Colwyn 1. In thia column, the single notes without rhythmic signs have the ‘aloe ofa quaver in modern thsic. "And asin modern music we tually have (ro or three quavers tothe beat, oo likewise in Plainsong, we have two ot three Single notes Torming a compound beat or rhythmic gro ‘Taree rhythoe signs may be added to these single nots; hence in Column 2. The vertical episema, (a) which marks the beginning. of compound beat and the rhythmic step af the movement, (oe farther on'§ VI). Column 5. The horizontal episema which indicates a slight lengthening ot ‘the note, This stroke may also cover m whole group, bat im such casey The Ieting mu ot mardi der nin te Fm ely a AS ropards the vale of he lengthening, a gad rle ith flee it care, tse kaya an ee wa Re si hat le he oe he otal epanma shay een be strong Kom it potion in ‘belay or txt, more freuerty perbape it must be weak, intensity is 20 hereon any raytimie Cote 4.” Heh he etl a throne pe are altace te the same noe, chu indiating at once the begining of 8 rhythmic 1 ght lengtbening during’ which the lee diet Sway in ore to Da ema miodé pores. Column 5. Here the dot dase be note which precede it, B. — News on crours oF two norEs. SEE Se 2. Descending wat = 8. On the same degre 0 ee ESE brea (0) Rpts, « Greek word, mening mat ose