporane of the stor of msi a complete covaton of ase toiogtapy ‘hough the fie thee decades ofthe conta afer whic pla ofthe exemplary ‘oeapies which consti sistoy inthe sevensenthand heen cent fies: through the get ag of Burney ang Hin» new an aly sect Isrioraphy anss whe scones with th von of msc tel Almost too dba this ew dsipline aap hry wth stor Yer eis curse ‘coon isnt sosimply once sFtkl woul imagine. In the engagement ‘escentheury and isons sprofoanly eee. Rani Joseph Fes, abandon ing the natural epistemology of Ramess, recone music ners of see di tsbuing harny slong emporal as seough Ks progeson fom “nitonie™ rsitnc” orton "omni mas, thus mpc ring a _ history cotnget notion of mnie theory becomes ees tthe ask of 59 lise desipson a the consractn fil gels Gee Chapter 20-748 Dore abst, the Hegelian consercion ofthe dale grounds Both More aupemun onespton of a oom Adolph Berburd Mates once tion fsonat form ns power tempor For Hsspemane the aston ofthe ‘rishi athe an aout And though theater cightceath cena od senatemptsto coi hele of mal sucesion, Mare prajeiono hed tics th breathe thesnst movement ecnoeier anal formasthe rsa Tescion of eporal ase Chapt 27, pp 887-89 At an even dope nd es ple aeoneepton of "istry of mai a mandating neil ee se ation find masa artic within emporl contin bt conve de Toction of temporal conisty within the mus ac ase ow of he he eal eonsrucs which most immediatly chircterize he nineteen ‘econ andthe eit and evenly anal say ofthe nal pee, bd by ansogy te msi sade a “story this est atid ens teratonliztion of msi peso. "The ton of inon® of grat rumen! works est aumbrate in E-. odinann consi being 3a caeguence a conscious step ove a hora vide, Likes, crt of which ans stds ter econeliatin with ‘hn fom inception cancers el deeply wk the tmp ofthe xnoni- ‘aarti, wth the tempor othe compen procs ahd eve, nso sit “oes he hementc ofthe cry nineteenth cena, he terporay ofthe 1 Scene. proces of understanding isl Rally he asiomlzsons of musecheory Peay {eche sur ofthe letcnh cet boh hose of he ney ounded onsets ‘gh th simple harmony txt and thse of she educnal theorists such as oan Bride erbar ad Johann HeiechPestooz, te inonctabe wtb the projection of dereopmenal hisoy ont muse theo it, 8 hs SOF oF echoes itor wich makes posle ve se gra adn of summary tortie, the Kmpotouee ofthe id ot nineteenth cer. ‘Whenoxspoied,thehieoreaton of ear hs stkingeonsequncs anh ingaraiealySachrnistomismof muse(haracersicosome eonstsor theater alte venti eta) wherein any inva pl of muse or even musa pugs on be sken asthe prodacofa uniques boe"theoy of muse -and whee ‘ren thenotonofthory ars onstnstion feoaingnt aetna” 08 "hoyle vewed with sul spon, ims hey se lathe co ception some mescnags er xls historic phenomenoe, he only {ull mcrpretation fay ality beings whichdeawca ance tab- Iathsor of masccontepornensswichewrkinqeedon-Batchehistoncion fusetheoryngheincteanh a wenteth cei as acabayseied ith ‘nscounerargument Ther orale dicount newpelapngsofthe Cary intent etary engage st some basic leel he epserolgy of son od ‘Sect nei om the eighteens his psguesanengepemene th tne pow constton fm experienc testo ees of coe bens Flermu lal’ psiloc aout of te mid mince entry ater incon scession the ytemaic empiri inzospecton ofthe te intent centary pclopal abortion the postinuespecieperepean es of te ‘Gera pychnogsts sacar lingustisnd contemporary sears fogs. "Thay the a they ofthe peo cet can be ant be cught ween thew pzatigms of historic anf paychongs. Yc msi theory's steaton ismor comple. Te nazie of thee paraign and the ate of eo s3ppe them, barchnged oer sim. The Wit hsovcetion of muse common the rneeceth and eaty nee contri x example, Ft progress wa Isjorethe emancipation ofthe divnance” and the "abject othe mas subj in Testor Adore aslo round moder acon he disper fierene theoretical dsoresalongheni sed ular. oe che Soncspin of innate msl sities as undergone 3 whole res of psn Tops! esonceptons. More impor though thee paradigms eva ange oF {eye of enpincsms: Hell's phyla senate ofthe mi send ent te gua ins, mrs empl han Noam Choy’ was formation ginmar ofthe mid twenich ena (bth of which oan te vies of use; and tke mskolotc scene ofthe Germ universes athe trothe event cnc, with ary of paleogaphic and achial methodologies, s Tiewie moe empire thin the ste horiography which was is preleessor ‘eth suchempinc methodologies are conceable fr musical hitorographics tn asia pyc, they are neo eoactable for msc theory One anor ter with ertny what conse the si ontaogal daa of muse ory inthe Same way sharon mightaseres articles ator the release prey "stor ognte trl at various ies thi data bs been deen cons: tobe thenocrtoneljor the perception of miso aius deme receptions muse ‘or construction sucha harmonies, prs, ois. ‘Thus fr se tne, the map msi teoy sot coermipus with themap of nasal sais ta icy, theron becween se empelsms in which mse sey nfl maybe ean tbe tannecndenForemimple ets ae the notion fon Soounce The hioran ay roblematze consonance by arzlng ta i aribly ensracted srs ange of alte, hire oe athropolgil consonance, as Such, dos no amiable define, onl stances of dentin hich cam Be plraly substan). The prychonsosian, corspodingy, may late the boundary terween consonance contetal phoomeaon and consonee 53 pe™ cep or copntv pri or the thors of he paseo centres, howe 7 Sonanee at onceenprely uprobentan ye podacsely contingent. emaybe pragmatic (sin eos sbwton ofthe sal or the chord the basis of ena Feyruturalad sinter ictesh ena’ resort the vere srs, fr aie a in Hnapemane’s ts, or Heinnich Schenker’ “coed of mature, ‘Wieden ofconanssce maybe dlsmsed as shel str, noneof hesecans endo consonance wth es empire Yel he allow is seas 2 priiein some formal or qual stead inthe best of ors the play ‘or tnson beeen che ransendertl mer of hor andthe empscsnf psycho {owt or hatorogtphy cones wither sphisintion ug Riman's Imam analgamatin of eythane th is elie haemonicteoy i eb (rate wih grisly tdci eheory of tonal imagination, whe “Theolor Adorno’ contraction ofan ontlogy sd morphogenesis of music by rl ti to bstoreal stidties stands ar ae ofthe monuments of wertie-oentuy "The domain ofthe eansceadena might frter be pase imo ew9 miring regions ane psspie and pri and ze xd srg and eo, beh fick admit contest of tore contractions. Te Bs pio Kind of Drocrptie theory admis sch muse teres derive om constructs formal- Ism Forancrampl th equal tempered donc ealleon cn be characterized by {specie propeyafe ion abi, cam Be suid eis unique map iin dae. Cen thi atone might generalizes Sequence ofaioms apd theorems reveling futher ropes and posse campeon ss for those propentc, Ye thi assis tans toe ay parclar empl scene mech- {nis of perception, orany historical rebar hewzson o cession mak fsucon of te dtoniceaon. "The mos iflcai exemplar fhe sesond (x eros of ecrpie hear 's gen inde mate work ofthe eat twengctvenary mic theo Hench Sl, Schenker ey chee work oncetatr on ee ae ply tfamoay and counterpoint: the ater, in parc, ome to een at plage {eallbortn within which he ast of msc cin be sed Ou ofthe isbor be to of couotrpone a sore of acl orang. In Schenker ser wrk eis ‘Reontucton ofsunterpointisynthesaed with consent nario he hiaey tf muse ne which sess wige onfaton of contrapuntal and diminioa exk- ie in the work ofthe Geman nsrumental masters. Hence the command of ‘nose psychology andthe plang of a pacar hiseriel enjeory produce Serwen ther the als of the transcendental maseswork ‘Give his complex season, ny explce mapping of msi theory or of mse cory within the discursive eonamy of muse tls «2 wle) might seem inplnabl Yeraea crcl momen in the ormain ofthe modern sty of muss, Jusessh an explo mapping of music studs sven in Guido Adler's “Umfng, Methodeund Zc der Masewasesehal™ (889) open tl thevaous der rene of msc howghtte Hosen bur ramen 1 Thehisorca ela A Mosca nttion 1 Hinoril exegric groping of masa oem) © Hinoril aceon of mal lava (gen ncompeniin, by shits and sappeaing in pct) Hisoialorgaology 1 The jtemati ld 4 Tovstigitton of masala hamoni, temporal an mei) 15 Aeshets of musi fecepton,noions of msi beans, te complex relaton fides) Muse pdagoy hase hor harmony, coun, composition, archer tet, paced methods) _ Muscology (ehnogrphicand falklorste sis) Adler scan splay ap one a which the commeasunbiliy ofeach of becomes domains imine though the aldofcalletion of asians tiple ~ onthe toca! ie, such methodologies arial scene, Large Ison, bigrptiy o the tomas Sd, seuss and mathematics, phsilo, chon gi grammes, mas, poss, ashes In ther words, he di Ditanoctionson he mapcome io Beng oes forthe salar splines, ‘slay dcpins which various contract ding emp. Ale’ schemarections nd iblances icra in ore’ projectyinaepraingse Insorograpy of musi ino the mapping, hus configuring the whole o the ral sional doar ofmasc atthe synchroniedsionof ovenluged scence of ausic G"Maslovisenschak) Fores oxo domains of msc the grammatialand heel, sive as be resect inessiptons ofthe lawrand thease one Howe, espe ‘gop component ofmasc thor ts pacing uncon sdisingushe san ine Pendendomsin end thshole satire further extended oer ses FUFOPO Is trough te dpe ofstematc mascology. Ths dps eves trois tribute the ensins inher to Forks rocae dle’ mpi hou, 206 Funherinhistogard. Te fe domaine ofthe mail ae sub bound woe “oreponding demos ofthe hore eld ntaton depending or some neon a ala form and ents contatingspoieeon of msl sc thts, he suceson of skal hs roring te sisson of mse! plage {sand histor oranlogy consiiing sor of record no-no mas falar Tn this way, Ales proeston hss undying acta. Moree is projects one which svar son strc contingency and thas can resonate iheatier mappings. Lik thse mappings ofthe eighteenth century, icons an ‘ala rid here deina by dadonicansyehfonc ax) upen which pein ‘Stns cam arin hose Spaces which ae lnk able those mapping of che ‘ish entry rls out he comprehensive eatment of msc ba sige er ‘Se. Bus wih the mappings ofthe teenth century, ebarmonizes and yestaes ‘icing ipl acnmmedaingal hat has bee said bout meso, all Ing fr awhle ange of resonance o sypathis between topics ex in dierent Somine. The sator hime houph, expel dav 2 comparson between his sera and tat of Aries Quinlan (peeing bo a es, Ae above ‘Arid Qintienason double pap), hs dell king his projet che Snrcompleemappingof hemp domsintosurve Bathe thermoset ‘ane gl ofthe mip mse no to dispine what si bout mse, bu ter «> ‘ete new mus soar, Libliography Ader, “Uno Metole od Ze er Muse Ufa ir len! eee, int ant Hie 185 ses ints Ot, ses ane Nhe, New Haven, "ale Unies Prom 1985 suk A. Cre Maa! Wag» as Cambridge Unversity Pes 984 89 Dock Yoann Nos Forkl The Begining oF Misc Historia pet ‘ony Seg 9277-92 se 1 Tx oe dem, Prenbor, Aceite Sseare 1739 fe Now Yer browte 968, rot] Algom Gti dor Ms, Going, Sdvexke, ‘Aniene Dk un Verapunsal87 cl Te Oda of This As rary fee Hi Sse, New York Pon, ati, PD ernie neta os, CPt 54 ees, an Ne York, rode, ose CN, MSD 3397). ‘is, Le Sere 495 fc. Blor, Fri 97 od New Yr, rw, pstne Mier aca, 20g en Yong Te sre at Pans gos aon Unies Win Pre 989 ‘mse, Man ame, psa, Ne Tr, owe 97h Boge, orn gy te Keyes Thy Mie, Nowe, nies Prem. Case "tain Geen Medial Testison Mus” in Gage Mak Inthe, Gee arc W Atay bet, Pabee 975 53 ice uel Rome Cae 6 Hein, 170 Twimiyy EE -The Cone of Phys and Stl Spc nthe Rea’ 4 tinny Sheth? nn of era edhe Ba ‘rads, Unverity ofhcgePre 98.618 Mors of fabs he lar ft f uss, es. a J Megs, "Dest o ago rom Muon Der solemn Capone, Hamburg, Heol 17395 i. Kai henry opm Huo Mahe “er aloe Copter Ann Aber UM Rea Pres 198 Men M, Hern sl FC 636-34 Fath Cement Grech sceeqs san 986 ii ND dt ore Prati, Rome A Rae 355 08M anes 6 Plessis Mat Prt, Noe Ya Use ess 96 ae DP. Shr Meszl Sie he te Resa, London, Wubre nent of ano, 978 “asc rte ee rr, en, 0,359 Heke. ‘ota 98 “an Le bana, ei, aes NewYork, Bode 965 5 ce. Gs,_Masica practice: music theory as pedagogy ‘ope ofthe most onsequentl developments in sh ong tory of msi they bss ‘ben is radtlintegrton ith he dipine oferta on se th eighteen cet ws consiered largely dn om he arto co ‘es of cscs ha In the pee ape, we wl temp ook at Some udiions of praca music chery in more dea Wel begin ft with & Ioerdscsion fe difutesin defn practi” theory and sesing ise on to aaeuoas f mse pefagoy. We wl hen proceed 92 Broid suey some ofthe myo conelbuians to practic music isto fom the Ml ges tthe relent diy. Nes chs conte vast gum of wningsbacannot be stale comprehen hore But by fousng upon ew sect examples his tevellysigeicane momen’ wehopeto tat the pina pratt stract ‘l,l and instil ~ which have together lp supe dhe dissin of “practi” masher rats and pedagogy “Te nocons of Sptagngy” and “pace” have hiorialy heen only linked, lkhough he te by means synonjmoas. I ancien Gres, he aap wat the leader” or “teacher” of hop asl the save signed anspor the Boye From one schoolmaster to anced Today the em “pagogue™ often caries with icoegatvconnrions of petty an dognatis, houph in musi he term as periaps somewhat more benign asscation rested the echingof asc sil. AS Poel oat in the Inaeduton co his oume the origin of de deal uxapo sition theory wih practice ma betraced to Aristotle Sepa}. Therewas every neesry connection becween the “peagogial” and the “practi” howe: (Cora was as much a sabe of pedagogy inthe Lysum as was pra nded pevtaps moreso) The st wre to apply the Arielan division of knowlege to muse uly ‘epithe por lame Bo ply te nena, pps}. Capers seems tohaveben Aries Quiatlans who divide allenoladge of asc ineothe “tort foc cordinstesticl esand atl ease] whe he prac ‘il embrace apliation of musi cence ane deene anes" Aries Farther sided the “praca to braces, one of whieh "dec thewsea loi hth sd poetc campo a sractres tat hs realy ben tech ‘ely anaes the second cones char proper moles of expresso i inseuen {ul prance, singing nd acing Ths seems wo sagas tat Arde ad Some Sort of os repernie im min. Stil he kta "pace! theory” 8 very Ale rom anything that eal eognize such te But ei say sing the noc facial ear as changed continual thoughout ison ‘Tre har averbeen coments among mail pegogue athe ex Fcton fie race oritpreci elason tom here lnc aes me teal treaties wil suggest the sep of he problem ‘Medieval musical pedagogy Ieisimpontant wo rela that Arie scheme was noe ively ope orev own ine Middle ges. Once atempctcly matical hear treisecals ‘hem “cesonal wring, nthe best senso he wor” an emphases he ge sponser” nati ofthe mall resderhip* In hit comprehensive suey of medial eer tas, Lawrence Gushee concedes tit" fod may Invsietheoretea rns ofthe Mil gesaredstngushed yack oF adherence les pene Indeed, mot of he Sores are eet with regard there onn tdeqvrsl with regu t prpose Tus, the oppasdon of“speclare™ In prota” theo as eneraleategoriisprobenateatletinde caer Mile 2s Sil pane dsson hens praccean hry ese may Dempliiin the distinction widely ioe by mati sthors bern mas and SO AS eed by ehevineh center Arian o Refine, expe ee a ‘soentst nufgrbein ancien Greek mal ory ra started by Boxthis leche iter wisa msc pasion ingerofchaneie char Yet thetratisersuvsngton Caolingantimcssiges ow dificlieastomsinela ‘cit dtinton tween eto. Huchlroringinehemidaleottbetenceaa, ‘sanexample ofa thors whostove mighty rn reaneDecurentchan practice wih 4 noe ie hi ine 5.7 An (Smet sl rap eh eimai (te fiers wit hci aoe Specie meget (th ie arty tert conpnsemsenen or combos thoy 8, Suess Ce 1 Sea ep Fr sr mnie wf cena‘reck use seory~ ores tat Grek musi ory whic he coud div from Frokmy snd Bech Gee Caper ,p 459) An ven enteral of malice pe nol yh fd in shen centey exe Mesa cand SCO Dalon teicke, Safer cra Ar among the Bat Western wetings 0 oer fae pth norton(Gspethe shard Daven orencaar) despise pal ‘onl singing anda rca dscuson nf modal hey sd om he Bal rd bts faba chemehria onlay ih paca tenons Atte ‘meine de auchors ose tee rely pon ance Latin aston fr mocha ‘hi termiaaog. Yechow thorough hs inegraton ofrssved thay and come po ‘ary pace eemainsopenoquescongventarsecwononsabstantadscsslons ‘fancies thougheseenocome she endrofeahofehee eatealestas tatstougeGonerlng espectvetheOrpeeyth andthe ctv gules ‘fuse Chapter 9 of te Mises nti a ube ls of ocean bar ‘monic endo ae and atl ofthe Sr eci Guia ofarezzo ‘Whatever teson hee maybe in he Carlingan sources beeen practice and ped oy hers ie dpe asthe mao meson of medial pelagogil theory ‘the rtngs ofthe cevent-centry Talat monk Gullo, ace for most os in the athe fArcza Whiestisotinexry se possible tdseranglan awe ‘ic corp owing autora by Guo fom leas abate oh, es der his primiy ters warn the aching of msi hr fo peated ven the ‘spa insranent of ancient canon -theroochord was usd by Guido witha not praca end plgogil dace totzach scaresensof pc, Heese “Some [sents train ining he [step ofthe ono cord, eh the pacce ‘of octon, were within the space + month aging so sce a Ast sit ‘han hey had nose rear tht eas the gees words oat people™ hice bilan pedagogical iess have taisonlly been atte to Guid, ining bm his hired place the ry of sc pgoe: sal noon he ‘prcmohexchords indi "dieroorvisal sl” forsghe singingperormance, che “Guldonun Hand” Uaforunae hisatantworks~primariyhe"Micrlogas” de ocprne yond shadom of dosha thy wee hiner, and isp ‘epttaton ssmed such Iegenday propos tht some skeptics ear Je Sis van Waser is shown tat he ac nmvsin ns oaon ws onsvacconlnhrdsof pall lines of eine pitch Guitohimsfemonsrate, theabsrcton oC Rexashord fom ashen commit to memory (Uae), ‘edacrmon’y Rayeond taco nhs tgioh wanton Mt rudd en Sat Fesretm i Pp olin baseaml Sissel Newest en pm St in ms na pag » dee sta mans to eps singer ott an uno myo reduce sound from noone isht.” Bar here no mension of transpositions saat Be hot" oro the principe of bexachond maacion” andthe econ seer teen om the "Micongus” Whether noe Gui was thet 1 asi pic [enero parse hand cornish ce mnmonicisnt sella nba), tnedokrow hae the sie ofthehané ar sade memory peda ui." "Tsetse innate ate so toverng, ate lessen aoe thatthe “irl bss ein in can ex sih-sngng mana a neo he ‘ery ist in another long line of mane poagosil ears he ati on compe ‘on. Approximately one quero the wor hela Be of rent cape del ‘ith he composition St of monophonic mela then “agony organs Tacs moody, Guo pont ov anges ere the sear of pee 3nd ink phraseology hos plnecring grommatilconresporndence ht woul ave slong story in subsquene muscehereeal wring. ‘Musical study in the medieval university Deseret eens of sa sources the works st dca all eft ‘he Caolingnempassupon paces ull. Tis snotsupising given ha ‘hy were writen by autor sete in cater or mona school charge ith Insracias young slags. Howe, checulturl ahd inlet cope SOD ‘ines she" Rennsnor ofthe Twelth Century" brought about great changes mvs stl. Dureg hi period bere was s muha deine of te onsscscoa, And te begnnings of ee ion ger which are aut of te arouse ‘soo eenlly ewig it he a The eats us eal of the medical universes drow iy apo Bochis and hs program fhe stan her ars nec mai was iced sone of the quel cen AS oe ‘wold expe hier a ile dwt any prs consigratonroF mt ed ‘concen nit casi problems of mal harmanisar tants oy oct, But inthe come ofthe neh ans hieeth cents pewnelei Infene becomes only in evince newness ha rest ween he queda puradinsanstde« Te et cst pees ‘hema ua sesame or be tat one ta pec ‘omnes sordurlencemtnets ert peep pr 1 Wnt nn so hao Fo Els Glin ad Sem Pie tpg ce oa 3 Pe ran oo St {2 copenes Nat had an Rowan OOOH Ao sche pe er a ‘idee kt my) Hd he smn fsAsoc works had fr some ie been the subj fay by Arab schol anit ato trains hat mst of Arse’ wings Beam known in che ‘Westepnninginehewweheentry. Thence of Arstode'sthoughton musics ppureminbnfuensalwrngsoftheAn polymath, AFF asohwho divided ‘th pus of music thot practical pares (AFR Lane fo he {Grek pte as ase the pli actif perorming manic) The "tere ‘Scoly of mason the ter and at tbe die ina weons-() pepe fundamen) radimems(deriaonof the nots the know the cost tution ofthe pots.» abd Row aay pee" strments yt ad fly) "competion ofthe mods in gener then abut de composition of the pic neloiies-and ny ar thowe tin octal spss. AFP salsinof al ay whichinsome exposes actA, rove igh infil Mer Latineanltonsbepn celta inthe tlh cna. ‘One of te most chanetens sgn schol Artois in sc wring uring the lie idle Agere reo theenslopaie sone ypc wed a2 textook in the unverses,Thrghowt ee shicenth and fourteen ear ‘mers autors peated comprehensive sma hat stamped to da seat Cally with ioc of msl, both theoreti ad prac udag Juanes Se Maris han des Mr, Walter of Odington, Mache of Padus and Jacques of "lege. Whe de wings fcc of tes author peal conned leeds ‘sonsof clase Reethianhamoncs, ter were baal and inertness, found being instractions concening contemporaneous pact inca ing detail consideration of mesarston,cootepoing an genre. Whe some of these ters seal to ake septs tdvebing fl the muse practce ‘hey may have heard around the, oeslonlly hi wring era amore cee spit concen ad presebingnoctins or istic mentions ne yet omon patie rpc ste areaof mensuation Ge Cape 20,p 628.00 ‘oer nds of ese authors ~ parla Jacques ~ wee notoriously con ‘sentient and bighlycsa of he mens imnovatins social wih ‘emusic theer naa In any sven, theseeascopetie writings the Mle Ages pce high-water mark in he sory of muse tery inhi oth pecltive and pt concems semen aveahieala ance With he advent of Renasence muse cultein the ees entry however an mporan new cum in he ech- Ingo musiemay be seen been Renaissance compositional pedagogy With the combi changes wrought by Rensbsaace humalse and dhe eer more boas nd sophie peter testy composes, he ature ofeomposion 1 Aa a noted m4 isin mes iy open * podaggy i the te fcoth century changed markedly. cn by no meas be Pr ‘modhateraartresson musa cmpostion provides perf uh pletare ‘fcontemporaents musial prac Foe one hig, masa race Was changing trish spread! spel a ths tine, and tere wre great warns Bewen ‘arow mio endo and compensa genre For another be pblabed we {ce may noe wel roe ke Ks of ented hoe fal sect stant righ rece a the ands of mane: The tsimony of the German campos ‘Ana es Caco ling yahoo... veka on seo wrote tere wok nd Sethewarticina rede sec cians bea be otk ack To peiewsitang and ne crc but gh cen the rulr in foe won, thong past appl ntheouneatngingIPheaconera pup tteelsof re partand iter Bure spare weg shaypoigebom hess mia orcuatly, though mot of he monuments of Renisance mess ata were the _seiton of ctv compones who were wel eae eet om ie, ants ck ead by uteday without unde suspcio.” Inthe efter cnc the Bi of these compos, annes Tact ‘esha corent knowiedge of masa pracice” a series of vee es esonal acguitance with Tncor's inp Fanchino Garon snr die thn. The advent of ping efeey made Catarina mae (92) and Pre mae (2996) the mols of the respective genres fra ch age reading pli" The Paton eters ogeter in one voame materi om pics of ms Pccon which instore and thecirer ancy writers adres re thes Pero Aaronsthorougly practi Teall ase o539) appeared a8 thenext ent the Rist atemp reac theharmoniccombinations usblein fur ‘ce, snultancous compost, anda work tha ws conceived and publshe in Tein =n La” Zarlno. The clminton of dhs developmen ceranly Le ston hw (0558) Git Zaina 527-9) Ween i hisnative tongue che ato foe ‘he bt ne combines the genes of mae hoi and mas Patz into Sigh 1 eet em dn ape Reon igen ope aoe eile res enter ce lll‘retina manner that woud be inucntl welt the ghee ena. This ‘rok of our pars ed more han out handed ges, dae lor hal. Af egnning in the manner of he cls poepts( horaonofrng pases of snus, speultions om ois, dein, x) the bul of Pare das wih the ‘nyo umber, proportions anc anal in gecrng he comonant Intervals heir ral case), Pare It presents a more emp sie of Boca canons bere the abtracson ofthe eater discussion reeled ona strat (their "material ese, bor eubde of any composiionl practice. Daring the ‘ous of bath part, arto states is smu fo the Grek tray at id ‘een psd on by Bow) lepimiing the cosonsncs of perish 0d sz ak pees, athe ha erties of Bt Ge igure 2.2. 272) Pare IIL, the ie prt oF he seo (hal), which eld Pi te dete com enporanendcason opin rats composing wile Pare 1V 08 ‘oder presets ener) laren’ dodesphonie mods sem Ge Chae 3, 1p. 9-38). Both he laser nwo pas provi extensive preepive act the $oung composer slang eth mero examples compose’ by Zc t llstate Ascanbe discovered any cae ring ofthe literowo parhoweve he pri ‘a mere of ter concent I not alaysselFeidene. Te canoe be sume, oe ‘tans tht irate conservative es feounterpinc nd srt oncening ‘modal lsfeston hc lst inhi con examples area nie mirot ofthe practice ois contemporaries, Juss he two “theoretical” prs OF the ‘son ery obvious rence o comtemporary pace spell in he vie ‘son ofthese eet the redetionoingets as and pera eon nunc) thes pars cle show che more speculate clay erent ide of ht auibor's penonaliy (nation of counterpoint us, jtiano ‘eosin and emg the modes cc) Isr, the dese sion abd 3 oss tht chutes the elton of eran rst comesstrongl the ore ecwen the coves of Zatin' de itt Aaron. his gai, pring are hanany spec of oan or theory am; honest ey of ato ad woud cotnuctoatsucha shadow oer teary Erte next 300 German Latzncdevexts. 0 Germany, me practi was concerned primp ‘ne performance fr books of thi prin were sty fener by he Lather efor, wich mae muse efannane an important compare of deme ‘ap efcon! From a at he Sime of Listens Rar re (1539S rclam of serie sy srangnfenoad German ms then dig 08 ‘hid ison of maa sey died to ee ae oF mas omporon mien fost A broad range of German papules appeared inthe sbccth and Seventeenth centuries eign forthe ankand-le Latin schools (techn, ‘Among suck clmetay tens ar Hinrich uber Conjunto cp tr(545~ ad repent ina urtberforeysieetons thought cry seventh ‘eau and J.T. Frogs Rdg (98). We oles boroing mata foe tore lee aathor such at Glas (ig ache) ch Lain schol texts Pe ‘eat oly the ban aliments of mae ecesary fr the singing and eng oF ‘une (Sometimes arith Fe nich Snel ere ep in che venerable flog form of the cscs) Sel he elena mata hier at dozens leit~ shld morose te importnce mae nthe Laer cok ari Jum, The ineabe athe besining of rei’ Bonk shows tha by the ure ya, norte ssn tying mai than ay other subj) Nor shoul we under ‘Sst the importance ashes exer sing ~and inde Hlpngoistiate raarane rms of nation 0d tsa in Refrmaon Germany, paar wien gad to mode Baroque music theory Musicin the svete and ay ightoenth cots he“Ruroue” prod seas invidiondycome te cledby msi storans)conoundgl ih nse genres spe and oval langues Daring the sane tne peo, Wester inl Tul hooghe war anderoingsprofud eantormtin samuel by eolatonry ‘pests cence and plnphyNotsurpriinay the masc there erat ofthis time referer commennste comple Dida eratare ain rom he Ines peclivesnd encelpatien she most mundane peta cane ound In unpreosenedquancie As mach of hs eracre red chewber ini volun in reser depth Gtr a Chap, and 17, ew oe be ees eve fein eal ere. Sfce fo sy thatthe round hanger in msl ye ‘ough bythe snd patie caer reorientation of pagal ie acureyone i wich the boundaries between peaogy and practice Doce partic ly lore But perhaps morecosequentilothehisoyoFusictheory hon any messtions fyletnrodaced by the sods rats profound and farreachingas they nye) ‘asthe sa nsruentl muse oe eas though Baroque instrumental practice “and pry dato the eyard ~ thatthe eergen® oF majonminoe tans able dey tem moat carly oe seen, And ths emerging hemi only fds is mont explication and ratnaizaton inthe concomitant plage 25 sagen: stn dcop eel ae Ty Onan setae recs eden Germany ing te fe‘erature The mosmporant such iterate posessing te mast fareachng conse quences was the gured-basor "threo" mane gurl bas ext were wien as atempescoslve a ery racial problem: each Ingkebourdiss hough somecmes bso petormes ofthe te, cheerbo, oF guia to prove a harmonic Noundaton® fo pice of mas as part of ce Bs nti semble For de most pu, the harmonies tha Such a prforer was required ‘supply consisted of consonant wads. Bu gen the increasing complet of the har ‘mon anguge fade tsi che guess permet wis fd wth letra af marecomple chord pers tole. Theexaoging and oder “igure” inigstrctional mami somned oben ascruablersenblge of eoutie “The else gure-ias istration boos were “practic” nthe let magn Leese othe word Often consiting flee mor tan mechanical usr re tanga given Sur by the memaraion of ain ck Soma, thee atl Masun,forcampie, the autor of one hemos inesting aps, osha “inthisrene, one wil fn nether res, nr dif ang embarassing er fee Ancients at onl tat hich sus prac. (Mat view wa ree feof wider ection guns spate mae technic of Freeh ms pedagogy inthe cond hl ofthe seventeenth century) Ye i was through problems posed byte thorough bus ~thestactareof chords, tbesuceesion these ‘hordr overs ine- that thors cally were sbleroraionaliae the st of harmonic tonal. This isos ley to ese inthe work Rameau ‘Rameau. Tosh, )ear-Plippe Rameau 683-176) sceebvael as one of be mes Iriel important musi theorists. His heey of he ae fondo red revlucooary teonepeualaion of ena latory that has conoued to nee musi theory this dy. (See Chapter 24 pp. 759-72 fra comprehensive disason ‘of Raeu's theory of harry) But Raean was Badly blious wo the praca applaton of his ies. Inde ality fhe andamenal bas othe pedo: ‘fled sxompaninent (oro bats) and compostion was dominant thee Inmase fis wags. Unfrenataly, the nese hough nor ens exe sve) splat argument of Ramest ave tended nob or many aber the truly pei roosts peop: (See ao Chap P84) The fur "Books of he Tae dvd, a Zaina work i ne eer” a “praice™” eet books death strand propetons andthe Nae and Propeeof Chords whilethe las wosreomcompsitonandasmpanimee- he 2 en et an iu oh qi pit ‘cranny pve niu ld bec nse pti oi oy pon ss to principal gents maa ti. In comparison wo Zain’ work, howe, amen spathessbow deve siowardcontempory price witht thmo problems ofthe ehrouph bas Indes he fundamental bss sin many SPECS acetate oroagh ts coijingandraionaizinghechords and harmon progesinsprfrmel by scotia ens or writen down by acon. amen’ stem tft maa pedagogy bean wis fic work, and contin el hroughouthitcarer. In asequenceofpubasoas tat avitesomparson with ‘ican Gn bow, Ramen ees cleat beten praca” and “tort ‘al works although in most often, there asa mur of he Wo. Aa OUD We tascof Ramen’ rs “ebonaca™wrtags te owas "Clrmoot Noes dig fiom before is move Pain 722) shows hin ooking toad th ther ofthe fundamen sy which mens on ve ciate miad a2 pelgoge tool "enyearaerthe appearance ofthe Pa, bette a inp pany fue in i Diet iene thd compact (072), 0 WHR mixes thar witha fora mschancl ate” by which eo rele Sigurd si rsting po mus norton, Ree Ramen sept oes seus rowing murkctin ce eighrecnthcentry osc nsraconal bok) tear eae etn of ured bas movements hand nd finger poisons on te eyboar “var a base fondant’ manuscript probably writen by Rameau bene 738and 4s, and unos unl een} ey twas sed by Ramen ow ‘Siching a cmposin, "he ptemaic anton the Fanéamenea as 20 ‘Gets ithe honor of being the sre harmony textbook nthe moder ens” Fall eh ryston to Rameau’ pedagogical wring ithe Cede mcg pra (G7) anwhich etaks onal mst peagogy, ding itsomehaecectciyint ‘Spven edocs") adanens() bund psn for harpsichord and ogan() 0) praction 4) thorough bas) compesiton: (unig bas and provi Inga pele Here, Rameau brings togetersliEunes worEonpeagogial mace, tempting to demonstrate hat his concep af the undanent is 82 wy Une the concep igor msi teary wih he paca eining ofa insta {slandsoca rent. For Rane tas race whick done is theo aati ‘oy avond Alva sensitive and Honest onernng he corte of he tort “npumens cmp price, Rameas found him agin ad gun oosng Ns ‘des ling ens oir. generally acknowl ang the epstenologc leans ofhis theory ‘torte, Ramen’ ntens interes in pogo music henry was rely fovgn ith hs death He bs Bren primay remembered a space ad ‘ene thoes (and notalways inte mos tering ea). Mates wee nchelped 2 Mata 2p Sligo Ronn Ree‘i ronan atom ny in dat lac generations ere thir Rares mily through rations ois ‘hor yi whowereno aways ncomeyigs sues and raga pia ember inthe Elmo emg rue pene (755 German ‘rams by Marprg, 1737 and Rouse’: msi ares forthe Bxgepie (Gppiedtr ken over in Rowen Dime dee si, 1768)” Fux Deaie the succes of Rameau asompiishers 2 husonic palin of rma pedagogy wis nor venbere dominant inthe eightenth enon, there court composer Jan Joseph ux (60-174) eirmod and ste ua aml ofconteipantalpedagoy hc woud be along sting an niet is lames harmon pags. Publ asthe yas afer Rare’ rl Fn’ Grads a aan came arguably the ingle mos nena and widely studied textbook of ma pa nthe moder en Since Fx’ Ors the Subject of'an ete caper in eivolume sae Chaprer 18 pp 534-602) discon ‘fiscontentswillotbeundrakenineihaper Ion rsinstcaphasiztbst the Grass otha specuiative ans prac wee (ie femer gules being oo ‘velo by Engl eaders who ow ony she prcal English ranston While the msl langage of Fas ee war conser ne for heighten cena, ‘he principles a techniques tc under ewere recognized by generation fsb ‘sent musics pores nae dato vale einichen. If Rane’ tory ofthe fndameneal bss and Furs pis outer aia offal the two most dominant comprisonal polaggies in he eighteenth ‘ean les ptematicmodl ascot Geman eheoagh thesis of Chorale kermonierion and fgre-buediminiéon. Ths pelagopal model ws resty dsrbelby CF Bach in isacountofhifiher’s nse ace ‘neomposon besarte spp pen wk eae ws at and eed they otpoior eae gen Faxes Hisppishuso bean ‘heats by kur her ar gh are roms ene chores, beaded rth iif nth ad inetd Te tee ten ode ass eras “Tecra, fr German pagogus ie Rah, became mercosmofcompastona Tecigus By combining the etn harmon scaling ofthe chorale withthe Elaborate diminution ecnigusof the through bas, ste coul len aes compositional technique cacoul! be asp any umber of geresand sty, ‘We in sac method of thorough-bs composition” ley na wea that we ow Bach adie and copied ons Prednoh Niedes stalks Hedeoag see pein ms en petany ” (a7s0-47 But she ston fhe toro composition ext undoubtally the siorpoge Der Gea a it dey Compt of acs comtemporary Jobs Dav cher (0651729) pulishe in asi yars er Ramen’ Tend eh year ans Ga aro thana guide or deciphering urd-s signatures the seventeenth eat thorough-basr mapas ad been, Hence mane work = ample ompostonl tex showingthekeboarichow varity ofsylerand mel gee Gacading avanse “hese” yer of dnonance estnen) may be manera troop the ehorowgh as. Wich # ch stoner mas! compentons guste td anuyoo, Henchenextis seal "praca” one resting ng ms ‘in, bet one chat was probably ony use toa musician ety posesing con sidrblexperene and sis In Beale 7. (543, can sea stration oF Helichensthrougss metho of compostonal dabraion. Thee Heinchen ‘aks asc harmonic elation ofa gues ine shows how ile ey dist might cabot ehe gure to produc a are of deca extures~ inthe pret cise, in “eanable™ syle. Like the eatses ofboth Ramet and Fos, Tens ee rly prs on efeting te ich experienced Knows ofssenoned conpour, ‘Music theory in he “Classica” era Daring the second aloe geen cent, composions pega cave in remartable was. Wile merous pedagogue consnnd teach excuse fom ‘orp nd harmonic eens, respect he me query hough dapetions of Pan's nrc pose ppeoach the ter hough me apeation oF area's fren as Bic thoroagh bm) a mame eos Gexmany bean to integra thse spaces win ei we reat Joke Pili Kionrge’ Kane der rien Sten er 7749) pees probably the msc sues sich sys ceChapter 249.772) Buk ane elemeae oe soa inseucton ao cmergd that eect concomitae shits of compos tonal spe characei ofthe socal “Clas cr phrases dy Koch. hiedscussosof phrase and melody arefoundinnumerous trees Inahe cena (perl Matheson and RlepeD, eas nthe Vrach traning 22 Keston 1782-9) f Helv Chstaph Koeh (17971836 at Wed be st gitematiestmpe wafer ee meth of loc composi.” The mest, 1 Tegnnpa enty Nay ater eyeing lane San! oni tone ay oe mon ed ‘imme Se, oelnposing and comprehensive pesaation ofpedaogia msc theory oft Cae the trex appeal inthe volumes i 783787, 4n8 1793 Sa thr suvivesin “Parl Sto 60 pp. 5-50) hich serves prima ly generat the wnat maeral~ cords and keys “fora racial course in compo sition: Sesion 1 (pp 52-120) pts dhe marr generated in Seton Linn pace, eglning with a retely bie wexsment of "consonant combinaons of ones (leper and he ving ono “lsonne combinations of ons” (Chiper ,PP {8-159 Sesion I (pp. 121238), led “St composion, othe eoet use af ‘Gods and thi neva” eens ouevardlythe version ofS Composton thar Kimbergerpesens in Prof Rast though thew fer profoualy in he rca conene Just ab Kerberge ad, Koch dss sabmetrialcaborton of fourparesetchsethe end of he igure bas course(pp. 213-28) and then prods roacoursin counterpoint Parl opp. 335-378 Inehe cond volume of Koes tet ve moe om theless ia harmony al ounerpoint oun nthe previous lume ty lesons samp a is me Ally car tha med wil come the ews of aye (He emphasis, for “ramp, the meatier of oie eding agen olume t) Koch conus by ating compostinal rat he as erie rm ule, chp emia be found in oer theory Bret compostonsl peeps. the compose shold egin with 2 "plan ng and continue with is eleaion® Ug Snaly !mosig on oe “lboetion” Uebel tp 53)-Urging te compe “concie coy hrmoniely" ol mp. 87} Kock moveson‘osengthy ans highly ign! dcasson of mdlton Go pp 137-260), te pape of which 0 ‘open up meld cole wo *nondintonie™ pits, ad setsiize the sade nelle moveents tac np modulation temporary or longest. Many’ oe ‘uapls of melon cass oly f sige ine tas and itis tht Koch ses"moduliin 2a oFeonceng of mote extended melodies. Subsequent ds ‘ason of msl meter, p. 288-341 cones the prepuriion compos Inga och makes ilar ha he ine ure of melody sot something can be taupe (scan only heunderso by those musa posssiag vse al sanabys, “pent and "god se) Bu the "outer ature” of rly abject a sere af “msn res” Tha he tikes the whole of ure eo (pp. 35-462)"Oate Mechanical Rules of Melody ehough mor oF tus otto be taeda to the ‘ongoing fod, anti Son Triseretae Kot mos yond he aba comparnsifimascandspeech hse sweet be fd ino many cre heorkaly ore ree and eases = ‘thle ghly pond inh glen aan Spentix nen Raye ‘TisKiger ent hts wegen inbapcigey teen sari mas cya pty » ‘nor tmpiel working vcbulan fr the analysis and composition fey ale ‘utc and reting pons in pec, Kok urna ne opi melody "ae at {nspeeh,themelodyofacamposisoncan be boksn a inn pers mesnoF saa ‘og reing pins nd ches pining anes) nd meaisegmete (til ena By. 1) Th ena of prio fe by both lic uronic punctuation: harmonic cadencetypes ign with melo cosre and ep seule thythmicsrucae. Priseypes ae defined by his cadens ening, but tho by thr lengch (hr “eytimic natne” (eine Bahan). Tha, pans that divide periods maybe inconcsie(alledby Kochan st) os Pe" (Sha) depending on thir idence. Phrase ie ater no "sce ‘men ores” (Eas), which we mighty ell half phrases” or “phrase rrembors” Balance and peroley ate seal tO Koch, Who, lke 0) many sebecquent acl, sbos a predlton for the fourmessre pas 5 the ase rodel, wing longer mac ents 25 “extended” (cz of “compeunl™ (Gusmmegectoen pass nda, ter ins ueatse Koch sbos ho extend spend mas ocean nie moveeat of aager work and ulate to theo tion of maltemovemene wor.” Of arte intnsin Koes tes are the ‘ny musical eames he ces to asta bien While nyo tee mus ‘Gamplesareof ison creton re numberof them originate om she ocho scontemporrie nln Joep Hay “Musique pratique” inthe era ofthe conservatory Sy shendofthecightcenth cents bidet distinct rational talons musi ‘honey ene usdamentl as, lun pecescouterpong and German chorough essa gun co end together n sch waring configura hat icles speakany more of specie ational raion, butane element of muse pligogy did remin constant dug the ens emu though al the mento shits of theoreti thought we ne wines: mos sdanced musical asrucin aos Ie een design principal or he ste een, wheter working trough the materi wih acer or pahap alone easing tet. Cl stration peace nei theory genres ios tobe als cfcompocton dumper th ‘ception Gltoph Rares ugh lane” of campeon nthe renin Sreatook™ [rt de le awe foment)! Thay sntacion afer the Free Rvaon woul change marke n hi respce, bringngatoat ow genre ‘sail mse tea Fin te cure ofthe nineteenth ening eros dato Unmccons~ pra tone ofthe mie “cmsensony™ ~ were eli ESS i i ihr tp 9 i rinatroaphout Baroy, inwhich oral ination antic ofappil sweep ‘tut ad hither ee th prin of pte msc ieructrs This newintato lation of mise peligogy would have round inaencon the dewopment of ‘mos thon. Dis ‘Whi thcoriginafconsertarisof sian etracedhack twee the ech ‘eyo fru in Kal, the modem Buropean eoeseratores are age product ofthe poscrevlutonirypenod ~ government response to the Ma ductal demands of emerging midle ss. After rozaced pete ffs oa, the Conseratare National de Musige et de Deécamaton was esablise in ‘arin 475, followed bythe sate sponsored consents in Prague (1831), Gre (481 sd Vea (1819. In vatous Fars of what woul eventually Be 2 united ‘Germ famous LipigConseroryopentin 8dr by Mendelsohn, Followed ona theca eomseratrs in Munich (145) bd Ben (850) the on the comer ovement lsc est Ras, sd woud ently In Pars, a msjorcenter of neem centary musical progres she posto ‘onl fealty fo various mse backround aed the Comer, which of ay wala, however, andthe debut wihin he commits entrar ih prc teary cl es etl enugh ee commis mw charge inning with Pins lentes de mai (799), prac ve Bes de lie, Trt Pherae and oumero pdaggi orks for 0s nD 8 rsa inscunens within the exten years The theory cure was dived ing compton rg an compton rate, te fcr consiting courses in elementary volcleadng and gure bass called aro, the ae insu a counterpoint and fue and much te on also astrumentation Ils noe posi In his chapur wo uae che developncat ofthe ene muse curteaum in Pats and elewher tad, we ll eoncenuate on abe component ofthis erasable probably the mos cite: hamony. Despite the profusion four skis age, mony was ad fea gel to this day ~ the oe eee of any ms pad oy ‘The “ofc” Cansenatle harmony ext of camping was the Bi (phage) Tau Perea (stag wen by Chases Snon Cat (773-1850, nc ofthe ined embers ofthe Consent Adopted unanimously yt com tite ews rst aero ines ntl theaters the Congres of Vina, sp ehcp Tels. me iets su rn mst pebney “ he eorganiaton ofthe Consents in 85-26 Ascontngo Fis ames ‘eon of harmony waste domizanparaigm fo French musi teiches when Ge sot hse. The theory promulpaed by those each ws ella poly of Ramet’ ster wth an emphasis upon chordal generation by mech thi sacking Nocsurprsingy the theory of hin-stackng eventually rere pas ‘on by number younger commie members. Cat atenipe tak th abizaries of sch a oe maniplons othe cpr senor by posting a singe ointh chord ether natu oft a the Source of ony Thee was no atu” justin fori cnseacby appeals aco ses o numerolg [as simply apracalbeutsic. Chords extractable om this onstraceate kann snl ntl. The remaining coed vcbulay flo ‘the category of arn compe on aft these hors are constructed by ss pending ones previous chords Although Cat's cxegryoharmoicompe rar argusb)y too brea (amine combinations of subnecredssonane, ‘hori dsonany and apparent connant“chords" hsiatenton seat en008% the nth chord a frais a “astur”yoesbuly of dors, whe oicedeading 6 Invokes eps “modiaans” ofthese natural chords a Bt lessons a woke leading frm animporane component ofa’ bok though hy rey sons hy emmpe nor eral explanation: chord progresion aes demonsrtel it fur wrtzeroe pars eh no ana "sboreand” oer than Asuras symbol and many ate ssequey“saborsted inshore ote wales i the tanner of Kienerpr (or Pn). Cats saploatpreenes Ramen minnie Forcadenc types the neve ses Ram's fname astheoy ames techingpretra hor progestin, ‘With eh end ofthe Cae, other texts were published hat continued the pint ‘of Cates pragmacc approach Forexample Ano Reich (1770-1830), a member of the orginal commie who had een edestdin Van, blabla harmonyone | tha he ad ceranly tag tect: Cat de sipitin mii oO pl crn rt (86-18. "Thre aronly thier cots oat ‘mult Rech claimed, ade proce present st fue oc Fg armors” rm contemporary se wih ee eaistnt here Uesd ‘obo than together Suck war cold only spear to Fess "s mest deplore ‘etm fo the empiric of oli mets fen the beginning of ce ighterath ‘coarsely the pedagogical ordering oehechordlvobulary wasence ag throws inn question wth the mews of ce ea nneteemth can Cal a 5 Sette a ecere gy teey Eeptetel steely Camere hen fsa ‘2 inp aches ome goed [iets 4 ep Sehr po rg RC a ‘damental nurmoaies 44 Quoted n Grech, fete Ramps,he ulmate visor, however Rei ses to hve hao fllower and twas (Cottam ei nmed the bust of li’ a pet de thr tae rate 4 Mamonte (1849, the bstknown French harmony book of the nineteen eon Viera asc theory in Viena was alge dieen mate. Venn wis no ron fig inde, much war anchangel sae te aight cet The aon gure mans! emai the asf teory peaoy fr much fhe ie ale ofthe ents often called Genrer Heras, te le wis moe re fuel revered he yon By cons with Pari wher the Conroe ws ‘he masc-pedagopal eter shroaghout the century and Beyond ad yal ato spend albu dred pin Vienne npr Courecontnged ofr employment ‘oman and the Catholic Church comtinedeanimporancsponsor ofmuscand ‘ceca, a bd wel buck ito the Middle Ags Vins mos Fanos theory pedagogue of te noetceth centr, Sioa Scher (9788-1867, Benn his azcer very much in the eghcwdsceeary eadion a6 = priate instracor(heccumstancs ner which heave ons countrpeint etn ‘Schubero.© Sehr pulsed is rat text, a Gane, n in the mise oF {flood of uch books by elo ornisepslagogtes. Buchs owning chiereent washs Granite der msaliston Rompe (853-34, poli, at Pes re Inn then he author as sve hough certainly Seceer een ching mucha ths mater athe nly tabla Conseraton sine the 8300 Lie Pas, hfstoas predaassorn Viens, Sache ernellricompore nd, alsole Fu, heparin adnan spor st leaseniin hia ere ie {nar wo poston a the Imperial Coren teri whe he Gre as published, hs ime ara pedgnase ha gr onsierbl capped spare wh {he secure Anton Brickner cet i or ompositon sos. Bracke ‘cfecaddn by Sshertn compote anthing orignal in his sons. nse be mas obliged enw oa ssemingy endl ceim oF arc countess) exerci, preserved his in Viena Brucker Fah in ecb’ ute ws appre per shaken, ad there may wel be some “Sehtrinflanee™ on is ‘use, hough tha emai conttversal. Howes, Buckner unos one line, Leck Gentlemen his isthe rie bt don" compo that wy” sndeatve et bow fa pelagic thay bad moved fom costal rate at ae pelagic hear ate eared an tage? “49 Sechter's oun hey atharmoty disse and rated in Chapee 25,99. 788-93. ssp anc ey pets 6 Germany In Germany ety nneeentcenty polagogus responded w 2 growing mil= class mth of ated mii Lishiher. The ranof "gener masts” (ence alten dined ahi pblcbegn cary in eecntry vith booksby Goud ‘ibe (779-1839) and Ad Berfar Mars Im bookcase were abstactel From much ger testis on compo. Mose of Webers alent Male =ox Settee fr Lar aL (3) ws erst ro MS ech ie eon Ths dr Tse (3817. Oy, tough, te prominence ged Tasmony in the ger Vonick i absent in he far more rasan algene ler where the subj ld ne singe shore caper ended “Harnoy, Mao Keyan Scale" (Chapter) "Theil le (839) oF Adaiph Berokar Mare (795-1865 any thing een more cleat in echnical cnerage of harmony; taps bese ee hor was fr more once wich certain reset and pedagogical sues. The Seven capers of Man's etch cover) basi peck material) yt) the Iman voices sty ofisteunents (4) elemencry formal structs (9 ery of form in ares (iste perfumes papper on lying fom aes tnd) masieeduation and music istrction Thi stor kooele appro {Seven more cident inhi De Ler onder nian Komp, pak ‘hearth 859-47) Mare completly ignores the udtina von int inv tl dicipine (ep harmony abd counterpoint), distingushing merely between 2 ‘eet Aislin pe 0 appl weary of eompesin. The Es ew volumes oF ‘he work cl with the"pare” thon, presungasntegrated iscsi oft, relay harmony, orm, nd crareroi,ogether with workin motive develop tment and symmetrical prodconsrarton Mares pure theory holds ee fr insrumentl ees an enim i sv compositional inointaton rather than karning eeshniqas of harmony” ladon, eens rae stall ‘Simpsons rm the ise eso on. Appi composition (overt Ia 1 to) etmceraeavaned vr and inramentl fms. Ix Maras vie he pin of theory peigogy foto much o impure "knowedge? bur co seal cet ity. Marcandoubeytaugh-matri omblsKepitilrn Re where ead bene Unvesy Suserecorin 33,and hispropesiveviewsonelacston, ‘tsi very Hl bythe Svs edopnue Johann Heine Resale, "wore ery ‘sucha ine withthe pope mandate ofthe Unies of Rein Hat are’ 2 featihige seman ten» 9 5 Me rn pa’ ea ice sggrnneioetGanotMan Pat ssea were eideoly nes popula ot uel every in Retin. The Barony textookof iid Den hottie Hams, 840) ed wero ompecion to Mar, being adopted s the ofc muse teary text in Pras: Den ‘wars rater conserve poagogue who eichewl what e considered tobe Marrs highy mzapysial speach wo muss stead Deb bleed mse neta shoo be based upona more epic sober sy of Ciel noms ofpretice™ ‘When te Lp Corser oe uervayin 843, Menta Spohr ‘ommended Most Haupemana (792-1865) profesor of ma thor A thinker reeled by onecomscnaie as eaporble fr "etming mas theory tothe ‘esl igulcaneieha ihe mileage Hauptmann sneer incre Inthe more mundane pelagosicalappiston ois eat Inde, lee torso -nrmoay book onic by bis asadent Ona al tha presents ns the pcs ‘harold ere ly dewlop in Fare oft major werk iNet de Harm fdr Mei Zar harder Mas (1853) The epg Cosesitory was lo the poe of ori of wn wock ht wen hh many eons, continuing the the Standard harmony onksalnomt veneer Europeans usc was rough the est of he ener: heel dr Heme 853) by Bre Pik Richer, and che Misch Kempt (183-4) of Smo dso "Richer bool tun Goetned Webel psc ie tenbook dogs, opaanizinghisusofroman mumcalsand tke atin nnoations Fakes Hemet (which onsite one pare of his comprehensive Rams) is haliydsingishabe from Richer exep dt dels more exerci rnc chonkprogresson owing wo the aor’ aesthae pov nd the wor ln pbliaton die an was actly Richter veuesor atthe Conseran) “The fica these books went elon afer dition spent oe deh ‘ofne idess andthe eewnce that peopl Sen a linge despite srwempts at form bythe es ofA. Mara, nether theory nora pelagory oF “Nieto Century Harmony” evr aly seemed to ge ander Riemann, The owerng papi figure in Gemany of the ler put of the cet, Hogo Rims (1849-291) dl i eto more the pedagogy of teary ‘eyo this ipase.Astdent of adsmbns athe Consrtory and the University oF Leip, he wen ont tke 3 doctorate in Ging, retraing rif to te University of spugins 878 obeginhiacaeric caer fer poston Har RSESIS eating ttt tn mesa mens same ‘susan ein noc freshen cones ene Eli onder cm ome 53 On ema any amen apr 4 9-6 Rhine othe teem Sted te i ‘ee une lew sa seit arp ne ae ‘Piero trys bdeointe pods tne dane pope tel eae ‘thn veep pti ms ony pd 6 sd Wiesbaden, among other plas etre to Leipzig 895 forthe est otis rofsina i I Rumezu had cepa to omlz” the furs praca of thecirycghsench centry Remsnn nero sir pends wih respi novi pacticefthe mits itenineeenth century lthoughonemishtargethst ‘he rons rate Rietunn eupe o formalie in 18823 te bennng oF his ‘arer-when he dediedhis Hadbude-Haraviie to Liset~isoe the Mea ‘hate fomalzedin hismaturharmonic thon wherehsastes se to svE ECO ‘nore onset wit ge) Like Ramen, Riemann understood the impatace oF Serle muse sheoy a sou ofl renewal fr paces ary ha Dir cares alterstl betwee spel” and peutic” works, a as The ‘Ramen, horse dances ight well occur the mls of very pebgoc works sichashismatuelarmonieheory Vegi emote, Die Laren eto eons der aM 899), which ear pebgowe sptaton "Tbe “hor foal uncon fords” the bok was subtidal, eearly Riemann’ chit rig onubucon othe central plagotc dling, and he on which nvinel winner ine of honists Reman ao publ esl o0 may ‘ter posgnpcl epics, nldig ugal and vor coapositon, gue bs, plano plying, nsrumentson,sorerealig, and sythie pois Arco, he {ced ton ofthe Korps of Mace pd Lobe, kag these pedo ‘works nba iter generton, and published ealecuonofaaesofll othe ethosen Piano Sons an Bac’ Wel Tempered laerinende or pan teaches andstodents (Thies neta mento, enue more amin oatput ia ‘ore"acholp ass oFeptemase maths pela sie se (3) Bit ery th prc thors cram of the intense sens tory cent ohne Nowe fom the pete ey ener cha rotund ntenceupon musi pdagogy as di Riemann, or Rvenntinaed a ex femany Bropean count exe soch marked presence, aid nd Noth america ‘Tansions of the moe Pench an German pelagic tet had appeared in Engle thoughout the pheeth and inc te nineteenth century There was ie lndigesoas muse palgngy rom England fom thi tine, however, Pthaps the ist tly iia vole of English music deory came with the Tee a Hemery by Aled Dy which appeel in 45. Theautho,a physician voeason preted ‘horde as dere rm sce aoe thi ake modded onthe harmonic eres 9, ‘ath aad sh chon) ere wl, dominant, and supertonie, and aenpted promote anew igure as” noon ea specie precy the retionshp othe STR A ee i PIE ante onsen ene taIns to the roo of the cod. This ulsynertcdevopmen of post Rameuin ‘thoy by anavthor owt of the pedagogic maiseam wool ey hve a ite lnfcnce hd tno een tl up by sys end be proii compose ad iu tl teacher George Macon In ft esos of Days pen le wo Macre's Feigao from th Royal Acad of Mase in 147, ehogh e was rece wo is pon n 185, Day's eas wee ao aug Sir FA, Gore Ose, profesor oF ue at Oxo from 1855 tl hs deth in 2889 and ulkinaely by Ebenezer ‘Prot ose numero morc tet weze he mos dl asd in Vitoria Brin Prous wcties bce also portant ib North Ameri, wher ee were fe spin Tohesireanamberofeariercomacnl musica adbeen impor ‘to North Ameri in Eglshrnlaton. Fie Cas ai wastrnsted bythe pio eting Ameria sector Lowe Mason eas allowed ty Janes Wane hedged anton of Weber Vrach whe eraslason of Mares Kangoo ‘fred hsunigue view ofpoapoytoan Empl pakingreadenhip© Byte 18605, ‘he American conservatory movement ad ped nad orcous consumes of imported pelagic material Rikers mplifeon of Weber appeared, allowed ‘by iranlation Saxe’ volume eve he Hauptmns-Pal mony book was ‘ase hy anche pce of Amcncan msi bacon, Tuodore Baker" One ofthe ony indigenous American pedigngaes ofthe time was Dery Goaschles (853-194) American born, but German ined Rego enor in Ameren at thetumofhe twentieth conn thenwisaielinge ofaleitidxs dri om he principal Faropean wars of he genre With ew exceptions, eganingsofinsi tinal msi ery inthe New World xsd wih pring fit det che Od ‘Worf pedagogies ory in Europe Is ch wih he way which theoryandcompostionveretughtinthelgteenthceran wie onaheoterkand, lrg ignoring newer compen developments of th intencetay ‘Twentieth-century educational reforms etupsthsanecreibeaempeat theta ofthe evenich ena rowritea texto barony actully tok ing erios scent conemporanus msi racic fe Matic, Tsuda farmland tse £2 Reiter Pras pe nee dead mn (antral Wn aga Cnet aloo Settled eter mand Panes eco ror peas ngs de he Comey Wa epee PERS cekche ore! Ul Soty a og ag aig Sen ey en Se New gang Cary We nig Te Nike ann en Gn ia hon wah etme apr moi choy Lay @ ‘heHaneetreof Root Louisand Ludwig Thile(9o6 The quaiyotinroton insunchhadsey shone for naslinbotinteresing Hari) ye young Manih rained composer nd critic August Hal. Loaisan Tull wen wel eyond dhs, brevet deotng half thee Hargadon explontion of “chromaihmonyand eer rogesivecomposionatechnigoes, Thebook wis the product of «number a ornate teunsanes. The method an many of ee sia examples were by Tail, an expend pedagogue and tented compose, ie Louisacomposerandmascric(ahohad taken docinnein Viens) brought oehacshetcandheorecarulio the poe: Fall tbecoreepercoie oe ookwasmusiofthe" Munch eboo whee mex mportaningsntonal eponent ‘wasRicard uauss. Thenouoaahisteperateemanate roma schoo!” ean Psion, caren inthe msiceillertute ofthe ne and in subsequent msi Tepes! writing, pond eo it eeliely und cular apd sexe oie, nd ‘ndowed the work withstand ecnilconsseney, Tle id sad wih ove Peboe Rucker student ianonabruckbfre woking with Rheloergrin Munich and ouisceraini knew Bruck tachingorde Unive of Venn Icisnoesrprng ta ee book yaaa ures of te Sec Brune tp thooryih Riemann fineton hen: Despite extraoeinay musical change tat ‘would oecr neh year to Fl the SOO resin he me gue tal amon erin sry of German consenstoresating om heey 2960.7 ‘Alto eveywher howe he "Goen ge" of ass rac aradiane ‘nema, The composer Vine indy, sng a he Par Constr the "705, ound nly Gar Panck’'sorgnclasesto hee ad an val, thelessonsof he ‘pn maser ang become the eb center of eompoiion tad.” The ere ‘curses in “advance eompston,” on the other hand, wer ange “compose of ‘omic opens who hal no aan ofthe symp Dilys experence sa staent ‘ently trae hm nto a eductoal form. Inspite by is experience with "anc, hese sons wee founded on Bach and Rethven ut ade al ofthe rien ad ints?” Indy abate a eturato css an anit the (Conentsn’' eens Ublewreallac hfe atthe Conservator be ‘Dry VCs de Compton Mas ot bas) Fa Darang ots Fame. 1.6 Pras Aca Writings om Mase” 96 Ses Ont No, Pr Man, 3957, 9.528. anf Pico i oe pte Se Pama, Pr Seeing, "ee oe WY Sling, Mo Hany Th a Prati, Boston. Sei, rg dase Chapleron Mas ans so J. Yn, MSD38.0963) Fac Onis renee} sce oc Now Yr Boe 985 Gor Thee tial oot, Now Yr re 189 ‘Garett sp Coc an low Cat at. O. Sink nS. 20418 ‘Mog ee Wb © Fle Hab Ci edo The da ati, ew ie Ye Univer ros 98 eae, . Die Gore ai de Font ree, Heicben, 785 Tilsen tmp oes nde ess Pat ong bse Dd chen ox ee Oey oC Pros 16am 952 oem he oe al opti 2 ase Nel, Now ‘ok sored Mus Pubs Landon, Sa, 8 safe Mas Tye Maer 980599. 30-8 Jest dec dr am, then epi Bc nd He 910 en De ir son eta Dect Haan, 371-79 Tibi, Oss and ga Bc Ret on) Ths Te al Cano New Hae ale Ue Pre 198 attr Gnostic. Heb, ‘ins ck Ho fry ar pti, ep AF. hn, ‘sesh daar ns Naked Ey ‘compote Now Hse, ale Urey Pre 0 ign ls ante Se Crain 6 Midian, Loon) B Care, {So any Laon Longman 257 ar ha once gate See tT ent Ned as ‘aei tunto, cabo Unbey Pe 997 ‘iden err opi, prlick arti ob Lie, Reston nb eye HS The Ty ot re feel Cone, 3 Henao, onda 85 Mason wn itso opti les Pilar, 95 “con Yrs, 1978 Mey A Pat td oy oon Pract M3974. Haran Now Yor, aa i Sedans Rhum CV. Pals, New Hen ‘oUn Pras 995 ss pci msn edie » et, Fhe Maal Ga, 3 ps (700-2) tans. F Polina Tyo, Oso, Girendon Pre, 988 ‘ce Sit 8. Gore, rt Haren, Ox, Claredon Pres 868 Dt Heme oy an Pur, london Agee, 89 Ris Flin dela Lies Bry ud an, rn]. Morgan Rca of Hay New Yor GS 1857 ions HL Btn ee Klara ak an folic Una, ssl Bein ese, 917-39 hom igo Koo Lipa Mes, 850 Uae Harn, a Late oe tole Paes er Ald, adn, Aas 93s, Rewerangas Hama Spi ondoe, Aspe, 1866 sear, Harmony (905) ws BM. Haas, 0. Fons, Une of Ciao Pres 1954 ScboenbegA Hema (950) se, Vea, Une, gots Rares “hw Harm, ec, Une alors Pres 978 srt Pcs fara eH See Now York, Navan s4;rsel. Sts, Now ore, Noon, 199 ie Bars Gti Stn New Yor, St Maris Ps 1984 ‘Roam of Ms Cant. Stng a Se, New ok a's Prati) sir pier Compsion ree. Stn, Ls Angle Belo 3972 Sect, Gmdate der malice Rpt, 3 vol ape ret wd He, isesuvl pao MUleras Then Padme are ‘ten dame en Tha eed Sei Nw York, WA Pol, Eos rch Coes Sal, Ve, Carn Winder 30 Weer GV es godt The er Tota (1817-21), 33 vl, Maa, B.Sc 3o-25 ans. Wate hay of Mil Capo, Bsn, ison 18st. Wares, London Coes 252 atin he tf Coosa TfL tin ern 258% 005, coves, New Hae, Ye Unersty Pres 968 tds oe oI ei Haran, 1938% ua. Cobe,.CPs, ‘Now ave, ale Unversity Pes, 985, Sear soc Ap, Gack er Kempt oe da Aging i ge 27053 vs, helnsbaren, Hence, 1981 Arnel BT Ted Aegon oe Thera, London, Halland, 93 epne ‘No Tork Dow 965 ‘ha, Je si Mtn nd te At of ec ihe Gere Bae, Cambri ‘ies Pos 98 Coren NH te Mata eRe ert, Nora, Une of kite rs, 138; Now Yrs, Ds Cpa 972 ‘and, nih and Net Ms Rv 350954, pP. 288-306* sonar w mason Christen, Roto Mas! Tg te Engennet, Cabelee Uaesity Dai Han A. Mendel), Te Bc Red, Ne Yok, Norn 95, ec De Semen rand Gad ele Pak Tampon, Rezeburg, Bose 96 reser W-Hevtige Prien te Harmoreeanerih ning Alte ag ead Noe, Reps, Bose, 1968p. 25040. Fort Pl noms Conebtont Mate Theory se he Usa Seats” MT 3 Gop. Goode Che nstaezaoa of Musi Tearyn ae 764 Prneton Univesity (989) rot Ds amos sg, Joba Wiesbaden, Scie 1983 ‘Guhee "Guests of Geen Medora Teser oe Mane” inte deri "ecltingen olntSdee Atl BeoPahe973, 9 sean Hat "Die Ainge der slecincn Masebre: Got Weber ~ Al ean Mar” Meade Zeiger, vo, Die Yur Mi ea a abo WE. Wit, Kase, aes 196 Hayes Rares Nouvel Method as 29 (eh 9p. 6-76 Hpi, M.~The Sof ain ous o Mus Tey nthe Mee Unites" se Tye a So. Baers, Sith Hen, Unie of Note Dae Imig, R Suto er kuti dev Honiton at Hage Rimes, patel, Geshu Rrdrang der stems Mess 970 and nde the Sem Baldr Citic oh Tear of Harmony Ma Reena (961, Pp 16-58 Le Cfo hie ith Cty, Cable MA, Hara Unig Pes 99 Lsngstone, Fhe Toy an Practice of Pott School Muses sen ugh the (Coleone Ursa)" P-D. ds xtmah cholo Mes 16 aon haya et, Thee npr a Se en Tk, New Yo Nore, 87 faa Joy a's toca tig case gain jl op Ae Mu fh dat ais Brae White, Aiea, Ean, Ser Pros, Mecha, P "Rethinking Cantmporcy sie Tons in Kapig Ses Mes, ‘Disha Cate. Star an A Kain, Chilton Unters a ign Presser p83 Meer tBu he as Uvesiy ofChiap Pes, Mle, "Gara Pe Ma Ong nd Contents Miss Dh 28968), Do os-ak ‘wc. 8 CngprtWrk New Yor, Oo! Unies Pres 997 Paice ae eee scl og New ne, ale Une Pesahs Prac, 6 Kin da Mt yor Bs ln we One, Hale, Nimeye, 939 oa? MD. i, ns pri mse ey platy 7 aio Bas Brn gt and Pr, Abert Was, Betis Pes, ‘umaeiller, “Mods Hayperun, de Hepner nr anszendena-detschen ‘Mahon ee sa Ar de. Jaheaes .M Nog Regeoharg ase, 1966 steer Hie fhe Kempner ener Hie 7. eas, Seid, Ele Harmon Hug Rlemins” In Bene sw Mast es 1. iene ot Mone, Repnare, Be, 9869p 39-92 ‘ms Bev of Aol cheery, Ty of Ham, stl by Ray, Cae” 1MiS498 pp. 155-2 ‘ompn, D. Hoy of Ham They 6 Mo nal Sts, Ket, OH, Ken Sate Thies Pes 18 ‘romain, U. Honan and Arg der tre Gere eee “Amador ey, Tang, Heese 1978 “toms Wind's Cana so Mase Toy” NT 9096) 06-52-78 Tree Wir cs, Ven, Lae, 96) ai DW sean tebe. Ale, e192 ‘Waebrsh) San Dee pg ar oti, Hosen Oc, thes Notion of Gu of re20" Nis Dip 5 4950490.15-53 ‘Maths Ele sad Teer a tela. of cee fe ‘Buon Base and W. achat, Llp VES Deuter Vera Mas, 196) kage De rma re dubs, Regesbrg Be 197) ‘Wan, ss Herm Thy ow Alcksher oS eae, na ‘bor UM Resch Prey 98 Unive of Rochester res 95 ‘adn, "The nunc Arto on Pench Univesity Mase eatin Ms hry niles. ares Sat Bend Unters of Noe Dane Pras 990 6.3 Epistemologies of music theory ‘Te epsemoogicl underpinnings Schenker theory writes Lelie isis “re Fac fom obvious” Sachs sntement might well ive hi readers pie Afr al sie aking abou whet must be he most waespesl aprox to he avancd ales ofthe comm prac reper tad and he dob expesing es tothehearcof wha Scheer analy ls use ar sorcoF knowledge of mesic it fBves us what soo tht apes, And hi ofa tear who devote onside tbleatrion ro theanderpiningohishenyoriastance by ere aitingush= Ing thove cements of sc eat he wa en a saare a those cha sled from ae, an thereby demaciting te province af the sets Hom hat ofthe theo, Morne thor wringer wa Scheake's-pstemelog- ‘alain allen Frm Te Scare of Atl Mis ei a cxample mor oss radon, lungs sgh ing topic in he sate pi of epistennlogle sl ‘vilence tht cancel the contempory wee wring om which Foe ‘nda both is cary and histhoocil pach, Like sents, perhaps, muse ‘horse ake epelogelos ony when che tral of te work leogersemssel-tidento thon. And itis theese meena eae ich epemology is at onan expression oF anit hen we ive fondment probleminsringtounevel he epstenologialundepinningsofnuse theo when ‘horistareconidentoftheepiemalogil satus he work thy willy thing {oti wheres when they d alk abou we cm de they ate noite are shone whst hey arening (Cat Dshaas ee tse fleece a ruc oe forte hsriograghy cof misc thory essing the erent hich mse ary ithe 18thand thee ‘re ws burdened, ith problems hata conceit ppuenseevdence™ Nothing, perhaps, ke apes selReviden in theo) asthe epstemelopc sera of whiting tale shut, and andy kl to eae problems of "undesaning forte moder rexder Yowean easy Sd youre sking, athout ay ‘larscac of white anivermighe besthiseheny bourses ees oF pes ‘Geintogh went Gs rere tom ays gece eae sons bout ottonal acesridal conn? Sometinssone snd sometimes athe? (Or sven at once” (Sometimes the work of the sme theorist suggest erent answers st iret mete clic example i Ramer coexpt of he psn, ‘hesounng by fom the mole wbrations ofthc esoughet derived ave inp of armony, and which avout pear nh wings a Caren Sst Prince anand phenomenon open a empl nvesigation, anda Lockeisn eae Fnpeson) But here sa mre parcial wy in which qveroons of epiemaiony mpage oa the scayof msi theory fom eat eghtcenthcntary onwards. Tis isthe leo he ifunce upon cof propia sete, See hy wha isn soene at citenologeal questo: whet rte igure ofthe nom propstons! ola acquired through the percepcon of uta what are te ete of de nyo adaquny tah a unrth, ac apply cf Tote extent Romani {nd modernist eos of mse roled round the oncepfthe=pardy mise” ‘aperence hy might be sen ae stemptng eanser questions te mttaton of ‘which was as mock hls 2s must esol not, thogh, oss sc her to any oe pisophea ance indoot theory ress any sock genrlition, for thoughout Soy hs Des tunderaken fora wide varie of sims sd modes. ls nox one cult pace, bc any given ng pion nity by vite of i snglarapaltion Tey seve pron of ral gtimaton one Si age of hs Tra, Ramen roe thac*thoughheexpostonofan evden pincpeomwbiehwecsn tends nd certain concise can how ea our sich aed hes dere td thac the Anon wee Gr fom thi ern" oF even of ero! ea: Ramea's successive reetings ofthe as em, rebeng each new sei: fahion, ete acondion ohisbelng taken oan bythe wienticesablshmentof ‘heday Agia ouy belavok ts meane of ender nations rons, a ‘hecases a Rlemann and Sehenket.Itmy bole cams forthe reset wl find= ‘dul musi woes, of sppoe agendss of socal and econ reform sin the ‘ass fas Kure, or Hale) Tema be etd athe tani feamposes ort nhancing the pleasure of musi tenes, He mayam log poo ot prs ‘onthe manner of watt ers Orie Be psd forts own ead i ‘ermsofineletsl enor epee plesure Unde suhconditans there can be oresonible expectation of deveined epistemology of asi they oraF ‘oocing isis anoiing tos okere pan Moremolest then, hisehaper isto sensi some ofthe epiteologclopeionswalbleto che miedo. place them nos hore contr ant late some ofthe pou festa Jog slippage tat charatere te hiory of mai tea Lecmgrnnanmerencnrassaiten eat =