ARTH 300 Pepperdine University

World Art II Professor Chiem

Global Renaissance: Europe
Monuments & Terms

1. Donatello, David, late 1420s-late 1450s, bronze, Medici Palace, patron: Medici family, Goliath
2. Masaccio, Tribute Money, c. 1427, Brancacci Chapel, Santa Maria del Carmine, Florence, Italy, fresco,
patron: Felice Brancacci
3. Robert Campin, Mérode Altarpiece, c. 1425, oil on wood, patron: Inghelbrecht Family, Netherlands
4. Jan van Eyck, Man in Red Turban, 1433, oil on wood, Netherlands
5. Ming dynasty banknote, ca. 1375, woodblock print, China
6. Martin Schongauer, St. Anthony Tormented by Demons, c. 1480, engraving, Germany
7. Martin Schongauer, Mary and Christ Child, engraving, 15th c., Germany
8. Albrecht Dürer, Rhinoceros, pen and brown ink, 1515, Germany
9. Michelangelo, David, 1501‐1504, marble, intended location: Tribune, Florence Cathedral. Eventual
location: in front of the Palazzo Vecchio (Town Hall), Florence, patron: Opera del Duomo (Cathedral
Overseers)
10. Titian/Giorgione, Pastoral Symphony (Fete Champetre), c. 1508, oil on canvas, Italy
11. Titian (Tiziano Vecelli), Assumption of the Virgin, c. 1516‐1518, oil on wood, main altarpiece in Santa
Maria Gloriosa dei Frari, Venice, Italy, patron: prior of Franciscan basilica
12. Michelangelo, Doni Tondo, 1504–1506, oil and tempera on panel, Italy
13. Giorgione (with Titian), Sleeping Venus, c. 1510, oil on canvas, Italy
14. Titian, Venus of Urbino, 1538, oil on canvas, patron: duke of Urbino, Guidobaldo II, Italy

Terms
chiaroscuro
contrapposto
vanishing point
aerial/atmospheric perspective
historia
mimesis
humanism
biographical method
Giorgio Vasari (1511-74), Lives of the Artists (1568)
triptych
Erwin Panofsky, “disguised symbolism”
horror vacui
Johannes Gutenberg, printing press, c. 1450
woodcut
buon fresco
disegno
colorito
poesia
tondo