Professional Documents
Culture Documents
, 2017
IFD de la Costa
1. In his first monologue Alfieri claims that in The Red Hook
justice and the law do not go hand in hand. How does he state
this idea? What example of this can you find in Act I?
Alfieri refers to the difference between law and justice in The Red Hook by stating: “Oh,
there were many here who were justly shot by unjust men. Justice is very important here.” In
this statement, he claims that “unjust men” -criminals- sometimes act in a just way by
committing a crime.
As Fredericksen (2017) explains,
“Eddie and other inhabitants of Red Hook have a complicated relationship to the law. They
have a higher sense of familial duty and justice that contradicts the law’s mandates about
immigration, so that they are forced to hide their illegal family members in their homes. (...)
The story about the boy highlights the conflict between a familial sense of justice and the
law. In obeying the law, the boy betrayed his family, who sought their own form of justice in
violent revenge”.
The story that Eddie and Beatrice tell Catherine about Vinny Bolzano is the first example of a
person who acts by the law, but in this way behaves unjustly.
Later on Act I, Eddie comes to Alfieri’s office to ask for legal advice, he wants to do
something about Rodolpho, but he committed no crime, so Alfieri concludes there is nothing
legal to be done. Still, Eddie feels it is not right for him not to act, because he is certain that
Rodolpho doesn’t have true feelings for Catherine, in spite of having no proof of that. This is
a second example of how justice and law don’t go hand in hand.
“Eddie feels that the way Rodolpho has courted Catherine is simply not right, and that he
should therefore have some recourse in the law. But Alfieri is bound by the specificities of
the law, which don’t address every instance of right and wrong” . (Fredericksen, 2017).
When Eddie leaves Alfieri’s office, the lawyer develops a monologue in which he reflects on
how he knew at that time that tragedy was about to happen, but he was powerless to stop it:
“There are times when you want to spread an alarm, but nothing has happened. I knew, I
knew then and there – I could have finished the whole story that afternoon. It wasn’t as
though there was a mystery to unravel. I could see every step coming, step after step, like a
dark figure walking down a hall toward a certain door. I knew where he was heading for, I
knew where he was going to end. And I sat here many afternoons asking myself why, being
an intelligent man, I was so powerless to stop it...” (pages 43-44).
The character of Alfieri is used to expose how law doesn’t alway have the power to solve
unfair situations, since law and justice are not always in harmony. (BBC - GCSE Bitesize).
Dánisa Garderes Introduction to Literature September 16th., 2017
IFD de la Costa
2. Alfieri describes Eddie as a good man. How far do you agree
with him? Give evidence from the text to support your views.
In drama, there are three ways to know a character: by what he does, by what he says, and
by what other characters say about him. Eddie is described as a good man by Alfieri, though
he also says that he was “acquainted with the family in a casual way” (p. 38), therefore he
didn’t know Eddie deeply. Alfieri supports his idea of Eddie based on the way Eddie lived:
“He was as good a man as he had to be in a life that was hard and even. He worked on the
piers when there was work, he brought home his pay, and he lived”. (Alfieri, p. 18).
In Act II, Catherine tells Rodolpho about Eddie: “He was good to me, Rodolpho. You don’t
know him; he was always the sweetest guy to me. Good. He razzes me all the time but he
don’t mean it. I know. I would just feel ashamed if I made him sad. (...) I want him to be
happy; I mean – I like him, Rodolpho…”.
From these lines, we learn that Eddie has been a good fatherly figure to Catherine and he
has earned her love.
On the other hand, analyzing Eddie’s speech we find repeatedly statements that show
sexism and homophobia. For example, he doesn’t want to allow Catherine to take a job that
would allow her more independence, he tries to control Catherine’s clothes, criticizing the
length of her skirt -“I think it’s too short, ain’t it?”, p. 4- and the way she walks - “Catherine, I
don’t want to be a pest, but I’m tellin’ you you’re walkin’ wavy”, p. 6-. He implies several
times that Rodolpho is homosexual, repeating “He ain’t right”, p. 40.
Even observing Eddie’s actions, he doesn’t act like a good man. He denies his love to his
wife -Beatrice complains that she hasn’t been “a wife” for three months-, and he is
excessively controlling over Catherine, confusing a fatherly role with a kind of “owner” of the
girl -he complains to Alfieri that Rodolpho “is stealing” from him-. In the end, he lets his
forbidden desire and sexual love for his niece blind him, consequently betraying his values of
honour and his own family, lying to his wife and leading to his murder.
As a tragic hero, Eddie is too complex to be defined as good or bad. He needs to have some
goodness in him so the audience can feel empathic; however, he must make a tragic
mistake which should be punished, so the public can reach the catharsis in the tragic end.
3. Comment on the end. Do you think Eddie deserves to die?
Why?
“A view from the bridge” is presented as a modern Greek tragedy. As such, fate is what
determines the way events happen; in this drama, Alfieri says that this powerful force is God:
“Only God makes justice”. (p. 72).
As all tragedies, this drama depicts a “good man” making a fatal mistake -hamartia-
(Harmon, 2011), that will be his downfall. Eddie falls in incestous love with Catherine, and in
his pride he doesn’t even accept it to himself. He doesn’t reach his anagnorisis, though
perhaps, seconds before dying, he does, when he calls for his wife: “My B!” (p. 79).
Dánisa Garderes Introduction to Literature September 16th., 2017
IFD de la Costa
In order to evoke pity and fear from the audience, Eddie must be terribly punished, therefore
a tragic death is appropriate. In his death, his two mistakes are solved: he appears to be
forgiven by Beatrice, who holds him in her arms and cries for him; Catherine apologises,
telling him “I never meant to do nothing bad to you”; and Marco has vengeance for having
been betrayed and turned in to the Immigration Bureau. “Justice” appears to have been
done.
Bibliography
BBC - GCSE Bitesize: Justice and the Law. (n.d.). Retrieved September 16, 2017, from
http://www.bbc.co.uk/schools/gcsebitesize/english_literature/dramaviewbridge/4drama_view
bridge_themerev2.shtml
Fredericksen, E.(2017). A View from the Bridge Act 1 Summary & Analysis from LitCharts |
The creators of SparkNotes. (n.d.). Retrieved September 16, 2017, from
http://www.litcharts.com/lit/a-view-from-the-bridge/act-1
Harmon, E. (2011). Elements of greek tragedy and the tragic hero. Retrieved September 16,
2017, from
https://es.slideshare.net/cafeharmon/elements-of-greek-tragedy-and-the-tragic-hero
Miller, A. (2015). Miller Plays: 1: All My Sons; Death of a Salesman; The Crucible; A Memory
of Two Mondays; A View from the Bridge. Bloomsbury Publishing.