Roland/ RODGERS fidl <5 Owner's ManualInformation When you need repait service, call your local Roland Seivice Statin or the authorized Roland distributor in your county as shown below. U.S.A. Roland Corpor 7200 Domino Ciclo {ag Agen CA 90040. 386,05. Tevarsisessiat us CANADA, Roland Canada Music td. ‘head Office) 5460 Faso Way ichmond8:C, OV 24 cana TEL Wom 270.4626 Roland Canada Music ua. (Montreal Office) 9425 Trrwcaradenne Service RE N.S Laven, {Gurbec HasV, CANADA e110 9352008 Roland Canada Music ud, Cloronte Office) Sie Watine Avenue, Massvaugn Ont UZ 1a, CANADA Te tat enous AUSTRALIA Roland Corporation Australia Pty. tt. S8Camptl enue ee hy wes, NSW 2099, AUSTRALIA Teo 92.0266 NEW ZEALAND Roland Corporation (NZ) ud, 578 Eden Ros, Me Ee, ‘alan 3, NEW ZEALAND Teen so80718 UNITED KINGDOM. Roland (UK: tt. Fre Cove Aca sie Tesons2iciet Roland (WX. 10d, Swansea Office lune Clow, Sans {rere Pat, Sass ‘ies Clann sa Unie tino Teco 700.139 IRELAND The Dublin Service Centre Audio ‘Maintenance Limited Eepuble of rls econo 353 16973 Tay Roland aly .p-. ARISERIANOITALY SPAIN Roland Electronics de Espata, S.A. (Cl ona 33908020 Sarelona SPAIN e:93.366-1000 GERMANY Roland Elektronische -Musibinstrumente andelsgeselschat mbt. Onarae 96, 2644, Nerd CERMANY ‘tL 0x03 6000 FRANCE Guillard Musiques Roland 2AC de Rosa 01700, saniec FRANCE TeL0) 2365060 Guilard Musiques Roland (Pats Office) 1523 ne on Getoy Sioa vi Sum SEE TEL 69086 62 BELGIUM/HOLLAND/ LUXEMBOURG Roland Benelux. V owtraa 182260 Orc Vero BELGIUM Tet oo22} 10575811 DENMARK Roland Scandinavia A/S Dons Cretan Weg 30 11 ‘SWEDEN Roland Scandinavia A/S Dank cee 28 2 Tec b70200 20 NORWAY Roland Scandinavia Av Koator Norge Leakeweier Pontos 95 FINLAND Fazer Musk nc ‘SWITZERLAND Roland Ck Switzerland AG. rtesiie5,ch-4810 Lesa iT ZERLAN Te ouIga Tt AUSTRIA, E Dematte &Co News Serine Sra edad Insick PO ow Tee tsa 2644260 GREECE Y. Dimiriadis & Co, id. 21, Araneae Aon CR 10682 ters, GREECE ra-aranes PORTUGAL ‘Casa Caius nstrumentos ‘Musicals Lda. Rae Sra Carina 131 2000 Pot, PORTUGAL eomuse HUNGARY Inerusica td. arene Aes EP Torin, Budapest HUNGARY eet 1868505 ISRAEL DJ.A International tt 1 Borys sty Te Ash seat Hi 92a.se5ae cyrus Radex Sound Equipment ud 17 Bago 5,0 Box 2006, Nicos CYPRUS TEL 45426, as UAE Zak Electronics & Musial instruments Co, 0, tow B00 usar uae Tau ease ‘SAUDI ARABIA, (Omar Badoghaish Teading Corp. 0, ton S000 esa SAUD ARABIA MeL seem cearons kuWalr asa Husain ALYousit PO. Bon 126 Slat 9002 LEBANON 1A Chahine & Fils bs LEBANON TURKEY Barkat Sanayi ve Vicaret Sse Cod. Be Takom Ia TURKEY Egyer Al Fanny Trading Office th gar A Asal Shee mde ol etal, esha 1341 TEL 3917902665918 QATAR Badie Stadio & Stores Poor, DOHA Qatar Tes7eanisse BAHRAIN ‘Moon Stores aA Babsn Rose, 0.800 20077 Sateol saan TEL 0973128 005 BRAZIL Roland Beas tds. 2 Avarenga 591 CEOS500| ‘Solo BRAZIL Teeron 07266 MEXICO Casa Veerkamp, sa. de ‘Mesones No. 21 Co. Cena MExICO DF. 0c360 et} 7003716 1a Casa Wagner de Guadalajara sa. de ev. erCorona Ne 2025) Chcteo Gusts, bblco MOCO TeLGo rsa VENEZUELA Musicland Digital CA. entrar stl Ne Gilecal ao caaces Venezu Teva? PANAMA Productos Superires, sa. pat 695 Param fee De ranain ML 2m ARGENTINA Instrumentos Musicales sa. IGEN HONG KONG Tom tee Music Co, Ud Serice Division 220 Pan Sha te, ae KOREA Cosmos Corporation Service Station ‘ade neo, Sou, Korea SINGAPORE Swee Lee Company mocks aot 603-23 Bras Bah Carpe, Singapore 0718 ‘es s367086 PHILIPPINES, GA. Yupangeo & Co, tne. 339 Gi Pest Ave ‘Mata, Newo Mana 120, pruners TEL 02 817} 0013, THAILAND, “Thera Music Co, Ltd Soi Sank 10100, THAD MALAYSIA Bentley Music SDN BHD Nolte Jsn ake Bing $100 Kl rou, MALAY Tes) 2400033 INDONESIA PT Gitrarama Bslantika Iataaa 1030 NOONE Tecan 102038, 302639 TAIWAN Siruba Enterprise Gaiwan) Co. 7D. eo 59 Na. Taiwan hoe TEL or37¥ so SOUTH AFRICA, “That Other Mase Shop rns Kept Sum Nia Paul Bothner (PTY) Lt, 1 ram Cente As of Dec. 2. 1993Roland/ RODGERS W-S50 OWNER’S MANUAL ™@ General MIDI System GENERAL The General MIDI System is a set of recommendations which seek to provide a way {or going beyond the limitations of proprietary designs, and standardize the MIDI capa- bilities provided by sound generating devices. if you use a sound generating unit which carries the General MIDI logo ( fil), you will be able to faithfully reproduce any song data which also carries the General MIDI logo. GS Format > ‘The GS Format is Roland's universal set of specifications which were formulated in the interest of standardizing the way in which sound generating devices will operate when MIDI is used for the performance of music. If you use a sound generating unit which carries the GS logo ( GF ), you will be able to faithfully reproduce any commercially available song data which also carries the GS logo. This product supports both General MIDI and the GS Format. Song data which carries either of these lagos can be accurately reproduced on the instrument, * Macintosh is a trademark of Apple Computer Inc. * Dayna File is a trademark of Dayna Communication Inc, * MS-DOS is a registered trademark of the Microsoft Corporation,INTRODUCTION Thank you and congratulations on your eboice othe Roland/RODGERS W-50. Thanks tits wide range of high-quality saxnds and is easy-torune conto, the W-SD is sure to sais msl everyone: rom hesgnne to seasoned professional Moreover ican easily be used a eveate enseanbe elites, by making use is mul-imbra capabilities 1 oder to feel certain that you are lane with every eastanding vate this unit fiers, ane he assure a continuing Sa @ FEATURES @ High-Quality Sounds A wealth of Preset Tones andl Orumy Seis are provide Whether it be rich organ sounds, strikingly realist acoustic sounds or synthesized sounds, the W-50 has © 16-Part Multi-Timbral Capability The W-50 is a 16 Part mulictimbral symibesize that Capable of taking full advantage of MIDI. When com © General MIDI/GS Support The W-50 is compatible with both the General MID System and Roland's GS Format. Any music data that ‘complies with the General MIDI SystenvGS Format can hoe epacluced accurately on this unit © 56-Voice Polyphony The GS Sound Generator produces 28 vices, while the ° 56 polyphonic notes. With this many 1» Sound Generator provides another 28 fora posal, you should be able to create some really increible ‘orchestrations @ Four Key Modes The W-50 offers a total of four diferent key modes: O Split, Octavel, and Octave 2. These can enhance the ive possibilities and allow you to add ‘latness’ to sounds, © Easy Operation The units buttons and sider: have all been designed 10 ail easy access toi sounds and functions, While enhancing operational ease, they allow direct, immediate ‘ontol over the sound editing process © Performance Button The PERFORMANCE butte taneous changes in the W30's settings (a Convenient pe @ Realtime MIDI Control The W-50 is equipped with three sliders whieh a to apply 1 AMIDI controllers. They allow yo saltime (© ‘Minus-One’ Playback This feature allows you to mute any pat in the perior 31 MIDI IN oF is and then play that mance data (whether it has arrive played by the SMF Player on the W-5 part yoursel (© SMF Player The W.50 is equipped with an SMF Player which sup: ports Standard MIDI Files, This means that in addition to ‘xoviding playback of what has heen recorded on the W. 50, it can also playback music data created on some other device. ™ Concerning Symbols Used In This Manual In the interest of simplicity, this manual uses the symbols below 1o help explain the instrument's operation: {© Words or numbers with fold indicate pane! buttons. For example, PRESET refers tothe Preset button, whereas TONE GROUP 1 indlcates the bulton for Tone Group | © Wherever arzow symbols appear such as PART , or PARAMETER , it means that you sho ‘or the other of such buttons, whichever isa the situation opiate for (© When two butions are shown like this: LEVEL+PAN, i ‘means that you should press PANN while holding LEVEL {© Pages to which you can refer for further information are indicated by: p.*) © 1994 ROLAND CORPORATION All sights served No part of this publication may be rprediced in any form without the writen permission of Roland CoyporationBe sure to use only the AC adaptor supplied wth the unit Use fof any other AC adaptor could result in ama or elect shock. ™ Power Supply @ Before « power te © Do tase this unit on the same power circu with am (©The power requicement for this voit is indicated we its nameplate (rear panel, Ensure that the voltage in your ervoid heavy objects om i et (@ When disconnecting the AC adaptor fom the porver outlet rasp the plug se: never pull the coh 1 the unit is to cemain unused for an extended period of time, unplug the posver coed ™ Placement (© Do not subject the unit to temperature extremes cg, direct sunlight in an enclosed vehicle. Avoid using or storing the high feveso wibration. © Using the unit near power amplifiers (or other equipment je paswer ransioemers) may induce bur, © This device may interfere with radio and television recep. tion, Do not use this device in the vicinity oi such ceceivers, @ Observe the following when using the W!50's disk drive. For futher details, refer to “Before Using Disks™ 210 not place the unit near devices that produce a strong, ‘magnetic field jg,, loudspeakers install the unit on a solid, fevel surface Do not move the unit oF subject it to vibration while the drive is operating @ Maintenance (© Fa: ery cleaning wipe the unit with a soit, dy elo or brasive detergent Altera, he ste te wine the unt thoroughly with a sot death @Sc.er use henzene, thinness, alcohol or solvents of any Lind. to avoid the possibility of dist slaration andor defor §@ Additional Precautions ©154 not allow objects oF liquids of om kind 1 penetrate the Unit. Inthe event of such an occurence, discontinue use immediately, Contact qualified servic personnel as 300m as possible © Never ake oF apply strong pressute to the display © sonal mount of heat will radinte trom the unit during ‘@ Beiove using the unit ina foreign counte, consult with qual ied service personnel @ Should 2 malfunction occur, oF i you suspect there is problem, discontinue use immedistely. Contact qualified (91 sat amount of noise may be heat rm the display dr nvm operation ™ Memory Backup (© This unit contains a battery which powers the unit's memo: 1y circuits while the main (AC) power is of. The expected Iie ofthis hatery is 5 years or more. However, to avoid the untimely loss of memory data, iis strongly recommended that you change the battery every 3 years. Please be aware that the actual life ofthe battery will desend upon the phys- ical environment (especially the temperature} in which the tunit is used. When itis time to change the battery, consult with qualified service personnel {© When the battery becomes weak the following message will appear in the display. Please change the battery a8 saan as possible to avoid the loss of memory data, Please be aware thatthe contents of memory may at hae lost: when the unit i sent for repairs oF when by some chance a malfunction has occurred. Important data should he stored in another MIDI device leg. a sequencer) oF on floppy disk, oF writen down on paper tt possible), During epaits, due care is taken to avoid the loss of data, However, in certain cases (uch as when circuitry related to memory isli is out of orden, we cegre that it may not be posible to restore the data 5SE EEE ™@ Before Using Disks Handling the drive @nsiall the unit on a solid, level surface ivan area fee iran ‘vibration. 1 the unit must be installed at an angle, be sure the sastallation falls within the spective range: wv ara: 5 downward 35 © Avoid using the unit in areas of high humidity de. conden sation). High levels of humidity can adversely sect the poration of the drive andor damage floppy disks. When the unit has been transported, allow it fo waem to tom lemperature before opesating © To insert disk, push it gently but fiemly into the drives — will click into place. To remove a disk, press the FIECT but lon firmly. Do not use excessive force to remove « disk whieh 6 lodged in the drive @ Never attempt 10 remoxe a ilopps disk from the dese while the drive is operating the indicator is brightly Ht: damage ‘oul result to hoth the disk and the drive @kemove any disk from the drive before powering wpe down Handling Floppy Disks (© Floppy disks contain a magnetic storage meclium tmuch like maynetic recording tapel. Please observe the following ‘when handling floppy like: DNever touch the magmetic meelium inside the disk Do not subject floppy disks to temperature extremes Ie. clvect sunlight in an enclosed vehicles. Recommended temperature range: 10 1 50°C 2Do nol expose sloppy dlisks to strong magnetic fields such as those generated by loudspeakers, {© Floppy disks contain a “write protect” fab which can protect the disk rom accidental erasure. ts recommended thatthe lab be kept in the “PROTECT position and moved to the WRITE" position only when you wish to write new data conta the disk WRITE fan wie new dla nt ee) / PROTECT (evens wntng we dk) @All important data should be copied onto backup disks) This provides a complete duplicate ofthe data should the OoFigial diskis) be lost or damaged. {@ The identification label should be firmly fixed to the disk Should the label come loose while the disk isin the drive, it ‘may be dificult to remove the diskPanel Descriptions Play some music on your W-50 Getting Ready Turning ON the Power Demo Song Playback Song NameyComposer Proiiles, W-50 Overview About Parts The W-50 is a Mulli-Timbral Synthesizer. Playing the W-50 About Tones. m Preset Tones. User Tones About Drum Sets Preset and User Drum Sets About Organ Tones Im Preset and User Organ Tones Convenient Performance Features. W Effects, mW Transpose. 1 Solo/Portamento. Bender/Modulation Lever Functions Convenient for Live Performances. About Each Key Mode. Ling, Original Tones. Tone Editing About the Parameters That Can Be Edited. Storing Edited Tones Ling Your Own Drum Sets Storing Edited Drum Sets Altering the W.-50's Settings I Making Changes in Settings Common to the W-50's As A Whole Altering Settings For Individual Parts Note on using the Organ Sound Generator. Instantly Changing the W-50's Settings, Lessons Using Music Data, Obtaining Real-Time Control Over an External Device. Getting More Out of Your Instrument When Using Desktop Music Systems. Playing Live About Maximum Polyphony and Part Priority cx cr Restoring the Original Settings Saving the W-50’s Data, 1 Saving Settings forthe GS Sound Generator About the MIDI Connectors on the W-50. Using MIDI to Select Sounds on the W-50 46 a? 49 50 50 About The SMF Player Disk Playback About the Display Playback Program Playback Playing Individual Songs (Single Playback) Play’ I Repeating a Specilied Section (Block) 1g Songs Many Times (Repeat Playback) of a Song (Block Repeat Playback) Playing Your Own Song. Data. Recording WM Beiore you be Recording Song Data Irom Another Device Into the W-50. Setting The Playback Functions Copying Song Data Synchronized Playback with Other MIDI Devices Synchronize other devices to the W-50. Synchronize the W.50 to other devices Controlling Play/Siop from an External MIDI Device Conversion Processing for High-Speed Forwarc/Backward MIDI Updat Other Settings Reference The General MIDI System and GS Format Troubleshooting. Error Messages Tone Chart Drum Set Chart Parameter List About Roland Exclusive Messages. MIDI Implementation MIDI Implementation Chart Topical Index Index. Specifications 62 62 62 64 65 66 66 68 69 69 70 80 81 a3 86 8B 89 92 94 7 120 122 124< FRONT PANEL > a as ‘A. SMF Player Section >DISPLAY While the indicator on this button is lit the snrmation shown in the display will be concerned swith the SMF Player section >SONG Used to select the song to be played >CLEAR Pressed to cancel a setting. >SET Pressel to confirm a setting >TEMPO Adjusts the playback tempo. >PROGRAM Used to arrange the order in which songs are ta be played SINGLE Used to play a single song REPEAT Pressed to have songs repeated >FWD With this burton you ean fastfonva >BWD Press this button to move backard throu >PAUSE Pressed to momentarily pause song playback >sTOP Pressed to stop song playback, >PLAY ressed to stat song playback, DRE Presse to begin recording, oS B. VOLUME Slider ‘Adjusts the volume of sound outpu acks aswell 9s fom the PHONES jock om the OUTPUT C. Data Entry Section Used to change the values of partes, Use PARAME: TER to select the parameter that sto be alleed, then use VALUE VALUE slider o change is value, The sider can be convenieily used to make Broa changes in valve ‘whereas the buttons are great or making ner adjustment. D. EDIT PALETTE Section ‘The EDIT PALETTE sliders ate used to edit Tones (insu ment sounds). VIBRATO / FILTER / ENVELOPE ae usec! to select the parameter type. Then you can use the EDIT PALETTE sider to adjust the vale '. TRANSPOSE ‘Switches Wansposition On/Oit. The amount of transposition can beset while TRANSPOSE js pressed. SOLO/PORTAMENTO Turns On/Oif the Solo feature (allows play using single sounds, While the indicator slit, one note plays ata time, While using this feature, a smooth transition in pitch is rmacle between each note played, thus providing a porta mento effect. The portamento time can be set while ‘SOLO/PORTAMENTO is presse! G. MINUS ONE Allows you to mute what would normally play forthe cue rently selected Pant, by having data from MIDI IN oF from 1e SMF Player he ignored. That part can then be played ‘only by using the keyboard H. EFFECT Section ‘CHORUS / REVERB These buttons are used to turn Chorus oF Reverb OnvOit ‘When ON, the indicator will ightee J. KEY MODE Section Used fo turns OnvOif the desired Kes. Merle the indicator for the selected Key Mode will light, While SPLIT is beld down, the Spit Point can be set K. ORGAN ‘When this button indicator is Hit the sounds on the Organ Souind Generator will be availabe, » PRESET Pressed to select a preset Tone or Drum Set. 'M, USER Pressel to select a Tome or Drum Set that has heen edited N. PERFORMANCE Pressed in combination with a Number button to select a Performance. O. PART Pressed to switch among the 16 Parts available P. LEVEL/LEVEL Pressed to adjust the instrument's overall volume as well as Q. TUNE/PAN Pressed 10 adjust the standard pitch jr he instument and to adjust the panning foreach Pan R. EFFECT/EFFECT 'Used to make the settings for the twa efiects: Chorus and Rover, ‘MIDI/MIDL 1 set the MID? par tees: both those affecting the T. CONTROL/CONTROL Used 10 adjust the display's contrast anel make settings for the various parameters foreach Part U. MASTER ‘When this button's indicator is lit tis used to make set tings for he Indicator is dark, itis used to make settings forthe functions which can be altered on an individual Part bass, V. WRITE Pressed to store an edited Tone or Drum Set into the User ‘Area, as well as to store all of the W-50's settings as a Periormance, W. TONE GROUP 1—16 Used to select among the 16 Tone Groups, including Piano, Chromatic Percussion, etc U. NUMBER 1—8 Provide for selection among, th e-unit’s overall functions. When 1 Tones within a Tone Group, They are also used to select Drum Sets. To select a Periosmance, hold down a NUMBER 18 while pressing PERFORMANCE. .« DRUM1 /DRUM2 Pressed to transtox a particular Part into a Drum Patt, On the W-50, vo Drum Sets can be used simukaneously ‘Y. VARIATION ‘When a Variation exists for a Tone specified withthe Tone Group and Number buttons, press this button to call up the VariationCanny < SIDE PANEL > A. Disk Drive The disk drive uses 3.5 inch, 2D0 fo atthe ower right ofthe disk insertion Bender/Modulation Lever < REAR PANEL > C. MIDI Connectors Allow you to use MIDI cables 10 connect this instrument with other MIDL-equipped units, D. HOLD PEDAL Jack Accepls connection of an optionally available pedal switch (OP-2, BOSS F5-5U or the like). The pedal will then allow you to turn Or/Oif the Hold effect. E, PHONES Jack \ccepls connection of headphones (such as Roland's RH. radphanes connected, will nf80/1 20). Even with he sound till be output from the QUTPUT jacks, 10 Py disks. To remove the disk, press the eject button located slot a a F, OUTPUT Jacks Provide output oF the instrument's sounds. These jacks ean be connected to an ampliiee or mixer G. Cord Hook The adaptor card should be looped around this hook to Drotect he pli om accidental disconnection, H. AC Adaptor Jack ‘Accepts connection ofthe supplied AC adaptor 1. Power Switch Turns the unit ON and OFFPlay some music on your W-50 mag TTT TTTGetting Ready Belore playing your W-30, you will need to connect it wth other equipment, such as an amplifier and speakers. Before making sch connections, make sure you have the power switch turned OFF on this uit as well as an all other equipment. Additionally, make sure to have the volume on your amplifier or mixer Set at the lowest posible level, This way, you can prevent damage to speakers or other equipment that Could result irom the noise procaced when making connections or turning power on. Foliowing the ilusation below, connect the W-30 with your external devices, © About the AC Adaptor Use only the supplied AC adaptor. Use of any other AC Adaptor can cause malfunctions of electric shock. The adaptor cord should be looped around the hook located tothe let ofthe POWER switch, as show in the illstra- tion, This prevents the cord from being accidentally pulled out while you are playing © About the OUTPUT Jacks These jacks provide output of the sound signals, They can be connected to an amplifier or mixer, oF other ‘unit. In order to get the most out of your W-50, a stereo output is definitely recommended. If you wish to play in monaural, however, use the L (MONO) jack. When connecting to your home stereo or radio-cas sett player, remove the adaptor plug om the supplied cable, + Pedal switches, MIDI cables, and stereo headphones are al options available feom your Roland retailer. * Please use only Rol ory if you substitute od or BOSS pedal switches. The unit may not operat satisia products tom another manufacturer. 2Turning ON the Power €D turn on the w-s0. €D Torn on the power to the mixer and/or amplifier. BD Set the volume control on each unit to an appropriate level. You can now play the keyboard, and conti that sounds produced. When you're finished playing, power down the system in the reverse order Due to is circuit protection feature, this instrument requires a few seconds immediately aller power up Irene trac far oy 13The W-50 has vo demonstration songs stored in memory which clea nonstrate the instrument's supe Fior capabilities OD Press LEVEL+ PAN. The following will appear inthe display: €D Use PARAMETER 4/7 to select the desired song. H you do nat make tis selection, the unit will play all songs. one ater the other ©'D Press VALUE & to start song playback. ©) Press VALUE ¥ to stop playback. © To exit the ROM Play mode, once again press LEVEL+PAN. The previous display will reappea * During demo song playback none ofthe instrument's controls except for the VOLUME slider) will have any alec. “No performance data fram these demonstration songs is output Hm MIDI OUT ™ Song Names/Composer Profiles River Jordan Aria’s Dance Music by Jeff Lams © 1994 MARANATHAIMUSIC Jeif began playing the piano atthe age of eight and by as periorming in a variety of lounge andl stage acts in Las Vegas — including the off-Broadway production of “Grease.” After moving to Los Angeles he began performing, aranging, writing and producing for artists such as onna Summer. Rita Coolidge, Nell Carter, Sam Phillips and Phil Keagay. * Note: These demo sones are protected by copytight and ae rece solely fr the demonstration of this ins ment and the personal enjoyment ofthe instruments oxner, These songs cannot be copie or transcribed in arm withou ‘ofthe copyright holder, provides hel The follow iformiation to allow you to get to know your W-50 beter. 4he W-50 combines a Kevboard, soune! generator, an 3 collection contelers such as sider © Controller Section he kevoatd canteols she pit and volun of the notes prociiced while the BENOERMODL LATION lever floss small amounis of pitch tc tuation ta be applied i is. Aaitionaly, nce a hole peal sll satel is connected. aa he ase osu the notes that ave played © Gs Sound Generating Section te G> Sound Generator is mult-tinbra, and provides 16 Pats. capable of proving up to 28 poy phonic notes. Aditenall supnons the Genetal MIDI SesteavGS Foam, twill lial plas back host commercially available General MIDEGS compatible muse data © Organ Sound Generator Section he Organ Souned Generator is Pant multi-timbral, and is capable af paving up to 28 polyphonic notes © SMF Player Section his section allows you to play commercially available music dat in the SMF (Standard MIDI File format ind eco hat you play On the instrument. Adelitonally, the Minus-One function tp. 47 alls sou to practice with secorded accompaniment@ The W-50 is a Multi-Timbral Synthesizer The W-30 is a 1b-Part multi-timbral synthesizer. This means that it can produce multiple number « instrument souncs st the same tine, Pats can be likened! to the indivi tea oth wes jae a pha an ensemble that could incluce up 16 different instruments © Using the W-50 As Part of a DTMS (Desktop Music System) ‘cable connee 130 can provide T6 Pars, even complex orchestrations can be hana with elaive vase Addtianalh, since supports the General MIDI SisteavGS Format, it can be used ta play General MD systems Format music data, OF me: intexmation abet DMS, please reler to “When Using Desktop Music Systems” 4 p. 50) @ Using the W-50 for Live Performances There ane probably ml many occasions where you would need to simullanausly use a muliple number ot Past an emsemble effect when paving, live on lage At suc times you will probably want 1 Pat a hin, and change toa diferent one depending on the music. When playing this ay. th fact that th instrument is multtimbral may not really seems thal important. However, there are mune vow play by making effective use of the muli:timbyal capabilities That 4 muliple number of Pats can he used automatically with some ofthe W-50"s periomane aying Live” lp. 53) @ Playing the W-50 The W-5 is equiped with two sound generating units, a GS Sound Generator and an Organ Sound ides what are called “Tones,” which are a collection of Various arcu soc a plano, organ and guitar al synthesizer sounds. In addition, it can also 2 Tonge nn Thhe Organ which are percussive sounds, which are arouped! together into wha are known as “Dram Sets Generator provides another set of sounds, a quintessential collection of 16 organ sounds 1 “Ongan Tones, In order 10 make of these Tones or Drum Sets available for play, you need to firs assign them to a Par ply those sounds which have been assigned to a panicular Part can be played using the keyboard or a sequent Both Tones ac! Drum Sets can be assigned to Parts. Part to which a Tone has been assigned is referred 1 asa*Normal Pan, The W.50 allows vou to use two Drum Sets at the same time (Drum Set 1 and) Drum Set 2). The Pars 10 hich these Dram Sets have been assigned! referred to asthe "Dram 1 Part” and “Drum 2 Par. Selecting the Part to be Played on the Keyboard OD Press PART and select a Part from 1—16. Youcan ie the display to confirm which Part is curently selected ‘Once selected, you vill be able to use the keyboard to play the Tone oF Drum Set that is assigned t0 the Part Fr instructions on how to select Tone and Drum Sets, efer to “About Tones" l@ p.18), “About Deum Sets" (@ 201 and “About Organ Tones” '@ p22) ‘The current selected Part Normally, only the Part that i shown in the display is heard by playing the keyboard, Inthe following con itons, however, more than one Pastis played simultancousty 9 When the Qual or Split Key mode is turned on (= p.2 3 When the MIDI receive channels of several Parts are st to the same number as the MIDI receive chan pel ofthe Part currently shown in the Receive Channel” 16Contained within the GS Sound Generator is a comprehensive selection of Tones. Select those which you de imerested in and iy them ut ta heat how they sou There are two types of Tones: Preset and User. @ Preset Tones The Preset Tones include all those that were stored in the GS Sound Generator when it was manu Preset Tones ae provided There are hve kinds of Preset Tones: Capital Tones and Variation Tones. © Capital Tones The GS Sound Generator comes with a varied collection his sound palette includes a variety of acoustic instruments such as pianos and guitars), as well as many synthesized aed special etfecs sounds, An important part ofthis calle lion are the 128 *Capital Tones, The Capital Yones are divided into 16 Tone Groups, such a= piano ansan and guitar. Within each Tone Group vou wil Find a selection of related Tones, numbered from 18, For example, the Piano Tone Group contains the Tones: Pian, Electric Piano, and Harpsichord, AIl ofthe Tones in the white block (16 x 8 = 126) are Capital Tones © Variation Tones The other Tones in a Tone Group (other than the Capita Tones) ate known as “Variation Tones.” The Variation Tones nave essentially the same character asthe Capital Tones, but flier a diferent nuance. The relationship between Capital Tones and Variation Tones is as shows fell, Note that while some Tones may have number ai Variations, others will have none at all. The whi block shows the Capital Tones, while those above them indicated by the gray block) ae the Variation Tones. 7Selecting Preset Tones OD Press PRESET. €D Select the Tone Group using TONE GROUP 1-16. €'D Select the Number using NUMBER 1—8. his procechre allows you to select Capital Tones €3d Wo select a Variation Tone, you will need to press VARIATION. When & Variation Tone is selected, the indicator on WARIATION lights up. When there are a multiple pumsber of Variation Tones, press WARIATION enough times to select the one you need. When you have Finished selecting Variation Tones, the indicator yows out, andl you are returned tthe Capital Tone. Id you press VARIATION wher the Tone has nor Variation, the indicator sill tal Fone romans selected. Fight, and th ‘As shown in the illustration below, the name of the selected Tone is shown in the display. Also, the Tone Group ad setings for the Number are shown, The Currently Selected Part Program Change Number Number Tone Group P: Preset Tene. The Progeam Change Number which corresponds to the Preset Tone is also shawn in the dlsplay. For tails, please refer to “Lsing MIDI to Select Sounds on the W.50" (© 9.59), 18—— @ User Tones A User Tone is Tone tany of those ales provided by G5 Sound Generator that you have edited alee te your king) and have saved asa new Fon Av showin inthe illustration tothe let the unit alles vent 4 stor ss wach for User Tone Stap 1 and User ta €D Press USER. €°Dd Press VARIATION and select User Tone Map 1/2. You can select Tones fom User Tone Map 1 ifthe indicator on VARIATION is dark and form User Tone Map 2 when itis it €®D Select the Tone Group using TONE GROUP 1-16. © select the Number using NUMBER 1—8. As shown in the illsiation below, the name of the selected Tone is shown in the display. Also, the Tone Group and settings far the Number are shown, The Curtently Selected Part Tone Name Program Change Number Number Tone Group U:User Tone’ ‘The Program Change Number which corresponds to the User Tone is also shown inthe display. For details please ier to “Using MIDI 10 Select Sounds on the W-50" tw p.59}, 19he GS Sound Generator has 9 Drum Sets which contain a wide range of percussion sounds. Follow the instructions below to select andl play the various Dear Sets Asavith Tones the unit ofers Preset and User Daum Sets lm Preset and User Drum Sets Preset Dram Sets are the Drum Sets which were originally stored in the GS Sound Gene ih Dra Sets, User Drum Se 1 these User Drm et sare Drum Sets which you have edited to your liking. The unit has space a the illstation below dierent percussive sounds assigned to each key. When you! play the 1 lierent sound will be prorkcedl by each key. 4 Dittexeot Dram Sets contain ciferent sounds. For details, eer to the “Drum Set Chart” tp. Selecting Drum Sets © Press DRUM 1/DRUM 2. ‘When you press DRUM 1, the curently selected! Past is made the Dru 1 Par When you press DRUM 2 it becomes the Drum 2 Part © ‘Wo select a Preset Drum Set, press PRESET. To select a User Drum Set, press USER. €®D Press NUMBER 1—8 or VARIATION to select the Drum Set to be played. The indicator on the button you have pressed will ight. After th play the Drum Set vou can press keys on the keyboard to As shown below, the name of the selected Drum Set is shown in the clisplay ‘The Currently Selected Part Daum Set Name rogram Number Drum Set Number P: Preset Drum Set U: User Drum Set 20—_— sam Change Number which corresponds to the Drum Set is also shown in the display. For details he ne W50" p59) Using MIDI to Select Sou Fane ator sins a! Dram Ser, press TONE GROUP 1—16 fo orice ain select the nd the range ofthe eb ange so the sound ca be played t p.24 shut dhe Kes bese’s play © Concerning Selection of Drum Sets adh explained, the W-50 provides for the use of percussion instrument Pants knows Drum 2 Part, Since any Pad can he assigned as being a Oruna 1 art or Drum 2 Part. three or moe Pp ieasibly be use! tr playing Dram Sets fa) 10 Drum Sets can be used at the same time, therefore, the Drum Set that cat be: play in STANDARD is selected tor the: Drum ne one tbe played in Deunt Past, and Part, Then STANDARD set cat be played Hasever, only Drum 1 Part and Drum 2 Parts the same one. For example 10 be piaved in Drum 1 Past and POWER set is selected for el to Daun 1 Part and Part 3 to Drum 2 played in Part 3. If you nest change from STANDARD to ELEC Pants 1 and 2, while POWER set ca be FLECTRONIC set STANDARD Set FOMERSe1 STANDARD Set Pino} SS et oo on = The above shows that you must be careful because only two Drum Sets can be used atthe same time aThe Organ Sound Generator contains a selection of engam sounds Organ Tones! whieh se fale nl mow thon the omgan sounds contained in he GS Sound Generator. Try them out ane! fasar tor yours ne an User Organ @ Preset and User Organ Tones 8 Tones are the Tones which were stared inside the instrument wh ierent hinds to select m, Othe other hand. a User Ongint Tone is anv ong soured ou can create voursel by eltng one of the Preset Onan Tones. Up te 1h Lise Organ Tones an bec 9 Organ Parts Of the total oF 16 Pats that he that wil he pled by proxies, up ta ? 0 them can be specified as bring: Organ ‘Organ Sound Generator, Fallen the sleps belay 0 se Pat sii wile ph €'D Select one of the W-50’s Parts using PART <4/® and press ORGAN. When the ORGAN indicator is lighted. means that the Pat you have selected at that Hi x tor ORGAN no igh that Pot willbe seedy The GS Sr The Organ Sound Generator features 7 Pans. You can assign each Pad othe Organ Sound Generator to vy Part onthe W.50 Select a Part on the W-50 with PART <4/b, then press ORGAN and specify the Part P pe using the VALUE/VALUE slider without releasing ORGAN. The display responds as shown below and yout can select any part on the Organ Sound Generator. ‘Assigned Pat of the Organ Sound Generator Parton the W-50 The Orga particularly assign the Ozgan Sound Geaeratr’s part to the W-50, the Organ Sound Generator pars ate assigned tothe W.-50 as follows, Sound Generator’s part 1-7 are shown as “OFS Part. 1", "Oro Parl 2.7 H you do not W.50s pans Organ Sound Generators Pi T ‘Organ Part 2 Organ Part 2 . (Organ Pat 3 $ Organ Pan 5 Organ Pan 5 “ Organ Pant 6 Organ Pan 7 8 Organ Part 1 9 Organ Par 2 10 (Organ Part 1 " (Organ Par 3 2 (Organ Par 4 Bb (Organ Part § M4 (Organ Pan 6 15 (Organ Part? 16 (Organ Part Eight o more Parts cannot be sett be sounded using the Organ Sound Gen 22—— Parts that will sound using the Onan Sound Generator will be incate as fllens in the clisphiy The Program Number coespanuding tthe Ongan Tame avll also be shorsny in the isla, For futher Hela see “Lsing SBI I9 Select Sounds on the W:50" (wp. 5 Selecting Organ Tones ©€D Press ORGAN (its indicator should then be lighted). €D Press PRESET i User Organ Tor €BD Select from the 16 available Organ Tones by pressing VARIATION when necessary, and using the NUMBER 1—8. When the VARIATION indicator snot lighted, you can select numbers 1-8; when iis lighted, numbers 5-16 become accessible W's a Preset Organ Tone that you want to select, or press USER for a 23The following provides insruction on how to use (and alter the sett tenhance the peeformance capabilites ofthe instrument re turned! On/OH with respect to the W-50 as a whole, whereas others can hie iched On/Oif on an indivicual Par basis. To allow you to easily distinguish between them, (PART irs ext 19 items which can be switehed OryO with respect to individual Parts m Effects (PART) he W-50 is equipped vith ve eects processors which provide Chorus and Reverb, Bosh ofthe eects ste iow impressive when a stereo output is used © Chorus [Adds greater spaciousness and “ianess’ to the sound 1 is padicularly elfective when applied wo electric piano, organ and string Tones. @ Reverb: Creates thellusion hat you're paying ina lage concer hl Turning Effects On/Off ED To turn Chorus ON, press CHORUS. To turn Reverb ON, press REVERB. (The button indicator lights when the effect ison) Each time you press the bution the elect is tured On oF |r you wish to change the Chorus or Reverb type, oF the extent to which the ect i to be applied, refer to “Parameters Called Up Using EFFECT” p38) lt Transpose 24 This function allows the keyboard's playable range to be shied in semitone units ‘The Transpose feature is convenient for situations such as those explained below @ Accommodating a vocalist’s range/making songs in a difficult key easier to play. ‘When playing in a band, the melody can often move beyond the range that a vocalist can handle, leading to request thatthe sons’ key be changed. For example, you may be required to lower te key by a whole tone, and play a C major song in 8 flat major instead. However, thanks to the Transpose cature, you can luickly accommexlate such situations by changing the keyboard's range, and playing using the fingeding vou ae already used to. Also, you can use transpositions to allow you to conveniently use the fingering for the C major or A minor keys when playing soma thot have a large numberof sharps oF fas, @ Playing notes beyond the keyboard’s range. The keyboard on the W.50 has 61 keys (a ive-octave range). Understandably, there could be times when ‘you will want to play notes that ave higher or lower in pite than this range. Als, with Drum Sets you wil ind that there are numerous sounds that ordinarily are beyond the reach ofthe W50’s range. By using the Transpose feature these sitvations can be accommexated, since the keyboard can beset to access a broader ‘ange of notes.Turning Transpose ON/OFF €D When you wish to turn transpose ON, press TRANSPOSE and confirm that its indicator is lit. Each time you press the button the effet is turned On or Off Setting the Amount of Transposition __Acceplable Values:-24-0— +2 Aiter Transp amount y sshich the hes shite. €D while holding down TRANSPOSE, use VALUE/VALUE slider to set the amount by the keyboard's range is to be shifted. he follwing will be shown inthe dlsplay, so you can check the Transpose seins, €D Release TRANSPOSE, and the transposition value is stored in memory. The display wil revert tothe previous ereen Since the sant retains this transposition Setting, the Keyboard wil be tansposed by the same amount the 2 seting oF “0” has been made ior the wansposition amouer, the iodicator on the Hulton sill not Hight § Solo/Portamento (PART) This feature allows you to only play one note a atime-effective for playing single note sales or the brass + ‘woodwind sounds (for example). At the same time, the Portamentaetiect will be appli, This eect pro ides a smoath tansition in pitch between ane key stroke and the next Switching Solo/Portamento On/Off ED 10 turn Solo/Portamento ON, press SOLO/PORTAMENTO. and confirm that its indicator is lit. Each time you press the buton the effect s turned On or “When you are using a Drum Set, you will obtain no elect i you press SOLO/PORTAMENTO, ‘cannot be turned on a the same time that vou also bave the Octave J oF Octave 2Rey Modes in effect. 25Setting the Portamento Time Acceptable Values: OFF, 1127 vigher the value, the Fonger the ae which the pitch transition is to occur. Th ht se = $ inxs. Wher set to "OFF." the Portanente ei uirned oli, so only the Sole feature shained. €D Hold down SOLO/PORTAMENTO and use VALUE/VALUE Portamento Time. The following will he shown in the display, so you ean check the Pertamento Time setting ider to set the fea cet €D Release SOLO/PORTAMENTO, and the Portamento Time is stored in memory. You are thea returned to the previous display The next time Portamento is turned ON, the same Portamento Time willbe placed in effect ™ Bender/Modulation Lever When the pitch BENDER/MODULATION fever (located on the let side ot the keyboarc) is moved 0 the lefvight, it raises or lowers the pitch of the notes played. When pushed forward, it causes a vibrato effect to be added The lever can be user! to express things such as string bending on a ita ‘or simulate the breath techniques that would occur with a wing instrument ‘You will probably need to practice with the lever a while until you get pre cisely the effect you need Concerning the settings available for Bend Range (range within which pitch ‘an be shitedh and Vibrato Depth, refer to “Parameters Called Up U CONTROL" te 9.42, 44), 26‘ormances tr different Key Modes, which allow you to er the type of expression applied toa Tone, orto play ts * layered logether. These odes can be most eifectvely use! when plaving ive g Key Modes ON/OFF Tur ED Fo um ON a Key Mode, press the appropriate button and confirm that the indicator is lit ne mow stared OrvOH each inet Only one mode can be selected on a Line The active Key Mode will remain OS even when ditieren Pans are selected About Each Key Mode @ Octave 1 Adds sounts ica one actave lower in pitch ta the currently selected Tone, This makes the sound @ Octave 2 In addition to Octave 1, this setting ads sounds which are two octaves lower init @ Dual This layers periormance data from the keyboard is sent to two Parls. By changing the Tones or Orum Sets assigned to these Parts, you can experiment with a wide variety of combinations. When Dual is turned ON, the folowing will appear inthe display: Layers another Tone onto the currently selected Tone, A great range of sounds are possible, depending on the choices made far this combination of soured. Changing Tones €D Move the cursor > using PARAMETER A/Y, and select the Part for which you wish to change the Tone. The Tone canbe changed for the Part where the cursor appear. €D Use the Tone selection buttons to change the Tone. “The Pat whece the cursor appear canbe changed using PART A/V. a7© Split WE A Hl Wn ED Move the cursor © using PARAMETER 4/¥ and select the Part for which you wish to change the Tone. The Teme can bec hans a the Part where the Caso apps ©€D Use the Tone selection buttons to change the Tone. The Part where the carsor apjaears cam be changed axing PART 4 Setting the Split Point acceptable Values: C2—C87 ED While you hold SPLIT, the current split Be point will be shown, €D white holding down SPLIT, make the set- ting for the Split Point using VALUE /NALUE slider. €D Release SPLIT, and the Split Point will be stored in memory. 28© Concerning Use of Key Modes The following imitaions newt be take info account when using a Key Men > When using Octave 1, Octave 2 Ths Kew Ades car ot be abtained ie plays Dram Sets > Dual, Split we he tse the ti» Pass shown in the display. When using ar device! to lor make ste that the Pars h 29The W-50 allows you to ¢ ate orginal Tones by editing the settings for existing Tones, This is Know as Tone Eciting @ Tone Editing For ever Tone there ate 8 parameters eitings) thal contr haw the fone will sound, These paranetens belong to one of three groups NibratoFilte/Envelope depending on isha they do, You can crea ral Tone bv altering the values ofthese parameters, The follssing explains hw to edit the Tones contained inthe W-50. Editing Procedure ED Select the Tone you wish to edit. All Tones can be selected €D Select the parameter group to be edited. The indicator on the button sshich has been presse will ight © sing the sliders, alter the value of the parameter. Depending on the group selected, the parameters which can be edlted will change Parameter Parameters which can be eli VIBRATO RATE (Vibrato Ri DEPTH Wbrato Dep DELAY (Vibrato Delay) TITER CUTOFF FREQ [Cutoff Frequency) ESO IRéSonan ERvtlOre ATTACK AtacR "Tone eclting can also be carved out using PARAMETER arid VALUE/VALUE stiles. In this case, select, the Parameter Group and the parameter using PARAMETER .4/¥, andi make changes in the value using VALUE/VALUE sie (Once the valve of a parameter has been changed, the indicator on PRESET/USER will start blinking, This shows that the Tone has been edited To return to where you were orginally, press whichever button (RESET/USER) is blinking “Note that your changes to a Tone’s settings will automaticaly re switch to diferent Tone. In order to retain the changes you make to a Tone, the “Write Procedure '¢ p32) must be performed. This procedure stores the edited Tone at is own memory location to their original values once vous 30CS @ About the Parameters That Can Be Edited © Vibrato Vibrato Rate seceplable Vales Aas the speed ih Vibrato Depth fee Acceptable Values: it) + ee Adluss the depth of the vibra, Vibrato Delay @ Filter Cut-Off Frequency RS sepa 8 ie Sis placed on the harmonics in the vicinity of the Cut Frequency @ Envelope The iollowing stings create a change in volume and Cutoff Frequency that will occur overtime. Attack Time Acceptable Values: -50— +50 ‘Adjusts the time it takes for the intial portion of a sounc! the ‘attack’ 0 be heard after a key i pressed, Decay Time Acceptable Values: -50— +50 ate Adjusts the time it ill ake 1 the sound to reach the "Sustain See Level.” The Sustain Level isthe point at which most of the volume/cutoff Frequency modifications have stabilized Release Time Acceptable Values: -30 — +501 ‘Adjusts the time it takes for the sound to fade away ater a key is released 31@ Storing Edited Tones an edited Tone in the unit's memory invalves doing what is called "Write" The W-30 olloms le-store up to a total of 272 dliferent User Tones ff them for the GS Sune! Generator. and ante 1 tor the Organ Sound Generator Write Procedure for the GS Sound Generator \ total 25% settings patil (Liser Tones) can be saved for the GS Sound Generator (128 «ah tt ED While holding down WRITE, turn VARIATION ON/OFF to specify the User Tone Map (1 or 2) to which you wish to save. Then press the flashing NUMBER button. ‘When the indicator on VARIATION is dark, the Tone is written to User Tone Map 1. When the indicator Tit, the Tone is saved to User Tone Map 2 Edited Tones can only be stored in the User Tone location which uses the same TONE GROUP/NUM- BER combination a the original Tone ‘You can cancel the Write procedure if you release a WRITE before pressing 2 Number button re shoul be taken when pert ‘destination will be erased. the Write procedure as any Tome that was previously stood at thy Write Procedure for the Organ Sound Generator A total of 16 settings profiles (User Organ Tones) ‘can be saved for the Organ Sound generator. ED While holding down WRITE, press one of the blinking NUMBER buttons. In order to save an edited Organ Tone, you need! to select the User Oxgan Tone that has the same NUM BER and VARIATION, Be careful, hecause once you go ahead and carry out a write, the Tone that used to be at that lacation in memory wil be erased. 32The following explains how to create otginal Drum Ses. Editing Procedure Seitings for Dru Sets ean he aleve using the floss pi ED Select the Drum Set that is to be edited. Either User Drum Sets or Preset Dram Ses canbe selected ©€D Press PARAMETER A+. The W.50 enters the Dram Edit mod pon ES CD Select the percussive sound you wish to edit by pressing the key to whi assigned. ne name o the selected sound and is postion on the keyboard ave shown inthe display. Porson Sound Name_ Note Numb © Select the parameter using PARAMETER, and alter its value using VALUE/VALUE slider. (Once you alter the value ofa parameter, the indicator on PRESET or USER bers blinking to show that has been edited CB Press PARAMETER &+¥ when you have finished editing the Drum Set. When you wish fo edit a percussive sound assigned to a note lying beyond the range ofthe keyboard, His se the Transpose function o shit the keyboard's playing range tr p.24 “Any changes made in the settings for a Drum Set are only temporary. Once another Drum Set is selected, the settings will revert to their original values Should you wish to retain the edited Drum Set, store it in memory using the Write Procedure f= 34) 33Parameters Pitch cS cei Yale <28 0 His ns the pith ote pec sive suns in senitone steps Level was acceptable Values: 0— 127 Res Ad the volume ofthe seu Pee Pan Acceplable Values: RND, L63 — 0 — Ri Allows you to set the panning (localization of sound im for each sound (obtained only with a sieeo euatpub, With an increase in the value fr L, more of the sound will be hey coming from the leit side. Similaly, mare of the sound sill originate from the right if the value of R is increased When set to RND (Random), you abn a specialize! eit whereby the sound randomly moves let and right with each key stroke Reverb Depth Acceptable Values: 0 Setting for the amount of @ Storing Edited Drum Sets The Write Procedure allows you to retain the changes you make to 2 Dru Set by storing then in memory ‘The destination for this Weite will be the User Drum Set memory area tlacated! atthe same button as the curently selected Drum Seth Write Procedure ©@©D while holding down WRITE, press a blinking NUMBER 1—8 or VARIATION, and the edited Drum Set will be stored in memory. You can cancel the Write procedure if you release WRITE before pressing » NUMBER or VARIATION, * Care should be taken when using the Write procedure: any existing Drum Set at the Write destination will be erased, 34ey ers 50's Settings Th \W-50 makes it easy ior you ta obiain just the right playing configuration. All you neet toe alter the sestings tor the wide range of parameters i ote Sone of the parameters will atiect the IV-30 as a whole 1 ds Masier Tunes vile others only affect indvial Parts (such asthe MIDI transmit ieveive channe ™ Making Changes in Settings Common to the W-50 As a Whole thw iollowing explains the setings for parameter that will fet the entire insteumen How to Make the Settings ©D Press MASTER and confirm that the button’s indicator is €D Press the button (show changes for. blue on the panel) for the function you wish to make €BD Should there be several items available for the selected function, switch among them using PARAMETER 4/¥. The function name and ts value will be show inthe splay €DV Change the value using VALUE/VALUE slider. €®D Once you are finished making settings, press the button for the function which was set last. *To make chan * The seting chang in the setings for other functions, peat steps 2—4 ‘ou make will remain in memory, even while the power is of. Buttons/Parameters/Setting Ranges > Parameters Called Up Using LEVEL Master Level Acceptable Values: 0-127 Seis the overall volume for the GS Sound Generator Organ Master Level Acceptable Values: O—127 Seis the overall volume for the Organ Sound Generator. 35) Parameters Called Up Using TUNE 36 Master Tune Accepalable Values: ‘Organ Master Tune Acceptable Values: 415.5 — 466 Adjusts the standard pitch of he Oran Sound Generator Chorus Level Acceplable Values: (12! This sets the depth othe Chorus erect ncluded in the GS Sound Generator Chorus Type Acceptable Values: Chorus 1—4, Feedback Chow, Flanger, Short Delay, Shot Delay 1) This deteemines the Chorus effect type included in the GS Sound Generator Chon aA Feedbae Siandard chowws eect Thorae Chorus elfect that simulates Tanger wih @ Flanger An elect that sometines used o Simulate the take off andl landing ofa jet Show Delay A delay repeated ina shonin Show Reverb Level ‘Acceptable Vales: O—127 This sets the depth af the Reverb effect included in the GS Sound Generator. Reverb Type Acceptable Values: Room 1—3, Hall 1/2 Pate, Delay. Panning Delay Provides selection of the Reverb Type. Room 12) Reverb that simulates the natural echo ofa ‘oom. Sharply defined reverb with a broad spread. Fall Reverb that simulates the natural echo ofa hall. Smooth reverb with greater depth than Pige This effect simalates Pte Echo a ypeot reverb that uses the vibration of metal plates to produce 2 metallic echo). Deny ‘Standard delay effect. Panning Delay Delay repetitions pan To le and right, TH efet can be used ifthe unit is connected to a stereo audio device. ts eiective when the 1W-50 is connected to a stereo system.)eae ee pono ‘Organ Chorus Type \eceplable Values: Chorus 1/2/3 This determines the Chorus eifect type included in the Organ ‘Organ Chorus Level Acceptable Vales: 12) his ses the depth of the Chorus effect in luc n the 0 Organ Chorus Depth lable Values: 127 is ses the depth of the modulation of the Chorus effect in Idea in the Ongan Sound! Generator (Organ Chorus Rate Acceptable Values: 012) This sets the rate of the modulation of the Chorus eifect Included in the Organ Sound Generator (Organ Chorus Feedback Acceptable Values: 0—127 increasing the value will reate a more unusual sour Organ Chorus Out Acceptable Values: MIX, REV When it is sotto MOK, the direct sound (hetove taking on the CChorus effec and the chorus sound are mixed sod output n it is set to REV, the chorus sound aiter inking on the CChows effect) will be sent to the Reverb Fifet of the Organ Souind Generator. (Organ Reverb Type Acceptable Values: ROOM 1/2, STAGE 1/2, HALL 1/2, DELAY, PAN-DLY This determines the Revetb effect type included in the: Organ Souind Generator Organ Reverb Level Acceptable Values: O—12 This sets the depth ofthe Reverb eff Sound Generator Organ Reverb Time Acceptable V This sets the reverb time or delay tie 3738 Cipla eed Rie a NDT Fi os ‘Organ Reverb Feedback Aceeplable Values: 0-—127 Higher values enhance the Reverb etfect When Delay is being selected, the valu: set here determine Transmit Channel Acceptable Values: Part, 116 Sets the MIDI channel on which the ant will tansmit je mance data iran the kent wend mvt Whee a channel from 1—16 is selected, the unit wil sen periormance data on that channel. H st) “PART.” the an i transmit performance data on the sarne channel that th Part being played is set to receive on, Tone Change Receive Switch Acceptable Values: ON, OF determines whether or nat sixind change dat i he recognized. When ON, the W-50 will suiteh its Ton i ‘ompliance with messages recived irom an external device nen set 10 OFF, Tone changes will not be made uncer the iol ofan extemal dev GS Reset Receive Switch Acceptable Values: ON, OFF This seting determines whether or not GS Reset data wich will inialize the unit's setings to thet defaults is 10 be #ec ed System Exclusive Receive Switch Acceplable Values: ON, OFF This setting de mines whether or not System Exclusive mes ages will be accepted ‘When set 9 ON, the W-50 will change its settings, or periorm other tasks, in compliance with the System Exclusive mes: Sages it receives from) an esternal device Altertouch Receive Switch Acceptable Values: ON, OFF Determines whether or not Aftetouch messages will be recog nized Local Control Acceptable Values: ON, OFF The Local Control switch determines whether the keyboard Controlfer section (made up of keyboard, switches, 1.) and the sound generating section are connected together ‘oF not. When OFF, the sound yenerator and keyboard will nc longer be connected, so sound will not he produced when something is played on the keyboard. However, the data for everyting played will be transmitted from MIDI OUT. Also regardless of the setting for Lacal Control, the instrument w Use is sound generator to play whatever performance data it receives irom an exteenal writ * The Local Conttol is set ro ON every tine the instrament isee ie Cua ees ted 1x hag cs) ot ae Gees) User Bank Select Transmit Switch Acceptable Values: ON, OFF This setting determines whether oF not Bank Selict data will bye transmited whenever you select a User To Fr details. please refer 10 “Using MIDI 16 Select Sounds on he Fp 5 The W.30 controls the parameters celated to Tones asi AIDE NRPS vp. tthe User Bak Select Transmit Swit the AUDI OUT i SME plaver when you Inanaw Toes, When it set to OFF Uses Bank Select mes Performance Dump Transmit Switch Acceplable Values: ON, OFF his setting determines whether or aot data Hor the Perto mn’ be sent out when PERFORMANCE wd 3 NUM- BER 1—8 pressed simul When se ON, the settings for a Peronniance will be tans Inte com MIDI OUT whenever one is selected Device ID Number Acceptable Values: 132 his setting, an identification number given 1 the unit, several units to be distinguished from ane mnuliple number of identical units are bein lows other when a d. Since this tals units rnambie is included within Exclusive me to recene only the Exclusive messages ioteled tor them, The sting can be any number from |-—32. The default value You cannot ¢ ge the Device 1D Number of the Organ Sound Generator Is set permanent 17 Bulk Dump Provides forthe transmission of W.50 data. For details, veer to “Saving the W-50's Data” fw p.5b Tone Dump. Provides forthe transmission of WV-50 Tone data, For details rete ta “Saving the W-50's Data” Fp 3h Drum Tone Dump Provides for the transmission of W-50 Drum Set data, For details. refer to “Saving the W-50's Data” '# p36 3940 © Parameters Called Up Using CONTROL ue tooo Send GM Setup When you press WRITE, the following S110! data will be transmitted irom MIDE OUT: tis aso tray he SA player sa le Ro oT ws % Reverh Soni L291 Ba Chorus Senal «CC#5 0 Pitch Bend Sens RPS. CCAN6: Bn 508 Br 64 0 Bn he parame sn the GS Sound Generator will au be sent to the Part where the Organ Sound Generator is assigned When you SME plave return the Setup data recorder! tothe W SME plover in the same tempo as when the da fed. i the: teoy is altered, the We50 ma¥ 0 to receive the Setup dot cone Send GS Setup When you press WRITE, the following MIDI data will be transmitted from MID! OUT: Its also transmited to the SAF player G5 Reset Elusive Messages FO-81 10.42 12.30.00 7F 00 41 F) Reverb Macro iExclusise: F041 1042 12 4001 30 wv ss F7) Chorus Macio {Esclusive: FO41 10 42 12 4001 38 we ss F7 Values set ior Pats I 1i are a allows Use for Rhythm Part Eychasve: FDA? 10.42 12 40 18 15 ws 7 Bank Select iCC#00, CCH Program Change «Ca Volume (CC#07: Bn 07 w Pan (CCHIO: Bn OA vw) Revert Send (CC#31: Bn 58 wo) (Chorus Sencl (CC#93: Bn SD wv Pitch Bend Sens (RPN, CC#O6: Bn 65 00 Bn 64 00 Bn 06 w 80 00-w Bn 20.00 The parameter setings on the GS Sound Generator will also be sent to the Part where the Organ Sound Generator is assigned, When you retuen the Setup data recorded on a sequencer oF SME player to the W-50, be sure to playback SME Player in the same tempo as whem the ed. the fempa i altered, the W=50 ma receive the Setup data corectly a was record hot he able to LCD Contrast Acceptable Value: 116 The display may he dificult to read depending on where the In such a six W.50 is placed ation itis possible to adjust the ‘Organ Setup Employed when the se dlr from the ings for the Organ Sound Generator splay. For further details, enerator We p. 45). see "Nate on using the Organ Sound@ Altering Settings For Individual Parts The W-50 eves 2 complete variety of parameters designed to easily allaw you t the sas thal best enhances your creativity, The jllowing explains the parameters that can be se fore pt the 16 Pars, How to Make the Settings ©'D Press MASTER and confirm that the button’s indicator is dark. €D Press PART and select the Part that you wish to alter the settings. B® Press the button (shown in tan on the panel) for the function you wish to make set- tings changes for. Where ae Several settings asilale for he selected function select among them by pressing PARAME- TER. The function name and its vale will he shown inthe display © Change the value using VALUE/VALUE slider. €D Once you are through making settings, press the button for the function which was set last. + inthe settings Jor other functions, repeat steps 24 "The setting changes you make will remain stored in memory, even while power i of The Part Assigned for the GS Sound Generator > Parameters Called Up Using LEVEL Part Level Acceptable Values: 0—127 Sets the volume foreach Pr. Part Pan Acceptable Values: RND, L63—0—R63 Allows you to set the panning (localization of sound image) for each sound (obtained only with a stereo output). With an imerease inthe value for L, more of the sound wil be heard as coming from the let side. Similarly, more of the sound will originate irom the right ithe value of Ris increased, When set to RND (Random, you obiain a specialized effect whereby the sound key stroke Within Drum Sets, each sound is set toa fixed pan location. For this reason, if you change Pan for a Patt within a Druna Se the sound loc ndomily moves left and right with each tion forthe entre set will move. al> Parameters Called Up Using EFFECT Chorus Send Depth foot Cr Reverb Send Depth Acceptable Values: 0-127) Sets the manner in which Reverb will e applied to each tm i Ce te > Parameters Called Up Using MIDI Receive Channel Acceptable Values ¢ vl il be policed IDF cata atives ton channel set here atthe AMDT IN connector. When set @ OFF, saund will gat be produced when A1DI Jota artves a the MIDE IN connector, ean be plaved on the Keyboards Bulk Dump (Part) Transmits all data forthe currently selected Part from MUD) ov For details, please reer ta “Saving the W-50's Data” p.3h Gel Ge ae > Parameters Called Up Using CONTROL Bend Range Acceplable Values: 0— + Determines the amount of pitch change obtained when the Pitch Bend Lever is moved to either the left or eight extren Modulation Depth eos Acceptable Values: 0—127 usted Ses the depth of the vibrato ob ier Leve is pushed all the way tothe rear. The higher the value, the deeper the vibrato ned when the B oo Key shift Acceptable Values: -24—0—424 Allows the pitch of the data generated by playing the kev board to be shifted in semitone steps. When set to “0.” no pitch shift occurs This feature conveniently allows you to play musie written in a difficult key using a simpler, more familiar fingering. You ‘can simply ‘shi’ the pecformance data by as many semitones as needed, For example, you could set it so you ate playing the keyboard as if song was in C major, ever though the song is actually in D major two sharps. 42ey Velocity Sens Depth Acceptable Vales: 0—12) (On the W.50, the stengih (velocity! with which you play the eyboatt is translated into alterations in the volume or timbre oe Steet ofthe sound. The Velocity Sens Depth setting detesmines the etent to which such alterations will occur, With the setting at 2 high value, the changes in volume will be quite pro: nounced: whereas if et 10 °0," there wil be no change in vol lume no matter how hard you play the kevs Velocity Sens Offset Acceplable Values: O—127 This setting determines the approximate velocity at which the Bi keys should be stuck in order to obtain alterations in the vol lume. With values greater than 64, volume fluctuation occurs leven when the keys ate pressed lightly. With values lower than 64, volume fluctuation occurs when the keys are pressed firely Sounds mov not be output depending on the settings, If this ocity Sens Ofiset t0 ‘occurs, st the Velocity Sens De «higher value. Voice Reserve Acceptable Values: 0-28 This setting determines the minimum number of voices that will always be reserved and made available for a certain Par This setting is useful for situations in which the total number tf voices that need to be produced exceed the GS Sound Generator’s maximum polyphony. For example, if Voice Reserve is set to “6 for a particular Par, that Part will always be able to sound at least 6 voices leven when the unit as a whole is being requested to produce ‘more voices than it is capable of producing at one time = Since the maximum polyphony’ ofthe GS Sound Generator is "8 voices, the values set for Voice Reserve for all Pars com: bined must add up to 28 oF less. 43The Part Assigned to the Organ Sound Generator > Parameters called up using LEVEL explanation, rele to “Akering Settings Fon Cea 1 the parameters thal can be set on the GS Sound Gen: ‘Organ Part Level Acceptable Values: This sets th (Organ Part Pan Acceptable Values: ki This sets the P: fet by the Organ Sound (Organ Chorus Switeh Acceptable Values: ON, OFF Part played th This turns on or off the Chorus effect ofthe ‘Organ Sound Generato ‘Organ Reverb Switch Tis turns on oF a the Revers etlect of the Part played by the (Organ Sound Ge ‘Organ Receive Channel Acceplable Values: !—1 he BHD by the Organ Sound Generator + Bulk Dump (Par connot he: dane inthe Part that is se so that 1 will be played withthe Organ Sound Generator. Bend Down Range Acceptable Sets the amount by wh Values: 48 —0 hr the pitch will be lowered when the ender/Modulation Lever is moved al the way tothe let. The setting isin semitones, to a maximum of 4 octaves Bend Up Range Acceptable Values: 0 — +12 raised when the Sets the amount by schich the pitch will be Bender/Modulation Lever is moved all the way to the right The setting i in semitones, toa maximum of 1 octave.Coarse Tune Acceptable Values: 48 —0 — +48 Aajuss the pitch at which the instrument wall soune! (in sem ‘one units). When a “0." no pitch change is obtained. Fine Tune Acceptable Values: -50 — 0 — +50 Cae ae Used to finely tune the pitch at which the instrument will OC halt sound. A130" the pitch is alteed by exactly one quarter Organ Voice Reserve Acceptable Values: 0—28, This setting determines the minimum number of voices that will alvays be reserved and made available fora cesain Part This setting is useful for situations in which the total number ‘of voices that need to be produced exceed the Organ Sound erator's maximum polyphony, For example, if Voice Reserve is set 10 °6" for a particular Part, that Part will always be able to sound atleast & voices, even when the Organ Sound Generator as a whole is being requested to produce more voices than itis capable of pro: ducing at one time * Since the maximum polyphony ofthe Organ Sound Generat 1 Voice Reserve f 28 or less 28 voices, the valves s bined must adel uy all arts com Note on using the Organ Sound Generator IF you do the following things, the actual values of parameters set on the sound module may difer from those shown in the display: ‘+ When you set the receive channel of the Part where the ORGAN indicator i it to OFF and edit the par meters using the panel buttons ‘+ When you edit the parameters of the sound module in the Organ Sound Generator using the System Exclusive messages sent from an external device To match the settings of the sound module to the display’s indication, change the settings of the Organ Sounel Generator using the Organ Setup function (screen showin below). To call this display, get the MAS- TER incicator to light, then press CONTROL then PARAMETER a. Then press WRITE, and the values set con the W-50 will be sent to the Organ Sound Generator. 45the W-50’s Settings The W-50 allow Perlosmance pup oF settings fora range oi functions) as one unit kno The following explains how t make the settings for. an @ What Are Performances? AL the simplest level, the W-30 can be played by simply pressing the necessary panel buttons to chav Tones, or | sieets on ac ofl, Hosseves. considering the numerous features ofered, and rhumber of settings require, its eiicull to skilliuly make wide-ranging changes while paving the tment. For this reason, itis much mace convenient Wo make use of Performances. A Periormance can store inormation on al the setings forthe buttons shawn in white below. Up toi Performances con he sted! in memory A Periormance:ashich provides exactly the setings vous neve can be prepared betorehnd, The wh playing. the whole callestion a choices Can be avithedd fe instantanenusl., simply by selecting i Performances ean be useful as well when using a sequencer ora Comper to create music data, By setting up a particular Performance that is to be used with the music, you ca be assured that your sone will sound the same way shen they are played back later. For details. wwier to “Get Instrument” te 9.501 ote Out af Your Selecting Performances @D Press a NUMBER 1—8 while you hold down PERFORMANCE. The W.50 willbe set to comply with al settings contained in the selected Perforanc Storing Performances ED Make all the settings for the W-50 that are to be stored in the Performance, €D while holding down WRITE, press PERFORMANCE. Then, while still holding down WRITE, press NUMBER 1—8, whichever one is to be the destination for the Performance. “If you release WRITE before pressing @ NUMBER 1—8, you ave data is stored, tumed tothe previous screen, and no GS Care should be taken when toring Performances, since any previous settings will be erased,a An increasing amount of commercially available music data for computers and! sequencers is designed to bbe used ior instructional purposes, and comes with sheet music included You ean use such data qu sietively for practice thanks tothe W-50"S Minus-One feature By using the Minus-Cne teatune, vou ean mute what would normally be plaved by a certain Pan in the per formance data tether that arriving at SIDE IN, or that which is played by the SMF Player). That Part cam then be heard only i! you play ton the keyboard yoursel Selecting the Part to Play While Using Minus-One co €® select the Part using PART then press MINUS ONE. The Part for which the MINUS ONE indicator slit can theweater only le heard i you play i on the key” board. Performance dats ir that Part arsving at MIDIIN, or sent by the SMF Player wil be ignored (Only one Part canbe select tar ase with Minus-One. > Notes when using the Minus-One function When the btinus-One function is ing used the W-50 cannot be played with the MIDI mesa the MIDI IN or SIF ple. Ths, however des not the Minus One uncon ein used the W.30 ech that all MIDI messages are ignored. Even when MIDI messages for sud selection. the music selection messages, sounds on the W.50 will be automatically changed in accordance with the messages, DI Moseagos contained nth Musi Data Minus One Fain ‘Mot messages wars ote sound couce of erent sound using the buttons on the panel during Minus-One performance, sounds will ‘change on the W-50. The sound selection message received last has priority; regardless of whether the mes sage comes from the music data itself or from operation ofthe panel buttons. 47Iv you set several Parts to the same MIDI receive channel al select one ofthe Pants, all shese Pans can be simultaneausly played from the keyboard. Ifyou play a Minus-One periormance in such a condition, the Parts which are seo the same MUDI receive channel will not be played with te periormance information sent from the MIDI IN or SMF player. Even so, sound selection messages will be received anc! thereiore automatically change the sounds in each Part 2 Sound Selection Messages When you select a new Tone or Drum Set, the MIDI QUIT sends the messages that cansees "A ness sound has heen selected”. Noxmally. 128 dierent sounds vail esing Program Change messages, The W 50 iisell, however, contains mote than 128 sounds. To be se to use al hese sound, it features Bank Select Messages (Control Change Number 0, 32). For a detaied! explanation, refer to "Lsing MIDI 0 Select Sounds on the W-50" le p 5 43Over an External Device Using the W-50's al Pa fe Sliders, you ean contrat the parameters on an extexnal device sn veal tine This is called the MIDI Conteller feature. it allows you to use the sliders to add exira expression during playbackrecording of song data created on a sequencer By using the MID! Controller feature, you ean apply continuous alterations in the volume of Parts 4 add excitement an the sound this way and thal, oF make many other creative moxlications in parameter val ues. The sliders thus make easy the recording of many operations svhich would take much longer es ‘conventional methods Periorm the allowing to use the SIDI Controller features Procedure €D Select the Part for which you wish to alter the volume and pan using PART . €D Press EFFECT+MIDI. © have the sequencer ready to record, then move the sliders to change the volume, or pan the sound while recording. ‘To return to where you were originally, press EFFECT+MIDI again. iginally, pr Bai Parameters ate assigned 10 the tice sliders as shorn let. The Control Number determines what is to be assigned, and i se Using VALUE . For dels, eferto the "MD! implemen tation” ‘The permissible range for each parameter is as shown below Expression 0. Par: 017 LOS RET Value forthe indicated Conival Change Number 0. +The Control Numbers wbich con be spected ares 09, TI 31, and 6-95 Expression Pan Convo! Change Number 49The W-50 is a mult-timbral synthesizes, This means that it can play a multi The following provides information which can be helpful in making the most of m When Using Desktop Music Systems The W-50 provides forthe use of 16 puter and sexjuencer sofisate s you will need 10 make when using the W-50 9s part of a computerized The following explains the set Desktop Music System [DTMS Making the Connections ‘Make the connections between the W-50 and your con For example: The W.50 with an Apple Macintosh Sees eg nce eT @ About Local Control Iv you have your ecipment connected as shown in “Making the Connections” above, you will ned to set Local Control on the W-50 to OFF, and Soft Thru on the sequencer software to ON. Othenwise, you could ‘experience problems such as notes being souncled twice every time a key is pressed; or they may not soured atall ED Following the instructions in “Local Control (# p.38)" set Local Control on the W-50 to OFF. Refer to the owner's manual for your sequencing software or sequencer for information on the Soft Thay 50@ About the Settings for Each Part In order to be able to lav a mutiple number of sounds simultaneously, you need to select the sound that \ill be used by each Part, and make settings forthe MIDI tansmission/Feception channels Here, let's try changing the: WD's settings to those shown below Past___Name oi Sound Used Tune Number _MIDLTansmit Channel_MIDI Recei Pan T Piano 1 Pat Pari 2” Acoustic ( ac Part 3 Jazz Gl aro Pant TP Parts i Part 6 Nylon-st Peat Part? Pan Flute arta Pan 8 €Piano Ps Part 9 MutedTrumy Ped Part 10_BRUSH 2 PDF Pant 11_Vibraphoni - P: Pan iz Flute Te: Part 13 Organ’ a P Parl 1 Strings P: Part 15_Trombon ee Part 16 Tenor Sax 9. Setting the Sound Used For Each Part €D Using PART , select a Part. Then using the Tone selection buttons, select the desired Tone for that Part. Repeat this procedie to select he Tones for Parts 9. €D Using PART , select Part 10. Then after pressing DRUM 1, press NUMBER 1—8 to select the desired Drum Set. €D Kepeat the procedure in CHD to select the Tones for Parts 11 — 16. Setting the MIDI Receive Channel for Each Part €D Check that the indicator on MASTER is dark, then press MIDI and confirm that Channel: ” has appeared in the display. When the indicator on MASTER is li, press MASTER to turn i off. Aho, Rx Channels” has ot appeared in the display, use PARAMETER &/'¥ to switch the display. € Select the MIDI channel using the WALUE/VALUE slider, 8 Setting the MIDI Transmit Channel for Each Part €D check that the indicator on MASTER is lit, then press MIDI and confirm that "Tx Channel” has appeared in the display. WoT ChatineL =” hes not appeared in the display, use PARAMETER /¥ to switch the display €D Select “Part” using the VALUE/VALUE slider. When set to “Part,” the MIDI Transmit Channel will be the same as the MIDI Receive Channel forall Pans,el @ Recording What You Play Use the metronome feature provided by the sequencer or software application to have a ‘cick’ sounel played. Then wile listening tit, play each Pat on the kev oar Ics probable best t0 record the Drumm Pan fist, Then while Fstening to it, add the cemaininy Parts one by Vi you find it iieul 40 record drums playing, oa the kesboard. vou U4 to create the data for the Dram Part, OF you could play the percussion part using ase} machine iRoland R-7O/DR-G61, et se step input an the sequencer arate *hythny {you set the Key Mode ta SPLIT, you ean eevord what yu play as at the same time, fa ade tion, you may want to use the berbermodulation lever ior ather coateos) during recording. since such dala vill also be incladed in the eecovding @ Saving the Settings Used While Recording Once you have finshed recording the whole pice, try stein. to he playback While isteing select inpother Tons and adjusting te balance by changing Level ur Fan stings. As ishing touches ct ter putting all that eiiort into making thee proper settings. you'll probably want to store them in memory That's why the W-50 provides Periarmances, $0 you ¢an save up 10 B ses of settings thal can be conve niently recalled whenever you need them, Once stored 3s 2 Periormance, you can simply select that Performance before beginning to play, and then start plaving while knowing you have the insiument sett the best possible settings. ‘© Recording the W-50’s Settings at the Beginning of Song Data Yur can easily have the W-50 outomarially se for paca ong if yu record the appropriate o et Tings beforehand atthe top of your song. The flowing four methods are availabe for tasfering data foe the W.50's sets. 1. Recording data that was bulk-dumped Fist, use an external sequencer to record bulk data (ata that has been bulk-dumped, rele fo p56). You can then go on and record the performance, lating ftom the fllowing measure, Ansar, shen you play back this song data the W-50 wil instantly be Set all the setings that were recorded as soon ait receives the bulk data, and you obtain all the desired periormance features 2. Recording data for the Performance First et the W50 to all he settings you want to have in effect when you play the song. Then, save these settings asa Performance When recording fist recor the settings for the Performance athe top ofthe song. To record the settings for a Performance, put your sequencer into the recording mode. Then press the button ior the Periormance. andl the settings for will be sent ftom MIDI OUT to the sequencer (where it will bel. Note that you will need to have the Performance Dump Transmit switch st at “ON” (@ p.39), 3. Recording GM Setup data When you sre creating song dat intended to be played on a GM sound generator, it a good idea to insert GAA Setup data in the first measure ofthe song. For information on what Kind of data is wansmited when you do his, see "Send GM Setup” (p40) . Recording GS Setup data i yu are erating song data that normally willbe played on a GS sound generator, i a good idea to invert GS Setup daa in the fist measure ofthe song. For inoration on what kind of data is transmitted ‘when you do this, see “Send GS Setup" te p40) “HF you are creating songs for a computer or MIDI sequencer, we recommend that you use one of the meth ‘ods explained above to record the W-50'ssetings along withthe song. Ifyou intend to use your computer for MID sequencer to produce data for manipulating the W-50's settings (eather than frst having it tans- mitted from the W-50 tse), you will ned to remember to insert a sufficient pause between each item of [MIDI data in order to assure that you successfully obtain all the desired sewings when the data is played back Make sure to adjust the tempo when both recording and playing back your song data, regardless of whic df the above four methods you may have used ta recor the unit's setngs. Otherwise, you cannot be cer- tain of obtaining the conditions you expect for the W-50, 52m Playing Live eting more aut af your insttument by using some the features described few © Are You Using a Key Mode? During live periormances the use 0 Key’ Mads can be quite effective The W.50 provides tour key modes. OF hese, DUAL and SPLIT use nwo Pants at ance. When you are Us fone of these Key Mares, the following will be shown in the display so you know that you ave Using Pars atthe same time Pag @ Changing Tones Quickly In preparing for a stage periormance, you may want to assign the Tones thal you expect to use to the Pans in numerical order. Ther while plaving you can instantaneously sivitch 1 the nest Tone you ned simply by changing ta the next Par. For example, your plans might call fr the fallowing Tone changes Organ 1 -> Synth Brass 3 —» 60s E. Piano — Fantasia .. RESET/USER, TONE GROUP 1—16, NUMBER 18, and VARIATION buttons. So, in order to select the Tones above, you would need to press this com bination of buttons: To select Tones on the W-50, you need to use the Tone ‘Organ 1 “Synth Brass 3 605. Piano Fantasia Button PRESET TONEGROUP3 — TONEGROUPS © TONEGROUP1 TONE GROUP 12 NUMBER 1 NUMBER 7 NUMBER 5 NUMBER 1 VARIATION, VARIATION x 3 Since this involves pressing a lot of buttons, yeu cannot expect to be able to make rapid Tone changes this But if you assign the Tones to Pats ike this Part Part 4 Organ 7 Fantasia _you will not need 10 be bothered with pressing buttons, since you can select the Tones simply by select ing Pars 14. These setings can also then be stored as a Performance, andl used as one of the Tone setups thal you need for your repertoire 53@ About Maximum Polyphony and Part Priority 54 Concerning Maximum Polyphony The GS Sound Genesator can produce 28 vices, while Hw Organ Sound Generator provides another 20 of 38 walyphonie notes, keep in mind, however thatthe GS Sound Generator will ten require tw sable the Organ Sound Generator ¢am use a tH 6 4 all the Tones vou were playing used muinle vce inthis way, vou svoulel in eeality only be able ‘obtain 14 polyphonic nates with 3 GS Tone, and 7 i vous were sing all Organ Tones, Additionally, if you ste making use of the Kea Mole ieytuns, you will Be using Same time, so the numberof polyphonic notes that «at be ac heed willbe alter For details on how voics are uses with specitic Tones, please se the “Tone Chart” '€ About Part Priority ‘when the numberof voices being simullancously sounded exceeds the limits of the instrument, priority. s The W-50 follows a Part priosty system sehich is sot up so the Part having the least priority will be the one that has to stop prorlucing sound frst, Then, if necessary, the next +0 forth up through the on ast important Part will fal silent — ar ‘of priority. Keep this system of priosty in mind when deciding on which Posts Concerning Part Priority Ordering When the number of voices being sounded excceds the W-30's maximum polyphony, pron is given to producing the most recent sounds. Those that have alread heen sounding for a while will be cut in order beginning with those that have been sounding the longest. Additionally, the W:50 follows a priority order ing system which governs the sounding of Pars, Pats that have been piven lesser priory will be the ones that have ta stop producing sound first. For ths eeason, you should take a Pan's order of priority into con sideration when assigning if for use in songs. Note Soundi riority Order 1 Pan Number wr23456789 WR When you have Pars that definitely must be souncled, use the Voice Reserve function 1p. 43, 451 10 reserve the necessary number of voices for themThe W-50 allows vou to make wide-ranging ch needed! you can alvavs return to the original sett init had when it was new. The following 4 choic Procedure ©D Press CONTROL + MASTER. €D select the type of original settings using PARAMETER &/¥. © Press VALUE & and the original settings will be restored. i 8 To cancel the procedure, press VALUE ¥. 55Saving the W-50’s Data The W-50's data can he saved in the for) oi Exchisive dala into an external MIDI device. To save data in this manner, you need! to perform wha i refered 402s the “Bulk Dump” procedure Making the Connections tn order to perform a bulk dump and save data on another unit the W-30 needs tobe connected ith Unit MIDI cables shoul be connected as lata extemal MIDI device, either a sequencer or other ype Rear Pane! ore ans By connecting a second Wv same settings Make sure to use AUDI OUT 1 when you want to bulk dump the W-50's data to an external device rat as been bulk dumped. When you later have the SME player play SME player can be used to store daa rack such dat, it willbe sen out from MIDI OUT 2 Types of Bulk Dump The following types of bulk dump are availabe © Bulk Dump Teansmits al f the WSO sting © Tone Dump Transmit stings forthe @ Drum Dump Transmits settings forthe © Bulk Dump (Part) Transmit settings foreach Parton an individual Part bass 56 User Tones. 56 set thHow To Perform Bulk Dumps 1, Bulk Dump, Tone Dump, Drum Dump PD Press MASTER and confirm that its indicator is lit, €D Press MIDI. €® Select the parameter that you want to transmit using PARAMETER &/V. DD Press WRITE, and the data for the W-50 is transmitted. Whe the teansmision is complete, the word “Completed” is shown in the display for about a sexo, To viel and no tamsmi any ty, ress MDL 2. Bulk Dump (Part) €'D Press MASTER and confirm that its indicator is dark. €D Press MIDI. €BD Select Bulk Dump (Part) using PARAMETER &/¥. ©€D Select the Part to be dumped using PART . BD Press WRITE, and the data for the Par When the transmission is complete the wore “Completed” is shown in the display for about a second, To cancel (and not transmit any daa), press MIDI @ Saving Settings for the GS Sound Generator Carry out the steps below to internally recor all the settings forthe W-S0's sound generator as bulk data thea save it on floppy dik, Tie seins tor the Organ Sound Generator, and the senings for Drum Sets for GS sound generator eanmot be recorded inthis manne Carrying Out the Recor €D insert a disk. €D Press REC + FWD. BD Press either PLAY or PAUSE and recording will start.(To halt the recording, press STOP.) A name such as “Song. 00000" willbe assigned to the bulk data that was recorded. (0 record bulk data arriving ron» an extemal uit, you should recor recording procedures te p. 69). ing the orinary 57{On the fae panel ofthe W-S0 sew will ind three MIDI connectors. The follwing explains how the MID! @ How the W-50’s MIDI Connectors are Configured : | MIDI Conn tars ate provided on the rear panel ofthe WS, —— nnd Geert | a MIDEIN: Receives an data ates ing irom an external SIDI device MIDLOUT 1: Teansmits the data tor everything that has been played using the Keyboaa! and damper ped als. In adkliton, ata describing changes in the sounel used (Progra Chanae andl Comte (Change messages ill be transmitted as well IDL IN, along with ll data produced by the SME player 58By using the W-50'S MIDI features, you can use the keyboard panel to change to different sounds on an ‘eternal MIDI devices or alternately, use an external device to select the sounds used by the W.30, ™@ Tone Change Data Transmitted When Buttons Are Pressed When vou cones se the WW-50's panel to change toa diferent Tone, we this newly selected Tone is wing Program Change and Control Change message combination) will be teansmitted fom AMI OUT. The details of, and order false when sending such Tone change data ate as follows: Control Change Number 0 (BH 00H mmH) Control Change Number 32 (BnH 20H 11H) Program Change Number (CaH ppH) MIDI Channel rin MSB nH tsB pp) Program Change Number @ MIDI Data Transmitted When Tones/Drum Sets Are Selected on the GS Sound Generator pe oF Tone Selected MsBsB Pee Prasat Tone Capa Tare OHOoT 7 ion Tone: VHF —_0- = Teron User Tone Mag T OTOH 0. UserTone Map 2 THO pe oF Rhythm Set Selected MSB/SB Pca Fraser Santa Sa ‘ara 7 Room Set FARO eee Gn ‘OOO ~ ‘OOEVOOF - ‘OED ‘OTAFT ‘OOHVOOH a0, Orchestra Set ‘OOHOOH ae Sx Set ‘Oro 36 vw User Se OHO User “40HVOOH B Tserser “OHOOH 16 = User sera cE} User set OHIOQH Toerser “40HO0H User “a0HVOOH Weerser 8 =OFO0H Caer ser a0H/O0H PCR Progam Change Number "The user bank (OHAxM, 41HsxHi messages are transmitted when the user bank select Tx switch ison. 59@ MIDI Data Transmitted When Organ Tones Are Selected on the Organ Sound Generator Type of Tone Se MSBVLSB Preset Tone THOT OFF Teer tons OM Ha bas “OOH oF "40H", Wherever “A appears in the above ch td ates tha he mer show musi the feaclecional ni IP veh Ped fonts these interne hes ances 1 Wrong 12 Se aces es ees @ Using an External MIDI Device to Select Tones on the W-50 Whea the unit eeceives messages calling ior a change to a dillerent Tone thes serving at AIDE IN, or sent ‘ut hy the SMF player, the W-30 sul comply by changing to the exuested Tone, dn wer fo assure you alwavs obtain the intended! sound change, you will necd 10 make cesain vex! ate using the contect MIDI messages ant are having them sent in the proper order 60About The SMF Player ¥ ° SS 5 2 The W504 an SMF pl back a wid ty of commercially avai us or recare your «on Keyboard performanc 2 2 Q ° ° 2 ° 2 ° ° ° 2 2 2 2 ° ° ° eg ee rrAbout the Display The W-30's display normally shows the values set forthe sound! module, such as the Pat that cars he you wish the elsplay to show the values set for the SMF player, follow tis procedure ED Press DISPLAY and make sure that the indicator is lit. When the indicator ofthis button i tthe display shows the values set fr th SMF player. When the indicator is dark, the display shows the values set ior Ih ® Playback will explain the basic playback funetions, Before playing hack song, data from your own disk, Playing Your Own Sons Data Posi First ofall, inser the disk in the disk slot as shown ff. Be sure that the ‘When you inser the disk, the display responds with ‘Song Number Song Name Basie Tempo Measure Numer @ Start Playback @©D Press PLAY. Play stants froo the begining ofthe song which is selected “To play irom the start ofa song, press PLAY wshile holding down STOP, and a blank bar (ne bar) will be @ To stop playback ED Press STOP. ‘When you press STOP, the song position will automatically return to the beginning of the song. You can steno the song from the beginning by pressing PLAY, When you press BWD (FWD) while holding STOP, the postion will move tothe beginning (end) of the song, “IF you want to stop at a certain point without returning to the beginning, tuen off the “Trun Auto Rewind off" (@ P71) 62—_—— @ Pause @©D Press PAUSE avhck will sip To resume playing, pres ether PLAY or PAUSE, sn playback will resume irom th @ Forward ED Press and hold FWD. While his burn is pressed, the song position will advance rapidly When sou press BW while holding FID, the postion will advance mow rapidly “ye ths Foard tone tan daring STOP, PAUSE, o° PLAY. @ Backward ED Press and hold BWD. Awhile his button 1s pressed, the song position will move backward rapidly. When you press FWD while holins BW. hv pesition wil move backward move rapidly STOP, PAUSE, or PLAY, in fa bar that is located further away. © To adjust the tempo of the current song ED Adjust the tempo by pressing the TEMPO buttons. While adjusting the tempo, the tempo will be shown in the display. (The tempo range is J = 5260 beats per minute When vou press TEMPO 4b) while holding TEMPO ® (), the siting value of the tempo will apilly ‘When vou press TEMPO P(t while holding CLEAR, the tempo will return tothe reference value © All Tempo Shift he Al Tena Shit function allows you to change (bya set percentage he playback tempo of al songs on disk wil plavback wth 9 10% increase in tempo. for the second song on your disk, all the songs on that Note that, although the unit calculates increases or decreases in tempo as a perceotage, the display acta indicates change as beats per mvnute. For example, if song 2 was originally recorded at 100 bpm, and am increase of 10 %. song 3 W695 ors 200 bp twill playback at 220 bpm (also ae increase of 10%) ©D Press and hold SET and the press PAUSE. ‘A number which indicates a Song Interval Time will appear inthe display. (@ P.71 €D Press TEMPO © to turn the All Tempo Shift function ON. “+ will appear on the right of the display Set. Interu function OFF, press TEMPO increase the playback tempo by 10 bpm ito 110), that represent nally recorded. To turn the All Tempo Shi CD Press SET. © Use TEMPO < or TEMPO > to decrease or increase the tempo as desired. 63@ Selecting a song ED Select a song by pressing the SONG buttons. png morn ee shone in the eiplay the soins Bee ling hh ners wl vapid increase decreas You san sel STOP, PAUSE 1s PLAY ns seert a some while a some is curents ™ Program Playback © Program settings €D while holding SET, press PROGRAM. et hdc that ake settings ee ee eee ae €D Use SONG 10 select the song you want the W-50 to play first. B® Press SET to store the song you selected. eee eae €D Repeat steps CD and EW to specify the order of the songs. €'D when you finish setting the song order, press STOP (or PLAY). The PROGRAM indicator will ight to show that you see now in the Program Playback mode The s willbe canceled ator you turn the power of old program, newly programmed songs will be added at the end ofthe old progeam 1¥ you don’t sant this to happen, be sure to cance! the old programy, @ Program playback ED While the PROGRAM indicator light is on, press PLAY. Program playback will begin, and will stop ashen rammed The W-50 has finished playing all the songs you pro: "To ret to regula pa ack mode, press PROGRAM anid the indicator will go 0 Ir you press PROGRAM diring regular playback, programmed playback wil begin wh Iy playing finishes © To cancel program settings ©D When the PROGRAM indicator is on, press and hold CLEAR. While continuing to press CLEAR, press PROGRAM. The PROGRAM indicator will yo out and the pro:Single Plashack will top atthe end of each song @ Single playback @D Press SINGLE (the indicator will light). Then press PLAY. Single plasback will hegin and will stop when it reaches the end of the song ar playback, press SINGLE. The indicstor will Tow @ Single play mode play mor, the me €D while holding SET, press SINGLE. €D Select increment (Iz) or repeat (REF) with BWD/FWD. Single Flay = Cow Soe) mee Inc: The playback will star at the beginning of the next song when you press PLAY ater the SINGLE PLAYBACK is complet Rep: The plavback will star at the beginning ofthe currently selected song when you press PLAY after the SINGLE PLAYBACK is completed €D Press SET to complete the setting. 65Repeat Playback will epeatelly playhack songs @ Repeat playback ELD Press REPEAT (the indicator will light). Then press PLAY. Repeat periormance wl hein and will continue until you press STOP or PAUSE To return fo veularplo hack, press REPEAT. The indicator wil 0 oot Sing payback Repeat Programmed " co Fiayback willstop atthe end ofeach sone Ate Sonn the song which i nex! inthe program order will bein plaving a ofl ik will stop atthe end of each song wu am wil be repeated a TT All songs on the disk wil repeat uni you stop posal on ‘on onvoraif ~The eurrenly selected song will repeat continucush ra Repeat region is alread se fr the song you have selected, you will obtain “Block Repeat” playback i Repeating a Specified Section (Block) of a Song (Block Repeat Playback) © Setting and using Block Repeat (during playback) ED Press SINGLE to enter the Single playback mode (the button indicator will light). ©€D While holding SET, press REPEAT. he button indicator will hen blinking. Now you can specitythe area for Block Repeat © Press PLAY to begin playback. €D) Av the beginning of the section (block) you want to repeat, press SET. The bon cto il ik aster €D A the end of the section (block) you want to repeat, press SET again. ‘The indicator will ight continuously, and the Measure Number will blink for a moment. Black Repeat play back will begin when the Measure Number lights continuously. €D Fo stop Block Repeat playback, press STOP (or PAUSE). P P = You can alo specily 2 Block Repeat after a sone is already playing, Simply skp Step 3 aboxe return to regular playback, press REPEAT and SINGLE. The indicators wil go out ing point of a repeat section will depend an the song time it takes for the (W519 return to the sa data, “When you reset a repeat black, previous setings are erased, @ How to cancel Block Repeat settings ED While holding CLEAR, press REPEAT. The button indicator will o out and the Block Repeat setting will be canceled, 66$$ © Setting and using Block Repeat (while stopped or paused) €D Press SINGLE to enter the Single performance mode (the button indicator will light). €D while holding SET, press REPEAT. The hutton indicator wll begin blinking, Now you ean specity the area for Black Repeat €B Use the FWD and BWD buttons to move to the first bar of the section you want to repeat. When the Measure Number lights continuously, press SET. tn whcatoe will link faster €D Use the FWD and BWD buttons to move to the last bar of the section you want to repeal. Wher tie Mtessure Number fights Continuously, peess SET. The indicator sil ight cantinupush ‘Messi Numer wil blink for a moment. The Repeat section can he set when the Measite N. Continansh, BD Press PLAY to begin Block Repeat playback. €D To stop Block Repeat playback, press STOP (or PAUSE). ‘exola playback, press REPEAT onc! SINGLE. The iodicators will go out ies fr the W-50 to return tothe starting point» cepeat lock wll depencl on the son: data Whe tens seser repeat block, previous senings are erased @ Jumping to the first bar or the last bar in the repeat block @D Each time REPEAT is pressed while holding down STOP, the W-50 will alternately jump to the repeat start position and return p 67You can pls song data that was created on other computes oF sequences, ii in the Standarl MIDI File format, The Sind SHD1 File fsa type of data onal created so that song data ean be compatible wih ‘asics dierent cevices. This data format can be used by devices of manuiscturers fom al ver the woke @ For Standard MIDI Files created on IBM-PC and Atari computers: Save the Standatd MIDI File toa disk which fs been formatted for the W-50 vw P.69). The W501 mas not ne able isk formatted by your device. Change the file extension to "AMID" ithe estension in @ For Standard MIDI files created on a Macintosh computer: Save the Standard MIDI File 4a disk sich fas beer formated forthe W-5D c@ PSH, Thee WD mu no be ale to pas ish formatted by yaur deview For Staci equipped with on Apple Super Drive, use the “Apple File Exchange” sertiae e save da to disk. converting Standard SAID Files to MS-DOS data, A disk drive such as a Dayna ile” is nue essen fo 2 Macintosh which is nol equipped with » Super Drive (SEAVPIuS, Change the file estensian to” Xt the exlension i nat so named Song dary ms not he playead back correctly depending on the device (or software) that was used tor can ‘eting to the Standard NDI File format The N50 numbers song. data recorded! 12 the order ofthe following characters, sumbers ad aks (ye order oF the ASCH characters), J) you number the play order a the einige thes ta which hos been cevorded with another sequencer, you can have i core spond with the bes m8 (0 am 68Here's how to use a MIDI keyhoard to record a musical perionmance Before you begin recording wen you record on the W.-50, the recorded d is tore let onto Happy disk DD Type. You thew @ If you are using a new disk Beiore the W-50 can use a newly-purchased dis, the disk must be fosmatte i Set the write protect tab of the disk to the “WRITE” position, and insert it into the W- p po 50, fe sure ta insert the disk property (ee page 45). " ‘urs? * appears in the display after the disk is inserted. €D Press REC, and the disk will be formatted. appears inthe display during formatting, “ Come Letee. * appears when the forma ween completed © If you wish to use other types of one the W ks 0 can use a disk formatted by another device (.e., a device ather han ar IBM or ATARI ‘Computer, the disk must be formatted using the following procedure. This procedure can also be used 1 erase all songs fom a isk Whem you format a dis, all data that was on that disk willbe lost. Before you format a dls, make sure that 1 does not contain important data you wish o keep, €D white holding CLEAR, insert the disk (with the protect tab at “WRITE") into the disk drive. Are Vou Sure? * appears in the display ater the disk is inserted, €D Press REC and the disk will be formatted. “Hou Working. ” appears in the display during formatting, * Come Letedl. * appears when the fr ‘mat operation has been completed. @ Selecting the Time Base Before using the W-50 to record data that will be played back on a computer or ater sequencer, set the Time Base 10 match hat ofthe device which will be used for playing back the data The Time Base [also called "Resolution” on some devices) determines the timing resolution at which data will be recorded. This will be diferent foreach device he W-50 allows you to select a Time Base of 96/120/192/240 when recording, Refer to the chart below and set the Time Base to match that ofthe other device you will be using, Ifthe Time Base is incorrect, the Timing of notes willbe incorrect, and the playback will not sound as expected, Time Base of the W-50__ Time Base of the other device 96,192 24, 48,96, 192,388 120,240 * When shipped, the W-50 is set toa Time Base 0F 96 “Time Base settings have effect only when recording, When using the W-50 to playback song data that was recorded on other devices, the required Time Base will automatically be detected, and the Time Base se. fings have no effec. ‘A song recorded by the W-50 will be named as “Song_00000" and the file will be named as *00000.MiD", ete €D while holding SET, press REC. The display wil show the current Time Base €D Use BWD/FWD to select the required Time Base (96/120/192/240).. BD Press SET to complete the operation. 6@ How to record ED insert a formatted disk into the drive. €D while holding PAUSE, press REC. The song aumber othe sang you are about ts secon! will be displayed. The W enter the record BD Set the play tempo by pressing TEMPO . €D when you begin playing the keyboard, recording will start. Your ean who sia sul by pressing PLAY tor PAUSE, €D when you finish your performance, press STOP (or PAUSE). 1 you pressed PAUSE, yon can press PLAY jor PAUSE) once again fo resin vex enting hom the pause @ How to re-record (clear song data) ©D while holding REC, press CLEAR. The display will ask ou Sure ©D Press REC once again. The song vou tecordet! wil he cleared (erased. Re-record the song using the nbc dun’ above This operation can he used 10 clear not only the song you just recorded, fut also esther songs on the disk ‘tthe song number, and periorm the above operation. When you clear a song To clear another the following song mantecs will be renumbered ™ Recording Song Data from Another Device Into the W-50 Song data that sas created an a computer or other sequencer can be recorded into the W-50 as explained below. If vou wish to play song data that is aot in Standavd MIDI File forma «se this procedure 10 # recor the data ita the W-50. + MIDI Clock timing intormation for playback? has been preprogrammed to “INTERNAL on the W-50, soit vil be ur to change the setlings. @ Recording ©D while holding PAUSE, press REC. You will enter the record ready mode €D et the play tempo by pressing TEMPO . (CD Press PLAY (or PAUSE) to begin recording, €D Start playback on your computer or other sequencer. The data wl be recone €BD When recording is complete, press STOP. + Hf you se the W-50 ANDI Clock parameter to “Remote™, the W.50 will play the other device computer or sequencer) P.74) “ifthe song data coovai p in response to operation of jge numberof System Exclusive messages, they may aot be recorded, 70Use the following playback functions when necessary aybac Pier ry Auto Play Playback will auiomatically begin when yo inser a dish Song Interval Time: Specity the time interval between Auto Rewind: When you press STOP during play @ Turning Auto Play on ©€D while holding SET, press PLAY. ©€D Press FWD to turn Auto Play “+” To tu AutoPlay of again, press BD. © Press SET to complete the operation. Ps @ Changing the Song Interval Time (0O—99 seconds in 1 second steps) ©€D while holding SET, press PAUSE. The display will show the current Song Interval Tine €D Use BWD/FWD to specify the Song Interval Time. BD Press SET to complete the operation. @ Turning Auto Rewind off ©€D while holding SET, press STOP. The display will show the current setting (OH). ro €D Press BWD to turn Auto Rewind “OFF”. To turn Auto Rewind on again, press FWD. BD Press SET to complete the operation. 7opying Song Data You «an copy song data to other disks, This allows you to collect song from diferent lsks onto a single isk or vomenient playback here are nto ways to copy song lata: copy only a single song o¢ copy an entire dlsk clsk contains song data with the same name 2s the copied daa, bv ata before vou copy it hese sigs can be © Copy only one song EP hosert the copy source disk. €D Use the SONG to select the song you wish to copy. je holding REC, press SET. REC. €D Alter a while, the display will ask “ Tr: © insert the copy destination disk, and press REC. 4 Det. Di lithe amount of data i lange and cannot be copied ina single pass the display will ask Insert Ses. Disk" Ined the copy source disk, and repeat steps ED snd CD unl copying @ Copy all songs ED insert the copy source disk. €D While holding REC, press REPEAT. The display willask "rE You Sure CD Press REC. €D After a while, the display will ask“ Insert. Dst. Di © insert the copy destination disk, and press REC. Tithe amount of data i lege and cannot be copied ina single pass, the display will ask ou Dast sen the copy source dish, and repeat step IBD and ED unl copying is 72The W50 is able to playback in synchranization with other sequencers @ Synchronize other devices to the W-50 Connections and preparation /ou wish fo synchronize other devices to the W-50, make connections as shorn The W-50 isa wna need tc othe tung on the W.-50, Synchronized playback Prepare the W-50 anal the other sequencer for playback, and start playback on the W-50, When playback begins, the other quercer will begin playing back i synchronization with the MIDI Clack messages fom he W-50. You can adjust the playback tempo on the W-50, You wish to temporarily cancel syncronization, turn off he AMDI Clock Out (# P.74, @ Synchronize the W-50 to other devices Connections and preparation Iv you wish to synchronize the W-50 to other devices, make connections as shown below. Sel the othe sequencer to use its own internal clock as is timing source. i. m a MIDLOUT IES acc Synchronized playback Prepare the W:50 and the other sequence for payback, and stat playback on the other sequencer. When playback begins, the W.50 wil bein playing back in synchronization wih te MIDI Clock messages em the other sequence. You can adjust the playback tempo onthe oer sequen “if the W-50 ANDI clock was set to “AUITO™, itm In such a case set, the MIDI clock to “MIDI” ie P ‘of operate correctly depen the sequencer used 73@ MIDI Clock Select hese settings determine hss the W-50 handles MIDI Clock messages. Normally vow will eave this set Fnexnal bat in some cases sont maw nbed to change i Aly Normally ose the internal clack. Hf Slant and RDI Clack messages ate received irom an exter nal MIDI device. plavhack will aceur in ssnchtonization with the MDI Clerk han the ester nal MIDI deve Internal: Use the internal ack. MIDI Clock messages from ay external AMIDE device il gn sup Se MIDI Clock messages received atthe MIDI IN connector Rem the intemal lock. However, playstop can be contralle fam ts external NUD device €D while holding SET, press TEMPO <. The display wil Show the curent setting €D Use BWD/FWD to select the setting. €'B Press SET to complete the operation. @ MIDI Clock Out on/off €D while holding SET, press TEMPO > he display wil show the curtent setting, Tiiaes cae €D Use FWD/BWD to turn MIDI Clock Output On or Off. ‘€'®D Press SET to complete the operation. Controlling Play/Stop from an External MIDI Device ‘ou can conl the STOP and PLAY functions ofthe W'50 from an estenal MIDI device For example if you are using a MID! keyboard that has a bilin sequencer, a MUD keyoard tha is able to transmit starUstop messages (such as the Roland 4-80), you can remotely control W-50 playback fron: the playstap buttons of your MIDI keyboard ‘When «ing an external MIDI device to cantral the W-50, set the W-50s MIDI Clock to “Remote *1F vou wish t0 begin playback by remote contol from the point where playback slopped, set the Aut Rewind function 0 Ot P71). “When Remote is selected, the W-50 will use its own internal clock, and will not synchronize to MIDI Clock messages trom an external ADI deviee, @ Set MIDI Clock to “Remote” €D While holding SET, press TEMPO <<. The display will show the current setting €D Use BWD/FWD to select “F EBD Press SET to complete the operat "” (Remote). 74L | pee Cad |g tf Conver the song data in order to make the speed of ForwavcBackssa opeations taster than usual. When converting the song data 1 itis converted into format 0 here are two methods of conversion: ane is lo convert any ane sony, and the othe stan enti The original song data will be exased when convert ‘he conversion function, 6 p72) The conversion function cannot be executed when: 1 is ncempatiote wih o# be ploved by the W-50, or 21 when insulicient memory space i he speed of the Forwardackward returns tothe rte camer some até exe By another sequencer ar computer, Conwet the data Back a * Standard SDI Files in Format 1 ean be converted ontyif hes have fewer than 17 tack Whee this conversion is done, a controlling tle is made for ¢ lata. Th nuns 2 single ue. Theretone ‘disk i actually less than 99, © Converting only one song ED insert the disk. €D Use the SONG buttons to select the song you €D While holding REC and STOP, press SINGLE. The display will ask * Br ‘ou " to convert. DD Press REC. When conversion is complete, the song number ofthe converted song will be displayed (Before Conversion Eis (Alter Conversion © Converting all songs on a disk ED insert the disk. €D while holding REC and STOP, and then press REPEAT. The display will ask "Aire You Sure? €D Press REC. 75& MIDI Update 76 The W50 provides 1 AUD! Update function that ensures that even sehen yeas resume playback fom the onde a son eater forward, backavaed, a block repeat. playback will sume canveety Song data contains many Iypes of MIDE messages, When song data is plaved back fom the begining, i jsmits thes: MID] messages inthe correct der to play the MIDI sound souatce, Henveve, if ou use sword haekssatd ela» change the location itom suhich playback hess. the MUDL messages that were skipped over ‘Peogiam Change messages, Cantal Change messages, ct will not fhe transite to the AIDE see Ths means that when playback resumes, the sound tas sit eee For example. the song data contains Program Change messages inessises that selet sounds) as shone below. when sou reise! fom point & 10 point © ane! then begin plavbark ivan point A, the string sound will be beste wer though the brass sound! should be selected A point B point Brass sound Strings sound o sole surh problems, the W-50 provides a MIDE Uprlate function. ¥ AWD Update is tured on, the fata will be checked irom the beginning and the appropriate messaye> ill ae Hansmitted to ensure that ynge the prin rom shit ho begin playback, When the WV.50 is shipped, MIDE Uplate is turned on, andl in most caves this will be the setting you wan However ithe amount ef song data is huge, in some cases it will not be possible to process the data cor rectly I this case, while holding CLEAR, pressing STOP will transmit all MIDI messages (except note mos ‘ofthe song to the eurrent position, The MIDI Update function can be turned “OM? if necessary. © MIDI Update on/off €D while holding SET, press FWD. ‘The display will show the current setting (Om €D Press BWD to turn MIDI Update “OFF”, To turnin, press FWD, B® Press SET to complete the operation.@ ON/OFF for Auto Send of All Note Off Messages When all the notes ofa certain MIDE channel ave mite wher al the aoe ne ture tn Nate OFF the 1W.50, you ean select whether oF nol Io rans the All Note Of! messages ot tht thane thous SMD OUT 2. Normally, you may se this function to OFF. By setting ito ON. 1 an mize probs lems such a having 2 sound module proice sound when it : ©D Press SET + BD. The display shenes Auto Send IY or FF carton sled fais €D Press FWD to tum it, To turn OFF again, gress BW ©'®D Press SET to complete the procedure. © ON/OFF of Active Sensing Message Send By sending signals lative sensing) at certain interval, the W-50 checks the intexity of the MIDI ¢ tion, Hi, however, iroccurs thatthe: connecter! MIDI device cannot process rom the W-50 correctly sand thereiore cannot be played propery, turn OFF the Active Sensing Nes ED Switch on the unit while holding CLEAR down. Now, no Active Sensing Message will be sen, To send Active Send Mussages turn othe uni then turn 778° ° 2 2 ° Q 8 ° 2 ° 2 ° 2 Q ° 2 ° ° ° 2 ° ° 2 ° ° 2 2 ° ° 9 ° e 2 2 o 2 ° °@ What is the General MIDI System? sneral MIDI System is a universal set of specifications for sound generating devices GENERAL cine teen syeet pon by oth the Japanese MIDI Sar Commitee a he American MMA IMIDI Manufacturers Association, These specications seek fo allow for the Feation of music daa which is aot limited te equipment by a particular manufacturer hat should The Geneva AMIDE Systeny defines things sucls 14 he MIDI mess rata Chane numbers, a 1a rhythm sours on the keyboned, Thanks to pectic ations, any device that is equipped with soun q D1 Sistem will be able to accurately reproduce General MIDI Scones (music data created forthe General MIDI Systen ances supponting the C @ What is the GS Format? Tie GS Format is a standardized set of specifications ources which defines the manner in suhich mult timbyal sound generating units wil espond to MIDI mes The Gs Format also complies with the General MIDI System |S Format also defines a number of other details. These ir hide unique specications for «ticaions concerning the manner in which sound source rd to MIDI messages This poduct supports both General MIDI and the GS Format ng data which caries either ofthese logos can he accurately repre 80When for some reason 1 sound is produced, oF vou suspect the units not operating as i should, check the items below fs. f you are sill unable to achieve nora operation, contact your rete he eae Roland Service Station, @ Synthesizer Section No Sound/Sound Too Low @ Are you sure you don't have the volume set too low? Recheck the volume setings you have on this uni, ani any ampltiey or miver you have connected © Can sound be heard through headphones? © Are you sure you do not have the Local Control parameter set to OFF? Set ito Local ON tp. 38 © Ace you sure the volume levels set for all Parts/individual Parts are not to0 low? © Is it possible that the volume for some Parts s set too low as a result of Volume messages received from an external device? Try changing the © Are you sure the Transmit channel matches the Receive channel used by the other device? Refer to “Transmit Channel” (wp 3), al “Receive Channel” tp. 42,4) © Could the setting for Master Tune possibly be incorrect? Check the setting @ Are you sure you don’t have Transpose set to “ON”? Press TRANSPOSE to turn i OFF @ Is the setting for Key Shift appropriate? Check the setting tp. 42). © 1s the pitch wrong? Has pitch bend data been received, leaving the pitch hanging” at some non-zer0 value? Return the BenderModulation fever to the center poston on transmit the centr vale 631 or he pitch bend message Tones Don’t Change Properly © Are you sure you don’t have Local Control set to OFF? Seti to Local ON tp. 38 ‘© Could you have the Tone Change Receive Switch set to OFF? Set the Tone Change Receive Switch fo ON. © Could you possibly be in the ROM Play mode? Press LEVEL+PAN to exit the ROM Play mode ‘Effects Do Not Work © Are you sure the level set for Chorus/Reverb for Master/Parts is not too low? Recheck the settings © Are the indicators on the relevant Effects switches (Chorus and Reverb) lit? Press the buttons to turn them ON, 81el 82 @ About the SMF Player @ The disk drive will not work Be sure 1 use only the inclu AC adatn Cannot record Ia dish inserted int the sk erve Cannot use Block Repeat playback. \e the REPEAT st SINGLE iia it thew ate not, press the buttons the indicators should igh The sound is incorrect when you begin playback from the middle of the song. fas the ID! Update function been turned on (# P.76)When a mistake in an operational procedure has heen made, othe uit is unable to Cary outa procedure properly. an Ertor Message will appear in the display, In such cases refer to the information belo © Synthesizer Sec Cicratceeannn (iene a caa Reason Action Reason: Reason: Action: Reason: Reason Action The unit’s backup battery has heen cept Contact your nearest Roland Service Station vour Roland retailer ‘An excessive amount of MIDI data as seceives all at once, and coul! nol be roc essel proper Try reducing the amount of SDI data thats ser to the unit Exclusive messages could nol he received correc y ‘ter checking the cables an! connections, and the data that sta be ansmitted, ry periorming the procedure again. A MIDI cable is damaged or has become discon: rected. CCheck the MIDI cables and the connections A Tone or Drum Set that does not exis in the W 50 was requested by data received at MIDI WN, Contained in music data played on the SMF Player (Check the data in question, and ater Tones or Drum Sets contained in the W requested ‘An external MIDI device othe SMF Player hos requested a sound not contained in the W.-50 ‘Make sure that only sounds contained inthe W-50 are requested a3ET © SMF Player Section Peer samea ee pie Fully ac Pree a Me te 1: C fea feeeer Action: Acton: Reason Reason Action: Reason 1 Action 1 Reason 2 Action 2: Reason 1 Action 1 Reason 2 Action 2; Reason Action 3 Reason 4 Action 4 Reason: Action: is posse that th data on the disk has ben ‘eupted,orthat the disk sel has been dam ogee Format the disk once again 4 P68, Hh disk is sill not usable, throw it aw Na more data can be stowed 0 sk Either delete unneeded song aa o# P.70), oF use The protect tab ofthe isk ise he PROTECT positon, Sel the protect ab ofthe disk to the WRITE posi here is 0 akin the eee Insert 9 isk it the ei ‘The disk does not contain any song lata Insert a disk that contains sons ta Not all the song record onthe clisk have not MID" extension, CChange the file extensions to” ID" wth your sequencer oF compute. The song, data uses a Time Base tha eannot be sed by the W-50, I your sequencer or computer allows you to change the Time Base of a song, changeit to.a Time Base (= P69) that the V-30 is able to use. The song, data may be damages Delete the song data fw P.70, ‘The song data isa Standard M101 File with a for mat ther than (oe 1 ot 17 Wicks The W.-50 cannot play this daa. Use your Sequencer oF computer fo cinvert it 1 foImat 0 oF (01 17 tracks or less) The song daa is in Format | ad contains 18 or mone tracks. Use your computer or sequencer to modify the song data to 17 racks 04 les. The specified song data cannot be copied because it has.@ Copytight Notice assigned 1 i, Song. data that contains a Copyright Notice can be copied froms the master as maa Kies 3s you want, bul you cannol make a copy of 2 Copy Press STOP to cancel the operation Inthe event that you want to copy the eats of more than one song, press REC 0 copy the dataReason 1 ieee io Action 1 Tene Reason 2 Action Reason feaiahee ce) Acti eles With errors The AlIDI device canceled to SMOLIN has been turned oi This isnot a malanction, Turn he At devicw om This posse thatthe SMD cable: connected 1 MIDIS ect date Check the MUD rable canneetians short tinea cel not ‘ The MUD! «able connected to NKDLEN is sit Check the NDI cable connect yonte SME Plaver Free ness a5@ TONE GROUP 1 Piano @ TONE GROUP 4 Guitar @ TONE GROUP 7 Ensemble £7 COE Tone Name Yo #4 GEOR Tone Nome Vo # PCF OF Tone Name y gaat Pena i igo pm On Melos Gt T 1a 0 —Shings cal i 8 i 8 Orchesia 2 i 16 Nyon Gio 2 = D0 Show Sings 1 Fieno? 1 32_Nylon Gi T 35107 Syn Sings Fiono 20 1 TOT Sects Gr i 8 Syn. Stings 3 Semon 1 12st Gh 2 TSO Srings 7 Piano 3 i 16H i. |S pcs ale Alara 770 Honky ork Tw i 32 GhoirAchsZ 1 Honkytonk 2 8 Howoiion GE T SSO Voie Oohs 1 as FW Olean Gr T 773507 Synvor 7 @_Ghonis Gi 2 F360 OchestcHt 2 SBT Med Sr 7 “8 Funk q @ TONE GROUP 8 Brass mas 16 Fark G.2 1 #_PCH CCOF Tone Name v Detuned EP2 6300 Overdrive Gi. 7 1570 Trumpet 7 15. Fino Ze 2 77H TO Dorion Ge 58 0 rombone 770 Harps? & Feedback Gt z Trombone 2 2 'E Coupled Hp. 1 (one cae 7 Harp Gi Feedbock 1) 770 Maedonpa 561 _0_French Horn 2 @ TONE GROUP 5 Bass 1 FrHorm 2 # Ree CCOF Tone Name v FEO Brass T @ TONE GROUP 2 1330 Acouse Br 7 8 Bross 2 2 Chromatic Persussion Z_34__0_Fingared Bs T 783 0 Synih Brawl £ PCF COE Tone Name ¥ 37H TO Aiceede 1 3 Synth Bess J T 90 Gelesto 7 436 0 Fretless Bs. 7 5 AnalogBross! 2100 Glockonagial T 537 0 Slop Baws TSO Spin Boss 2 STO Mine Box fT ye ~8 Sy Bras 712 —0 Vibraphone T 739 0 Syath Bons 1 7 16 Analogbrose? z 3_Vibw 1 Gass (OT 1 35 13 0 Morimba T _8 Synth Bass 3 7 @ TONE GROUP 9 Reed Marimba w SO Pen cer tone y IIS 0 Hyfephone T @ SmihBas4 2 ‘0 Sporane Sax T os 16 Robber Boss 2 27Gb 0 Alo Sox i hirer ll 7 3767 0 Tenor Sox 7 9Carilon © TONE GROUP 6 770 arre Sox i F160 Sontur 7 \gs/Orchestra 5 @_T Oboe 7 4 PCH CCOK Tone Nome vy 8700 trglsh Fm 1 @ TONE GROUP 3 Organ Ta) _0Violn 1S 771 0 Bassoon 1 PCA C6O# Tone Name y 8 Slew Vilin T5720 Clorinet 7 1170 Orgon 1 1 ZO Viele 7 8 Detned Or 7 2 3&0 Colle T @TONE GROUP 10 Pipe 16 60's Orgon | 1 Gad 0 Convabass Tt FH COP Tone Nome y 32_Orgon 4 2 5450 Tremolo Si T 17730 Frecolo i 7180 Orgen 2 T & 45 0 PizzicotSir 1 2770 Fh 7 8 _DenedOr 22 «747 _0_Horp T 375 0 Recorder 7 32_ Organ 5 2 Ea 0 Timpont T 760 Fon Flute T 3_1P_O Organ 3 z 577 0 Sore Slow Z| iw och OTT 780 Shakohachi a Church Org.2 2 770 Wisi T 15 Church Org.3 2 3800 Ocoring 1 5210 Reed Orgon 7 & 2 _0 Accordion Fr z 8 Accordion 2 70 Harmonica 7 3240 Bondneon 2 86— @ TONE GROUP 11 @TONE GROUP 15 Percussive @ORGAN SOUND GENERATOR SFO Kelimba T Laehing ing Tones marked with an have an indeterminate pitch Synth lead 4 PCE CCOF Tone Name Vi # PCE CCOR Tone Nome v 4 ACH COOH Tone Nome v 1113 0"Tine el T 7773 rhCever 2 18) 0 Square Wave 2 D114 —0Agogo 7 31 Fi Celeue? a 1 Square — 1 S30 SesfOme T D2 7HSrCeleset 2 Sine Wave T 21160 Woedbleck 7 TO 31 Si Celeste? 3 2-80 Sow Wave 2 8 Costner = 33 Hinwpal 7 Sow q 57 Taiko T T1351 Principal 2 4 @Docier Solo 2 8 Coneet@——T | TSA OrganT a 380 Syn. Calfope 2 FTE Melo Tom 7 1231 Ful Organ 2 a Ba _0_ChillerLeod 2 Malo Tom 2 1 5331 Rregue Reed 7 385 —0Chorong ZF WFO Sy Brom 7 1331 Org Trumpet 7 586 0 Solo Vor 2 E808 Tom T 58S Orgen Foie z 787 0S Saw Wave 2 16 Hlec Pere 1 Ta 51 Fate Comet a 588 0 Bors & leod 2 31200 Reverse Cym. 2 77351 _Jazz Organ 1 2 1531 Jazz Organ 2 7 @ TONE GROUP 12 @ TONE GROUP 16 SFX 851 Gospel Org T 2 ‘Synth pad etc, # PCH CCO# Tone Nome. 1631 Gospel Org 2 2 4 Hes COOH Tone None v2 0G Free 1870 —Fontosio 2 1G GulNoise 2900 Warm Pax 7 2 Sting Slap 3910 Polym 2 T1920 Breoh Noise 1920 Spoce Voice T TFL Key Click 590 fowed es?) TT Sealoe 5940 Metl Pod 2 1 Rein 7950 Ho Pa 2 2 Thunder 3960 Sweep Pe T Wind Stream @TONE GROUP 13 Synth SFX 5 hibble— ‘ Tone Name ao aed i lee Rain 2 1 Dog 2-980 Soundrack 2 2 Howse Gallop 399 0 Capt 2 3 Bind? 1 Syn Mall So kee T1000 Atmosphere 2 Telephone 2 ote 2 Door Creaking 1020 Gabi 3 Door a 7708 0h Drop ‘Seok 1 1 Feho Bll 3 3 Windchine 2 2 Eche Pan 2 5120 Hlcopler E100 Sir theme 2 1 Cor Engine > 1 OO 2 CarSiop = @ TONE GROUP 14 Ethnic 3 CorPass # PCH CCOF Tone Nome v “4 CarCrash 1105-0 —Sior 7 Siren 1 Sie 2 ies cei # Number 1050 Banjo 7 7 Jeplone PC#: Program change number 37107 0 Shomisen i 8 Storship COW: Value of contol change num 2108 —0Koro 7 9 Burs Note ber 0 (GS bank select number) 8 Taisho Keto 2 7 V7 0 Applowe 72 v; Number of voices 7 7 7 S110 0 Bog Fipe T 70 Fe S120 Shonal T 2 Screaming 3 Punch 4 3 Footteps ae oo cai TV" Mechine Gon 7 T Heo Beat i T Voosergun “3 Explosion z since they are percussion instrument or sound effects, Please use a key around C4 (MIDI note number 60) a7teks PH YSTANDARD Se) SEARRGON Se ROMER SYR ASILCI eh PH ROE Set NUON Ee RRNA et bes s3untt St ska TR ET ase —— ~ Pei 8 ra Pa = een HI 30 Se (O)) eet pad i acre] 5 Nidtow Ran Wag ees Tow RTOS Ton op ET —— oom so HC z host esse? toon lon? Gc Wan? Water Tiere = eis yal — eG — Tbr = Spe ail : ‘onl = Tk i age Opineh cose a FI vs OE] gta ee 7 Be a Tage Gene Tot 2 gh We Tor Wont Te eT 79s — ~ Bo how gi TI —tpen ange BES] a Se = og titties 7 hve rs ET Tp HT) = S = = Tego PCH: Program number No sound Same as the percussion sound of “STANDARD” Percussion sound of the same number cannot be played at the same time, 88@ Parameters common to all Parts Parameter Name Factory Preset Setting Level 127, Organ evel 127 Tone 4400 Organ Tone 420.0 Chores Level o-127 ea Type Chorus Waise Chews Feedback Chorus Flanger Short Delay ‘Short Delay (FB) Reverb ¥_0—64—107, 4 Room 12/3 a Hall 1/2 Plate Delay Panning Delay Organ Chorus % Chorus 1/2/3 Chorus 1 = 0-187 60 = 0-127 30 #0127 60, OF 0 a MIX, REV MIX Organ Raver’ Room 172 STAGET STAGE 172 HALL 1/2 DELAY __ PAN-DLY 2s Level 0-127 100 Time aemaO=Ier, 80. _ Feedback 0-127 o- WaIDT Transmit Channel Pan, 116 Part Tone Change Recaive Switch sk OFF, ON. ON GS Reset Receive Switch FON ON, ‘System Exclusive Receive Switch * OFF, ON ____ON ie Alertouch Receive Switch OFF, ON ON — Local Control ‘OFF, ON, ‘ON User Bank Select Transmit Switch OFF, ON OFF Performance Dump Switch OFF, ON. OFF Device ID Number 11732 17 Bulk Oump meme = Tone Dump - Drum Tone Dump : =e a GSIGM Setup = = ‘Transpose _ i FF ‘Amount of Transposition 240-424 “12 Key Mode = OFF OFF OCTAVE! OCTAVE? DUAL SPLIT Split Point ®_C2—C4—CH7 89@ Tone Edit Parameters Parameter Name Vibrato We Vibrato Depth Vibrato Delay alo Fal Fier Cutoff Frequency Resonance Envelope Attack Time Release Time ™ Parameters for individual Parts Parameter Value Factory preset setting evel %_0— 108— 127 (100) 108 Pan #163 —0—A63, ANDO Chorus Send Depth #0 — 40 — 127 (0) 40, Fever Send Depth ¥_0—64— 127 (40) ws ‘aor Receive Channel ¥_ OFF, 116 Bulk Dump * Toner Bend Range ¥_0—o— ae “Modulation Depth ¥_0—10—127 Key Shit 2a —0— +28 Velocity Sens Depth *_0—64—127 Velocity Sens Offset * 0-64 —127 Voice Reserve _ * 0-28 Organ Lever *0— 100— 137 OrganPan La — 0— Res 0 Srgan Chorus Swich #_ OFF OW OW ‘Graan Fever Switch = _OFF,ON ON iaibr Fooceive Channel *_ OFF, 116 = ‘Organ Contra! Bend Down Range = 6-0 Bend Up Range # 0—+12 Z Coarse Tune #8 —0— we Fine Tune ¥_-50—0— +50 Organ Voice Resenve = 0-28 Tore Saree = = Eifect Ovo Choris #_OFF_OW OW, Reverb %* OFF,ON ON = SoiaiPoramento ONOFF %_OFF, ON OFF Portamento Time #0 —30— 127 (0) 30 @ Drum tone edit parameters Parameter Name Value ich =24 —0— 324 Level 0— 127 Pan 63 — 0 — R63, AND. Fever Depth o— 127a @ MIDI Controller Features Parameters Parameter Name Value Expression O— 127 Pan O— 127 Conirol Change Number O= 9, 1231, 64 — 95 Value o— 127 Parameters which can be recorded as part of a performance ( GS Default Setting Blank: Same as the Factory Preset setting: except “| a1Roland Exclusive Messages 1. Data Format for Exclusive Messages MIDI status: FOH, EPH. Manufacturer ID: 41H ‘Device ID: DEV “*Model 1D: MDL ‘*Command ID: CMD. *Main data: BODY duseaniconeteieayashe oD and Commend 2. Address-mapped Data Transfer to spec lacatons a machine-depener® ales space hereby allowing 92 *One-way transfer procedure (See Section 3 for details.) sHandshake-transfer procedure. (This device does not use this procedure) a= eo Notes on the above procedures + Thre ate separate Command 1D or diferent ae prvedes “Devices and 8 cant echinge dal ues hey ase the sae amr procedure, share fen! Dee TD an Mode W, anda ready for 3. One-way Transfer Procedure Types of Messages mag | Coa omit | rv ‘Request data #1: RQ (11H) Ins mesa se out hon ae sheer end ofthe rice ‘ere te ‘Gn vee am ROT mesg the roe ve ch 1 fe thom apd et fr cannon, te devi WH was ‘ala st DIT) mesg whch conte he qed as Other Gee] essenrequested dts sides transaction. Requested mut bedded ioe th rae Toitatine in dat format wad for a sng “eample. may ve it length to pedelemined dress ells helo ie exchanged + The same numberof bes compris ade and size dl, which, however, ‘ryt the od 1, the erarcheking proces aut 3 ches hat proses Bt ptr Shere the n= hee re why als fran Sem se, and a ‘hecho sume Data set 1: DTI (12H) 1A O11 mosoge capable of providing ony the vad data among. those ‘pected by a0 ROY mesa Some rodel re sbjc t Henitations in dit format used for» sige Tronoton Requested dot, for example, may hve i i length Imus be thided nto predetermined sarees Sells blo tr exhanged + he erorcheching proces ses» checksum thal provide 9 bi patern there the at 7 ite ve se hen les fr a se se, ah hat (heck ae sre ‘Example of Message Transactions ‘Device A seodng data to Device 8 Tans OT mage al takes pe, (Sense oe Device 8 requesting dt fom Device A Device sends an 1 menage Device A CCheching he espe, Done sees 3 DT message back a Device 8 93[Synthesizer] Model: W-50 1. Receive Data (SMF player section) 1.1 Message stored in RECORD mode § Channel Voice Messages * Note off i WH oon = tlctenas meter GH FH ch eh Nel ran (on — ro — 120) eke Gor 7rRIO— 1a Sut Sand iret 1 Ml chanel as — Fah 1 eh 8) 1 ne amber oon HO an 2 veocty ont — 197 + Polyphonic key pressure (Polyphonic Aftertouch) tes OH Fecha) ok Ha a7 ok — Ha 197, + Contral change Sour Seed Thee oH OH — Fed — eh ‘on 784 (0 — 120) on 7e40— 127), = MDlchond onbee OH Fie eh 16) = Progen mbar ‘oo 7EHI0— 127) 1 Atertouch) + Channel pressure (chanr Of Hick) ane) oon 7FHIO— 1271 + Pitch bond change Sout Send hid a) Re MDkchanea mb OH Ffeh1 — 16) frm» Yobe SH, OOH 7H, HH 8199 ~ 2991) '§ Channel Mode Messages * Rest All Controllers Seu Sead hind B79 Oo n= Mt char umber + Local ON/OFF Siem Secmd hind bt Tata = MY cha number ooh + Mono Sue Send The a) Micheal ramter OH Ft eh) — ch 6) fhn= Mone rob 00104 (0— 16) On ih | eh) OF — fh 1 — ca 0H, 7 O}OFF 12710) * Recognise ny il Nts OF + Pow Sus Send thd it OOH n= AMD chan ruber Racoon Al Nets OF 94 OW Ach cha MIDI IMPLEMENTATION Date : Mar.7 1994 Version : 1.00 § System Exclusive Messages sou Oa ‘sons Fon) aah... PH row Syem Ec Pelonumber OH = HIO— 1271 joe dna Ot 7HIO— 127) tna LOH (Eod OF Ease Sys Co § System Common Messages * Tune equ 1.2 Messages not stored in RECORD mode '§ Channel mode messages * All Notes Off tte Oe = MAD chow une om Fi ea When W50 ese hs message, prochcs and sre: Now of esoges oe il on, + OMNI OFF Sioa Secor Thad ee 7G Oe ne Mbichonelmanber OH FAKGh1 eh 1) + Recognizes ony Al Notes OF + OMNI ON Sikhs Sex Thind et 7H OH = MbIchoreel number OHA eh —eh 18) "Recognizes only A Noes OF 1.3 Recognized Sync Messages ecograed whan Clack Slt te Sytem Func) 2 ADK or AUTO. let Sela So AUT, do pam veh resnge i rte cnt ‘ve conmand oe racine rom in nr doce, posing he 50 FLAY on wl lbw he uni ion oe Moser lab Clack Sele? wos sto INTERNAL I however, he W'S0 essa Slt o Contin commard ot DYN wl Incas oS deve responding ening ring ck '§ System Common Messages * Song Position Pointer Sens Seed Thad a renll= Vee 00H, oOH —76H, 710 16289) + Recgriced whan W-50 sin STOP or PAUSE mk * Wher th 50 veces 9 Song Pion Masiage, il rus 2 fw cnc tolecale the speci ong pst, Tecra plese wa ae esc kre sanding Conte mesg iy pressing PAUSE = PA] + Song select aoe se Vole 0081 — 62H (0 —98) + Reogriaed whan W-50 in IOP or PAUSE mode § System Realtime Messages * Timing loc sine fet sous fat * Recognised when W'50 nin STOP o PAUSE mode.+ Continue acgnae hin W-50 sin STOP or PAUSE mode + When Auto Rewind Sytem iON, playback wil gin ram the ageing ote song + 80 * Reco when W 50 an MAY or RECORD me + When aut Reino Se acon ON, he plbock wil on. Song po tan onal ro the baring oe 9, 1.4 Recognized messages from r controller acogrzed shan Chek le! iss REWOTE § System Common Messages Seu smd Feet rom lls Vobe 00H, Goh ~ 74H, 7#H 10 — 16988) Recogrind when W804 n STOP 1 PAUSE mode "Viton W 80 recenes 9 Song Poston mesogenic fw snd to Ibese te spc sng poten Troe plese wor @ Fw seconde bale serdig 2 Conve menage by resin PAUSE o PAY] Song Select Sins Second nw = Vobe oom sao 98) * Recoriced when W509 STOP 2 PAUSE mode § System Realtime Messages * Start Seu + cogs whan W5D ie STOP PAUSE mode + tacos whan W.5D'is ia STOP o PAUSE mode * Whar se Rewind 9 Sym Scion OM lybock wil gin ram he agony oe song + Stop Sem: co + Recogisd hon W.50 in RAY or RECORD me, "Vos So wd in Spe kno ON, he plac wl ep, Song pos en aomeealy ah e bging of he ag 1L5 Messages received for detecting trouble in MIDI connection § System Realtime Message * Aative sensing ‘ous fo * Aine sing masge, monte te iyo EY cose. ‘aha lint ei tring move hot Geo raced WSO exp fo anos rceving hate msroge wih 300 mage intra the eral [xeean mssger exceed 00 mac te WSO il dg hr i po Jenn th MI pa log, @ aroma cata) ond wl Fons @ Noe OF ‘meuage bral rt ex crery on he probe oer whe recoding he Noe OF resege will coded bth eet of fe ch on onsen, moron of incoming metages wil 2. Transmitted Data (SMF player section) 2.1 Transmitted messages in playback mode The red manage of onemied we ng do layed back 2.2 Transmitted messages which are received Trani reseed meiogs oe Worsted exe! All Nee OF | Ch Mate Meson § System Common Messages + Song Position Pinter a ao tom's oe GOH, OOH — 74 PFO — 16980) he Clack Sei AD an lak Oi OG St + Song Select, Sona Second 4 — 7H (@— 127 * Tomita wan Clack Sti Ean Cae is ON in yt once § System Realtime Messages Trani wba Click Sle MI or AIO iychranze ahr dees cond Clack Cats ON Sp cn roomie hen Clk Sis Xo AUTO. ol Clack Oat ON in Satin * Trnamited when Clack Sle! Mor A/D, od Cc Oss ON in Sse ean + Step ee “onmied hen Ck Ske s MII AUTO yee ti dees) dd Cll ats ON Sn eon 2.3 Created messa § Channel Mode Messages * All Notes off ‘sous Second Thad fet 7B OO f= chonl mun 0H —FH fh <1) * roamed wh nts ov ad of no spc chon! ond lat ronan sith to ON, + omn OFF ‘ous Send Thad a 1=MlDichonal mune OH FH f.t ch 16) we Vobe oom 7eH(0— 127, * When W:50s eran, hse mesoges ao voit en al chav + Pour Second hd tot Hw 1=MDchamel mente ——-OH— Fi fst cht) we Vohe oon —7H(0— 127) * When W:50 is vadon, hse mesos ae oid en al chon § System Realtime Message * ative sensing ‘aus * Trans butt Acie Sri slo OFF when W50 ued on 95§ System Exclusive Message Sous Oa sows Fo ain, PW Spam Ecve oor Ho 127 Givewcde OM 7127 re FO fod Ol Ecave/ Sy Carmen 2.4 Crated messages for sync § System Common Messages rem lls Value COM, OOH — 7 ZF — 10380 Trond ben Co Selec MEENA. REMOTE or AUTO fay IERNAL, td Coe Oats Chin Som knton + Song Selec Siu Sa = Ve oo —eam0— 98) Troms whe Clack Slats WTERNAL REMCTE ar AUTO fos INTERNAL) tnd Cock Cora Nr Sytem ron '§ System Realtime Messages + Timing clock fe + tani shen lik Selec INTERNAL, REMOTE or AUTO fos IVERNAL rd Ck Outs ON Salem bron Seu Fait "Trani hn Clack Sects INTERNAL, REMOTE ov AUT fas INTERNAL rd Clk Ow ON Sp acon Ceontinve Sta ae * Tamia when Clack Sle! INTERNAL REMOTE or AUTO (os INTERNAL ted Clack rs ON Sa cto + Stop seu ror * Tonite whe Cb Sc INTERNAL, REMOTE or AUTO fos INTERNA, ‘nd Clock Os ON Spam con 3. Receive data (GS Sound Generator section) § Channel Voice Messages * Note off Siow Sond had aye om WH Go = Ml hen runbs BLN nba 10 7Pst0 — 127 Veo (oH 7410 1271 +n theca prt ecgnzed hen Ra NOTE OFF = ON fy each nsrment 1 ely igrved * Ignored nbn hs MINUS ONE hn to ON ad he MI cael fr of motsage he ome oh sled por OH — FH ch) — a5 + Note on = Mo\chon aunber OH HYen1 —ch gh enone ‘oH — 7FH(O— 127) rly ‘o1H—7PHU — 127) rr whe “Re NOTE MESSAGE» OFF = “inte cn po gnred won“ NOTE OW = OF fr ach iniart “Ignored whan the IRS ONE ncn et © ON aed he MY cham a br of is moage nese oe ec prt 96 + Polyphonic key pressure Suan eal Thad n= MOlcheroal wmber OH Fc) dh 6) 00k = 7H0— 127) OOH AH IO~ 1271 gure he “Re ROLY PRESSURE (PAL = OFF * Bt he promt set on Spe Eco Menges The deol sein as octet [proved when the AUN ONE hc eo Oar th A cho ber af hi message th someone ke ort The voles se by Contd ego chong mesg ‘change manage web ee by acing we 1 Bank sleet Stas Secod the ewan i = MDichome mbar tno fencer (OH — Fah oh) (0.00 —7F TP on — bank 14384) ‘ela Value = 0004 son 1 * Ignored when a BANK SELECT» OFF = BANK SELECT eat OF by “Tur General MO Sym On” ond 0 Ont by“GSRESET” (owas dad ae | Bante! aspera ul eeng “gran honee Touro Tone ol anaher bon, you hve send 2 rs stn I bee seg he Pg charge The Veron mbar of GS Formals dared asthe deco erprestin of he MS so |Coml ange robe OOF he ork eet. 1 Modulation Stas Secoed Thi ot Ow f= MDL chorea umber OH FAC ~ 26) te Mhlaion dp on FH 10— 127) * gor whe Bx MCOUWATON = OFF * * cote poromae ston Spt Excive Messen The el tigi pic mebiohen dep “Ignored fan he MINUS ONE unk > OW adh MN chan oe erate mange the ome oh lcd at 1 Portamento ime Sete Sean Think = MOI chanel une Poon tne 4 AH eh cha) oH 740 — 127) Deu Ya = O04 The Parmni time valve change the rate of ich change wan Potent i (OWor who ning portant conte manages Vl 0 he ase + gered le the MINUS ONE on st ON or he 0! channel me Beats mesioge sth some ose sated prt 1 Dato entry Sis Saar Thi St OGH tt Sota s=MDchomal rember OH FAL. — dh 16h tn = Vol fhe prameter pct wih 2PM odor NPN * gnorad won the MINUS ONE clo tt > ON od he MII chore en bar ofa mnsoge ithe sone ox lc gat + Volume sous” Second Thi iO =D hana ranber ww lone OM Fick on 16), of 7e4(0— 127) Delt Va = (160) * Value messages conta he volume al fe wad chon por) Ue Valine sige conta volar blone oc pr “Ignored nfo VOLUME = OFF ™ “Ippon en he MINUS ONE Anions! fo ON anh AY chal cu berol ths manage she same he slated ort+t Panpot Sean Secoud Mind ft Oath 19=MADI charnl ner = Pongo ol — Pach —ch6) 0m et 7H (0 44 — 127) elu Vee = 40 1127 sep hom tes Car ght * Witinthe Drm Pat the Panga ponder over canto! of teoaphon “gored whens PANPOT = OFF Ignored when he INU ONE hincho fo CH an he AUD channel nom boro menage the ome oe slate par 1 Expression Str Second Thad bt hie n= MO¥chonnel monies A — FH cht —ch 14) Se bpesen co 7e(0— 127) elute = 71127) ~ Eapresson and Voune menages ov camulie, andthe rst cont te owrllealine Ge presen mage br exormson peor ring exmestie lc, tach on cracendo. crescendo, le Sp, “Iyer nfo Rx EPRESSON OFF ™ Ignored when fe S884 ONE hho ON ond he AD cho nr Sere mooge sth same ove selected pon 4 Holt Sows Second Tau eMOlchann unt OH FHA} cht econo vahe am 7410 — 127), O63 OFF ot 127-08, * pnt wen HADI = OFF * pred when he MINS ONE chon st © ON ad th MY cana ero hs menage sth sae os fe selec part + Portamento Sens Second Thad Cr a = MD chanel mae 5 Conrl vale of Alek) 8) oH 70 — 127) 0 6) = OFF 64~ 127 =0N * anor wha“ PORTAMAEINIO = OF * * Ignore wher te MINUS ONE hcton it ON and he MD chanel um Ir oF tir menage he ae he lec po 1 Sostenute sigue Second Thi n= Mt chanel nur Cont! Vue ov — Fitch — ch) ‘004 — 7F(0— 127) 0a -OFF G4 127-0 * gored hen a SOSTENUIO » OFF * *Ipoved when he MINUS ONE inion sl'6 ON th MY cham num foros mage she sane oh elected ort Soft Sige Secamd Thad ot ‘= Mblchorrelnurber OH —FHh) ch 6) Sr Cane Value (oH 7FH10— 127) 06a OF, 64 127-08 * gored whan, SOFT = OFF ~ * pore whan ba ANUS ONE Kc esto ON and the MY chan a lero hs mage th ome oh ele pot 1 Portamento Control Sean Scant Td a = Ol hae mane tient —ehoh he ce terme pth eloce GOH— 7H 10 — 127) * When @ Noe On menage irc alr Farts Coal metioge He soi pc il gd Fam he ach spec by he tece now urbe of he Fst Cote menage of ast parton tne acl Iregordes pruronts ona) (Fae 0 coven ding voce whe m8 novbe cide wit te tource note muerte races pth wl gide = he now Not Ons ie cording 8 he promo ne mou hen nanan ego Then oo aw wae oul be “Ignored no he SINUS ONE Tin se ON Bera a nnage te wme 0 cd yo fm rs 25636 Poronoa Contl on Ce fea) Noms fice Naccics moe 00 Noodles Scone? Se teen S058. Fotos Corea ‘ 0 Nowote Elon them ce nw Neate ag - + ter depth (Reverb send level ‘inks Sunt Thed a Sm MOV choraloanber OH Fi h) — 8) wiheetbtedind” 904M — 129 Dal 2 * Ec depth 0985 cone the Seed Lol i he ese chol foo thelr Reve at “Ignored hen the NUS ONE hnctin i ON on he cho mn beroltha massage ste sane teed pan 1 Effect depth (Chorus send level tt tea = MOlchoel nanber hens nd (OH — FH ih cht oo 710 127, (elt Voie = 0810) + Ho sth ressoges conta th Send Leo he seed choi ‘einai “Ignored ml hn MINUS ONE fon st» ON ad echo rm [rol meget sane or moc por +1 NRPN 8/158 Sens Sond thd os ‘or = SE ole NEPN WOtcharl number OFA —0h15) cle REN * coped hen “Re MEN = ON.* "RENN slo OF by power on rset by rein Tun Gavel MDE Spe On” ond tho ON by “OS RESET * Thevliey ich ar sot by NON, eet rec nw Program Change * Ippored he the NUS ONE hin i610 ON od MK cho a bro ha mesage team o fe sled porteae [an NEP Non Bago Foran Nb son expanded conta change ‘nevoge ech fncion on NEP is deer bye neal maroc To wue NIN et EPN ber (5/88) tlare ending Sle Then srl deta 2 Data ery reoge (Corel Charge # 4/29) Ar hen is crn sere PY PN m= 77a preven he i om being wes ery change You zon hangs ion SRISE 1S Os - THO emit Vitor dae change on pri chana fom OH aOR PAHS arometes wing an NEN 10) DINOPH mnt Yb dept ‘loin change on pid cha fo OEM aOR POMS 0 — 4S) DIMOAH ent! Vibro dy tee change on pucidchana fom G4 OH 72H SO — oS) rw acH TF ev hequrcy talon coger cid cho foe eH OH 7am 500 80) aloe change on pct chon! fer eH OH 72H ES) 0 TFBTVA Ew Anoc ine ‘alo cng om pected chor fro 088 OH 72H 500 ~ «50 TVFRIVA Eo Osc ie relive congo on ated chars frre O88 MOH" POH [S00 ~ 450) “301 Olea ont 1H G6 nth TVFBTVA Ew, let ime tae change nip hone trov08H OH 72-500 — 450) aH tt nit Pico fcr one ‘aloe change on sete rum one (ey nanba af emtore rr OOH ACH 7h TWA te ero ve cbse change on speck dum one ‘e keyromber demon tren OOH—7FH(ae0 — oxi] Porat old ne sve chonge on spactiad doom ‘hy nanber dm ore frm OOH TH 40H 7H Rondo, ak Cor igh eared ln cf noe bite chonge on pd dam one key nantes dam ore ‘rm OOH TPH e0 ~ mosiru| Chas sen evel ha or ‘haces change on pec! rum fone (ey rarer dam ore fm OOH 7 oo ani * Dota (58 gre * The vlan change means Rat he params si eg $0 — 0 — 050 wi beaded presale “The able change means ott parame vl wil be replaced by the reese ve — +63 anton lait Nett +} RON MSB/IS8 Sous Sond The gs ales wail ee Gat = Mbt charlene for = SB be Trbet teams “Ignore whan “BPN = OFF” “The volus ey an BN wor be eta! by racing vow Program Chonge me sogeso Ran AV Contato “Ignored whe fe MINUS ONE Keto sto ON and the MI conte mam 1B of hs mesope is he same os he selec ot OH — Fh ch 98 id Prot Number ten expanded canal change me ‘299 eh ton of on PN i dese he MD Sood Tue an ON, st te REN bar [MSB/SE) bale sng de Then er sb Dao wry mesg [Canta Change #6738 Ws he comearded Send RIN REN mbar» 7TH/7AI To pee! he thom bing ure. pec ange Web con ee ih bend eitny, Maw na rg, Moi cers ing ond ehNul BX Data anny MSBIS8_S6 58” GGHOOH met Pach bend aay te OOH TBH (0 — 22 sear Dealt vale = 024 ao seers) gore n= 00 lpi Peco OH1OTH mm Mare ning trl 3 GO = 4000 — 7671 Peisaeigoreie2 0 ~ .8191x100/8192 cons OOH nm — Har core tre 26H HOM 58H (-24 —0 ~ «24 somone grove ae = GOH TRAM REN al Fenn dace cenion The poorer ead eins oe mm greed + Program change Sous” Second cy pe n= MOl ond namie OH — PH (dh 1 — eh 16} pe-Proyrom nner (0081 — 7Ipeg | — og. 128) * The Tone of he vies ied ON bere receing 2 program change menage oreo — The Tove wil be changed bya we Notron menoge oe he progr change imecage sree “ppt when Re PROGRAM CHANGE - OFF “hike han pot Program change rege 8 ord whe th Bonk ss ot [29 laste ale he contl chang mabe Ot OO + Channel pressure Siow ‘Scand a) n=MDlchame nb HPAI.) — 16) we Vobe “oo 7H (0— 127) * aloe roe tn Sit Eine Hoopes Th dd tg hos “anced wb "CH PRESSURE (CA = OFF: *gnered han he MINUS ONE foc i! ON adhe Mt conn mo ‘be oft moncge thse oe acd po + Pich bond change Sigus cand Tie ee omit n=Mblchone mbt OH Fld) eh 16) ‘ns Value ‘90 00H" 40 GOH 767 trei2—a~ 4191) Ec he arom st on Spt Excnie Mega. The deleting ich bons + pvr wan “x TCH BEND = OFF * proved hen the MINUS ONE fc i sto Nand he MY chal me (Bo ofthe mage ath ome oth sled ot § Channel Mode Messages * All sounds off Suis Send Tid at yen oH n= MDlchane nenber OH Fick) 16) “When “A sound ff src al szurde ono spaiind channel im off "Hosa he oof chon messges dos rt carge. You mt no we “Al sean soe fr Naw of” “Ignored whan he MINUS ONE fc so ON ade MOY chal [Bo oft mage th ome o th lcd at+ Rose all controllers Sous Second hid aot 7H OOH s=MDichamelnurber OH —FHleh 1 ~ch 6h * When “eset al cools is recede conve of a paid hon relent he dio els online elie Delogh Vue - Frc bed range 0 (Con Belyaenc hey presse OH) Chane preture O(af Molton (eh) Expesion 27 fromm) Hels teh) Perna Olek Searae oh a Olek rin (abla The preter head seen dale een ‘Se hs pcre en lta dd greed fen he MINUS ONE acon to ON and th 0 coe ma Be fis message te sme o ace pt + All notes of | Soni” Scand Thad tot 7a OH = Ml charl namber OH — Fh | eh 6) * whan “Alok of i rcened ol a rt aed afin pid chon onew star coemue he Hl Seven on “Ignored when te INU ONE ncn ON ar te MEY chon ur fer of tha menage te same ee ele port somntore ‘Soha Second Tid ee 5th Ont n= Mlchonna unbw OH —FH eh) — cht * OMNI OFF i only copied eA ote he Mode des chong. + OmNION Siauy Second Tid tet FoR n= MD¥chornesunber OH =F fc) — ch) *Otn ON is only recognized os “AM votes 0 the Made doa change [OWN OF rms! + MONO Soh Second Be JB n= Ml charnlnaker OH — FH ich) ah) tnev= ober ol mane ‘oH — 10H(0— 16) “MONO is recognized 9s “Allin of” The spied chonna turns to ‘Mode M1} evan at egal om sere + Pour ‘Soha Second Dad ae 7A n= MDI channel runber OH —FH dh ch) * POLY is receives “All snd of” The spaced chanel Mode? § System Realtime Message * Active sensing Siu rer * Hosing rceinad on “ce sing” message, GS expec fo esive onal te srsing mesos 0 JOD laa Fhe en rc tan 4200, {G5 execies “All scum of” "Al oles of” and esa el conto” ond ‘aims normal opraton (Mondaing of ocen sang massages wil om re) § System Exclusive Message Sims Doe ‘So Fon Ga a Fa ow Sper Ec lnDrunber TeiD rons ents he marae of 2 mt device ht vgs or enlne nevege, Vole 75H ond 7PH oe red we wives mesoges whch a ved oer i Dr Sedrd EW elnd s Mondaeee 7eHUnounel Non Rachine sage 77H. Gena Rechne Meioge A eeedos CONTIN IO IZ7| re FOX al ExleSpon conven) WS con rece Mote chong, Unit rating sym cave meage Fegan ta 18] Ot} + System Exclusive Mestoges of Mode Chonge Spon facie Heiopes 3 ede Charge re meant id 0 ilice ie ered poranat he deve lo Gere MID ms» GS dst ede or hong ace fom 5 o¢ Cas MD anater ne “OS ese oes frm of oad Exe Mesage. “rt Gant MIN Sey (Or eo fom ol Unveil Non Tine Menage Dane eeete Stas AIM, dee TPH AD, OOH FARR ATF fe Deipin Fo trcave sate 41 Bort lan (ev Dene De GOH — 1F4 [1 ~ 22) The defo ele 10 (17) 4H ModO (68) 12H Command OTH) 40H aS oom TH dbo 0 a (GS re ait Check POH fOK| edt ec * Upon acing is mens. le nara porate thedlo ‘ngs a be GS Feet x NEN SW mlb aad ON by fe ope | * Davies whose ‘aS Reser = OFF, or Ra Sats = OF wont cope is rege + Moker abet 50m nse his menage + Turn General MIDI System On Sain aa ‘ue For Fen Je OOH PA 4 on Fait Exes Ser TEX Drums (Unie le rg TM — Daltosetdence eos OH iON! [Gere ME mesos) OH SebiDF2 Geral OI PD EOX_lendeb nln) * Upon acing hs resace.l eta pare re ate daa ting of Gare MD Stn lel 1 (RaNRDN SW wil be red OF by ts srenoge) * Dav whose a GS Rese = OFF, or BeSya i" = OFF won eee is imesge Paks abet 50m ac hi menage ¥ Master Volume Sono Dune __ gous Fon 7M 7H GOTH Lawl FH Descion a Fo Esc st 71 Dnnbar (Unive Reakina mevege! 74 Deft deve ren) Od sabe eve Cosa Meg) OH sb-De2 Move Veuve) rom Maser ve 00H 78 7H (014989) FH__rOX end a ene Te ignored fe=0. * Dies wove Ru Sp fx = OFF moi ecg is msoge+ Dote Tranter “30 can ane and recive he vost prota ing Sy Exe ravage of he lowrg dorm GE Comen Exch meng ve Ms D = 42 and Gi = 17 (104 saa ows Ea commu Zton tan whch hae gw Medel [Be inodinn tthe GS Conn Econ menage 1 Request data Y ROY (11H) Tstmeog eo egal h eve dee 0s bck the equi “eri ta or he aes and te Hot ssa dtignation and lng ‘ep Grecewngo proper ROT manage “Fe dee wil vara a “Doe wt 1 1) manage, hh cone he rescea Sto” Oarite, the device Haat Gh GH an Lr ive Ceiion _ Face on EH Noncloceer# © ld) cena OF FH — 221 The dla oh i OHT7L 2 Medel D1 HK CommordiO (RG) ost Aas coh Ab oe Sten TH Seats tm Geka EA COX ed ol xl 150 ony rcegrzes the RQ mewsgie whowe adate and ze match the Forman Map Seton 8) Thao caching proce co Ceskuo Rel Secon 9 caeleg 1 Dota sett OTT (12H) ‘Termeoge coraiporde ote act as rane process. Sn ioceintg 2 BT menage, he derce fe he dt tral mony coring teas Sous Dao sans fot fide QATAR EGR GR earn PH Se Decrpton Ft each sn TH Manfred) eevee fae: OOH ~ FH) ~ 32) The defo wo i 18 (171 2 Nel O163) 124 Comord (OT) cot Ass SB oe ch bs 8 san ave wm Gate ER EOX En of excl + W-50 nly recogize ie DTI mesges who oes ond 36 match the Parameter Aes Map (econ 8) “Tovtend large DT) esis of tine oar Ort — ier losin conan eck pc + The ero cucling pros wt 0 Checkum ler i Scion 9 0 eaelte © Grech 4, Transmit data (GS Sound Generator section) '§ Channel Voice Messages ‘he mesag strait trough the Ts Choa in the MUD Func, ‘ite PART hemanison kes poe on he MD vee cons or Seeornly Pot + Note off ‘sous Second aa) oH BH = MDI chanel nner IC Not rune vay thi om OH FH ho) ‘0H 7FH(0— 127) ‘on 740 — 127), 100 Stove Second Tha SHR f= MD chanel ruber WEN momber wa Valxiy + Control change ‘Fenkeseleet Sur Sd 1 ie Oo ra 4 — Ye eh) ‘ow 78410127) bin —7mit — 127 8 n= MOLchama umber OH tras SB ol bork T7138 oben ane fafon — eta) et aH IO Bah ‘a Ths meget Yoni hen tne chong wad 08 he panel er “Send (65/60 St excite +} Medblation a =MDichonnd remier GH Fh 1h 18) se med.ebon doth Sot AHI 127 + Thamenage is er whe he Mod eer id 1 Portemento time sia Sond Td Cn = AMD hae ranber Potatoes Om Ahh) oon fo — 127 + The caret sing vale s vont won ramen Btn opts zorel ‘hana en Soh cond BOK mst eH 2H Oth | cht tml» You porate pec wih PM an NRE * Tha wenage i trated when one change i radeon the pana “Sd (55/6 Soup” ic eres Volume aus Second thd aot Om reMOichane rember OH Fh) eh 4) Velame oH FHI 127) + thm i ranaited when “Send GS/GH Sets nec + Ponpot Seu Second Thiel ORR ne WDlchanel nner OH Filch1 2h) we Png (on 40H 7H IO 84 — 1271 + Ths matoge toraited han “Send S/GM Sa" xa + Expression Sou Send The it Oot neMOlchonndrunber OH PAG. ch 16) t= Byrenion ‘on 7HIO— 127) “this mesge is homie when the wt dei operat wih MO! Canel Made Hold Siow Sand Thi oe n= MDtchannlranber 04 — Fifch\ ah) f= Contal Vohe ‘oH 7x0 — 1271 O68 OFF 64127 =0N * Tha menage i horonited who he Hol edi preted1 Portamento. Ses” Sead id = Mt chelmbe so Conal ue oH — Fick —en16) 0H 7940 — 1271 043 -OFF 64127 -ON * Thi ge oar when the Promero btn is ested 1 Effect! depth (Reverb send lave sons Seond Thick ae] ‘n= Mt chanel nab (os Reed a Of — Fick en.6) om — eto — 127 age waned whan “Sere O5/GM Sao” enc 1 Effeat3 depth (chorus send level Sout Sead Thea tH SoH Hl 1101 chanel mabe Grn send ol OF — FH — eh 6) oo 70-1271 “Ths manages ronmitad whan Sond G/CM Ses nected 1 NREN mSB/158 Seka Second Ted Boot eH aH tO! chomnel none tes le RN OF FH he 16) + This message tonimned when one change made on th polo “Sd 65/68 Seg neve 1-30 vonsmts NEN wih on lect ord Praga change excep fo the one uh re chonge mode Honea NPI nl anand han “Ut Bak Selec T= ON" NPN otnany fuses _ we PGi re ‘aloe change on ype han! tire O84 OH TIM 50 0450) CF O5H ei doth ‘late change on specie han fre OBH aoe 72H(-50- 0 50) 108 mV dy ‘eave hong on ped chomal ‘are CEH 40H 724 (-50-- 0450), 120 nen VF evel emueney ‘ove change ov psf homal fm GBH oH 724 (-50-0— 450), NTI eh TVF esrarce ‘ave chong on psd honral CEN 40H —72K -50-0— +50) OTH AaH mit TVRBIVA Ew Ack ie ‘ave chong 0 Specs hone! frm: CEH 40H 724-50 0— +50) OIHL GAH mit TVRRIVA Ew On ine rave change on peed homed frm OBA 40H 72-50 0~ 50) IH eH TVERIVA Ev lesen ‘love change an specie han! tro 06H 40H 725|-50 0 — 50) * Dotan 58 signed TRPN SB /158, Sky Second Thind Bt GSH oh Ga ‘= MO hone! mre tvs SB of he REN Taba REN “Ths mesge is tonite whan lone change i mae onthe poe! or “Send (S5/Gi Soup” seneed OW — Fick) eh) ies bar sens an 2 nl cht ai OOH Ta 28st BPN ol Rete de crtion 1 Ext Control Number 7 = 01 Cro a Co canalnnber 2am (0H — Com OCH 1H AO — SF oon Feo 127) rl the neve af eos wn you * Corral nant cn be sso com! mod + Program change Cot opi n=MOletowelnunber te-Pegem ner om th) cha) eos |— prog 128) “The meng monuitad whe one lange man th pan ot “Sd (8/Gon Setp s roune + Pitch bend change ini 0 cho nuns Vale OM FH en ete 0H a 0H 747 8192-08191) * Tha mesnge rami whet Be ceri § Channel Mode Message + Reset all controlirs Sou Sead This ite Oo neMOtchamel number 8 Fitch 1— ch) * ha mesige ronnie when eda chong oor eee chon + All notes off Su Second Thad aor 7BH OOH ne MOichond mumbo 0H — Fen) =e) * Ths mss90 rns when sede change a or ee chanel mono Sons Second The ote OH eM chon manber OH — Pach — ch) “Tha mage rns whe te Solo/ Raters buon on the poe is temlon + Pow Sas Second Think Set HOD n= MO) choral manber OH —FA(ch) — ch) "This mesoge aramid when fi Sole/Rortareno baton onthe pod is mado. § System Realtime Message * Active sensing ‘Se fer "Trem of abot 250m inter 101§ System Exclusive Message + System Exclusive Messages of Mode Change FOS reset Siu Dao ve sous Fon SiH dev GOR OOH TG TPM fe Omrigton 411 Bumber (hakr Ghee Dew OOH — 11 — 32 The dle an 108 1794 OH Med! (GS) 12H ConondiD O11 AH hed SE oon TR eben 8 cot DataSet 11 Greco THEO {frat eclooe * Thsrmeage ranma when “Send GS Sup” eect 1 Turn General MIDI System On Sous Da ‘sous Fn 7 DRO FF Iele__Decsaion es Flt Era ve Tet Bimmber Uva! let meso FH WDaguidence froin om DIK Subibs (ere uO1On) FN €OuiFw lect ote Transfer ‘W50 fom the seq dole when etn oper “Ragu! daa (IP mse Send OM Seg” ec fDoteset) ort (12H) Sinks Danae Sat fo iMede. 429,194 008 KER, GH GN wa oom FH fife Deeipton xn dr onde’ fond) Doves er OOH — TF (1 —32 Th dela alee 104171) Noa D (5) Command 001 adeeb Aden ist De Dose hacen OK df ens + W-50 only tends th OT) massages whose odds nd sae match the Parr Adon Mop Sncton 8) + Ihe oma of dso see is loge or than 128 yt tone daa iba san ot in soporte pacts + Flr Scion 9 alee 0 Chak 5.RECEIVE DATA (Organ Sound Generator section) = Normal, he Orgen Sud Goer eo he peromance ode '§ Channel Voice Message * Note off Sut Second thed on UH wih om RH Oo = MDA chanel umber We ENoc rane os 740 — 127), Vay 0 — 740 127) “Inthe peromance mode, gnrad whan he MDI eave wich OFF at each ror oe i aa ot mM Of — ft ch pat + Tpored ben he AIMUS ONE hn ef ON an he MID chan um Borah meso eth some a ead pot 102 + Note on n= Mol choral ober Tk No monte Velo on Aids 1 e16) ‘on — 71410 — 127 im matt — 127) “tne pelormonce mode ved when ie MY reine sh OF och pon Ignored wh te ANUS ONE Kh ON onthe MD cha um Bara hs mesg te ome os lec ort ont FH ih 1 eh Simieh, Gon 7H] 127) fen 58 on roe TIGR aban ces The Bonk lc suspend vt coining a preg chong “nord han ‘rgram nko pam conan OFF “Inthe poh mode soled 2 bok a the prs manny nthe parmonce mode sc bank fe perormance pr marery acd paced cota che! seca bark he armen ial + Theo nnd seat low GorkSelet Program Change Meda Pah Number m1. a i e011 eo BLO 17 ies + Modolation| sian Second Thad tok OH at WO chore manbar HFK ih) ch 18) rodeo doh oH 7A — 127) 1 ho eff he melon dazed on he vale of ad af he pach ne “Ignored wn ce oon” he te common OFF *Ipnornd won ho MUS ONE fron a fo ON oe he MY hore ra Bar oft meszge the xr oe eed port + Portemento time ne Mblchonal aurbar OH —FH (dh — 16h (Rone tine oH 7FH(0— 1271 + Yau cn adh partons ine a epoch comen + Ignored won “coe Conta change” ofa iam conn is OFF “Ignored who ANUS ONE Kncan i 9 ON ond the MD chan um oro ha meuage ie one osha laced port cH —Pajeh) eb oo 70 127), + You cana he lume of seid chore * Ignored hen “Rcche Volume” el he sya conan it OFF * Inthe pelomence mode, nord whe hein recenesith is OFF tach ot ‘Honora whan Value sith of he path one i OFF “Ignored we the NUS ONE fron tf ON adhe A chal ar bar af a meszge the same oe eed pon Pon Sous Saxon Tht Bt OAH tt n= MOI howl amber OW — FH ih) 16) oon — 74 [0— 127) 0" represents oh ond, “84” eprom he cov, nd “127 rps ih “Tonered hon ace Centl change fh ssn commen is OF *Igpred wan the ANS ONE fn i 19 ON ord he MD char a bof meget sane oe ied pot+ Expression seus Second Thad tet RH = Mt chanel aonb Of Ftc — eh) ooh — 78H 0 — 127) + he ofa the expen depen on he vale af “apt a he po one “ante whan “Reve Conlon’ he syste comma CFF freed af he MINUS ONE hoc hon tf ON ad fe Mca oor Ger ol hz mesiage tt soo 1 Mole rn p= Mbt chena umber OH — Fh) — ca ‘conn wlue ox es(01270 * Now ployed can bo stoned fro ng ashe re ta clap ats Ra ing halon ord rig bal ofl trod ston "Recon Cont change” he ye comman is OFF inte pelarance made, grred whan the hall rc seh OF at ach (ror atone MINUS ONE Knon 6 2ON athe MD chao um feof hs menage the sro the lac po 1 Portomento Seu Second hid ar 3+ OFF 6127-0 = MV horn! number orale tien eh 26) os 7HIOT2 O63 OFF ne-on “Shed ovr “Paomana a of pach commen lyre when “Ree Conte ange” ote sm conan is OFF. * Ignored when the WIMUS ONE facon 29 ON ed th DI hoo nm be ofthis mesige he some or he sce por 1 Effect depthiReverb send level Sos Secand Tid ot SoH = ADI har! oumbar oe Cond aloe on ich che) ODTAHIOIIO— 62 OF 64 — 127-8 “Inthe pach ne, sith ae the revert ait of the syten conmon, “Inthe pefarmonce mode, sched oer rv witha he performance ‘ad sect the contol chanel sia onthe rr wich of he stem Igrore when “RecieContel change fhe saa conan i OFF * Ignored when the MINUS ONE fac is 19 ON rd th AD honed nm ber of hs mesige the some othe lcd or 1 Effeat3 depthiChorus send level} sous ‘hid a = Mt done number OH — 40 — 15) eh — en. 16) Conta aloe OOH TERIOIZNO~ 63 «OF 64127 ON “tothe path md, sith othe cho swith af he sae cormon “Inthe pafomonce mod, seihed rer the chars swith of he paermance an ‘od specie he contol channel, sith ovr the chr swith fa sytem “Ignored when “Reve Conel hong” he stom commons OFF. * Ignored wh the INS ONE Fac is 9 ON ad th I hon eral ths mesioge sth some athe lcd por {NRPN s8/158, Siok Second thd ns toh ak = Mbt channel mabe ‘n= MSE te NPN PAS8 ofthe EN * Ignored when the MIMS ONE freon is fo ON ad he Monn! na ra ir esoge sro ala or. Of —PHichs che) “RPM. ‘An NPN Ne gird Pron Ne rresioge Fach cin fo MRPs by ccs ances Tose NN se PN number YAS/L3B ble seg do Then send doa by Dos ely menage Cane Change H 6/30) Ara en, eommaee 10 ord BP a PN nme = R70 pee ed Ha gone pct choge ou con cere lowing prorat ing ov NEN son eigen cota ange NEN Dato spise_ 1S” Oecrston _ FH OGH at Vie tore denge on ec hoa fem O64 = 408-724 F350 -S0) OHOFH tt idole kh ‘ae choge on sacs cnn! fom OB = 10H 72H P58 8-30) OrHOAH nett Vibe cay wolieconge on pes hens fo O64 LOH 72H F590 «$0) OTH 20H nth IM clei ‘ote change on pees non fam OEM =" 20H 72H F590 o50) O12 mth Vi nonce ‘cline change on pres hone vom 08H OR 7OR-S9 0 — 950) OIHSSH nett TVERIVE En Ack ie ‘ane change on pce hone fom 8H oH 72K 50-0 — 450) OTN dAH nett TVERIVA Ev, cay re teine change on pte heme rman 72K 500 ~ 480) CIN asHH eth TVERIVA En Rese re ‘ene corgen pce hone rae -50- 0 — +5 {TPN MSB/L38 Siue Secaed Th Get SSH nth neMbIctene!runbor 0H FH eh chi) ‘om = MB th species port by RPM TT st le sed sory SN * gor wen th MINIS ONE hn to ON ore ME chor! um orofth mestge te ame oa lc pot ane PN caramete urber it 9 prom rb ne sla 1 ma {al exreion dled in MD pein, ‘ith he gen Sour Gerace esis, RPV 0 (ph bands Dy, FPN efi sng) and RPN 2 [ere ingore lie. When ng {BIN Org Sur Geert, be sent eB oS he EM ‘Skandia conto poruma od en et hee naa oy Fld BM oto MBSE HSS LSE” Oost GOH GOH rr Pih bard sy fom: C0H = OCH ~ 12 seman) Tigered (pk xt} You ton os! Berd anges” anda ng oe ear ine COHOIH nnd Fring ‘r= 20%, 006 — 40,004 — 6, co (500 +50 “Ine pach mde, ed he moter ine “Ine poomonce mode odie he une coh pot “hte pvformance mode spc onl cane honed OHO nt Coone ning fms TOM 2 — 704 48 —0— 48 sere) Fiignres “ihe pach mae, it manos io recon “Ihe pelornce made, aduind con ne ath por TNT RPM re rl oad nono gall psoa AEP Gre gts 2 age 103MO chane nner MP 1h 8) ct he vale lhe pcr spd wh ERINRPN 1158 the vl he pronase th RPNINRPN shen ‘cen Con change fhe ate nord when he SINUS ONE a orF 1 <2 ON an he MD cham ar Program change Scand i k= Fisch} — ch a sebogem runt oH — oF org | — prog. 161 hn Resin grr change fhe at common i OFF han he Organ Sound Genera cet a progam change On @ fo rcive Sore hem he paromance ase # henge fe pates of ht pore on patch value beng the program umber pun 1 Be Organ Sound ‘arab vcenes he prog charge te cane haw. anges he ‘channel pressure "eco tbs chanal umber Fiche Presse rake Oo Fao 137 The eft of he Chan eres dps on th ab of “Aer! (raed ab “Race Aha se scan commen is OF {roe hen th MIS ONE ft e'5 ON ond he MID! chan am wo ha msioge ithe one oso ae pot Pitch bond change Ea ‘MOI chons umber GH — FIs = ch 6) Orbea chenge GOH Git 76H THHL-8192-—O— 8191) gnc han “oc Fi ond oe tm commen is OF [fnved hen te NUS ONE lntcn 1 ON ad he MY chan un oro aman sth ames ested po § Channel Mode Message * Reset All Contrllers sous Second Th it OO etiDichonsl monbar MA (641 en) Ioroad hen the MUS ONE bron st © ON ond he MID chon um lero his mone he soe sh led pot Seco os mesg Th onl i lowing, errta Vel Kesscron ool Youme 127 tras fen ‘teen Expanion ah Heat Olek) prenre Ota ber chnge 0 ener ENINION No spain oro ns chong, + Allnotes off out Second Tha a ‘= MD chanel mbar — Fen. — en. 16) + When it mmage i raced. of he nls which hove ben rd on by Sno on mesage oe ed of [proved mf fhe MINUS ONE Koco sto ON and the MI chanel Errol hs mesoge sh oe ob eco pot + OMNI OFF ous Send That a] neMiDichaml nanber OH Fileh —eh6) * czy ol noo 104 + OMNION Siu Second thd ne Michenelnumbee OH FAYeht cht) acogneed oof vo (Oxgon Sound Garr abot conse OHNE on) + MONO Sons Second eH eH n= MOlchaml numb OM Ficht — ent fineness, HALO 18) Sich over ‘hngn made” of eth ono "caged a al tei oc ce MCOE ach poet + pour Ses Second hid int He =hDichomel nme GHA ch — eh) + Switch vr “Aign mode ol patch crt, * Recagtd a aeoff onde! MODE of och port § System Realtime message * Aetive sensing ses Few * Wao Organ Sound Gare ence “ac sing it manures ie iter vols betwee omg move tessa mage wil net cae in tow 300 ms afer poo on. gan Sand Generar tof af Don fom cnf tec es! al catalan tp mesg mesg nee § System Exclusive Message sows alo ‘na Foe haa Fo FO: Sper ecaee ‘carl iD 85) (ib vreeDow: 008 774(0-— 127) FPH Foxe ol exis) ore when “cine Exc” he sya common is OFF eer secn 78. 6.TRANSMIT DATA (Organ Sound Generator section) § System Exelu ie Sawer Fore Sytem exhve fewer #168) Be ree bo 07H (0— 127) Fr Oe econe) eles eson7,8 7. Exlusive communications (Organ Sound Generator selon} ‘ha ren Sed Cow cond Sd tee 905 pre np Biajuor tae ngs Tarte ea Db Sno Sud Grrr 4H The ec cade He The ign Saud Gere pores GS exe mesa her ane Bele cites on§ One way communication * Request data 1 RQT(11H) Bye Descogten For Face so enue (ond) Dev Deve D Doran 1) {ee Nadel D [Organ Sov Genero) Ut Command ORO} co Adres id Adie GH Ades SH Adshens8 oH Sem Mm Soe eH Sis oH Sts foe Checksum FD_FO End onlin acne on the Organ Sound Gaver dosnt el hi sage ate set 1 FY (12H) |L.Orgon Sound Generator (MODEL 1D=46H) ie Descrigtin For tac sa AIM Nenulacorer ard) Der Draco D GorsUNe 1) "del (Oxgon Sed Genero) 1H Command BIBT cot Adee SB BH dee fo Addie Heron 8 st te am Chak POH EON end a excl 2.65 (moDeL 124240) Spe Deuription : Fok Bee ae IK ManuacorerD ord) Dev Dave D DerUNITO 1) 22 Rede B (GS) 12 Commend 6 [OT cot Ado SB BH Adon col dre 88 seat fate pee date G7 COX End fxn 8. Parameter address map This ap idiots ads, sea, Dao (og), Foret, Oesripion, and Delt Value of porometers which con by wonferied wing "equet de 1 [ROI and “Dares (OT ‘lie urers of ade, 20, Doo, ond Oot Vl re indeed in 7 ese m, § Address Block map ‘a etn aden map le Ean Cormuncaton' show eon “Model 10 = ADH» ‘Adgessi Beek O00) telomere SibBlodk es Fesomonci TB Pesomancs 3 280005 temporary ea 300000 arteneskme Yarra | al Ueto 2 Uetone (her doen weduep —Userdrum sacooo User drm 9 500000 Orgpetomarce dome Org pedo) — Bu Crgpatom 2 Or petom 3 4 oelom a alk ak rg pon rg ater dm Ong stetone? Grganertone? sero ng ert 18 “ © cHomusRaTe ony 0 a 40013 © 00000! co 7 CHORUS DEPTH oi 0 9 40013 00000! CO 7F CHORUS SEND EVEL TO REVERB — 127 © ° 106 CHORUS MACRO is perma ae eal he ese! ype of Wien sl eer HORS MACRO, ten aloe chou arama: wb ety the vole ty ach pe of CHORUS MACRO.1 Pon Poors WSO os Togs. The arom each pore clad Pa Pero Tevet regio For Porat dower por number (chs sly seo 0) chelnnbhe LOCK NUMER ne mesg BOCK NUMBER|O— FI, — lt Ifa MD = 1) . Fa 2idfout Deh =2) a Pon 9 eeu ah = 9} PonOldeoub nae 10) a Port fefoub ADEA =I) oa, Pont 2tdefeuk beh 12) oo defo AD o16) 1 chanel are (0 — Fh the BOCK Adie Sie] econ Dexipten Dou Va Dessnon 01500 000067 —00~ 77 TONE NONE ‘Cent VAIIEO TE OF 7 wie o-7% Pc valve ri % 1 s01s02 900001 00— 10 CHANNEL 1 16,08 Somes for Nbr 1.03 oD0001 Oo—o1 eH BEN ow son 8 on sO 108 090001 0001 CHPRESSUREICAN, FF/ON o on 40105 990001 Goo PROGRAM CHANGE orr/ox ° on 40 %08 900001 00-01 CONTROL Chanct orton 1 on 01607 900001 Goo POY meSSUREFa orton 8 on #1208 C0000 0-0) NOTE MESSAGE cron. ° on 21108 coeur ol IN Fron a on 21108 000001001 NEN OF/ON 2090) Fron a NRPN it OFF by pron eet or by “Gente MO made Gn set ON by “08 RSET : Tee aoa) bo oF ODULATON ‘OF/ON ‘ar or sik 00000! ol VOLUME FF/ON 3 on "010000001 9001 PARROT OF/ON on on 0 606 00000) 0001 EXIRESSION ‘O#F/ON 1 on fovcF som Goo! HOD FON o on 110 900001 Goo PORTAMENTO F/ON o cn @inti 90001 G0! SOSTENUTON ‘OFF/ON ry on “1n12__o0001_00—0)__e som E/ON ot on. - 20101800007 001 MOND ROT SEE one oF Poy {8 7E 01/6700) wie wea ww Assan ORE T= SOE Ward REE Sad VSD Gh ginal MED SA od 2oruaun ASSIGN MODE i parameter sed lac he wie agn mone whan “Ml Ne Cr cu he sre nl aba nthe one helo the sae i. ‘eb stig mas [SINGLE [0 Drom pt end UNETED-MAT 1) fort ct ar are leony, you need ne et his Bes —to0001 =O TRE aT OF wat Gra Tema Oretecco Nap ed 2a USE Fo RYTON PART promt dln hep o be wed a an rnp), a dum pt ng CRU MAP! (I) o© dam pos ing BRU A [2 The deft s MAP (er ot 10 ADL CH 10, x20) orf her pars ar sto srry prs OF WTS en 0001 25 Sk AICHE SH “2 12 erierel a Openssl 01617 000002 O8—Fe_ICHLOFTSET FINE “120-si20iHsl 9800 ole} 0160 se itblan di, S119 WOOT GO aT one a 10 [8007 inlA cooo01 97% VELOCITY SENS DeFrH o- iw © mn 218 e000! 007% © VEO SENSE OrSeT o— 17 ” oe SInIc cocoa! D7 an PaNOT ~saRaANDOM, 2 Oiceutee “SET ~ s31eGe) (sn 08 w, exes RANDOM wie op0001 oo —7F EV RANE TOW fen —16 0 © @0n1€ 000001 OO—7F REV RANGE HIGH fen—t6s) ” oe 401n1F 00001 =F CCT CONTROMER NUR 95 to 1s 40142 0001 OF © CEICONTROMER NUMBER O95 i 7 21421 D000] 0-7 © GrORUSSEND EVEL ont o ° {2050 w). 21072 e000) wO—7F RVR SENOLEVEL o-1w Ey “ {stn $8. We wea OT AN SECT ‘GTON Tio GRO a, BANK SELECT to ON by power on rer by “GS RESET, nd 2 OF by “Tr Gar MD Syson On* 107Addeuttt sist) Dea rane Deifon elu Vue) ___Desriaon 7 ites 000007 08 = 72 TONE HOBTT 050 2 “vitae eB 450) 6208 06 9} Olea) 00001 OE=72— TONE MODI? 50450 ” ° “Vine hn 6.01 6209 06), wo\e3— oqD01 O72 TONE NOI S “5050 ry ° 1 el og (8 620162 2008). 00001 of 72—TONEMOOFY “So +50 “ ° TV resonance [8 630622108 sole qn0001 Of 72,— TONE MODY S “0 +50 o ° VFRTVA Em cack (ln 6901624305 42125 anovo! G72 TONE MODIFY 6 “0 50 © ° TNFRIVA Edy [0 620162 6405 Dix 900001 O72 TONE NOI “£0 950 » ° TVFRTVA rela eB 6301 825608 201.77 opono! 0-72, TONEMOOE 8 “0 +50 o ° Vibro dy [896301 6204 6») 40ln4— on0pec | 0 7F SCALE 64 — +63 eh “0 Ofcom) fo 7 SCAIETUNNG fet 26 ers) a een] (0-7 ScALETUNINGD “ba 83 [ee 2 Oleeal co7 | SAIETUNING De ‘se — veces) Pry een 7 SCALETUNINGE ga 85 [em Pra Olen 7 ScALETUNINGF tea een ° Oleal 0-7 SCALETUNINGF# Tea ea en ® Olen {7 SCAIETUNNGG Tea Seater 2 feel 0-7 SCRETUNING Ge cee ea “ Ofeen 07 SCALETUNNG A “ot Ye ee) 0 Dem) Go 7 —SCAIETUMING At oot 6S el o fecal G7 SCAIETINNGB “ee 168 et) © fea SCALE TUNING enables yout ily hi setng cm x enllad tower each ane son ote rg clu seat rane Oe [As galt Eau Tergereren Rw —vecoor tess MODPITCH CONTOL i vitlanioe) Spenser) S200! 99000) 7% —-MODIVFCUTORF CONTROL -F000~9400|cen) 20 Slee [22 e000! ODF ——-MODAMPLTUDECONTRGL —-1000— st000x] ony G20) G00! O07 © MODMFOI RATECONTROL = -100—s100 (Ke) Dik foot e000) 00—7F MOD UFOI PTCHDETH = e00 ex) Om a ex fo20s 000001 00—7F_——_MODLFO} TVFOEPTH 0 — 2400 ee] % een] f02.08 000001 00—7F ——_™MODIFO! TVADEME 0— 1a00 | ca of fozc? 000001 80-7 © MODUOZRATECONTRGL == -100~+1001Ke]_— a0 Of fozce 000001 87 © OdIFO? MICH DEPTH 0~ eo fen © leet 2.09 000001 07 MODUEORTVF DEM 0 = 2000 con) 0 Olen 20a 90008) —7F___NODLO? TVA DER 5— 1909/8) 0 ost 10 dD0001 40 $8 BEND FITCH CONTROL = aliens] a2 laersona Sal] 9000! G—7F —BENDIVFCUTORF CONTROL -9600—v740D[een) 20 Ole {212 8900) O—7F —SENDAMRTUDE CONTROL -1000— 10008) ols eis 9000) 0 -7F —«SENDLCOT RATECONTROL © -100—vi00He) 0 ott fo2 te 000001 00—7F END UFO PCH DER 0~ s00{cea) ® Olen] 2.15 000001 00—7F ENDO EDEPTH 0— 2400[e=n] © leew i216 000001 00—7F_—~BENDLFOT TWADEFTH 0100088] © ofa S211? 000001 GO—7F © —BINDLFOZRATECONTROL = -100—!001Ma]_ 40 opm 2218 000001 GD —7F_—_—BENDUFOZPTCH OETA 0 eo en) © lee 22119 000001 G—7F_——_BENDLFOZTVF DEPTH 0— 2100 con] 0 leer 222.14 000001_00—7F_SENDFOZ TVA perm 5 1909/3) oo ops Dam ooo! 28 — st CAP RICH CONTROL “2a 2d femone] a Sleeniors Sati 09000) GDF ——CATTVFCUTORFCONTROL © -9600~+9600an] 40 Olees] foam 9000) 0-7 © CAFAWUTUDECONTROL = -1000—w100078] «0 ora fz 2 000001 00—7F CAFO RATE CONTE Teo— sido) a0 tts foma 900001 007% CM WON Anca 0~ s00feen] % Olen fom2 900001 00—7F COL TVFOEPTA 0 — 2400 cn) % Olean iad 000001 00—7F ——CAILFOL ADEPT 0— iaootel % ors {2.27 000001 007 —_CATWOZRATE CONTROL =I00—+100(h) a opel ibaz — op0001 G—7 cA OZRTCHDEH 0 sole 0 Steen 20% 0001 0-7 © CAIWOZ DE 0— 2200 [con] 0 Slee 222 90001 90 _calozTvapern, — 10008) oo ofa) 40% 39 db0001 28s PalPTCH CONTEOL “a v7k ona) a Dleeniena) fas) 8000) G0 7F—PATTVECUTORFCONTRCL 9600 +9600|ean] «0 Oleen] {D232 900001 00—7F —_—FATAUTUDE CONTROL “iooo—ston0(s) 40 of i023) 000001 00—7F —_—PATLFOI RATE CONTROL Tie viaoirs! 40 oft i234 900001 00—7F ——_PaFFOI TCH OgFTH 0— sole] % Ole! fas 000001 00—7F_—_—PAFLEO! TWFDerTH 0 — 2400 cus} © Olen W236 000001 0O—7F©——PAFFON VADER 0— 10007} 0 ore iba? 000001 G—7F PATO RATE CONTROL =100~s100Hra) 40 ofa Sade 000001 0-7 PAOD TCH DEPTH 0 soe 0 Oleon 223 — 0D0D0) G7 ——_PAILLOR THF DEPTH = 2400 co) 0 Olean) ata 99000197! __ Pal vo Tape = 1ooofsh oo of 108