The document discusses the theme of "No Man is an Iland" from Ernest Hemingway's novel The Old Man and the Sea. It provides examples from the novel where the old man Santiago feels connected to other creatures in the sea, like flying fish and wild ducks, and feels pain when the sharks kill the fish he has caught, realizing he should not have gone so far outside on the ocean alone. The document analyzes how Santiago's misfortune stems from violating his luck by going too far beyond all other people.
The document discusses the theme of "No Man is an Iland" from Ernest Hemingway's novel The Old Man and the Sea. It provides examples from the novel where the old man Santiago feels connected to other creatures in the sea, like flying fish and wild ducks, and feels pain when the sharks kill the fish he has caught, realizing he should not have gone so far outside on the ocean alone. The document analyzes how Santiago's misfortune stems from violating his luck by going too far beyond all other people.
The document discusses the theme of "No Man is an Iland" from Ernest Hemingway's novel The Old Man and the Sea. It provides examples from the novel where the old man Santiago feels connected to other creatures in the sea, like flying fish and wild ducks, and feels pain when the sharks kill the fish he has caught, realizing he should not have gone so far outside on the ocean alone. The document analyzes how Santiago's misfortune stems from violating his luck by going too far beyond all other people.
to have someone to talk to instead of speaking only to himself and to
the sea” (125). Similarly, when Santiago sees flying fish in the sea he regards them as his “principal friends in the ocean” (26). And when he sees a flight of wild ducks, the old man thinks: “No man was ever alone on the sea” (OMAS, ). This shows the continuation of the theme of “No man is an Iland”. This feeling is further reinforced when the sharks fall upon the fish and tear it to pieces. The oldman feels unbearable pain when he says: I should not have gone out so far, fish, he said. Neither for you nor for me. Im sorry fish (110). And, in the course of his introspection, Santiago realizes: You violated your luck when you went too far outside (117). His suspicion now becomes confirmed tha his misfortune is due to his going” far out”, “beyond all people in the world, where the marlin had rightfully chosen to be beyond all snares and traps and treacheries” (48).