CONCERT BAND GRADE 5 TOM SAWYER SUITE Five Scenes from Mark Twain Op. 27 Franco Cesarini Witropa musicTom Sawyer Suite - Five Scenes from Mark Twain Op. 27 In his childhood, The Adventures of Tom Sawyer was the favorite book of the composer Franco Cesarini. With his ‘memories of the magic of joy, fear, and freedom, Cesarini seeks to bring the figures of the book musically to life in his Tom Sawyer Suite. Each of the first four movements describes a figure from the story. Tom Sawyer is depicted in the first ‘movement, where the charasteristic “cake walk” rhythm is used. The second movement is Huckleberry Finn’s. The well-known American folk song “Ring, Ring de Banjo” is present in this movement about Tom Sawyer"s best friend. The third movement is slower, more expressive, and more melancholic. It is dedicated to Becky Thatcher. Then there is Injun Joe, the murderer who tries to catch the wo witnesses, Tom and Huck, in order to kill them. Joe's secret must not be given correspondingly sinister tones ean be heard in this fourth movement. The fifth movement Ieads to a “happy ending.” All themes of the preceding movements harmonize together cheerfully up to the climax where the themes of Tom and Becky merge splendidly DEUTSCH In seiner Kindheit war das Lieblingsbuch des Komponisten Franco Cesarini Die Abenteuer des Tom Sawyer. Aus seinen Erinnerungen an den Zauber von Freude, Angst und Freiheit, versucht Franco Cesarini die Romanfiguren in der Tom Sawyer Suite rmusikalisch aufleben zu lassen, Die ersten vier Sitze beschreiben je eine Figur aus dem Roman, Tom Sawyer wird im ersten Satz ddargestellt, in dem der charakteristische ‘Cake Walk’-Rhythmus verwendet wird. Der zweite Satz gehdrt Huckleberry Finn, Das bekannte amerikanische Volkslied “Ring, Ring de Banjo” kommt in diesem Satz Uber den besten Freund Tom Sawyers vor, Langsamer, ausdrucksvoller und melancholischer erscheint der drtte Satz, der Becky Thatcher gewidmet ist. Injun Joe, der Morder, versucht die zwei Zeugen Tom und Huck zu fangen, um sie umzubringen, Joes Geheimnis darf nicht verraten werden, entsprechend finstere Téne sind in diesem vierten Satz zu hdren. Im flinflen Satz kommt es zum ‘Happy End’. Alle Themen der vorherigen Sitze erklingen in einem fréhlichen Zusammenspiel bis zum Héhepunkt, wo die Themen von Tom und Becky prichtig miteinander verschmetzen, FRANCAIS Les Aventures de Tom Sawyer Gait te live préféré de Franco Cesurni lorsqu’il tit enfant. A partir de ses souvenirs <¥enfance do oot univers magique de joie, de peur et de liber, Franco Ceserni tente de donner ve aux personnages da ie dans cette composition intitulée Tom Sawyer Suite, Chacun des quatre premiers mouvements décrit un personage de histoire. Tom Sawyer est représenté dans le premier mouvement oit est utilisé le rythme caractéristique du cake-walk. Le deuxigme mouvement cst consacré Huckleberry Finn, le meilleur ami de Tom Sawyer, et contient le theme de la eélébre chanson traditionnelle américaine Ring, Ring de Banjo, Le troisiéme mouvement, plus lent, plus expressif et plus mélancolique est une deseription du personnage de Becky Thatcher. Puis il ya Joe ’indien, le meurtrier qui tente de rattraper les deux témoins du crime, Tom et Huck, pour les tuer. Le secret de Joe ne doit pas étre révélé et la musique de ce quatritme mouvement se fait menagante. Le cinguiéme ‘mouvement illustre le dénouement heureux de Phistoire, Tous les themes des mouvements précédents se rejoignent en des harmonies joyeuses pour aboutir 4 un point culminant oi les thémes de Tom et de Becky se conjuguent de fagon splendide.Franco Cesarini Franco Cesarini was born in 1961 in Bellinzona, Switzerland. He started his musical edueation at the Conservatory of Milan (Italy) studying flute and piano, He continued his studies with Peter-Lukas Graf at the Academy of Music in Basle where he earned his teaching diploma, He has won several competitions as a soloist and as a member of chamber ensembles, including first prize in the Swiss soloist competition in 1981. In 1984 he was awarded a scholarship by the Ernst Géhner~ Migros Foundation. He continued his studies with Peter-Lukas Graf until obtaining his performs diploma. He also studied music theory and composition with Robert Suter and Jacques Wildberger and wind band conduction with Felix Hauswirth, Currently, he teaches wind band conducting at the Zurich Conservator addition to arranging and composing, he conducts the “Civiea Filarmonica di Lugano” and the “Civica Filarmonica di Balerna” and is much asked for adjudicator and guest conductor. Cesarini is a particularly versatile composer. As well as pieces for wind band and for brass band, his list of works includes compositions for chamber ensembles, various solo instruments, voices, string orchestra and symphony orchestra. Many of his works have already been recorded on CD. He is a member of the board of directors of the World Association for Symphonic Bands and Ensembles (WASBE). Franco Cesarini wurde 1961 in Bellinzone in der Schweiz geboren. Er begann sein Musikstudium in den Faichern Klavier und Queriéte am Konservatorium in Maitand (Italien) und setze es am Konservatorium in Basel fort. Er studierte bei Peter-Lukas Graf (Querfléte), bei Felix Hauswirth (Blasorchester-Direktion) und bei Robert Suter und Jacques Wildberger (Theotie und Komposition). Sowohl als Solist als auch als Mitglied diverser Ensembles gewann er viele Preise, unter anderem den 1. Preis beim Schweizerischen Solisten-Wettbewerb 1981. Im Jahr 1984 erhielt er ein Stipendium der Emnst-Gohner-Migros-Stiftung. Derzeit unterrichtet Franco Cesarini Blasorchester-Direktion an der Musikhochschule in Ziirich, Dariiber hinaus ist er Dirigent der ‘Civica Filarmonica di Lugano’ und der ‘Civica Filarmonica di Balerna’ und ist als Gastdirigent und Jury-Mitglied sowohl bei nationalen als auch bei internationalen Musikwettbewerben sehr gefragt, Auferdem ist Franco Cesarini Vorstandsmitglied der WASBE (World Association for Symphonic Bands and Ensembles). Franco Cesarini ist cin schr vielseitiger Komponist. Neben seinen Werken fiir Blasorchester hat et Kompositionen fit , Streichorchester und Sinfonieorchester Bliserensemble, verschiedene Soloinstrumente, Klavier, Streichquartett, Singstimme, geschricben, Zahlreiche seiner Werke wurden bereits auf Tontriger cingespielt FRANCAIS 7 Franco Cesarini est né en 1961 & Bellinzona en Suisse, Il entama sa formation musicale au Conservatoire de Milam (Italie), oil étudia la fate et le piano, A partir de 1980, il poursuivit ses études auprés de Peter-Lukas Graf au Conservatoire de Bale, Trois ans plus tard, il recut le dipléme de professeur de musique. Ia remporté plusieurs concours en tant que soliste ou membre «ensembles de musique de chambre, notamment le premier prix du concours récompensant le meilleur soliste de Suisse en 1981 En 1984, il obtint une bourse de la Fondation Ernst Géhner-Migros. I poursuivit ses études auprés de Peter-Lukas Graf jusqu’a obtention du diplome de concertste Parallélement & cela, il Studia la théorie musicale et la composition avec Robert Suter et Jacques Wildberger ainsi que la direction d’ Orchestre d’Harmonie auprés de Felix Hauswirth ‘Actuellement, il enscigne la direetion d’Orchestres dl’ Harmonie au Conservatoire de Zurich. Il ne se contente pas de produire des arrangements et des compositions, il ditige également le ‘Civica Filarmonica di Lugano’ ainsi que le ‘Civica Filarmonica de Balerna’. D’autre part, il est trés sollicté pour des interventions en tant que membre du jury lors de concours et souvent invité & ditiger d’autres orchestres, Cesarini est un compositeur particuliércment polyvalent. Ses ceuvres comporte non seulement des pigees pour Orchestre d’Harmonie et Brass Band, mais également des compositions pour ensembles de musique de chambre, pout divers instruments solo, pour Cheeur, Orchestre & Cordes et Orchestre Symphonique, La plupart de ses eeuvres ont déja & enregistrées et sont disponibles en CD. II est membre du comité directeur de la World Association for Symphonic Bands and Ensembles (WASBE),Parttur Pikkolo 1 2, Fléte 1. Oboe 2. Obve Englischtoon Klarinette Es 1 KlarineteB 2. Klarinette B 3. Klarinette B Alklarinette Es assklarinette B Kontrabassklarinete B 1-2, Fagott 1. AllSaxophon Es 2, AltSaxophon Es “Tenor-Saxophon B Bariton-Saxophon Es 1 Trompete B 2. Trompete B 3. Trompete B 1,-2, Romett B 1. Hom F 2. Hom F 3. Horn F 4. Hom F 1 2. 3 Posnne Posemne Posoune Barton Barton B Bass Kontabass Pauken 1 Mallets 2. Males 1 Schagzeug 2. Sehngceug Bajo 1. Hom Es 2. Hom Es 4. Horn Es 44 Hon Es 1. Possune B 1 Postune B > 2. Posaine B 2. Poaune B 3. Posaune Bg 3. Posaune B > Barton B Barton B> Bass Fs Bass Es bass D4 Dass 8 ‘Commissioned by the Swiss National Section of the WAS.BE. TOM SAWYER SUITE Five Scenes from Mark Twain Op. 27 Besetzung / Instrumentation Blasorchester/ C ihe Srinmen fr bestimmt Lander Additional parts for certain countries: Full Score Piccolo Flute Fate 2 Oboe | oboe 2 English Horn Blaine BeClatinet BsClarinet 2 BiClarint 3 Ato Carnet Bh Bass Carint Bs Contrabass Clarinet Bassoon 1,2 Alto Saxophone | B Alto Saxophone 2 LTenorSexophone B Baritone Saxophone Trumpet Be Trumpet 2 Be Trumpet 3 Bs Comet 1,2 Fito | F Hor 2 Fitom3 Fito Trombone 1 Trombone 2 Tromone 3 Baritone BiBartne § Bass Siting Bass Timpani Mallet Perussion | Mallet Perusion 2 Percussion 1 Percussion 2 Banjo Bttom 1 B Hom 2 B Hom 3 Blom 4 Bi Trombone 1 BuTrombone 1 Be Trombone 2 4 Bs Trombone 23 BiTrombone 34 Bs Trombone 33 BB Baritone ¢ BiBartone 9 Bas Bass Bipas Biba| | | | { i Commissioned by the Swiss National Section ofthe WA.S.B.E. TOM SAWYER SUITE Five Scenes from Mark Twain Op. 27 1. TOM SAWYER "Hewas not the model boy ofthe vile. He Aero moderato J-1wo) Ine theo oy tery el en ced ine colo ae 2 (ote 1.2 gli Horn Chit BChriet Clan 2 echinet 3 Ate Chine ‘Bass Claro ‘Be Contabits Cla Swoon 1.2 1B Alo Saopone 1.2 Teno Seophone 1 Bane Satopbone Allegro moderato 2-0) Be Trumpet oes trumpet? a Be trmpe ors 2 Hom 4 Sting Bass Timon Matt Percison 1 Mate Pacison 2 : 5 > mar > © Copyright 2002 by Mitropa Music, BO, Rx 60, C4332 Hagendorn, Switzerland ie asa FRANCO CESARINIPe FL on? Ents, Be. ce | mete? Bictens Bache Bs Cae BCs. Ca Bon. 1.2 BA.Su 1.2 bet. Sm BB. Sam Beye eT? BT Bem 12 Fin .2 PH 34 Te Toa? Tha. oa Bs sup, ‘Tiny, Mall Pee Mal Po. 2 Pert Pose? Bip06.1.2 En. Boe Bclac | Bictan2 pice BA Ch BBs. Cla. BCs, Che BA Se 12 Ber sa, BR Sa Bett Bet? BeTp 3 Bem 1.2 Flin 2 Flin Tat Te? Ted su. Timp, Mal Pere Ma Pere.2 Pere Pere.2 Biom2 ob? Eatin, Beue, BC | Bctan2 Becke 3 BACar Bis. Chr, Bech. 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Che Ben. 1.2 BA Sa 1.2 Bet Sex BB Si wert BT? wtp Beco 2 Fin 2 Fina Te Ted Tm.) a bs. su Timp. Mal Pee. Mal Pere. 2 Pee. Pese.2 Bio.Aa ob 2 En. tin, Bam, Bc Biche? Bch BAca. BBs. Clr Biche. Ch, Bon. .2 BASan 12 BT Su, Ba Sus. Tye 1 Bet. BiTp.3 Bicm. 1.2 Fin 1.2 Faint Tho. Tin? Tend Tip. Mal Pee Mal Pere.2 Pere Pere? Biooma re Beta BO | Bec, 2 bcs BAC ts Cle, Bibs. Chie. Boo. 1.2 BT Sex BB. Sax Beret Bete BIH Bw Fan Tm Thm? Thed sup. Mal Pec Mal Pec. 2 Pore. Bp,40 PLL? 0842 nH, Bek, Bec Bictar2 Bcc 3 BAG Bis. Che Bic. Cla, Bsa. 1.2 BA.Sun 1.2 BitSax PB. Sax betp Bit? Tp.3 Beem 1,2 PHL. Fins Tat thn.2 Tm. Bai. sum ‘Ti. Mat Pee. Mal Pee. 2 B = tetas Pe. Bio.Lentamente 1461 om? at, baw, Bobet Bow? cued Bache, Biche. Cla BASaLL2 BT Sa, BB. Sa Lemtamente 426) erm Bip? Berea Bow. 1.2 Fa 1.2 Fina Ta m3 Bas sue, Mat Pe. Mal Pere. 2 Pec. Per.2 Be. UL. BECKY THATCHER “A int lie bite err wih elo pte in ‘on eth wt on ck nd cbr ples *2 Pree FLL2 on? nH Cie Biche | Biche? mun BA.che, BBs. 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