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ANDNRA MAHABHARATAMU
CRITICAL EDITION
Vol. L
Adi and Sabha Parvas
391 A
ANDHRA MAHABHARATAMU
www.teluguthesis.invisioni.com
(Critically edited for the first time)
Editorial Board
PROF, K. LAKSHMI RANJANAM (Chairman]

PROF. D. VENKATAVADHAKI
Advisory Board
RALLAPALLI ANANTAKRISHNA SARMA

VEMPARALA STJRYANARAYANA SASTRY
DEEPALA PITGHAIAH SASTRY
Published with the financial assistance of the Govt. of India and

the Govt. of Andhra Pradesh by the Department of Telugu,
Osmania University, Hyderabad-(India).
1968.
(Adi and Sab ha Paw as]
Vol. I.
Critically Edited by
Prof* *IL Latshmi Ranjanam. Dn B. Rama Raju*

Prof. D; Vcnkatavadhani. Dr. P, Madhava Sarma,
Prof. N. Vcakata Rao. Dr. M* Kulasckhara Rao.
Pro B. Lakshminarayana Rao f Shri A- Rajeswara Sarma.
Dr. P. Durgaiah. Dr. K. V. Rarnakoti Sastry.
TELUGU DEPARTMENT
Osmania University
Hyderabad (India)
1968.
FIRST EDITION.
COPIES 3000.
Price Rs. 15/- (Rupees Fifteen only).
c^
rights reserved.
Printed at the, Osmania University Press

Osmauia University, Hyderabad-7 (A. P.)
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CONTENTS
Page
Benedictory Sloka of Nannaya Bhattu written in the

hand of Dr. Sarvepalle Radhakrishna, Former
'
President of Indian Republic . .
Foreword Dr. D> S. Reddi, Vice-Chancellor
Introduction (English)
Prof. K. Lakshmi Ranjanam . . . . i
Upodghatamu Prof. D. Venkatavadhani , .

81-158
Vishayasuchika of the Text . . . . . .

159
Text of Andhra Mahabharata . . . .

1-725
Firsdine Index of the Text . . . . . .

726-769
Appendix I. Printed editions . . . .

769-777
Appendix II. List of Donors of palrnleaf manu-

scripts and printed editions , . . .
777-780
written in the hand of

Benedictory sloka of NannayB Bhattu
Dr. Sarvepalle Radhakrishna, former President of India.
FOREWORD
On the happy occasion of the Golden. Jubilee of this Univer-
sity.,
it gives me great pleasure and satisfaction to introduce to
the scholarly world the first volume of the Andhra M'ahabharata,
critically edited by the members of the staff of the Department
of Telugu, Osmania University.
i
The Mahabharata is one of the greatest epics of the world,

human document, and a store-house of knowledge and
a perfect
wisdom. The Andhra Mahabharata, which is a free translation
of the Sanskrit original, has special appeal to Telugu scholars,
being the first work of literature in Telugu and a masterpiece

among the Telugu classics. The present edition is based on a
critical
study of a large number of palm-leaf manuscripts, collect-
ed from different parts of the State and edited by a team of
competent scholars in Telugu.
take this opportunity to thank the Government of India

I
and the Andhra Pradesh Government for having provided funds

for the preparation and publication of this work. I congratulate
all the editors and their
colleagues on their collaborative and
successful scholarly Venture. I hope they will strive to bring out
the remaining volumes in quick succession,
Hyderabad D, S. REDDI
iQth September, 1968 Vice-Chancellor
Osnwnia University.
-o-
CRITICAL EDITION
OF
PREFACE
THE Editorial Board of the Andhra
Mahabharata Project,
Osmania University has sincere pleasure in presenting to the
Assemblies of learned men of Andhra the I Volume consisting
of Adi and Sabha Parvas, of the Critical Edition of Telugu
Bharatam, Nannaya Bhattu, the first great poet of Andhra,
the first architect of Telugu Bharatam pays homage to the
cc
assemblies of wise men. and calls them the lotus lakes of good
men." (Stfôtftf Stf&Stfowoe) ;5jotfo ^tftfo fr$c&r*&. ^^s'S" 1-1-24).
Another Telugu poet Ketana seems to say what the wise men
smile upon is blessed. What they frown upon is irretrievably
lost. Obeisance to the wise who are next only to the Gods.
ANDHRAS AND MAHABHARATA

Mahabharata is a national epic of India. Andhras also
feel the same. They not only feel the Mahabharata but they
1 1-1-24 represents Adi Parva, 1st Aswasa, Verse 24.

Future References to Andhra Mahabharata may be understood
thus.
391 B
live Witness the great battle of Palnadu of the 12th
the epic.
Century A,D. The heroes of www.teluguthesis.invisioni.com
Palnadu (Guntur District) re-
enacted the episodes of Mahabharata in a quaint manner.
The battle of Palnadu is a fight among cousins like the epic
war. The Pandavas and Kauravas quarrelled over the dice.
The Palnati heroes fell out over an exciting cock-fight. There
is manda-potu (seizure of the herds) in the story of Palnadu to
match the Ghoshayatra and Gograhana incidents in the anc ent
epic. The greatest among the heroes of Palnadu mighty Si am
Brahmanayudu is hailed as Palnati Vishnu. The Kr da-
bhiramamu, a \vork of the early 15th Century mentions that in
the city of Orugallu (Warangal) there was a temple for Pandavas.
Worship or Veneration for the Pandava hero Arjuna is" indicated
' l
by Panini in his sutra -sr**& 4-3_98 Worship

"S-s^g^^gSo^r-
of warriors is commonAndhra. Heroes of Palnadu come
in
under this category. The practice to set up stone images called
Vira-gallulu (hero-stones) for mighty fighters, was much
prevalent in Andhra during the middle ages.
The story of Mahabharata became so much an integral

art of our national life that numerous Telugu proverbs are
"
ased on it. 1 If you like to hear a story listen to Bharata,
f you want a (a preparation of Udad)
tasteful dish eat Garelu ;
harata without Kama, Mana Duryodhana

(a veritable
uryodhana in self-respect); Saucha Gangeya (Bhishnia in
purity of character) is a favourite
*
title of many a Telugu King
and Chieftain in the inscriptions. Uttarakumara prajnalu
c<
(a derisive term). There
a saying He blocked my path like
is
Saindhava;" An Evil genius like Sakuni. Do I not know

(
the Pandavas they are four in number like the four legs of the
'
cot a humorous observation. Many more can be cited. It
is not
only the common people that are attached to the Maha-
bharata. No less a person than King Rajar a Narendra
(1022-63) of the Eastern Ghalukya Dynasty of ajahmundry
cc
declared to his learned courtiers These five are t e objects of
rny veneration and love the respect of Brahmins the constant ;
desire to hear the story of Mahabbarata an intense love for

;
the worship of Siva, lord of Parvat the desire for unceasing

;
charity and a neverfailing desire for t e company of the wise and

good men." (1-1- 12) To the question w y he liked the Mahabharata,
his answer is "From the Moon, through Puru, Kuru and Pandavas,
our family is descended." (1-1-14) Rajaraja claims descent from
Pandavas belong to www.teluguthesis.invisioni.com
the Lunarrace, this race, hence he desires
to listen to the story of his ancestors.
MAHABHARATA THE FIFTH VEDA
That is the ostensible and personal reason. The better

and more abiding reason is that Mahabharat is considered the
Fifth Veda. It is as venerable as the Vedas. It is a mine of
Dharma. It is a great poem. It is a store of philosophy, of
political science, the great Itihasa and what not. These ideas
have been well brought out by Nannaya Bhattu in the prologue
to his work. (1-1-33.) He mentions again and again that the
reading of Mahabharata is a meritorious act and that the wealth
of Punya (virtue) acquired by the study of Vedas, by the per-
formance of sacred sacrifices, by penance, by Brahrnacharya
(celibacy) \by charities all this Punya is achieved by a constant
study of the epic.
Tikkana Somayaji, the great successor of Nannaya Bhattu

is more explicit in his claim for the authority of Veda to the
"
Mahabharata. whenever and wherever there is a conflict
of opinion between the Vedas, Smritis and the Puranas, the
Mahabharata is the authority that reconciles these differences
and lays down the law with regard to the four-fold duties of
9'
man (4-1-4). Down to the most modern period Telugu
poets and Telugu people retain this profound veneration for
this ancient epic.
TELUGU BHARATAM THE FOUNTAIN HEAD OF TELUGU LANGUAGE
More and immediate reasons sustain the respect

practical
of Andhras for Telugu Bharatam. These are more mundane
reasons (1) Andhra Mahabharata contains our earliest, highest
and most popular poetry (2) It is the primary source of our
classical grammar, our prosody and our lexicology.
Taking these factors one by one, we will add a few remarks.

Mahabharata is our earliest poetry in the field of pure poetry.
There is evidence of versification down from the middle of the
9th Century A.D., in the inscriptions of the Eastern Ghalukya
King, Vijayaditya III. Some claim even a much earlier origin
to versification in Telugu. They trace it to the royal decrees
of the Chola Princes of Renadu (the Cuddapah district) who
are the early contemporaries of the Eastern Ghalukyas, Some
doubt whether these fragmentary records can be called poetry.
However there is no dispute about the fact that Nannaya's
composition is the first worthy essay in aesthetic poetry. The
opinion of yet a few writers that good Jaina poetry existed long
before Nannaya and that it was destroyed by non-Jamas, is not
so far borne out by any evidence. It appears that Andhra
Jainas did not find much favour in the land of their origin for
the exercise of their literary talent. They seem to have migrated
to more congenial regions and adopted the Kannada language
c
as the vehicle of their poetic talent. The case of the Ratna-
traya/ the three gems of ancient Kannada poetry, Parnpa,
Ponna and Ranna is mentioned in this connection. Adi Pampa
is said to have flourished in the Vemulavada region, the modern
Nizamabad-Karirnnagar Districts.
It is our highest poetry in the sense that two master minds

of Telugu fashioned it and a third joined his genius to it. It
is true that the theme is not of Andhra Origin not Desi in the
strict sense of the term. That it is universally popular with
Telugu people is an age-long fact. It is freely read and under-
stood in the villages even to the present day. It is justly popular
by its ennobling themes, a natural, easy and dignified diction,
by the avoidance of pedantry and vulgarity and by eschewing
artificialityin all situations. Nannaya is highly economic in
descriptions though his successor Tikkana showed a tendency to
relax this restraint in his earlier Parvas. But he too returned to
his exemplar's path not only in the matter of theme but also in
conciseness and compactness of expression. If the soul of wit
is brevity, Andhra Mahabharata is the finest example of this in
Telugu.
SOURCE OF CLASSICAL GRAMMAR

The place of Andhra Mahabharata in the field of our Clas-
sicalGrammar is supreme and unrivalled. The more liberal
mindecb among our Grammarians held up the literary usage
of Kavitraya the three poets of Telugu Mahabharata (Nannaya,
Tikkana and Yerrana) as standard and worthy of imitation.
There is a hard core among the grammarians who are unwilling
to place even Tikkana and Yerrana on the pedestal, by the side
of Nannaya. They hold that Nannaya's literary usage alone
ranks as "Arsha" classical, as far as Telugu is concerned.
All subsequent poets have to look up to him for purity of literary
expression. Where they differ from him, Nannaya must prevail.
This is the dictum of an old poet/ Kavi Rakshasa whose time
1. Appakaviyamu. Introductory Verse No. 46.
isnot clearly known. A
late authority like Ahobala Pandita,
"
(close on Andhra Sabda
of the 17th Century) commentator
"
Chintamani endorsed this view. The greatest of Telugu
poets including Tikkana,, Allasani Peddana and Pingali Surana
held Nannaya Bhattu in unquestionable veneration. They
may have at the same time introduced minor changes in the
poetic usage, consistent with the tastes of the learned men of
their age. For a correct understanding of the classical grammar
of Telugu, a Critical Edition of Andhra Mahabharata is essential.
SOURCE OF TELUGU PROSODY
Similarly Telugu Bharatham is the main source for a study

of Telugu prosody. All works on Telugu prosody except Kavi-
janasraya are subsequent to the Mahabharata. The Author-
ship of Kavijanasraya is disputed. It may come nearer to
the period of Nannaya but cannot precede it. One limiting
factor is that the poets of Andhra Mahabharata did not ex-
haust the gamut of purely Desi metres. A
well known metre
like Dwipada does not find a place in the Bharatam. The
Saiva poets and later on Vaishnava poets employed this Desi
metre in a masterly fashion and built up a separate and vast
branch ef literature. The Ragada metre, with its alliterative
numbers is not used in Mahabharata. The Prabandha poets
are very fond of this in decribing the frolics of young damsels,
Purely song metres also do not find a place in the high serious
poetry of the epic. Non-the-lcss, Telugu Bharatarn is the foun-
tain-head for the study of Telugu prosody. Herein Nannaya
Bhattu, though supposed to be the architect of the Marga style
as against the Desi style, is more liberal in the use of native
metres like Madhyakkara. Taruvoja, Layagrahi etc. besides
the normal verses. His manipulation of the isa metre is pe-
culiar to his poetry and forms interesting study by itself, Simi-
larly his employment of the Madhyakkara metre is nearer to
the ancient models as found in the Bezwada inscription of Yud-
dhamalla.
The use of the Akhanda-vadi or Yati in the Caesura system

has long been a sturdy bone of contention among Telugu
writers on prosody. The earlier prosodists like Anantamatya
(A.D. 1420) seem to approve of it. A purist like Appakavi
(A.D. 1656) does not countenance it. Modern authorities like
Rao Saheb Gidugu Ramamurthy Panthulu take Appakavi to
task for this. The Rao Saheb and others of his school accuse
Pundits of having altered the readings of Mahabharata to con-
form to their views on prosody. A Critical Edition of Andhra
5
Mahabharata if satisfactorily done-must throw light on some
of these disputed points. Teluguwww.teluguthesis.invisioni.com
employs "both Yati and Prasa
schemes in its poetry. They serve as great restraining agents
on enthusiasts who are tempted to refashion the poetry of master
minds in order to make it conform to their motions of grammar
and propriety or other considerations.
To quote only one instance among many, how a prosodial
1
scheme can sway scholars, we may refer to one verse.
In the second line of this verse some have ta en
" "
the reading Kapila Gaddarnu (Tawny beard). nis
c ' c 5
verse has v in the Prasa theme. The word Kap la
falls in the Prasa Sthana. If this reading is accepted we have to
* c
Nannaya rhymed p and v sounds. This is no

c '
agree that
doubt accepted for caesura but not for Prasa. There is yet
another objection to this reading according o some. In the
cc " *
compound *
Kapila Gaddamu a purely Te ugu word Gad-
damu is brought into fusion with a purely anskrit adjective
c
Kapila.' This is not in consonance with c assical grammar

Will a poet of Nannaya s stature, who is very
5
or good usage.
careful about grammar, commit such a solecism?
Scholars are much exercised over it. They bring to bear

all theiringenuity and all their erudition to save Nannaya, the
Valmiki of Telugu Literature, from a charge of indifferent gram-
mar, Paravastu Ghinnaya Suri (rnid 19th Century), the best
authority on classical grammar in the modern period accepted
the reading (Kapila Gaddamu) and explained it on the principle,
8 3J
Anindya Gramya a solecism which we should accept with
c
of
veneration as it pertains to the father of Telugu poetry, It is
a highly sensible and p easing approach. Other scholars are
not prepared to accept th
"
s graceful explanation. They ransacked
Telugu Vocabulary and fted up some obsolete words and tried
to save Nannaya from the charge of grammatical and proso-
dial solecism. One wonders whether Nannaya really needed
the help from self-styled champions or whether their advocacy
improved his position as a most natural and pleasing poet.
A critical edition of Andhra Mahabharata has to tackle such
difficult issues. The present editors cannot vouchsafe satis-
faction to all the contending schools.
no&j
2. Balavyakarana. Samjna Paricheda Sutra 23,
6
MAINSTAY OF LEXICOGRAPHY
In the field of lexicography also, Andhra Mahabharata
enjoys the supreme position. When the meaning or form of
a Telugu word has to be fixed
with precision, grammarians
and lexicographers quote the Mahabharata in support. Ga-
napavarapu Venkata Kavi (A.D. 1676) seems to be the earliest
"
authority who employed this method in his work, Andhra
Prayoga Ratnakara." In support of his grammatical findings,
he quotes Andhra Mahabharata. It was only in the 19th
century that Telugu lexicography assumed the modern form.
Charles Philip Brown quoted Mahabharata verses in his dic-
f
onary. This method was elaborated and systematized by
t A e author of Sabda
Ratnakara, late Bahujanapalli Sitarama-
c aryulu Garu and was followed
up by the compilers of the
Suryaraya Andhra Nighantuvu, A Critical Edition of Maha-
bharata will stand our lexicography in good stead.
^
There is a minor branch of ictionary-making which p ays
an important role as far as the Te ugu Language of the class cal
"
period "is concerned. This is t e incidence of the Sa ata
<c
Repha popularly known as bandi ra," the harder form of the
* '
trilled consonant. The r sound in Telugu is *prono lriced
with a lighter touch and a harder touch. This distinc ^n is
fundamental to Dravidian languages. Words carry a di orent
meaning with or Vithout the Sakata Repha. The oppos te or
the light trilled sound is called Sad u
Repha. As far s the
classical language is concerned the istinction between akata
Repha and Sadhu Repha is observ* with great care. ut as
time passed on peo le became h* ifferent to the dist nctive
utterance of twJ tri ed sounds and they got
merged into one
sound. It became ifficult even for to maintain this Dis-
poets
tinction on any rat onal Therefore
principle. compiling lists
of words with Sakata Repha became a There
literary necessity.
were not Lakshanikas wanting who took to this meticulous task
and composed special treatises on Sakata Repha. All standard
writers fall back on the Andhra Mahabharata for a correct lead
in this branch of
lexicography.
Chiefly they attach importance to the usage of Nannaya

as the earliest authority.
Owing to the obliteration of distinc-
tion in pronunciation, some words assumed
tvyo forms, one with
the Sakata and the other with Sadhu
Repha. In such disputed
points, the Mahabharata and particularly Nannaya is looked
upon as the most reliable source. In this branch of compiling
lists of words with Sakata the earliest
Repha, seems attempt
to have been made by Tallapaka Peda Tirumalacharya, (A.D.
1530) son of the famous saint-singer Annamacharya. Peda
Tirurjiala compiled a small verse dictionary called Repha
Rakaramulu. He did not quote from Mahabharata for corro-
boration. Appakavi (A.D. 1656) in his work Appa Kaviyarnu
c '
Aswasa II collected some lists of words with both the r sounds.
Herein he shows some words which contain the lighter and
harsher sound of the trill. From this we have to infer that
*
Telugu pronunciation as far as the r* sound is concerned under-

went a change during the six centuries that elapsed between
Nannaya and Appakavi.
*
Others who wrote on the same subject i.e. the light r
c
c '
and hard r sounds are Bharatamu Lakshniipati Somayaji
c '
with his book Sakata Repha Nirnayamu and Ogirala Ranga-
c
natha Kavi, with his book Dwirepha Varna Darpanamu \
The former claims that the lists of words collected by him are
based on the usages in Telugu Bharatam. He quotes many
verses from it. There is much justification for this claim for
Lakshmipathi Somayaji is the author of a commentary on the
Telugu epic. More about this later on.
There is yet another branch of our dictionaries the Accha

Tcnugu Nighantuvu dictionary of pure Telugu words. The
early Saiva poets like Nannechoda and Palkuriki Sornanatha
desired to revolutionise the Telugu poetic style. They felt
some dissatisfaction with what they called Marga style which
can be equated roughly with classical diction. Though they
do not expressly mention Nannaya Bhattu or his Mahabharatam,
they seem to imply Nannaya's style by the Marga Paddhati.
As a counter move to this they raised the slogan of the Desi
style with Janu Tenugu. Now, Janu Tenugu is not clearly
defined. However from a solitary verse of Palkuriki Soinanatha,
critics understand that it means Accha Telugu. This implies
that part of the vocabulary of the Telugu language, excluding
the Tatsarna clement. Later in the 16th Century, whole Kavyas
with Accha Telugu vocabulary were written. Keeping this
in. view one scholar of the modern period late Kotra Lakshmi
Narayana Sastry compiled an Accha Tenugu dictionary.
He also extracts quotations from Andhra Mahabharata. This
dictionary seems to lean heavily on the extracts collected in
Sabda Ratnakara. As it did not approach Mahabharat direct
,and is based on secondary sources^ it may not help us much
HI preparing the Critical Edition of Bharatam.
NEED FOR A CRITICAL EDITION FELT
Such being the importance of Andhra Mahabharata in
the field of Telugu Literature and language, scholars and savants
of the last generation began to wish for a critical edition. After
rinting became popular in Telugu numerous lovers of Telugu
rinted and issued the Mahabharata,, often in parts only and
ome times in its entirety. It is a huge under-taking and must
ave taxed the resources of our early rinters. Andhra Maha-
harata runs into 21,516 verses, and rose pieces, in the tradi-
tional 18 parvas. It consists of 63 . swasas
corresponding to
the Adhyayas of the Sanskrit epic, ihe Telugu epic mostly
conforms to the classical epic in the division of the story into
Parvas i.e. the story content ^ Adi Parva in Telugu
corresponds
to the story content of that arva in Sanskrit. But within the
body of the Parva considerab e freedom is assumed by the three
great poets of Telugu of haratam. They often condensed
the story, pruned or rejected the numerous upakhyanas, philo-
sophical discussions and politico-economic disquisitions. So
that Telug\i Bharatam is compressed into a fifth in. size of the
Sanskrit epic.
MAHABHARAT IN PALM - LEAF MANUSCRIPTS

*
Before the prevalance of printing, Mahabharata was written

and preserved in aim-leaf manuscripts only.
-
did not so We
far meet with an paper manuscript of the Bharatam earlier
than^the one prep red under the direction of C.P. Brown. Pre-
paring a palm lea* manuscript must have involved much labour
and expenditure, Only the rulers of principalities and the
few wealthy citizens could afford this literary luxury. The
scribes were not often equal to the task of
copying a Maha-
bharat manuscript as they lacked the scholarly equipment
needed for it. Therefore they were prone to make mistakes.
Occasionally we meet with intelligent scribes also. All of them
make pathetic apologies for the errors they commit. fully We
sympathize with them . The material which they write upon is
such that it is not easy to erase what is once written.
SPELLING PATTERNS
The spelling of the Manuscripts leaves much to be des-

"
abed. Apart from letters, similar in form getting conf ed *
'
Ke the Telugu n * and ' s the p ' and ' v
' ' '
th and
'
h,'
' ' '
Varnakrama or Orthography presents many peculiarit es,

UA instance scholars are
very particular about the distinc on
c * ' *
between the soft r and hard r (what Caldwell cails the mcl-
c
'
linum and vallinum r respectively) Lakshna Granthas .
have been written about them. But our manuscripts are al-
most silent about it. They use only the symbol of the mellinum
'r* for both. Another orthographical feature over which
scholars are very particular and differ among themselves vehe-
mently the half nasal is conspicuous by its absence in the
manuscripts. Strange indeed. In order to indicate the value
of the full nasal and half or silent nasal a device was adopted.
Where the full nasal sound is intended the Purna Anuswara is
written and the following consonant is doubled. For instance a
word like Kumda e
(pot) will be written

'
Kum-dda.' If
f
the nasal sound is silent the Purna- anus war a will still be written
but the succeeding consonant will not be doubled. Vandu (he.)
Certain conjunct consonants had a peculiar utterance, shifting
away from their original sounds. For instance in the conjunct
consonant *jna* we have the palatal and nasal combination,
But in common speech, perhaps it was rendered as gna/ a
'
guttural and nasal combination. Basing itself upon this speech

habit, a new type of caesura was brought into vogue by poets.
There are other peculiarities in spelling in the writing of

manuscripts. For example the Druta consonant, the volatile
c
n takes the shape of a < polla nakara 5 viz the mute nasal with-
3
out the help of vowel to enunciate it. This form without the en-
unciative vowel has to occur at the end of certain verses. There
c '
the polla nakara has to be written. But the manuscripts
5 * *
write it in its Swatva form i.e. nu with a vowel ending. '
This will rnar the prosodial requirements. Therefore a gramma-

rian like 1 Ghinnaya Suri had to frame a cautioning rule there
is no Swatva form at the end of a verse which
ought to end in
the long sound.
"
Another feature of manuscripts spelling is the use of vala-
'
pali Gilaka" Valapali Gilaka is a device to represent the r'

sound in conjunct consonants. This device is permitted when
in the conjunct as in the word Karma
4 *
r is the first member
sound is the second member in the
5
But when the
c
action. r
conjunct this device is not applicable as in the word Arnra,
55
(mango). The consonant to which the "valapali gilaka is
added is usually doubled in the manuscripts though rules of

orthography do not require it. Yet another noteworthy point
in the spelling of palm-leaf manuscripts is the use of the Purna
20.
***** ^ 8S *
8
E
10
Anuswara (full nasal sound) before Sthira Varnas. In Telugu
grammar letters other than www.teluguthesis.invisioni.com
Parusha (hard consonants) and
Sarala (soft consonants) are called Sthira varnas. The nasals
come under this class. The Purnanuswara is prohibited before
them as it is redundant. In words like Anna (elder brother)
amma, (mother) grammar prescribes that we should double
the consonant and not write Anuswara before it But the .
scribes of manuscripts usually commit* this solecism.
There is no doubt of a historical background to it. In

the development of the Telugu Language this represents one
stage. In pre-Nannaya language words changed their form
" "
due to assimilation. A
village by name Kamburarn-Cheruvu
got assimilated into Kammari-Cheruvu. The anuswara was
perfectly logical before the stage of assimilation. After the
operation of assimilation it is
superfluous. That is why the
1 c
grammarians formulated a Sutra which states that in Telugu

the Anuswara occurs only before the Parusha and Sarala varnas/
The scribes are not willing to give up their age-long way of spel-
ling and writing. The grammarian does not exercise a sympa-
thetic imagination and understand why the scribe insists on
writing as he does. It is like the deaf and the dumb discoursing.
THE SCRIBES
Appakavi, the self-xonscious Lakshanika comes down

heavily upon the poor scribes and condemns them roundly.
Ignorant scribes and readers have been responsible for
changing the text in the kavyas of great writers like Nannaya
and others. 8 Persons with little learning made them worse by
indiscriminate emendations. If Lakshanikas accept these per-
verted readings as basis for laying down the law (with regard to
grammar or prosody) will wise men accept such canons as
sound rules. Allasani Peddana, the well known poet of the court
of Sri Krishnadeva Raya referred to the ignorance of the scribes
o
v 18.
g^
"
**tfc
rro
^ . wS. 8. 2Q2.
11
1
in one of his Chatu verses. To one who asked fo? the com-
position "of a Kavya on the spot .Jie is said to have
replied humo-
rously How can poenis corne to order without solitude,
without a hearty meal> and a perfumed Tarnbula sent by the
dearest lady, without the cradle to swing, and finally without
the presence of readers who are connoisseures in literature and
scribes %vho can distinguish between the right and wrong. Ku-
chimanchi Timmakavi (18th Century) also felt the same about
scribes. When Appa Kavi rejected the claim of Bammera
PotanaV Bhagavata for being a standard work because Potana
c 3
confused and mixed up the hard and soft r sounds in matters
of Yati and Prasa, Timmakavi answered the objection thus.
"It must have been the mistake of lesser poets that such errors crept
into the Bhagavata. Otherwise can any one accuse the great
3
poet Barnmera Potana of ignorance about the rule -regarding
'r* sound. The story goes that some portions of of Potana's
Bhagavata were damaged by worms and that his friends and
students filled up these gaps.
INTERPOLATION
That is how poets and Lakshanikas felt about the ignor-
ance and vagaries of scribes. Some were bitter and some were
humane in their approach. Sometime an ill-equipped but rash
scribe tries to correct the author's text according to his lights.
Yet another will indulge in the excusable pastime of composing
one or two verses himself in the easy metres "and set up as a po-
etaster. Fortunately the Andhra Mahabharata is not subject
to serious interpolations unlike the Sanskrit epic. In Sanskrit
the metre us d in Mahabharata can be easily manipulated.
A poet of or inary talent can try his hand at composing some
verses and nterpolate them into the main text without
the danger o detection. Further, the ancient epic rolled down
SN.
*>
2-284.
<2
S^'
12
more than 25 centuries. No wonder www.teluguthesis.invisioni.com
that many a and, deft
and otherwise worked into it. Not so the Telugu haratam.
Its life is 10 centuries, The poets of the Telugu ep c are the
greatest masters of ^Telugu poetry. It is not easy to
imitate them without fear of exposure. Moreover from the
-
ver beginning it was universally respected both in the courts
of -ings and the assemblies of villagers. Hence interpolation
in ts case was not a thing in which small poets could indulge
wit impunity. Though this applies to the poetical portions
of the Mahabharata, the prose portions were not so immune
from interference, As the restraining hand of metre does not
operate here, scribes and minor poets were busy here, adding
and subtrac^ ng matter. Often they content themselves with
verbal variat ons and synonyms. The prose passages of Telugu
Bharatam d d suffer some emendation and elaboration.
PROBLEMS OF TELUGU BHARATA
If interpolation did not play a major role in the Andhra

Mahabharata what are the issues that confront scholars in con-
nection with this fundamental work. At this stage we wish
to invite the attention of our learned audience to the aims of
classical criticism as set forth by Dr. V. S. Sukthankar, the mo-
"
dern Vyasa of Sanskrit Mahabharata. He says1 the cannons
of the classical philologist are four (1) Heuristics i.e. assembling
and arranging the entire material consisting of rnanuscri ^s
and testimonia in the form of a geneological tree (2) Recen 10
i.e. restoration of the text of the archtype (3) emendatio .c.
restoration of the text of the author (4) Higher criticism .<?.
separation of the sources utilised by the author. As far as the
Telugu epic is concerned ernendatio and higher criticism seem
to absorb more of our interest. We
will return to the subject
in due course.
THE PRINTED EDITIONS
The Christian Missionaries were the first to introduce prin-

ting int Telugu. They chiefly brought out elugu translations
of the ible orparts. Missionaries like
its enjarnin Schultze
4
.D.ronzes took part in this work. G. Brown observes .
n his i elugu-English Dictionary that printing was introduced

"to Telugu in 1806 but did not make much progress till 1830.
rrose books needed for the Schools were much in vogue at the
1. Prolegomena to the Critical Edition of Sanskrit Mahabharata

Sukthankar Memorial Edition. Volume I, page 97.
13
beginning of the 19th century. Native Pundits like Ravipati

-
Gu umurthy S as try, Chief Telugu Pundit Fort St, George3
Co ege, took to writing prose books. He brought out in easy

Te ugu prose s the stories of King Vikramarka, published in
18 9 and stories of Panchatantra, in 1834.
Naturally the country looked forward for the publication

of Andhra Mahabharata. We are not yet in a position to state
definitely who first published t e Telugu epic. For sometime
it appeared as
though the ed tion of Mahabharata published
by the scholar-enthusiast ri Ekarnra Josyulu was the
earliest. Onthe front page o this publication Saka year 1755
is printed. Naturally this le to the impression that it was
published in 1833 A.D. But the Cyclic year is given as
Paridhavi, Pushya Sudha Padyami Somavaram which corres-
ponds to Monday January 10, 1853, Therefore we have to
finally accept the date 1853 for the London Edition, which we
have accepted into our critical apparatus,
That the date of the London Edition is ^

doubt was known long ago
For want of definite information it was allowe to be called the 1833 Edition.
3
On further examination it is now fairly establ aV ed that it is an edition con-

temporaneous with the Karalapati Rangiah, Ed n of 1952
Some of the facts about the London Edition are interesting. There is an
introductory leaf to the portion of Maha Bharata beginning with the Bh.ish.ma
cc
Parva. Here it is narrated as follows Aluri Ekamara Josyulu garu is pious
Telugu literature. In the month of Am of Sadh-
scholar, desirous of serving
arana Samvatsara (corresponding to June 1850) he conceived the idea of
printing of Andhra Mahabharata and formed a society of enthusiasts for
undertaking this work. This body published Adi and Sabha Pan/as. But
' '
unfortunately i their head in this body and further work was

suspended.
Pandit Ekaxnra Josyulu not to be deflected from his excellent purposes

of bringing out a scholarly edition of Andhra Mahabharata. He formed
another Society of enthusiasts and launched upon its publication. In this
second effort he sought and obtained the cooperation of Puwada Venkat Rao
proprietor of the Vartamana Tarangini press of Madras, Pandit Josyulu
himself owned the Jyotisha Kalanidhi Press. This new body agreed to issue
the work under the name of Durvasula Jagannadha Rao gam, perhaps
a wealthy member of the Society.
Perhaps there was an agrement to print and publish the entire Telugu
Bharatam from the two printing establishments, Vartamana Tarangini and
Jyotish Kalanidhi Press. There is no express statement to this effect from
any of the parties* It is a surmise, The India Office Edition (viz*, London
Edition) is in two divisions, the Adi Panchaka or the first five Parvas ,and the
portion beginning with Bhishma Parva and ending with Svargarohana Parva.
14
The first five parvas appear to be printed in the Vartamana Tarangini Press
by Puwada Venkat Rao. There is no regular front pages (Mukha Patra)
to this part of the Book. There is no page of contents attached to this. There
is one leaf with the seal of the Vartamana Tarangini Press. The year of
publication is noted as 1 85 1 .
The Bhishrna Parva portion KPS a regular printed front page and also a
table of contents of the story from Bhishrna Parva to the end. Here it is stated
that the Maha Bharata is issued for the benefit of the pious people from two
presses. The Jyotisha Kalanidhi and Vartamana Tarangini. The date of
publication is not noted here in the Christian Era but in the Salivahana Saka
and the cyclic year. The Salivahana Saka is printed as 1755 which corres-
ponds to 1833 A.D. The mistake about the date of this Edition arose out of
this recorded statement. We
do not know how such a mistake appeared in
print. The cyclic year is noted as Paridhavi, Pushya Sudha Padyami, Monday
which corresponds to January 1 3
1 853 .
I think that we have finally to reject the date of 1833 for the London
Edition and accept the year 1853 for the later part of this edition i.e., Bhishrna
to Svargarohana Parvas, We
have to reconcile all the available evidence
with regard to this edition as follows.
In the year Sadharana, month of Ani, i.e., June 1850 Pandit Aluri Ekamra
Josyulu conceived the idea of publishing Andhra Mahabharata. He actually
issued the Adi and Sabha Parvas. This venture failed at this stage. We do
not know what happened to these two Parvas* Pandit Josyulu launched the
second venture. Here in 1851 we come across with the Adi Panchaka of
Puwada Venkat Rao published in Vartamana Tarangini Press, We have
to assume .that this is a part of the overhaul scheme for the publication of the
whole Bharatam, divided into convenient instalments between two presses.
We do not possess the front page or table of contents of the first instalment.
We do not know whether P. Venkat Rao was very enthusiastic about the
partnership or the joint venture. He is silent about the whole understanding.
On the other hand Pandit Ekarnra Josyulu is very informative and mentions
both the presses on his front-page.
There is one factor which supports the thesis of joint venture. The
scholars who
actually did the editing are thive &r. "Sotf kg\S$ ;Sr=cpQboe>o;
a-. &*. SacC6Tr>s5g 2. These names are
-Sor^^gvj)^; printed
on the front-page of Bhishma Parva. There is no mention of them on the
Adi Panchaka issued by Vartamana Tarangini Press. But a note to this
effect is appended to theLondon Edition. Evidently this must have been
done at a later date, when the whole edition was got ready for preservation
in the India Office Library. Similarly there is a noting on this part about
the date. It 1833.
is But this seems to be clearly an error. It was*
occasioned by the printed date Salivahana Saka 1755. There is yet ano-
ther item of evidence which induces us to give up the date 1833. There is
one printed leaf in the Bhishrna Parva portion which serves as a brief introduc-
tion to the publication. It is here that the laudable
attempts of Pandit
Ekanira Josyulu to publish Andhra Mahabharata are briefly set forth. In
the end of this brief preface the compilers acknowledge their indebtedness to
that distinguished English savant Charles
Philip Brown. Brown's services to
Telugu Literature and his library are eulogised. Evidently Mr. Josyulu
15
and others were a\vare of the efforts of Charles Brown to prepare what looks
critical edition of Andhra Mahabharata by collating some palm-leaf
a
like
manuscripts the mention of C. P. Brown in the London Edition clinches

the issue, It must have been published betv/een 1951-53. Thus it is con-
temporaneous with the Karalapati Rangiah Edition and not anterior to it by
almost a generation as we assumed earlier.
Though the London Edition thus loses the glamour of being the earliest
printed edition of Andhra Mahabharata it is nonetheless highly important
to us, Firstly it is associated with the personality of that amiable scholar
of the mid 19th century, Pandit Aluri Ekamra Josyulu. I feel that we must
hence forward designate this Edition as the Ekamra Edition in honour of his
name. Its scholarly set up is unmistakable. Three scholars were employed to
supervise its editing and publication. Not only that., this editing made use of
the labours of Charles Philip Brown. Karalapati Rangiah does not mention
his indebtedness to Brown's manuscripts.
This is called the London Edition as we secured copy of

it from the India Office Library, London. We are also aware
of the edition brought forth by the scholar Karalapati Ran-
gayya about 1852. Earlier to both these we hear of an edition
of Adi Parva. This is issued as a prose version of the Adi
-
Parva by Vyakaranarnu Ramaaujacharyulu and Paravastu Chi-
nnaya Suriin 1847. In spite of our best efforts we could not
get at a copy of this. This publication is mentioned by Rao
Saheb Gidugu Ramamurthy Pantulu in his 1 Balakavi Saranyamu.
ce
Rao Saheb gives these details about the hook It is named
*
Bharata Vachanarmi Viyakaranam Ramanujacharyulu and
Chinnaya Suri edited the Adi Parva. Bharata Vachanamu is a
prose renderiag of the Adi Parva prepared by them. It was
printed in 1847. Ranianujacharyulu was the Head Pandit for

9
Sanskrit and Telugu in the Pachayaippa Modali High School.
'
HAYAGRTVA SASTRY EDITION
Yet another unidentified -version of Andhra Mahabharata

has come
to our notice. This is ascribed to the 19th Century
scholar, Puranani Hayagriva Sastry and is mentioned by the
Pundits (1) Chadaluvada Sundara Rarna Sastry and (2) Dandi-
gunta Suryanarayana Sastry. They published an annotated
Edition of Virata Parva of Tikkana Somayaji, called Bharatha
Samjivani in 1913. Subsequently they prepared and published
an annotated edition, -of Adi Parva of Nannaya Bhattu in 1915,
also called Bharata Samjivani. They are well read scholars and
we used the Bharata Samjivani commentary of Adi Parva with
advantage in preparing the Critical Edition. Now in the in-
1 , Balakavi Satanyamu (1933 Edition, pages 26 and 46) .
16
troduction to their commentary, they mention that Puranam
Hayagriva Sastry is the first to issue an edition of Mahabharata.
This statement is supported by a similar observation by Dewan
Bahadur ^M. Adinarayana lyah of Madura, who wrote a pre-
face in English to the Virata Parva commentary. The Dewan
Bahadur was a Retired Settlement Deputy Commissioner,
Madras. In his preface to Bharata Samjivani of Virata Parva
"
dated 9-8-1913 he states as follows There have been several
editions of the Text of Sri Mahabharatam in Telugu. The
earliest edition issued is that by the late Puranam Hayagriva
Sastrulu, who was in his time Telugu Pundit of the Government

Presidency College. This edition was issued about 50 years
ago." According to the date given by Adinarayana lyah,
the edition of Puranam Hayagriva Sastry goes back to 1863.
We have information about several editions of Telugu Bharatam
issued about 1860 in the British Museum Catalogue but nowhere
is the name of Hayagriva Sastry so much as mentioned.
It is strangethat our information about Puraaam Haya-

griva Sastry wholived just a century back from now, is so vague
and incomplete. He was a well known scholar of the first
half of the 19th century. He was the proprietor of the Vive-
kadarsha Printing Press in which a book on Geography and
1 * '
Astronomy Bhubhagola Dipika was printed in 1843. The

same writer informs us that2 Hayagriva Sastry competed with
Paravastu Chinnaya Suri for the Punditship in the Presidency
College in 1847. Late Hayagriva Sastry was responsible for
many publications in Telugu and Sanskrit. That he issued
Andhra Bhagavatam about 1855 is well known. The Editors
of the Telugu Bhagavata issued by the Andhra Pradesh Sahitya
5
Akademy mention Mr. pastry's Edition. Brown mentions an

edition of Bhagavata Published in 1848. Whether it is the same
3
or one different from Hayagriva Sastry s Edition is not known.
Rao Bahadur K, Veer^salingarn Pantulu informs us in his
account of 8 Karalapati Rangaiah (1814-63) that he (Rangiah)
published for the first time the Telugu Bharata, bhagavata and
Ramayana. Whether this edition of Bhagavata issued by
Karalapati Rangaiah is the same as mentioned by Brown, we
are not in a position to assert.
1. Aadhra Vadiana Vaagmayamu N. Vcnkat Rao (Page 99).

2. Chinnaya Suri Jivitamu N. Venkat Rao (Page 30).
3. Andhra Kavula Charitra Part III.
17
391 C
Prof. P. P. S. Sastry in the introduction to his Sanskrit

Mahabharata (Southern Recension) refers to Puranam Haya-
griva Sastry. The Professor says " Mahabharata in Sanskrit^
printed in Telugu characters and published
1
four times in Madras
(a) 1850 by Venkataraya Sarma 1855-60 by Puranam
(b)
-
Hayagriva Sastry, a relation of the proprietors of Vavilla Press,

the present publishers (c) 1870 by Venkata Subba Sastry (d)
1929 by V. Ramaswamy Sastrulu & Sons, publishers of this
Edition." From this, it is evident that Hayagriva Sastry was
engaged in literary activity about 1860. But nowhere do we
get so far any reference to the edition of Telugu Bharatam said
to have been issued by him. Can it he that Mr. Adinarayana
lyah mistook the Sanskrit edition of Mahabharata issued by
Hayagriva Sastry for the Telugu Bharata ? It may not be so.
For the annotators of Virata Parva also make the same statement.
It appears that we have to search further for the Hayagriva
Sastry Edition of Andhra Mahabharata. It may well have

formed the basis for the Vavilla Edition of the Telugu Epic,
1. Due to diligent search by Shri N. S. Sundereswara Rao, Pundit of the

project, the cdtition of Sanskrit Mahabharata issued by Hayagriva Sastry is
located in the collection of the Sri Krishnadevaraya Andhra Basha Nilayam,
Hyderabad. This is in Telugu script. The Adi Panchaka lost its front page.
The Yudha Panchaka portion retains this page. From this we learn that
.Puranam Hayagriva Sastry undertook the publication of Mahabharata as an
act of service to propagate Dharma. Sastry believes that Mahabharata
propounds the Adwaita Philosophy. The. Telugu poet Tikkana Somayaji held
a similar view. He calls Mahabharata the mainstay of Dharma and Adwaita.
Puranam Hayagriva Sastry is the son of Venkata Narayana, the

and Savitri, descended from. Kausika Gotra. Her father
crest jewel of Scholars
-was Venkatesha. Hayagriva Sastry is said to be proficient in all the branches
of ancient learning. He is called Sarvatantra-swatantra, By the grace of his
father he acquired the Hayagriva Mantra. The upasana of this sacred Mantra
made him scholar of Sanskrit, Prakrit and Desi Bhasha,
"
He sets forth his labours in publishing Mahabharata thus Manus-
cripts of the work are brought from various parts of the country. The com-
mentaries of Vaisampyana and Nilakantha on Mahabharata are closely con-
sulted. The slokas have been numbered. Where the meaning is obscure
or doubtful Nilakantha Vyakhya is reproduced to dispel doubts. With regard
to the Bhagavadgita, the commentary of Bhagavat Sankara is appended."
In this manner the Mahabharata is printed in the Vivekadarsha

Printing Press of which he himself was the proprietor, in the year Rakshasa,
Magha 3 on the full moon day. It falls in the year 1856.
This establishes the fact that Puranam Hayagriva Sastry was con-
,
temporary of Chirmaya Sun, Karalapati Rangayya and'Aluri Ekamra Josyulu.

But our main quest about the Telugu Bharatam said to have been issued
by him is still eluding pursuit.
18
EDITIONS PRIOR to 1860 A,D.
In our attempt to track down every well known worthy

edition of Telugu Bharata to its sources we had to digress into
the literary activity of Puranam Hayagriva Sastry, strictly
not relevant to our purpose. Summarising our inquiry into
the older editions of Andhra Mahabharata prior to 1860 we
arrive at the following :
L Adi Parvam issued by Chinnaya Suri and Rama-

nuj achary ulu 1 847 ,
2. Andhra Mahabharatamu Yudha Panchakamu

Bhishma to Sauptika 1850 A.D.
3. London Edition as we call it, issued by Aluri Ekarnra
Josyulu 1851-53.
4. Karalapati Rangaiah Edition -1852.
5. Puranam Hayagriva Sastry Edition (So far not
traced) .
6. The paper manuscript Edition of Charles Philip

Brown (Unpublished)
About item 2 above, we have to add the following details.

This is found
in the India Office Library, London. The
Library authorities furnished this note regarding the edition
"
Telugu D-7L Yuddha Panchakamu Edited by R. Venkata
Krishna Sastrulu. Jyotisha Kalanidhi Press. Saka 1772".
This corresponds to 1850. It may be noted that the scholar
Aluri Ekamra Josyulu was engaged in bringing out aa edition
of the Telugu Bharatam. Item 3 above represents the full
fruition of his efforts. Even before that he was engaged in
this task, R. Venkata Krishna Sastrulu, editor of Yuddha
Panchaka is one among the three editors who prepared the
full represented by No. 3. The printing press, Jyo-
edition,,
tisha is the same in both the cases.
Kalanidhi Ekamra Josyulu
owned it. The only point which is not clear to us here is whether
Josyulu printed Yuddha Panchakamu for himself or for some
other publishers-
C. P. BROWN'S ACTIVITY
Further we have
to add a few remarks about P. Brown's G
literary activity. In the introductory portion to his Telugu*
*"
English Dictionary, Brown informs, us thus corrected Edition A
of Bhagavata was prepared at expense in 182*7. The Telugu
my
19
Bhagavatam was printed in quarto at Madras in 1848." Brown
does not mention here his efforts to get a corrected edition
of Mahabharata prepared. It may be that he did not think
of this work seriously when he was engaged on his dictionary.
But he seems to have actually set afoot this excellent venture.
In the Government Oriental Manuscripts Library are pre-
served two paper manuscripts containing the results of Brown's
activity with the Telugu Mahabharata Nos. 163 and 164.
He wrote here " The mahabharata now first rendered to numeri-
cal arrangement and copied in separate verses and lines by
the directions of Charles Philip Brown. The alterations made
in this copy show the various readings found in some copies by
me."
T *e
writer of this preface had the privilege of examining
these rown Manuscripts in the Government Oriental Manus-
cripts ibrary Madras on 17.9.1964 along the Sri. T Sridhara
Sarma and Sri N. S. Sundereswara Rao. The paper manuscripts
were badly injured. Insects made profuse holes into them.
These manuscripts are actually registers. Readings are catered
in between the lines. It was found difficult to read them. At
the same time the selected readings are entered in the page op-
posite. Someone under Mr. Brown's direction may have copied
the accepted readings on opposite pages. No. 163 manuscript
contains Adi Parva upto 5th Aswasa, verse 190, No. 164 c re-
tains Adi Parva from -191 to the end. There is yet aaot c
manuscript No. 193 w ch seems to be a fair copy of Nos. 6
and 164. In none o these manuscripts (Registers) we A n r
*
the use of the hard r (Sakata Repha) and the half-nasa
(Ardhanuswara) , One interesting feature here is that reference
is
given to Sanskrit Mahabharata for the appropriate context.
This may be a copy made ready for the printing press. In
manuscript No. D. 201, we have Adi Parva upto IV Aswasa
only. Here we see an effort to introduce the half nasal into
the text.
Brown's work with Telugu Bharatam does not end with the
Adi Parva registers mentioned above. There are 47 paper
manuscripts having different
c
D '
numbers. They contain
collations of all the Parvas except perhaps the
very last two,
the Mahaprasthana and Swargarohana. They are very
short Parvas. It may e that they are incl ^ded in other bundles.
It is evident that Char s
Philip Brown ac ieved the stupendous
task of getting the 18 arvas collated an a corrected text was
prepared. Though he did not mention t c manuscripts which
20
he used for the comparison of the Adi Parva, he left better in-
formation about some of the www.teluguthesis.invisioni.com
succeeding Parvas. Adi Parva
was collated with 7 manuscripts. In the case of Virata Parva
Udyoga Parva and others Brown took care to mention the
manuscripts with which he compared and finalised the text.
For Virata Parva he mentions the following manuscripts :
1.
Manuscript of Rao Brahrnaji Pantulu
2. of Vemuri Subba Rao
3. of Vaddiparti Venkayya Samalkot
4. of Gudirnetta Pallayya Jagannathapuram
5. ofTadigadapa Veeresalingam Penugon-
da
6. 3J of Manne Kanakayya Yanam
7. of Vatsavayi Buchi Seethayya Peddapu-
ram
8. of Ayyavaru of Pedapudi
9. of Majeti Sarvesalingam Yanam
10. ,,,
of the former village munsif of Mogaliturti.
Parvas which are very popular like Virata, Udyoga, Santi

etc.could yield many manuscripts- Elsewhere he furnishes a
wealth of interesting details. For instance under 1 D No. 211
on wi_ QoSotf oiraer Soi

Q cr o
o "a catfwoStfo co <atfo?)Q3 w X5o^tf ^>ô D ow

00-33 Son 8*?5s58 "So oy "eJQ ^CJ'io o w'Vjgô î5j^ s5o,
II "DVoC Xioii c^t^w *btf o tw ^0^ oT33 XSoii îi)i55 oy
III "SfoS ôn qjr=ooc3 mi cr eo ^8?5 ^T*0 "So cr
4
IV *^-0 ôii
3^(^
*otf 03 fu^ ^0^^ ^p'Q "3> .33
f>
60.
V "a-s^8 Xicti "3 T^^ 0^
o
- exn- Ôo3o^
o __
^laf ^
"So ox ^fl
^ eVjjSc ti&r* sSo,"
-I
VI S-s-0 X>on
^^ D. t-
co^ X>0^>^ "So "So y "^Q tftfsb
So ^^r-ô."
VII "ETr-fc Xioii eS^ "do^ *btf
o
ot
t>o
21
it is noted Aswasa by Aswasa, how finalisation
Aranya Parva, ^
of the text proceeded. Brown www.teluguthesis.invisioni.com

uses a very significant Telugu
word for this. He does not use the Sanskrit word but calls
' '
it Tirpu which means judgemeat as done in a court of law.
Brown was a District Judge for a long time The tirpu or fina-
lisation of Aranya Parva was started on 1st December 1838
and ended with 27th May 1839. Udyoga Parva was finalised
by July 23, 1840 and so on. There is a note at the Santi
Parva. Here one Pundit seems to have been entrusted with
the task of comparing the text with Sanskrit original and justify a
particular reading. The Pundit notes in the course of the
work " the reading has to be discussed with the Doragaru and
finalised". Dora was a term of respect used for Englishmen
during the British rule. Here it means *
Brown Doragaru '.
Aluri Ekanira Josuylu in his introduction to the second

volunie beginning with Bhishrna Parva bearing the date 1853,
acknowledges in a nice manner that he utilised Brown's col-
lection and his library. It means that Brown's corrected copy
of Mahabharata has already taken shape. Karalapati Rangayya
whose edition of Mahabharata belongs to the same period.
i;e. 1852 does not mention Brown or his beneficent activity.
Many a succeeding publishers undoubtedly used the readings
of Mahabharata collected by Brown, with and without acknow-
ledgement. The readings ot our Vulgate, the Vavilla edition-
seem to be very near Brown's readings. It is not know if Va-
villa acknowledged their debt to this great disinterested Savant.
Ekamra Josyulu set up a fine tradition for scholars.
POST 1860 EDITIONS BRITISH MUSEUM LIBRARY
With regardto Editions of Andhra Mahabharata publi-

shed after1860 "we have two sources of information. One is
the British Museum Catalogue which records a few important
editions. Secondly we glean much information from the Office
of the Registrar of Books, Madras. It appears that the act
regarding Registration of Books was passed in 1867. Hence
books published after this date are preserved here.
The authorities of the Museum

Library gave us
British
very promptly on our request information regarding the
full
printed editions of Mahabharata preserved with them. We

are indeed thankful to them. They gave us not merely a dry
list but photograph copies of the front pages where available
and one or two inner pages of the Text. We

list them below :
22
1: Adi Parva No. 14174-L-12 Rudhirodgari. Madras.
A.D. 1863. www.teluguthesis.invisioni.com
M
i
2. .abharata complete in 3 Volumes No. 14174-L-16.

dited by Vinjarnuru Krishnamacharyulu, Madras.
864.
3. Udyoga Parva No. 141 74-K-33- 1864.

4 Sabha Parva No. 14174-K. 23-1865,
5. Yuddha Panchakamu No. 14174-L-13-Madras. 1875.
6. Maha^ arata. 2 Volumes No. 14174-L-14. Edited

by hadrachalarn Tirumala Narasirnha Charyulu,
Ma ras. 1881.
7. Adi and Sabha No. 14174-K-57. Nellore. 1895-1896.
8. Sabha Parva with notes by C. Janaki Ramayya-1899.

No. 14174-K. 45.
9. Udyoga Parva. With an English introduction by
Panappakam Anandacharyulu 1900.
10. Andhra Mahabharata with preface by Sataghantam
Venkata Ranga Sastry. Edited 'by K. Veeresa-
lingam and Rayadurgarn Narasayya Sastry, 3
Volumes. Madras. 1901. No. 14175-B-L
11. Aranya Parva. Aswasa VI an VII Notes 'for F.A.
Telngu Text, by Dandigunta uryanarayana Sastry
and Ghadalavada Sundara ama Sastry.
12. Bharata Sara Rathanavali.* P. -V, Subrahmanya
Reddy Madras 1885.
It must be st ictly Kattamanchi Subrahmanya Reddy.

He is the fat er of Dr. G. Ramalinga Reddy, former
Vice-Chancel or, Andhra University. Item 1 1 above.
These two sc lolars are quite familiar to us with their
valuable Bharata Sarnjivani.
We are ntcrested in the 1864 edition of the Telugu Bhara-

tam, edited y Vinjamuri Krishnamacharyulu as it represents
a stage in t e march of our printed editions.. The British
Museum Library has agreed to supply us c y. could We
not yet take advantage of it. This Library is a o in possession
1
of a palm-leaf manuscripts of Adi Parva, he authorities

sent us a photo-copy of the first and last pages oft is manuscript.
23
with the benedictory sloka of Nannaya. There
It begins
are the common mistakes and variations www.teluguthesis.invisioni.com
of readings in this
single sloka. The gadya at the end of Adi Parva is given.
After this there is a nothing by the scribe of the person for whom
"
it was
copied etc. It reads Written for the study of Banga-
rayya, son of Mankaru Nayani varu, of Akshantala Gotra,
resident of Nutka-puri, by Chokkalingam, son of Chewandi
Lingaiah Bheshaja (perhaps medical practitioner), resident
Sedamangalam, in the year Viswavasu, Tula Masa (Month)
Astamij Thursday. This corresponds to 23rd October 1845
A.D.
The Bharata-Sara-Ratnavali of interest to us not as part

is
of our critical apparatus but as it inspired an intellectual like

Sir C. R, Reddy. That Dr. Reddy with all his western orienta-
tion became a lover and a devotee of the national epic of Andhra
is due to the Bharata-Sara-Ratnavali and the austere
training
which he received at the hands of his father, Subrahmanya Reddy
garu. The Bharata-Sara-Ratnavali and the Bhagvatha-Sara-
Muktavali compiled by
5
his father were republished by Dr. C. R.
Reddy in 1926. They were originally published in 1885. To
thissecond edition, the distinguished son contributed a brief
but devoted account about his father. The scholars, Seshadri
Ramana Kavulu wrote an introduction to this One point .
revealed by them here is of much interest to us. They state

that the author collected the verses of Mahabharata from an
Edition of the epic published in 1863 from the Vani-Niketana
Printing Press. Madras. As the anthology of S. Reddy consisting
of philosophical and didactical verses is drawn from all the
Parvas of Mahabharata, the 1863 edition must have been a full
edition. We did not come across this so far. One more point
about the second edition of Bharata-Sara-Ratnavali is that
the editors, Seshadri Ramana Kavulu, checked
up the readings
with the Ananda Edition of Telugu Bharatam and noted the
readings. Thus the Ratnavali may have a distant usefulness
to us as testimonia.
INDIA OFFICE LIBRARY. LONDON
Our indebtedness to the India Office Library, London

is much closer for the authorities of this library
obliged us by
supplying at nominal cost an excellent photographic copy of
24
the 18 Parvas of Andhra Mahabharata. This forms an impor-
known as the1 London
tant item of our critical apparatus,
Edition.
We list the collection of the India Office Library of Maha-

bharata.
1. Tel D Edited by M. Venkata Krishnamachar-

67, 68
yulu; R. Venkata Krishna Sastri and T. Vijaya
Raghava KavL Vol. I Adi to Udyoga Parvas. Jyotisha
Kalaiiidhi Press. Saka 1755.
Vol. II Bhishma Parva to end. Jyotisha Kalanidhi

Press. Madras. Saka 1755.
2. Tel. D 71. Andhra Bharatamu. Yuddha Pancha-

kamu. Bhishma to Sauptika Parvas. Edited by
R. Venkata Krishna Sastrulu. Jyotisha Kalanidhi
Press. Saka 1772.
3. Tel. D 83, 84. Andhra Bharat Kavyamu. Edited

by Karalapati Rangayya. Two Volumes. Kala-
nidhi Press. Madras. 1852.
Prepared under directions of G. P. Brown and annotated

in his handwriting.
4. Tel. D Harivamsa Parana by Sambhudasa Erra-
54.
pragada. Edited by Karalapati Rangayya.* In-
complete. To Uttarabhagam Aswasa 4. Kala-
nidhi Press Madras 1858.
1 . In an earlier section of the preface we wrote that the front page' of

Adi Parva of this edition is not available. This is true of the London copy.
But subsequently we discovered copy of the Adi Panchaka of Aluri Ekamra
Josyulu in the special collection of the Andhra University. This contains
the front page which is exactly the same as found on the Bhishma Parva of the
London Edition. The Jyotisha Kalanidhi and Vartamana Tarangini Presses
are mentioned here also. Thus the account ofthis edition is complete.
2. In an earlier section of the preface we furnished available informa-

tion regarding Aluri Josyulu. Here we take opportunity to furnish
Ekamra
information regarding Karalapati Rangayya Garu. The reader is referred
for details to the account about him in the Andhra Kavula Charitra Part III
by late Veeresaslingam Pantulu. Karalapati Rangayya (1814-1863) belongs
to the Vaisya Caste, Vaishavaite by faith. He is a poet also and wrote two
Kavyas, the Bhutapuri Mahatmya and Kavijana Manoharamu. He was
Telugu and Sanskrit Pundit, in Pachaiyappa Mudali High School and Presi-
dency High School. He also served as the Head Pundit in the Hindu Boys'
c
High School, Madras which is described as Vani Mandapa,' the audience
25
The India Office Library does not possess any manuscripts
of the Telugu Mahabharata. www.teluguthesis.invisioni.com
DENVER PUBLIC LIBRARY (U.S.A.)
We could discover a palm-leaf manuscript of Andhra

Mahabharata in the Public Library of the City of Denver,
Colorado U.S.A. We had preliminary correspondence with
the authorities of this library. From the first description given
about it, we infer that it relates to the Yuddha Panchaka. The
manuscript is about 120 years old, we are informed. It may
not go beyond 1800 AD. Further the manuscript seems to
be split up into 3 parts and shared between the Denver Public
Library ; Colorado State College in Greely and Colorado State
University in Fort Collins. We fully appreciate the love for
( Foot Note Contd, From page 25. )
hall of the Goddess of learning. Veerasalingam mentions that Rangayya

published Teiugu Bharata, Bhagavata and Ramayaaa. From item 4 above
we find that he edited Harivarnsa also. Rao Bahadur thinks that Rangayya
is the first to
publish Bharata etc., having carefully edited these books by
eliminating the errors of scribes. This is partially correct for we know that
Ekamra Josyulu contends the palm with Karalapati as far as the Maha-
bharata at least is concerned. Both the editions emerged almost simul-
taneously.
Karalapati Rangayya does not appear to be beset -with the financial

hurdles encountered by Josyulu. The account which, the later gives us of his
difficulties makes pathetic reading. Rangayya had the backing of a rich
person. Vilamduda Sornasuiidaram Pillay, Rangayya pays homage to his
patron ia a few artistic verses, published on the front page of the Mahabharata.
The father of Somasundaram Pillay is Muthaya Pilla, a wealthy merchant,
who obtained the grace of God Vrishachaleswara. His wife is Minakshi, a pious
lady. To them was born Somasundaram Pillay. He is of a chartitable
disposition. Just as he repaired at his expense many a neglected tank, dila-
pidated temple, rest gardens, drinking wells and summer water resorts, so
Mr. Pillay undertook to restore to its pristine glory the Andhra Mahabharat
written by.Great Poets like Nannaya, Tikkana and Sambudasa, by getting it
thoroughly edited by scholars with a view to rid it of naistakrs committed by
scribes. He printed the epic by the full inoon day in Margasira of Paridhavi,
Saka 1775. This date corresponds to December 26, 1852. Prior to the publi-
cation of Mahabharata, Somasundaram Published the Bhaskara Ramayana
and Uttara Ramayana. The printing of these books was done in the
Kalanidhi Press of P. Kumarayya.
It appears that the Kalanidhi, Jyotisha Kalanidhi, Vartarnana Taran-

gini and Vivekadarsa were among the leading Printing establishments of this
period. There was healthy rivalry among Them to publish standard works
and classics. Considering the early days of Printing in Telugu, in the mid
19th century, we must heartily congratulate these pioneers. Their books are
generally free from mistakes which we can scarcely claim for many books
produced at the present day.
26
knowledge which induces these far off libraries to preserve
with religious care and solicitude andwww.teluguthesis.invisioni.com
old palm-leaf manuscript
in an unknown script and language. We are amused at the
eagerness which made them split up one manuscript and possess
part of it. As we are busy at the present with the earlier books
of Mahabharata, we did not actively pursue the history of this
Manuscript.
PRINTED EDITIONS AFTER 1900
While we find that a number of publishers attempted to

issue the Mahabharata in parts or the full complement during
the period 1860-1900, either due to a veneration for the epic
as the fifth Veda or out of commercial motives, we find that
from the beginning of this century the number of such editions
became fewer and fewer This is as it should be. Two prin-
.
ting establishments alone stand out prominent for their stan-

dard editions of Mahabharata-the Vavilla and Ananda Pres-
ses. It is not difficult to guess why this change came about.
Firstly, when printing is introduced for the first time into the
country, there will be a plethora of editions. Asaturation
point is
Secondly the novelty attached to a
soon reached.
new experiment having disappeared, the public began to demand
a high standard both in the scholarly and technical execution
of the work. Powerful journals like the Amudrita Grandha
Gintamani began to expose the shortcomings of ill-con-
ceived and badly executed editions. It became quite a task
to weather the storm of exacting criticism. Therefore many
a smaller publisher felt it safe not to enter the arena for prin-
ting a vast book like the Mahabharata.
We have gancrally noticed some of the leading editions

published between 1850-70. Under the Registration Act
of 1867 it became necessary to record the publication of
books with the Re istrar of Books. The Records office at
Madras has entry o many of the editions of Mahabharata is-
sued after 1867. ome of these editions are described and
r some periods t ey are not described. They are simply
1 sted. We give available details regarding some of these edi-
t ons in
appendix II. The law of the survival of the fittest
has operated here also. We
are left with two editions the
Vavilla and Ananda editions, They keenly contest the palm
like for the scholarly editing and neatness of execution.
27
VAVTLLA AND ANANDA EDITIONS
The now
us is which of them is the earlier
question facing
one. What Is the history of its development and so on. We
do not have indisputable evidence. As far as it goes we can
proceed. We
find mention of Vavilla
1
Ramaswamy Sastry
as joint publisher, with Saraswati Tiruvengalacharyulu, of the
Adi Parva of Mahabharat in 1870. 2 This is printed in the
Hindu Bhasha Sanjivani Press. In the same year we find
another entry under the name of the same author 19/1.71
1870, This time they published Udyoga Parva. It is not
clear whether it is Udyoga alone. The number of pages is
given as 470. It may be the whole Adi Panchaka. Now
with regard to the Ananda edition issued by Vemuri Venkata
Krishnamachetty & Sons. We
hear of this firm in the Amu-
drita Grandha Gintamani. In its issue of 1894, the editor
Poondla Rama Krishnaiah writes appreciatively of the edition
of Andhra "
Bhagavatamu issued by this firm and says we
hope that Vemuri Venkata Krishnama Chetty & Sons will
enhance their prestige by publishing the Andhra Mahabharata
in the excellent manner
they did the Bhagavata."
From this we infer that the Ananda Edition of Mahabha-

rata came subsequent to the year 1894. Here we meet with
the famous edition published by under the
this firm in 1901
-editorship of Rao Bahadur K, Viresalingam Pantulu and

a
Rayadurgam Narasayya Sastry Garu. This edition is justly
1. For a brief account of the life of the late scholar Vavilla Ramaswamy
Sastry Garu (1832-1899) see Saraswata Sarvaswamu (Volume 2 Samchika 2)
Aswayuja, Raktakshi, Year 1924. Here it is static! that Ramaswamy Sastry
was born in the Village of Dandigunta near Nellore. He studied in the
^
traditional manner. Having known the difficulties facts by students with

palm-leaf manuscripts, he thought of taking to printing. In 1853 he established
a small press and
struggled throughout his life to print standard works with
meticulous care. He won the appreciation of Maharajah Ananda Gajapathi
of Vizianagaram, the
Raja of Venkatagiri and other leading men. A story is
narrated^to illustrate the care which was taken to avoid Printers Devils. When
5
a forme is ready for

printing, it will be exhibited outside the Press. Any one
who can discover a mistake in will be paid at the rate of 8
it as. per error.
2. Vide list of printed editions in Madras Records Office 47/4-71.'
3.
Rayadurgam NarasayyaSastry was one of the well known scholars
of the last
quarter of the 19th century. Lakshmi Narasayya and Subba
.Lakshamma were his parents. He was Pundit in the Christian
College,
Madras. He translated Kalidasa's Sakuntalam into
Telugu as early as
^1894.
^Kandukuri Viresalingam Pantulu translated Sakuntalam in 1883,
Viresalingam's translation is the most popular to this with its and
day style
28
famous for the authorities associated with it. Since then the
Ananda www.teluguthesis.invisioni.com
Press seems to have enlisted the co-operation of highly
learned men like Bukkapattanam Ramanujayya, Tanjanagaram
Tevapperumallayya, Puranain Suryanarayana Tirthulu and
others.
The subsequent Ananda editions are descended from this.

They made additions and subtractions here. For instance they
do not seem
to acknowledge the debt they owe to
Viresalingam
and Narasayya Sastry. Tanjanagaram Tevapperumallayya in
1907 edition does not refer to the editors of
his preface to the
the Puranam Suryanarayana Tirthulu slightly
1909 edition.
made amends to this in his edition of 1922. We have also to
notice the
improvement they effected. Viresalingam. and
Narasayya Sastry do not give reference to the manuscripts they
consulted in fixing their text. Surely they must have consulted
manuscripts. The subsequent editors of the Ananda edition
have adopted a more scientific method. They indicate the
manuscripts consulted by them by letter symbols. This is
certainly an improvement as it enables the reader to check
up the evidence and form his own conclusions. There is still
further room for improvement here. The Ananda scholars
also do not disclose the palm-leaf manuscripts which they used
for the collation of the text, tlie principles on which they selected
these particular manuscripts,, their description and so on.
CRITICAL TEXT OBJECTIVE-HOT SUBJECTIVE
A truly critical edition must place the fullest available evi-

dence before the scholarly world and allow them to judge for
themselves about the acceptability or otherwise of a particular
reading. The critical text is an objective text as far as possible.
The editor has no doubt his own choice of a particular reading
but does not seek to impose his view on the reader. In selecting
a reading for the constituted text, the present editors tried to
give primary importance to the readings of aim-leaf manuscripts.
It does not mean that they chose a readin by merely numerical
count. A
good reading even if available n a single manuscript
is
preferred to a host of inferior or fau ty readings* Looked
happy expression. Narasayya Sastry may have undertaken a fresh translation

m order to bring it as near as possible to the commentaries of the drama. It is
-
said that Narasiyya Sastr was the first to use spoken dialect in the drama for
inferior Characters, Lat r on Vedam Venkataraya Sastry tried this experi-
ment successfully in his rama Pratapa Rudriyamu, Narasayya Sastry was
intimately associated wit the literary publications of the Ananda Press.
29
at from this standpoint, the edition of Viresalingain and

Narasayya Sastry is prescriptive and not descriptive. In fact
a sense, whether it is
allprevious editions are prescriptive in
the edition of Ekamra Josyulu, Karalapati Rangayya or any
other, Brown's edition may have been perhaps a Critical
Edition but it never got published.
EMERGENCE OF THE IDEA OF A CRITICAL EDITION
The idea of a Critical Edition of Andhra Mahabharata

seems to have vaguely emerged about the beginning of this
century. The epoch making controversy about the Grandhika
Bhasha (literary language) and the Vyavaharika Bhasha (Spo-
ken language) paved the way for the emergence of the conception
of a critical edition. Rao Saheb Gidugu Ramarnurthy Pantulu
in his crusade for the spoken language took to an examination
of former models of writing, In the course of his search for
the use of the spoken dialect in older writings he began to ransack
the manuscripts. This revealed to him new vistas of informa-
tion. He found that many a passage written in the spoken
dialect was transformed into Grandhika Bhasha by the votaries
of purism in language. Rao Saheb raised his voice of protest
against this high-handed activity of the scholars.
About the same time, Ramarnurthy Pantulu and his son

Dr, G. V. Sitapati were engaged on the preparation of scholarly
editions of our leading works on prosody like Appakaviyamu.
To his astonishment Ramamurthy Pantulu discovered that
Lakshanikas like Appakavi altered the readings of Mahabharata
to conform to their views and theories of Telugu prosody. Every-
body accepted the authority of the Telugu Bharatam as a stan-
dard work. If the readings in this authoritative text are made to
answer to established theories., the theory gains sanctity. In
this process they failed to notice that they did a disservice to
great authors like Nannaya and other poets of Mahabharata in

making them appear what they were really not. The Akhanda
Vadi (the caesura which alternately agrees with the vowel
and the consonant) is an important instance. Having seen how
tfiereadings of famous authors were altered indiscriminately
Rao Saheb came to the conclusion that the
printed texts must
be subjected to a close comparison with which
manuscripts
were undoubtedly earlier. This will establish the former shape
of these works which is nearer to the original poets'
composition.
30
GJDUGU RAMAMURTHY PAKTULtr
The Rao Saheb expressed himself on this subject thus.
The Mahabharata of Nannaya stands as a monument of the
fame of King Rajaraja Narendra. As this great work was
written in Rajahmundry, it is but natural that the people of
that are love it intensely. Not only that, the whole Telugu
country olds it in great esteem. But it is the misfortune of
telugu sc olarship that an edition of the Mahabharata which
is author tative and
trustworthy in its
readings, has not come
out so far, though the book itself is nine centuries old. The
scholars of Andhra are guilty of not having undertaken this
sacred task so far. They have not made any attempt to res-
tore this venerable book to its pristine condition. If they do
not take up this work even at this late stage, the love of Telugu
men of letters language is indeed open to question.
for their
It will expose the
itself tocharge of pseudo sentiment. Res-
ponsible men and men of action can achieve this objective
quickly if they set forth on the task with tenacity. If the wave
of patriotism and love of one's own language that sweeps the
country at the present time is really genuine if it is not spurious
s
surely, I
hope, that those who launch upon this work will
l
receive all support from the country" .
OSMANIA HEARD THE CALL

It an unmistakable voice, a clarion call for a Critical
is
Edition of Andhra Mahabharata, The prophetic bugle \v s

sounded 46 years ago and we arc happy that it did not go utter y
unheeded. We are in the midst of the stream. The ban
are not yet visible. The Osmania University under the able
leadership of Dr. D. S. Reddi, Vice-Chancellor heard the call
and became alert, We will corne further to the subject.
OTHER VOICES
It is not necessary to multiply the opinions of scholars of
the previous generation. Late Dr, C. R. Reddy was undoubted-
ly a champion of the idea of a critical edition of Mahabharata.
He was a lover of Mahabharat studies. We
invite the attention
of our readers to the opinion expressed by Dr. Reddy, com-
mending the publication of* Sukthankar Memorial Volumes.
1, Rajaraja Narendra Pattabhishcka Samchjka Page 128, Pub-
lished 1922.
i
2. Sukthankar Memorial Edition, Volume II * Analccta. Preface
flagc VII,
31
"
He said Suktliankar, whose early death was the most
Dr. V, S.
serious loss to Sanskritic www.teluguthesis.invisioni.com
and Oriental Learning generally that
India sustained since the death of Dr, R. G. Bhandarkar, was a
contemporary of mine at Cambridge. By far the greatest under-
taking of modem India is the Critical Edition of the Mahabha-
rata. It will be recalled that this Critical Edition has been
under preparation for over 25 years. Imagination staggers at
the volume of labour, comparative study and critical work
3 '
involved. Needless to say that Dr. Ramalinga Reddy would
have welcomed a similar service to the Andhra Mahabharata.
Rao Saheb Ramamurthy Pantulu was not merely content

with giving the call for a Critical Edition of Telugu Bharatani
but set on foot the preliminary work on his own initiative, He
seems to have begun the comparison of the Adi Pan/a of Nanaaya
Bhattu in order to obtain better and earlier readings. The
results of t s efforts are contained in the volume which
we admitte into our critical apparatus marked gi
c '
This is the ao Saheb's personal copy of Adi Parva preserved

Andhra University Library. It is interleaved and Rama-
in the
murthy Pantulu noted the Readings which he collected in this
copy. His books were presented to the Andhra Univcisity
after his death. There is a note on this
personal copy indicating
"
the sources of these readings. It is stated here Paiitulu took
the 1914 Vavilla Edition of Andhra Bharata as the basis for his
comparison something like our Vulgate. He compared this
with (1) the Palni-leaf manuscripts of the Saras wad Mahal
Library, Tanjore. The Tanjore readings are marked gi
3 c
in our critical repertory (2) The edition of Adi Parva issued in

c
1847 gil.'
NJ8.: This was printed in the Saraswati Pitha Mudrak-

shara
jSala
in the year Saka 1769, Phvanga, Adhika Jycstha,
the third Tithi, Monday, This edition is evidently the one said
to have been
published by Chinnaya Suri.
It means that the Rao Saheb one old printed edition
selected
(1847) ^
besides some palm-leaf manuscripts for the
comparison of the text. It is not known how many
manuscripts
he pressed into service, the principles on which he selected these
manuscripts and the collators who did the work for him.
"
It
may be that a small team heade by his versatile son, Dr. G. V.
Sitapati did this work for arnamurthy Pantulu. These
are available for Adi arva The Sabha parva
readings^ only.
is
portion empty _of readings, amaniurthy Pantulu broke the
ic& As an individual he ecu d not have done more with his
limited resources.
32
PRACTICAL WORK JAYANTI RAMAYYA PANTULU
It must have become evident very soon that sporadic work
will not yield results in the case of a gigantic idea like the Critical
Edition of Mahabharata. There must be a vast collection of
palm-leaf manuscripts, a country-wide search for them and
>other old works. This is a work which an organisation with,
plenty of resources could attempt with some hope of success.
Accordingly the Andhra Sahitya Parishat, Kakinada began a
country wide collection of manuscripts. The genius behind
1
this effort was late Jayanti Ramayya. Pantulu Gara The
financial sinews must have been supplied by Andhra Bhoja,
late Rao Surya Rao Bahadur, Maharajah of Pithapuram. The
2
Library of the Sahitya Parishat Kakinada contains perhaps the
largest collection of palm-leaf manuscripts of Andhra Maha-
bharata. At any rate it is the only library that has the distinc-
tion of lending us its vast collection for use in the preparation
of the Critical Edition.
With the non-co-operation movement of Mahatma Gandhi

there was a general revival in the country towards old values and
hoary Indian Culture. In the field of letters it took the form of
collection and preservation of palm-leaf manuscripts and old
works. Many an organisation took interest in this work. It
would have yielded abiding results if there was concerted action
and a central library to preserve all the literary treasures col-
lected. This seemed to be lacking. So that individual libraries
1. Jayanti Ramayya Parxtulu (1860-1941) was one of the bulwarks of

Grandhika Andhramu, While Gidugu Ramamurthy Pantulu \vaged a
battle Royal for the introduction of Slsta Vyavaharika Bhasha into literature
and the education system at all levels, Ramayya Pantulu stood like a rock for
the Grandhika Bhasha or the traditional style for equally good reasons. His
Defence of Literary Telugu is a powerful plea for the classical style. It is saicl
that it was mainly due to his efforts that Literary Telugu stood its ground in the
Universities.Ramayya Pantulu was equally proficient in Historical Research
and Epigraphy, He edited a number of lascziptions for the Government of
India. "The Andhra Sahitya Parishat and the Suryaraya Andhra Nighantuvu
-will make Ramayya Pantulu remembered by Telugu people for centuries,
2. Weare thankful to the authorities of this venerable Parishat, parti-

cularly its enlightened Secretary Sri Dantu Bhaskar Rao
Garu for placing
at our disposal 26 manuscripts of Adi Parva, Shabha Parva. and Aranya
Parva. The last mentioned parve is considered in-auspicious. Hence it
is rarely copied. Its copies are few and far between. The Kakinada
Parishat alone could lend us 13 manuscripts of this rare Parva. hope to We
receive continued co-operation from this Parishat in our further work
along with the blessings of Sivasri Bandaru Tammayya Gam,
famous
scholar and respected President of the Sahitya Parishat.
33
391 D
collected a few manuscripts for themselves and they could not

preserve them after the first flush of enthusiasm waned. It
needed much and continuous care of the manuscripts.
finance
By the time the Telugu Department Osmania University de-
cided upon publication of the Critical Edition of Andhra Maha-
bharata about 1964 and set about collection of palm-leaf manus-
cripts of the work, much damage was done in the field of manus-
cripts. Since printing was introduced into the country in an
effective manner nearly 135 years ago 3 individual persons cea-
sed to take interest in manuscripts, They almost began to forget
this stage in our book-evolution process.
MANUSCRIPT COLLECTIONS
A few older libraries like the Gautami Grandhalaya,
Rajahmundry preserved with difficulty some palm-leaf manus-
cripts. This library was generous enough to lend us its manus-
cripts. The Andhra Historical Research Society of the same
place possesses some manuscripts of Mahabharata. They arc
not prepared to lend them outside. The
Society published a
descriptive catalogue of its manuscripts, Its needs improvement.
The1^ Suryaraya Vidyananda Pustaka
Bhandagarara of Pi-
thapuram owned a few manuscripts and they lent them to as,
We hoped for a valuable collection with the palace of Pithapurani
asthelateRao Surya Rao Bahadur was a great
patron ofleanuag
but we were sadly disappointed. Either there was no
our enquiry from any person in
response to
knowledge of Pithapuram a flairs
or we were left to a blind chase which ended in
nothing Here
ajesson about the state of affairs after the abolition of'Zurnin-
is
danes. One of the most serious losses and we are

afraid it may
prove a permanent loss-is the disappearance of the Bharata
c
Kdamkasha
Vyakhya^ by the 19th century scholar Bharatam
Lakshmipati Somayaji It is said that the
Maharajah of
Pithapuram got it copied for his
library. Later on it was passed
on to the office of the
Suryarava Andhra Nighantuvu~a standard
Ma Pk*wd. Somehow this
SSS^T JT ?,disappeared,
âjah
inestimable
sentaê even
book
Fa^T
to
To
it is said. We sent our renre-
Chitrada-the home-town of late
llferary
our regret
enthmiaSt and
4d
rda *ou of
& tl e
Family. it was all in vain.
IN TELANGANA
34
were indistinctively heard here also. The Nizam Rashtra

Andhra Mahasabha started some literary activity and
sent
round the scholars Seshadri Ramana Kav lu for collection of
ection formed the
manuscripts and inscriptions. Their col
nucleus of the Lakshamanaraya Paris odhaka Mandali.
This Mandali and the Andhra Saraswat arishat, Hyderabad
which is a live instit tion, lent us some manascripts. We hoped
for much from an ol library like the Rajaraja Narendra Bhasha
Nilayamu, Hanuma onda. This library did possess
a ood
collection but we fai ed to rouse the authorities to enthusi m.
It is to the credit of Karimnagar that Sri B. Venkatrama
1 ao
Chairman of the Library of the place gave us some manuscr pts
of Mahabharata.
Though it may sound repetition we

wish to refer to the
sad state of affairs of the libraries of some of our leading Sam-
sthanams of the last generation. We say this just to invite
ttention of the authorities in succession to rescue what can still
e rescued from the great library treasures of^ these courts.
or instance we could get only some matted palm-leaves from a
mous centre of learning like Gadwal. We were much grieved
to hear that a similar fate overtook the valuable collection of
the Rajahas of Venkatagiri. White ants the relentle s vandals
are busy there and every where. The fort of Viz anagaram
where that most loved and enlightened ruler, Mahar* a Ananda
Gajapathi held his court, could not offer any manuscripts.
We add some details about the coll ction of palm-leaf manuscripts
and old printed Editions lodged in the library, ort Vizianagaram. Dr. Nl V,
Satyanarayana of Andhra University collectc this information for us. The
fort Library will not lend its manuscripts or boo s outside.
Palm-leaf manuscripts of Rhishma, Drona, Kama, Salya, Stri and

Santi Parvas aie available but they are very badly damaged and cannot he
handled.
One peculiarity of this collection is that it contains paper manuscripts

of Adi Parva (except Aswasas 2 and 8) and second Aswasa of Sabha Parva,
Except Brown manuscripts we did not so far come across any paper manus-
cripts. Adi and Sabha Parvas are written in note books. How old they arc
and what the exemplar is from which they are copied, cannot be ascertained.
We also find here an edition of Adi Parva printed in 1891, in the

Saraswativilasa Mudrakshara Sala, Madras. Another interesting possession
1. I remember with pleasure the efforts of a former student of mine

Dr. T. Koteswar Rao, now Telugu Lecturer, in securing this collection for us,
35
of this library is the Amnaya Kalanidhi commentary for Stri, Santi and Ann-
sasanika Parvas, written by www.teluguthesis.invisioni.com
nelaturi Parthasarathi lyengar. This is
published in the years 1892 94 in the Sasirekha Printing Press, Madras.
We received information that the 1915 Edition (Vavilla?) with

Bharata Samjivani, cornmeri ary is available in the Maharajah's College,
Vizianagaram. How old is t e Bharata Samjivani Vyakhya we are not able
to st te. The autho s of I* s commentary D. Sm yanarayana Sastry and
Gh, undara Rama astry eady appear in the British Museum Library
Gata ogue. It has st to be enquired which of these commentaries Bharata
Samj vani or Arnnaya "alanidhi appeared earlier.
A few details regarding the author of Amnaya Kalanidhi have come

to our knowledge. We
consider it worthwhile to record them here. In the
course of this fairly long prefa e 3 I tried to collect forgotten information con-
*
cerning our literary men. It not strictly relevant to our subject but since
the sources of information are ast disappearing, it is felt
necessary to preserve
what still ramains in the hope t at other scholars will follow it
up.
The author of Amnaya Kalanidhi, Nelaturi Parthasarathi lyengar

is the second son of the pious parents, Raghava and Venkatarnbika. Nri-
sirnha was his grand-father and Venkataraya was his grcat-grand-father.
They belong to the Bharadwaja gotra. Niishuuha Tatacharya, the preceptor
of p arthas rathi Iyer ar is said to be a dependent of the famous Vaishnava
Ac arya -otikanya anam Tatacharya. Partliasarddti received instruction
in astras om Anan a Saraswati, Our Commentator is a stauch Vaishnava
an consi ered Adwa tins as Dushyas, perhaps heretics. This shows that even
at t e close of the last century inter-sect prejudices were still keen.
Parshasaratdi belongs to Ncllorr

" according to his statement. He
states he won the approb "learning by writ ing a Tclugu Gommcn-
ry to Manu inriti. Now e proposes to wiite a
commentary to Tcluqu
haratam, T e Amnaya Ka anidhi was published in
January 1 894 at the
di borough riming Press o Kuppuswamy St'lty in Madras. At this time
ar asarathi yengar was Tc ugu Pundit in Hindu
Theological High School,
Ma ras.
Subsequently he seems to have; shifted to the district of his
Nel or District and he became Tclugu Pundit in the Venkatutnri origin,'
Rajah's
Hig School.
Our information shows that the Kalanidhi

commentary for Santi
Parva is published once in Januar 1II94 from the
Edinborough Press and
again m May 1894 from the Sasirckl a Press, We do not know if our informa-
mants committed an error or we xavc to r coneile these statements thus.
Santi Parva one of the most wi dy road 'arvas of
is^ Mahabharata, parti-
cularly by religious minded elders because t contains Mosksha Dharma.
A commentary for it is deservedly popular. I ence the need arose for issuing
Santi Parva with
Amnaya Kalanidhi Vyakhya twice in ihr course of one year.
IN RAYALASEEHA
Our contacts with Rayalasecrna did not extend far, The

aged and respected patriot, Sri Kalluri Subba Rao Garu lent his
36
manuscripts to the Sarada Niketanam Library, Guntur. The ,
when approached. We
authorities of this place were silent
tried at Karvetinagaram with no fruit. The Chittoor District
alone exhibited the silver lining to the cloud. We could get
some manuscripts of Mahabharata through the good offices
of our friend Dr. Nanduri Ramakrishnamacharyulu. More
interesting is the case of our acquisition of one copy of the whole
Mahabharata except perhaps the Adi Parva, from the1 Sri
Kanyaka Parameswari Temple, Vayalpadu, Chittoor District.
Among the regular Libraries where the manuscripts are

maintained properly be mentioned the Tanjore Library, Govern-
ment Oriental Manuscripts Library, Madras, the Theosophical
Library, Adyar, the University Libraries of Andhra, Sri Venka-
teswara and Osrnania. We got selected manuscripts collated
at these places,, for us. The Andhra and Venkateswara Uni-
versities went further and have lent us two manuscripts at a
time for collation purpose for which we are thankful to them.
Numerous lovers of literature donated their palm-leaf

manuscripts, and old printed editions of Mahabharata to the
project and laid us under a debt of gratitude. full list of these A
donors is appended separately.
SCHOLARS AND MAHABHARATA READINGS
Almost since literary journalism got establis *ed in the

Telugu country, scholars used the forum of journa s to discuss
the readings of Mahabharata. It took the shape o examining
1. As it illustr tes a beautiful tendency, prevalent among a section of

our eople we will g vc a few details. Now in the countryside, in nsophisti-
cute families, there s a custom to hold books like Mahabharata, mayana
and hagavata in rr igious veneration. Owners of these classics o T them,
Gan ha (Sandal) Malya (Garlands) etc as they offer to house-h^ deities.
We came to know that the Kanyaka Parameswari Temple of ayalpadu
possessed some manuscripts of Mahabharata. It was a guarded
"
secret. Vaisyas, the last bastion of Him , with ourt
women are the trustees of this excellent t( mple. After prolonged correspon-
dence the writer of this preface proce< dec! in person to Vayalpadu in 1964.
At a very touching ceremony the enlighter ed Trustees of this temple presented
their jealous treasure, the Mahabharata bundles to us. Not even sage Kanva
could have felt so sad at the departure of Sakuntala as^ did the Trustees of
the Vayalpadu Temple feel when the manuscripts of Mahabharata left their
sacred precincts.
I remember with pleasure the note of introduction given by

Sri P. Thimma Reddy, now Minister for Agriculture, to the Trustees of the
temple, in this behalf.
37
the readings adopted in printed texts, with a view to their gram-
matical correctness, prosody and appropriateness with regard
to Rasa or sentiment, Often the deviations made by fhe authors
of the Telugu M
ahabharata from the Sanskrit text in the course
of translation used to be discussed. Articles on the appreciation
of the literary excellence of Mahabharat poets are innumerable.
Articles of the former type, on grammar and prosody are not so
numerous but they too are considerable. We tried to make
a bibliography of these critical articles so that they may be of
use to the editors in constituting the critical text. Though
started in right earnest., it was given up in the middle. We
feel handicapped.
Among that devoted some space for these

the journals
on Mahabharata mention may- be made chiefly
critical articles
c '
of the Amudrita Grandha Gintamani whose editor Poondla
Ramakrishnaiah was a fearless critic. Series of highly learned
discussions would appear in this journal on points of
grammar or
prosody. Writers would accept the Andhra Sabda Chintamani
ascribed to Nannya or the modern work Balavyakarana as
the norm for grammatical discussion. To quote only one instance
the following verse occasioned a lively
controversy.
&*
*eo. 2-333
The context is Sri Krishna advising Arjuna in Salya Parva

to come out of the chariot with haste and that he
(Krishna)
would get down next. In this verse there is a
grammatical
and in the third line where the word
prosodial^ peculiarity
*
9
Z>ti3
beginning with a hard consonant must become a soft
' '
consonant tfX as it follows a Druta Prakritika. c
fisfc
'
' 9
I. The first personal pronoun is considered a Druta
eading
word. Hard consonants
following the Druta become softened.
They become voiced consonants. If this rule is applied here
c
and e 3
pf becomes b the Prasa or rhyme principle is infringed.

Poet^Tikkana author of this verse cannot be accused of such a
solecism. The alternative will be to assume that the labiodental
V rhymes with the soft consonant 'b' for which there is no wa-
rrant. This is not
accepted by some even for Yati purposes. Appa-
kavi the Lakshanika
?
quoted this verse (3-373) as an instance of
38
Sandhi-gata-prasa. He seems to think that the hard consonant
labio-dental v www.teluguthesis.invisioni.com
' ' '
p changes to the in the context of prasa.

He wo ild have been justified in this assumption, if the preceding
sound is a Kala and not a Druta. The first personal pronoun
in the singular is read among the Druta Prakritikas. So the
word following it must be changed to a soft consonant only.
This prayoga of Tikkana Somayaji aroused a 1 vely contro-

versy and remains unresolved to the satisfaction of al the scholars,
A scholar of the 19th century, Mandapaka Parvat swara Sastry
offered a clever explanation. He says cc we have to make a
distinction between the two forms of the first personal pronoun
& l3&. One begining with the vowel and another with the
consonant. We have to treat the vowel-beginning form of the
pronoun as a Kala word i.e. not having the nasal end ng. In
s c ' '
that case the c *ange of the letter p into v will e quite
regular. Ingen ous as the explanation is, there is no asis for

assuming that t e first personal pronoun is sometimes a Druta
word and sometimes a Kala word.
There are many problems of grammar and

such ticklish
prosody of tl e Mahabharata. Scholars eagerly range themselves

into contend ng camps and a literary battle rages with full heat.
Sometimes t ere is less light in the controversy. Dr. G. R.
Reddy who s credited" with a ood sense of humour is reported
to have observed once The d putations of scholars are parushas
;
(hard consonants) and not aralas (soft consonants)." This

is only by the way. The dscussions about the Prayogas of
1
Mahabharata are really high performances. They are carr ed
on with tenacity even to this day. The Amudrita Gran ha
Gintarnani disappeared long ago. It was a severe loss to h gh
class literary journalism.place is taken by journals
Its ke 1
Bharathi, Andhra Sahitya Parishat Patrika, Ugadi Sanchi as
(Annual literary supplements of the Andhra Patrika) Pariso-

dhana, etc.
discussions find a place in the prefaces to the different

Such
editions of Mahabharata. We
mention the introduction to
the Vireshalingam Edition (1901) written by the Scholar
Sataghantam Venkata Ranga Sastry where he raised many of
these points at issue. Similarly latec Malladi Suryanarayana
Sastry Garu, who enjoys the title Abhinava Vaganusasana'
(a modern counter part of Nannaya in Grammar) discusses
39
the readings of Mahabharata in his introduction
to the
some of
not known)
Vavilla Edition of Mahabharata (year of publication
.
Elsewhere in his essays Sastry discusses some of

Suryanarayana
the Prayogas of Nannaya regarding Sanskrit compounds.
Under the
1
Stfc&r* t jfsSctft
(poetic licence) he
caption:
examines some of these readings.
A serious attempt will have to be made prepare a biblio-

to
graphy of the articles on Mahabharata ? chiefly of those that

2
deal with grammar and prosody.
Among who began to think actively about a critical

those
edition of Andhra Mahabharata we may mention the late scholar
Korada Rama Krishnaiah Garu, sometime Head of the Telugu
Department,, Madras University, Ramakrishnaiah wrote a Cri-
tical appreciation of the sublime poetry of Tikkana Somayaji
c 3
in his Andhra Bharata Kavita Vimarsanamu. Apart from
this Ramakrishnaiah published a highly thought provoking arti-
3
cle with the caption Andhra Bharata Patha Nirnaya Padhati/
This is a very sane and balanced approach to the problem.
Ramakrishnaiah tried to throw more light on the discussion.
regarding readings by bringing in the evidence of contemporary
Inscriptions to bear on a particular usage. We may not be able
to agree with him in some of his findings. He thinks that Nan-
naya had a rigid consistency in his Prayogas. We do not think
that this will be fair to Mm. If Nannaya were the first regular
poet of Telugu, ~as we all feel, it will be better to credit him with
some flexibility in Prayoga than stern rigidity. For instance
c *
the Prasa called Swa-vargaja Prasa may be rare in
Nannaya.
But we need not labour to deny him an occasional use of it as
4
in -the verse of Adi Parva, However we are happy to find
that the method adopted by the present editors is not much
removed from the sensible path chalked out by the unostenta-
tious scholar, Ramakrishnaiah.
The writer of, this preface agrees with Ramakrishnaiah

in using the c
language of contemporary inscriptions as
5
testi-
monia for evaluating the of the of
Prayogas poets Mahabharata,
. 301-816
2. We are informed that the A.P.
Sahitya Akademv commissioned
the Bibliography of
literary articles.
A lalsof Research of the
mo-7^0
1937-38.
^
Part
T pnental
I. 1.16. K.
University of Madras. Volume II
Page Ramakrishnaiah and S. Lakshmipati Sastry.
4.
40
chieflyNannaya. Like the bibliogarphy of articles on Bharata,
we could not so far implement this. www.teluguthesis.invisioni.com
To this extent we are
handicapped.
Much nearer to us is the scholar poet Rallapalli Ananta
Krishna Sarma Garu, who is one of our senior men of letters and
our adviser. He is one of the latest critics to give a call for critical
editions of standard works including Mahabharata. In an
1
article in Bharathi he pleads the need for a Critical Edition.
DR. C. NARAYANA RAO GARUDOPAKHYANA
A more serious and sustained effort for laying down the

tracks for a Critical Edition of Mahabharata was done by late
Dr. C. Narayan Rao, the talented pupil of Rao Saheb Gidugu
Ramamurthy Pantulu. Dr. Narayan Rao undertook the spe-
cimen editing of the story of Garutman in Adi Parva. For this
purpose Narayan Rao selected 92 Palm-leaf manuscripts and two
printed editions. One
of these printed editions is that of 1847,
prepared by Chinnaya Suri and Ramanujacharya. The
other is the Vavilla Edition in which Ramamurthy Pantulu
made his notes. We
have used this in our critical apparatus.
He analysed his palm-leaf manuscripts on a rational basis,

indicating the district from which a manuscript has been ob-
tained, the person who acquired it etc. The details given by
the scribe at the end of his laborious task are also noted. Nara-
yana Rao's manuscripts are mostly from the Sahitya Parishat,
Kakinada. A
handful are from the Gautami Library, Rajah-
mundry. The districts of Nellore, Chittoor, Anantapur yielded
many manuscripts. A few came from Godavari, Krishna

and Guntur, The Doctor claims many from Dakshina Desa.
What exactly this means is not clear. These manuscripts also
are lodged in the Sahitya Parishat. Narayan Rao's collection
does not contain any manuscripts from Telangana. are We
lucky in getting representation for this ancient area of the Telugu
Country, Narayan Rao does not appear to have utilised the
,
Brown paper, manuscripts, the palm-leaf manuscripts of the

Oriental Library, Madras, the collections of our Universities
etc. We
are fortunate in having access to all these and we are
1.
fiS$Tj;$tfy>
-W8 "$X>cfo"306DcfocO. T^tffi. tftfo&ife. 1980.
Scholars Sri R. A. Krishna Sarma, Sri Vemparala Suryanarayana

Sastry and Sri Dipala Pichayya Sastry are our external advisers and
members of the Board.
41
utilising this privilege as far as practicable. Our critical ap-
paratus is vaster and more varied. We
will come back to
this subject.
With the creditable collection at his disposal Dr. Narayan

1
Rao proceeded to specimen edit the Garudopakhyana, con-
taining about 120 verses. What strikes the eye immediately
is the attempt of Narayan Rao to retain the spelling of manus-
cripts with all its peculiarities and oddities. The
lay reader
will only get confused and he will be scared away. It is true
that the critical Edition is mean more for the scholar than the
lay reader. But if a vast work ike Mahabharata is printed in
the spelling that has gone out o vogue, it will serve no useful
purpose. These vast tomes wil only serve to adorn an ante-
quated library. Hence the present editors did not think it
necessary to resucitate the scribal peculiarities of palm-leaf
manuscripts, For the rest the principles adopted by Narayan
Rao are the same as adopted in the present Critical Edition.
Dr.
Narayan Rao's greatest contribution to the study of
Nannaya is his extensive analysis of the language of the eleventh
century, running over 200 pages. It is a vast mine of informa-
tion. He enhanced the value of this study by a similar
exposi-
tion about
pre-Nannaya language.
An
equally instructive study of the language of the pre-
Nannaya period and of Nannaya's Bharata is made by Prof.
G. J. Somayaji in his book Andhra Bhasha Vikasamu. We
have a few more aids in the 2
analysis of Nannaya's language.
COMMENTARIES ON ANDHRA MAHABHARATA
Among our testimonia, mention may be made of the com-

mentaries on the There was a time when
Telugu Bharata.
ielugu was looked down as something ,of the second or third
order in The first poet of Telugu, Nannaya
literary estimation.
referred to this in an indirect This disdain for Telugu
way.
or
anything Desi must have come from the high browed votaries
oi banskrit. The contrast between Telugu which was-
just
1.
History of Telugu Language. Volume II. Pages. 1535-1570.
2 P ra
A j ng-Nannaya Yugamu and Nanny a's Bharata by Dr. D. Venkata-
a u
f i?T nl
n
ne f the membtrs of the Editorial Board.
rdance for
Nannaya Pada-Prayoga
Naâya's Language, published by A. P.
i Sahitya
42
crawling on the ground in the eleventh century A.D. and Sans-
krit which had reached its heights some centuries prior to that
period, must have made hard-core Sanskritists to ridicule or
at least to be sceptical about attempts to create serious literature
in Telugu. The Andhra Sabda Gintamani, ascribed to Nan-
1
naya,
"
takes up a very reasonable attitude on this issue and argues
Wise men love their country, their language and their mode
of dress, manners etc. They evince keen interest in Vaikrita
Kavyas (i.e. Kavyas in Desa Bhasha) to the exclusion of others."
The others referred to here must be Sanskrit and Prakrit Kavyas
languages which have receded into the background.
There is a 2 verse in the prologue to Mahabharata in which

Nannaya is said to indicate the opposition which he encountered
in his attempt to translate Sanskrit Mahabharata and how he
overcame it. He says c just as Narayana (Srikrishna) stood by
Arjuna in the great war of Bharatas, so Narayana Bhattu, the
master of literature, friend and co-student of Nannaya stood
by him (in the battle for Telugu) and helped him in the great
task." The reference is unmistakable though very gentle and
poetic. Nannaya was very careful about the susceptibilities of
the wise among Sanskrit scholars and paid hearty homage' to
them as we showed at the beginning of this preface.
Amore explicit and trenchant protest against the superior

airs of Sanskrit worshippers was voiced by Vinnakota Peddana,
author of Kavyalamkara Gudamani. He belongs to the
"
early 15th century. He exclaims can any one devise any
cure for the disease which spurns anything in the name of Telugu
because it is Telugu, though it abounds in all the virtues of a
Sanskrit Kavya, in matters of Rasa and Alankara and which
has the added beauty of the caesura and Prasa." (9-4) Since then
centuries rolled on. Telugu came into its own. Telugu Kavyas
like Vasucharitra began to be rendered into Sanskrit. Men
of letters began to think that Telugu work like Mahabharata
merited a learned commentary.
It must have been in this mood that a scholar of the early

19th century wrote the Bharata Kulamkasha Vyakhya. This
-5--r*oJD =ur*;5oS3 ^ctfo u

& o
2, ^catedW^r'SSS. 1~:U26
43
scholar is Bharatam Lakshmipati SomayajL The very surname

indicates that this mily of learned men specialised in Maha-
bharat studies.
"
ey must have been respected Pauranikas
of Mahabharata, o far we could not get any authentic infor-
mation about the life of this learned scholar. Besides the Bharata
Kulamkasha Commentary, Lakshmipati Somayaji is the author
of a small work1 Sakata Repha Nirnaya. This deals with
'
the words containing the hard r '
and the soft r ' sounds as

gleaned from Mahabharata of Kavitraya. Lakshmipathi quotes
for his authority the verses of the
epic at each stage. -
The Eharata Kulakmkasha is a vaster and more sustained

work. Lakshmipati does not explain every verse of the Telugu
Bharata. It is a
running commentary, sometimes in Sanskrit
and sometimes in
Telugu. He often quotes the original Maha-
bharata in support of his
commentary. Alamkaras are pointed
out. Grammatical points are
expounded. Lakshmipati is
keen on
following the story of Pandavas in a chronological
manner. The ages of the Pandava borthers
when they came to
toe court of Kauravas after the
death of Pandu are worked out
in detail
Subsequent events in their life like the at
Varans and the conflagration in the lac-house sojourn
are closely
aatecL home of his
interpretations are queer and far fetched.
-m 1900 by the
It 5 a^ffS
be a
C0ntamlng
^ ""^rfon on ^SS n
in uf c y
U -P' "
.
s catd r
is Sakaui Rcpha
m
Lord
inspired
me
GaunpS
P
me \
in
he
v
Y dr
tS acclu^lf?'
*m
to rn^ d S ^ ^ J
treatls
he author **Y*
u
h in
Slnce Y
a Slc.ka
Andhra Bhash *'
"Oh
You
this
on this work '
^T,! ^
L)aiva
L)aivaanslnce
?- commissioned
an sl nce you arc the creator of
Andhra it'h but m^t ,
fJ 1
' t
"
e
For instance lie comments on the verse 1 of Tikkana
that the poet lived like a Vaidika. He had no need to accept
employment. He interprets the word Vaidika literally as
c '
opposed Niyogika/ Among the Telugu Brahmins one sect

adopted service under the governments of the day and came to
be known as
'
Niyogikas/ those who accepted Niyoga

*
or
c
employment. The other sect kn~ *n as Vaidikas were more

c '
conservative They shunned se ê under government and

stuck to the r traditional way of li e with study of Vedas, per-
formance o sacrifices etc. Laks mipati's interpretation is
matter of ct. What the poet really intended was that he
combined t e path of Karma with the path of Bhakti. To
these he joined literature as a mode of worship.
Lakshmipati keen on the exposition of points of Vedanta

is
and Dharma. He
appears to be well-versed in Dharma Sastra.
Some of the texts which he quotes in support of points of Telugu
grammar 1 are not familiar. He sometimes cites himself as
authority. ealing with the verse we were at a loss to know
the source o this canon. We now know that this is found in
his Sakata epha Nirnaya (Verse 60).
Altogether the Bharata Kulamkasha is a very learned and

highly interesting running commentary on Telugu Bharata
that Lakshmipati elevated the Telugu epic to a high literary
status deserving a Sanskrit commentary is really commendable.
This commentary deserves to be published in full. Late Eluru-
pati Ramabhadra Chayanulu garu led the way by printing the
Sabha Parva portion of the commentary of Lakshmipati.
We have already referred to the Bharata Samjivani com-

mentary of the scholars Chadaluvada and Dandigunta. It
ijfi.
. ITS'. )6so;5 Ef&koxktfG #b?jtft>o&r 1-8-203.

e^ o> O
1. "3
is Adi and Virata Parvas only. We are not aware,
available for
if they wrote the commentary www.teluguthesis.invisioni.com
for any more portions. As far
as it goes it is a highly scholarly effort. They took care to fix
up a good text for themselves and then wrote the commentary.
The by them appeared to us very sensible
readings accepted
and well We
used this commentary in editing Adi
tested.
Parva. We could not secure copy of Bharata Samjivani for
1
the Virata Parva. This commentary is for each poem and
prose passage. It proceeds by the method of Tika and Tatparya.
Another commentary for the Telugu Bharata is styled

' 5
Amnaya Kalanidhi written by Nelaturu Parthasarathi

Ayyangar, Senior Telugu Pundit in the Rajah's High School,
Venkatagiri. He wrote commentaries according to him on
Manusmriti and Santi Traya. The Amnaya Kalanidhi makes
easy reading. The Tatparya portion brings out the ideas fairly
well. In my opinion this commentary is no match for the
Bharata Samjivani in the critical Text. The commentator
did not exert himself to fix up a good text. The readings accep-
ted by him are not well tested. Hence it falls short of the high
standard of Bharata Samjivani. It is curious that in a text
published in 1925, the verses are not numbered. We quote the
1
comparative text of Vavilla and Amnaya Kalanidhi to illustarte
the point.
The
readers will appreciate the difference in the readings
accepted by each. The force of the simile is lost in the Amnaya.
There are other instances of this nature.
jit
tf tftfo Jô&k fco cflootf

TTtfg
1-868.]
We appeal to the scholars and libraries of Andhra to lend in tin-

copy of Virata Parva commentary, if available with them.
46
Another scholar/ late Akondi Vyasa Murthy Sastri Garu
wrote a commentary for the Adi Parva, known as Bharata
Phakki. This is more an eagle-eyed view of the method of
Nannaya's translation than a regular annotation. The pas-
sages of the original Mahabharata are put in juxtaposition with
Nannaya's rendering. Such a method may not yield results,
for the poets of Andhra Mahabharata never attempted a literal
translation of the original. Their's is the method of a masterly
swimmer who cannot be tied down to ordinary conventions.
Vyasa Murthy Sastry is not a critic who can be easily

brushed aside. He
said to have attempted a full translation
is
of the Mahabharata in the modern era. One portion of it, the
Adi Dhara alone saw the light of day. The credit of having
translated the whole of Mahabharata single handed goes to a
contemporary of Vyasa Murthy Sastry. He is Mahamahopadh-
yaya Sripada Krishna Murthy Sastry. This version is called
Sri Krishna Bharata. Marathon, though the labour of Krishna
Murthy Sastry has been in translating this stupendous epic,
in the realm of aesthetic poetry it can approach the work of
Kavitraya from a respectable distance only. The twin aims of
3
Nannaya prasanna-katha-kalitartha yukti a story-telling which

c
a pleasing style made

c '
is
perspicuous and akshara ramyata
the Kavitraya Bharata a poem of sublime poetry. Mere trans-
lation cannot rise to these heights.
The famous poets Tirupathi Venkata Kavulu, who are also

great scholars wrote a small booklet vtftf 3";$,;5coex>. in which
1. It is said that in the modern period three scholars attempted a full

translation of Mahabharata (1) Akondi Vyasa Murthy Sastry (3860-1916),
(2) Sripada Krishna Murthy Sastry and Taduri Lakshmi Narasimham
Pantulu (1856-1936). One of them, late Krishna Murthy Sastry alone
succeeded in translating the full Mahabharata, 18 Parvas. Taduri Lakshmi
Narasimham Pantulu is said to have attempted the translation of Virata
and Udyoga Parvas only. No portion of this is published. Vyasa Murthy
Sastry succeeded in rewriting 13 Parvas of Mahabharata, out of which the Acli
Parva portion called Adi Dhara was published in 1939 at Pithapuram. Vyasa
Murthy Sastry was a well known scholar of Sanskrit and Telugu in his time.
He was the Senior Pundit for Telugu and Sanskrit in the Government Arts
College, Rajahmundry. He wrote several other books. He was considered
an incarnation of Veda Vyasa Maharshi.
The diction of Vyasa Murthy Sastry is terse though meaningful. It is

more scholarly than popular. Adi Dhara contains the stories of Adi Parva.
Unlike Nannaya, Vyasa Murthy Sastry introduced the Brahma Ganapati
incident into the story.
47
they seem to answer some of the www.teluguthesis.invisioni.com
objections raised by Vyasa
Murthy Sastry in his Bharata Phakki.
We are aware of a small handy edition of the Mahabharata
issued by the harata Grandhamala. These volumes are ably
annotated by ri Palle Purna rajnacharya of Guntur. We
do not know i the whole Maha harata is issued in this series.
It is like the Verity edition of S akespeare, brief but standard.
Andhra Mahabharata is invariably prescribed as a book

of study in the Universities and lower levels of education. The
University of Madras issued various portions of this epic, as a
part of its selections, Able scholars were entrusted with the
task of editing these portions. As such they may prove of some
help in checking up readings.
ORIGINS OF THE SCHEME IN THE OSMANIA UNIVERSITY

/
Here we quote one or two paragraphs from a previous

report.
On August1959,
12, Dr. N. V. Subba Rao, the then
Co-ordinating Officer, University Grants Commission Unit,
Osmania University invited proposals with financial estimates
3
about Development schemes for implementation in the III

Plan period. I, (K. Lakshmi Ranjanam then Prof. & Head
of the Telugu Dept) consulted the members of the Telugu
Dept. and discussed the m
tter with late Kuruganti Seeth-
arama Bhattacharya of he anskrit Academy, Osmania Uni-
versity. He and I consi ere the proposal for a book in Tel-
"
ugu on the lines of the ngl sh Publication OXFORD CO-
MPANION TO CLASSICAL LITERATURE." But my mind
was set on something more substantial-something, which in
"
the words of Milton Our country men will not willingly let
forget". I said to Prof. Seetharamaiah "Let us attempt the
publica on of the CRITICAL EDITION OF ANDHRA
MAHA HARATA, a scheme about which our great men drea-
med _ ants like Sir C, R. Reddy, G^dugu Ramamurthy Pan-
tulu, Jayanti Ramayya Pantulu, Vetur Prabhakara Sastry and
other stalwarts. Surely it een an ideal publication
would have
if they undertook it. Perhaps they le it to this generation to
.
attain bless dness by the services of Mahabharata. Did not

Bammera otaraju feel that great " êts like Nannaya and
Tikkana le^ver the translation of haJBhagavata to enable
him to atta blessedness by writing it. We
will earn Dharma
and some me to boot, if we serve t e great national epic of
Andhra."
48
Bhattacharya was impressed and encouraged me whole-
heartedly to proceed with thewww.teluguthesis.invisioni.com
idea. Even at the outset we
wished to plan the project on the lines a opted by the Bhandarkar
Oriental Research Institute, Poona in t eir monumental scheme
Ma abharata. We planned
for the Critical Edition of Sanskrit
about volumes including the Index Volume with an esti-
five
mate of Rs. Two lakhs and I forwarded the scheme to Dr. Subba
Rao on 31-8-1959.
A
Committee examined the proposals and after pruning
them up the scheme with its recommenda-
to Rs. 1,36,000 sent
tion. The Senate of the Osmania University considered it at
meeting held on February 25, 1961. But the Mahabharata
Project was assigned to the second priority schemes. Financial
assistance was sought from the University Grants Commission.
When Dr. D. S. Kothari, the learned Chairman of the University
Grants Commission visited Osmania University, this writer
ventured to mention the project to him. Dr. Kothari's words
of encouragement are memorable
'
It is a great attempt, No
worthy scheme ever suffered for lack of finance in this country.
3
Please go ahead with self-help. The U.G.C. advised the Uni-
approach in the first instance, the Ministry of Scientific
versity to
Research and Cultural Affairs, Government of India, for finan-
cial assistance for the Mahabharata Project.
Accordingly application was made with a revised estimate

to t * Government of India and the Government of Andhra
Pra for At the State Government
financial assistance.
leve ,
ri M. R. Appa Rao,
the then Minister for Cultural Affairs
and ^ ri L. N. Gupta, Secretary took interest in the matter.
The overnment of Andhra Pradesh agreed to bear 50% of
the cost of the project (Total estimate Rs. 1,75 000), Sub- 3
sequently, the Government of India also sanctioned 50% of

expenditure on the project. This went up into the years 1964-65.
Dr. D. .
Reddi, Vice-Chancellor took interest in the Maha-
bharata P ect from the beginning. Like Will ; am the Silent,
he speaks s an^ believes more in concrete act OIL. He could
gradually r ng t e University to make a prelim nary allotment
of Rs. 6,5uO. Sr B, P. R. Vithal, the then Reg strar helped in
this decision, T
happened in 1963.
INAUGURATION
Meanwhile the sponsor was anxious to launch the scheme

as early as possible for the following reasons :
49
391 E
1. Time is .the essence of a good act. Dharma brooks
no delay like Adharma.
2. The Telugu Department of the Osmania University

rose to its proper heights by the introduction of
the Ph.D. Degree in Telugu, The Department
must make its marks in the field of research pub-
lications. The Critical Edition of Andhra Maha-
bharata will be the fittest
beginning for it.
3. This writer desired that the name Dr. D. S. Reddi

should be associated with the national epic of
Andhra. Reddi kings of old did yeomen service
to the cause of Telugu Literature. Sri Dinnepati
Sadasiva Reddy Garu carved out a worthy place
for Osmania University in the comity of progressive
Universities of India.
Without further waiting for external help and relying on

the message of self-help given by Dr. D. S. Kothari, the Telugu
Department, launched the scheme in a token manner on 17th
July 1961. A
few donations 1 were collected for preliminary
expenditure and work was begun.
It is matter for deep pride and satisfaction that the students

of the Telugu Department of the Osmania University made
themselves very useful in the different stages of the project.
At the very outset our pupils Kumari B. Vijaya Bharati, T.
Suseela, J. Hemalata and Seeta prepared the Index of first
lines of Adi and Sabha Parvas* An Index Volume was in
our mind from the beginning. Subsequently this index was
prepared for the whole Mahabharata.
Several of the Telugu Lecturers of the Osmania University,

constitutent and affiliated colleges came forward to help volun-
tarily in the different processes connected with the project.
Not only this, some Telugu Pundits of the High Schools also
1. Sri K. Lakshmi Ranjanam . . . . . . Rs. 116.00

~
Sri G. Rangacharyulu . . . . . . 116.00
Dr. P. Durgaiah . . . . . . . . 116.00
Sri Vangapalli Nilakantham on behalf of the Sada-
chara Nibandhini Parishat, Secunderabad . . 101.00
Prof. G, Lakshmi Kantiah . . . . . . 45 00
.
Rs. 494.00
30
Came to our help. We

are thankful to all of them,, specially
to Sri P. Krishnamurti Sastry, Sri T. Venkateswara Sarma,
and Sri M. Ghandrasekhara Sarma.
PATTERN OF WORK
Even at the inception it was agreed to mo el the Critical
Edition on the lines of the Critical Edition of anskrit Maha-
bharata, published by the Bhandarkar Orienta Research In-
stitute, Poona. There will be some variations according to the
needs of the Telugu work. In order to get first hand knowledge
of the scientific methods adopted at the handarkar Institute,
^
Sri C. Rangacharyulu, Reader, Telugu 'epartment was sent

to Poona in 1963 and. he received training under Dr. P. L.
Vaidya, Head of the Mahabharat Department of the Institute.
STAGES OF WORK
1. Printed appeals wer issued for palm-leaf manuscripts
of Andhra Mahabharata an the older printed e itions. We
will only mention the first gi This is a palm-lea manuscript
.,.
of Udyoga Parva presented y Sri V. Narasimha eddy, now

Lecturer. Other donations and loans of manuscripts and books
etc. are mentioned in
Appendix.
There are collections of Palm-leaf manuscripts in

2.
Institutions which will not lend their manuscripts outside.
Workers were sent there to prepare descriptive sheets of
manuscripts. Such sheets were prepared for also the manus-
cripts in our custody.
Parva- wise indices of manuscripts were prepared so

3.
that, we know
at a glance where copies of a particular Parva
are located and their condition. The date where available
was worked out with the help of the Indian Ephemeris.
4. The manuscripts were analysed with a view to secure

due representation to the three Cultural regions of Andhra-
Telangana, Rayalaseema and Coastal districts. This pre-
sented some difficulties.
After this winnowing we selected some pa m-leaf manus-

5*
cripts toform the basis for collation. A

manuscr pt was admit-
ted on the basis of its age, freedom from scriba mistakes and
condition fit for handling.
51
6. Another vast effort which we
set on foot as early as
1962 was to collect references to Andhra Mahabharata con-
taine in works of prosody, grammar and dictionaries. We
expl* ned earlier how the Telugu Bharatam forms the basis
for t e study of our Classical dialect* Writers on prosody,
grammar and lexico raphy often give quotations from Maha-
bharata. Such quot tions will undoubtedly reveal the condi-
tions of the text in t e earlier periods. There is one limiting
factor here. Some 01 these works of prosody and grammar are
brought out in print. In this process they were edited by modern
scholars. It is feared that thev altered the readings of these
manuscripts according to the 1 terary canons which they held

in esteem. Thus the purity of t A ese texts on prosody and gram-
mar is questioned by some. T e right thing will therefore be
according to them to go to the original manuscripts. This will
entail preparation of Critical Editions for the Lakshna Granthas,
a task which is much beyond the purview of our work and which
we do not feel absolutely necessary. Therefore we collected the
Mahabharata quotations from the printed versions of Lakshana
Granthas.
COLLECTION OF MAHABHARAT QUOTATIONS

^Quotations were collected from the following prosodial
wor* :
(1) Appakaviyamu (2) Ananda Rangarat Chanclamu
avi Samjivani (4) Kavi Samsaya Vichhedamu
(3) (5) Sarva
Laks anasara Sangraharnu (6) Andhra, Ratnakaramu
Prayoga
(7) Uiandamu (8) Sarva Lakshana Saramu (9) Sarasandhra
Vritta Ratnakaramu (10) Lakshana Dipika (11) Virabhu-
paliyamu (12) Sakata Repha Nirnayamu (13) Dwirepha Varna
Darpanamu. We there are a few more pro-
are informed that
sodial works to be laid under contribution. We could not get
at them.
BOOKS OF GRAMMAR
(1) Guptartha Prakasika (2) Praudha Vyakarana (3)
Andhra Bhashanusasanamu (4) Andhra
Vyakarana Samhita
Sarvasvamu (5) Balakavi Saranyamu
(6) Ahobala Panditiyamu.
We are told that Andhra Kaumudi also contains quotations of
Mahabharata, We could not get at it.
DICTIONARIES
G. P. Brown's
(1) Telugu-English Dictionary (2) Sabda
Ratnakaramu (3) Suryaraya Andhra NTig-hantuv>u.
ANTHOLOGIES
Sakalaniti Sammatamu by Madiki Singana (early 15th
century). We hear Prabhanda
of further anthologies like (a)
Ratnakaramu of Pedapati Jagannatha Kavi (b) Prabhanda
Manibhushanamu (c) Udaharana Padyamulu published in
Andhra Sahitya Parishat Patrika. We could reach only the
Sakala Niti Sammatamu. Other books were not available
to us.
COMMENTARIES
Under this head we mentioned (1) Bharata Kulamkasha

and (2) Bharatha Samjivani, We utilised them as far as avail-
able.
DR. S. RADHAKRISHNA'S BLESSINGS
One of the most fortunate happenings for the progress of

the scheme was the blessings which we received from Dr. Sarve-
palli Radhakrishnayya Garu> the former President of the Indian
Republic. His Excellency was camping at Rashtrapati Bhavan,
Secunderabad in the summer of 1963. On 4th August 1963,
His Excellency was pleased to grant audience to K. Lakshmi
Ranjanam and Sri G. Rangacharyulu. The President heard
about the scheme and wrote with his own hand the benedictory
sloka written by Nannayya Bhattu in a register as a signal for
the inauguration of the project.
SPECIMEN EDITING
Having fairly settled tl e Critical apparatus we proceeded

t edit a small portion of A
i Parva as a
specimen. treated We
t e Prastavana portion a 1^ the story of Udanka on Critical
1
nes and sent it to repute scholars all over Andhra to elicit
t eir opinions. There was wide response from scholars and it
was generally favourable. Valuable suggestions were made by
some of them and these were kept in view in the further stages
of the work. One of the important suggestions was to give
reference to the readings of manuscripts where they answered
t e ordinary tests of grammar and prosody and another sugges-
on was to indicate the source of the accepted reading if it

ifFerred from the vulgate.
53
COLLATION
Collation proved to be a vast and long drawn process,

In the earlier stages tê teaching staff did the collation of manu-
scripts available in e project repertory. It was found that
a more extensive e ^rt was required. Accordingly during
1965-66 a number o collators were recruited and engaged on
collation work in the University. Though this speeded up the
work, something was left to be desired in precision as some of the
collators were raw-hands. It was partly set right by revision
of the collation of Adi Parva. Some of our workers were sent
to the S v aswati Mahal Library, Tanjore for collat ng selected
Palm-lc manuscripts. With regard to manuscr pts of the
Andhra diversity, Pundit K. Jogayya Sarma did t collation
for us. JLater on the Andhra University and Sri Venkateswara
University agreed to lend us two manuscripts at a time. Thus
their collation is done
locally. At Madras, we arran ed for
collation two centres, the Government Oriental
in 'anus-
cripts Library and the. Adyar Theoso Meal Library, e ex-
*
perienced scholar, Pundit Bulusu Ve ^vataramanayya the

collation for us at Madras for some t me. Now Sri K. rya-
narayana, Telugu Lecturer of a loca college is carrying on
this work. It will be remembered that the Brown Paper
Manuscripts are lodged in the Government Oriental Manus-
cripts Library, Since the Andhra Sahitya Parishat, Kakinada
Gautami Library Rajahmundry, Andhra Saraswat Parishat
and Lakshmanaraya Parisodhaka Mandali, Hyderabad were
all good enough to lend their
manuscripts to us, the bulk of
of collation was done in the University itself.
It a matter for sincere pleasure for me to note that our

is
former Kumari M. Deenavathi, M.A., B. Jyotirmayi,

students
I. Kanta Lakshmi, M.A., and D. Vidyeswari M.A., were steady
and intelligent collators. The first mentioned Kumari Mana-
pragada Deenavathi has worked with us consistently for nearly
five years and has become a small
expert on manuscripts.
In collationwe followed the pattern of the Bhandarkar

Institute. Collation sheets are specially prepared. One sheet
is used for one line of verse or The of
prose/ readings palm-leaf
manuscripts and old printed editions are noted horizontally
one after the other. Each manuscript is given a letter symbol.
The Critical apparatus with their symbols is
separately des-
cribed.
54
EDITING GUIDING PRINCIPLES
The_Critical Edition of Andhra Mahabharata is not under-
taken to disprove what earlier scholars did for it. Undoubtedly

they did a lot for it. Our aim has been only to supplement what
former generations of scholars contributed to it. The Critical
Edition is inspired by the motive to apply the principles of
scientific tex ual criticism to the Andhra Mahabharata. That
the Telugu haratainu occupies a place of honour among the
versions in t e provincial
languages of India is mentioned by
Dr. V. S. S thankar. He says in his prolegomena " as testi-
monia or a* s of a partial or subsidiary character, there are
available bes des the numerous commentaries, the following
three important epitomes of the eleventh century (1) the
Javanese adaptation Bharata (A.D. 1000) (ii) the Telugu
adaptation, Andhra Bharatamu by the Telugu poet Nannaya
Bhatta (A.D. 1025) (iii) the Sanskrit adaptation, Bharata
Manjari by the Kashmiri Poet Kshemendra (A.D. 1050)."
"
Sukthankar goes on to observe Nannaya's version is
valuable for the light it throws on the condition of the Southern
recension or strictly speaki g of the Tclugu version in the ele-
venth century of the Christ an era, especially in view of the fact
that Nannaya has include in his poem an accurate rendering
of the Parva Sangraha giv ng the number of slokas in each of
the Parvams of his Mahabharata. There are numerous other
vernacular abstracts of the Mahabharata besides the Telugu
abstract mentioned above but most of them arc of later date.
Moreover they are all far too free to be of much use in reconstruc-
ting the Text of the Mahabharata."
That the Telugu Bharatam was not subjected to Critical

examination on the vast scale done in the present attempt
is its justification. Others did t e work on a very m
nor scale.
Interesting results aie obtained f not extraordinary *scoveries.
As already indicated the prob ems of Sanskrit Ma abharata
are quite different from the problems of Telugu Bharatam.
We did not set out to disown or own the vulgate and other
previous printed editions. In each case a reading is subjected
to thorough examination in the light of the vast evidence stored
by us. If the reading of the vulgate stood t A e test it is boldly
retained. If the manuscripts and other ed tions gave a better
reading it was changed. Often the Sanskr t
original was con-
sulted to pitch upon the appropriate read ng. At each stage
55
Sanskrit Mahabharata, Parva
the editors gave reference to thewww.teluguthesis.invisioni.com
and Adhyaya to indicate the source of the Telugu portions.
of grammar were no doubt kept in view but
Existing principles
no attempt was made to reduce the text to conformity with
Balavyakarana or any gramamtical manual. wealth of A

readings is provided at each stage and the reader is left free to
make his own choice of a happy reading. The readings of manus-
cripts were given due primacy in all situations.
CRITICAL APPARATUS
Our Critical apparatus for the Adi Parva is briefly des-

cribed below. Telugu represent the symbol given to
letters
each ^manuscript. The figures represent the serial number in
our registersO, U. is Osmania University. All our manus-
:
cripts are
palm-leaf manuscripts only. Manuscripts
marked
with O. U, number are collated in the project.
1. ** O. U. No. 5 contains Adi, Sabha, Virata Parvas

complete and Udyoga Parva upto Aswasa 4, verse
370. Palm-leaf. Size ISJ'xH". 403 leaves.
Condition good. Slightly damaged. May be 200
years old. Collected from Domakonda Village,
Nizamabad District. Presented by Sri A. Rajes-
wara Sarma Telugu Dept. O.U,
2. e O. U. No.
-
7 Adi and Sabha Parvas complete. Size
ff
17*xli . 310 leaves. Condition good. Slightly

injured. Writing good. Presented by Sri M. Vee-
resalingam. Manuscript may belong to Telangana.
3 * O, U. No. 19 Adi Parva. (incomplete).- Available

from the beginning to the end of 4th Aswasa. A
portion of the V Aswas also is found. Size 16 X
1J" 110 leaves. Cor derably
c old and damaged.
Writing very good. ails from Gadwal. Maha-
boobnagar District. T e important verse 1-1-25
(3r*d& ^s'r'SSS) fn
w *ch Nannaya refers to his
co-student, Narayana Bhattu is not found in this
manuscript.
4. * O. U. No. Adi Parva. Complete. 2731 Leaves.

32.
Condition good. At the beginning of the VI
Aswasa there is mention of date in a Sanskrit Sloka.
56
The Cyclic year Angirasa Chaitra, 14th day of the
dark-half of the month. Week day is not mentioned.
There is another noting of date on the first page
Ashadha Suddha Trayodasi Friday. Copied at
the instance of Singararya.
5. *. O. U. No. 33. Adi Parva. Complete. 137 leaves.

Condition good. Contains a few leaves from Drona
Parva. also. Leaves bearing numbers 343 79, 82,
83, 84, 8995 are missing.
6. m3 # O. U. No. 63. Adi Parva. Incomplete. Begins

from 4th leaf. Size IS^xlJ". 179 leaves.
Writing is good. Written for Eluri Venkayya
by Sivapurapu Srisailapati. Obeisance is done
by the scribe to God Vireswara of Yenamadala,
Also to Goddess Bhramaramba and God Chenna
Malleswara. Date. Angirasa, Margasira, Bahula
Dasami Sunday. Presented by Sri A. Rajesawara
Sarma.
7. *t. O. U. No. 74. Adi Parva. Incomplete. From be-

ginning to 8th Aswasa. Verse 144. Condition good.
Lent by Andhra Sahitya Parishat Kakinada,
8. .X O. U. No. 75. Adi Parva.

Complete. Condition.
good. Date. Pingala, Sravana Suddha Chaturdasi.
Week day is not mentioned. Andhra Sahitya
Parishat. Kakinada.
9. 6. O. U. No. 76. Adi, Sabha, Aranya Parvas. Some

portions are missing. Contains Virata Parva also
upto IV Aswasa. Condition good. There are
scribal mistakes. Date Sarvari, Vaisakha Suddha
,
Saturday, May 6th 1780. Scribe Vipperla Balara-
mulu copied Virata Parva as found in the manus-
cript of Chintalapudijvaru. Andhra Sahitya Parishat.
Kakinada.
10. C . O. U. No. 80 Adi Parva, Complete. Size 17" X

1.3." 193 leaves. Condition good. The name
of the scribe is mentioned in" a Telugu verse. He
is
Sanjiva Kavi. The verse 1-1-25 (d*<xfcf
ttmzty is not found int his manuscript. Andhra
Sahitya Parishat. Kakinada.
57
1L *. O. U. No. 91. Adi Parva. Complete. Size 18.8"

1.3". Leaves 195. Writing is not quite good.
Andhra Sahitya Parishat Kakinada.
12. t- O. U. No. 95. Adi Parva. Complete. Size 17" X

1.5:. Leaves 180. Writing very good. Date
Jaya Sravana Suddha 10 Friday (14th July 1654)
Written by scribe (name not given) according to
the copy of Bhuliveti Timmappa.
13. ** O. U. No. 96. Adi Parva. Complete. Condition

fair. Many scribal mistakes. Written in big hand.
Writing is ood, Manuscript belongs to Sitara-
mudu son o Subb rayudu in Kuntipura Agrahara.
Can Kunt ûra e Pithapuram, East Godavari
District ? nere a temple here dedicated to
Kunti Ma hava wamy. Andhra Sahitya Pari-
shat Kakinada.
14. * O. U. No. 99 Adi Parva. Complete. Condition fair.

Corrections are noted in the
margin. Writing
good. Note regarding date. On the 18th leaf,
Vikari ma varamu (week day) First Aswasa of Adi
Parva c mpleted by the morning. On leaf 180.
Vikari, ushya Suddha, On the last leaf. Vikari,
Pushya uddha Dasami, Monday. (17th January
1780A.U.). Papayya (Scribe) copied the book
Adi Parva for Kilabbika (Kilambi Ramaswami).
15. * O. U. No. 110. Adi Parva. Complete. Condition

ood. Size 17" x 1". Le ves 189. Scribe.
haskarappa, son of Paranan i Venkata Krishna
hattu of Tankallu, Belong ng to Vadhulasa
viotra. Date. Krodhana Pus ya Bahula Chatu-
rhi Saturday (4th January 174 ). Andhra Sahitya
Parishat Kakinada.
16. * O, U. No. 112. Adi Parva. Complete. Manus

cript is in very good condition. Size 16"xli"
Leaves 246. Scribe apologises for mistakes in
a small verse. Gavuravaram Polamaraju copied
58
Adi Parva in full from an exemplar. Date Nala.
Magha Suddha Saptami Saturday. The month
ofTai26th (4th February 1797). Presented by
Nattam Subrahmanyam to Andhra Sahitya Parishat
Kakinada.
17. * O. U. No. 119. Adi Parva. Incomplete. Avail-

able from the beginning to Verse 111 in the 7th
Aswasa. Condition quite good. Size nj^x-l-S".
Leaves 205. Writing is good. The scribe offers
obeisance to guru (perhaps his preceptor) Rama-
Bhadra. Dedicated to Goddess Minakshi and God
Somasundara. It appears to be a southern manus-
cript. Presented by Nudurupati Ramaswamayya
to Andhra Sahitya Parishat Kakinada.
* O. U, No. 126. Adi Parva.

18. Incomplete. Available
* from the beginning to verse 151 in Aswasa 8*
Condition very goocj Leaves 197.
Presented by Nudurupati Ramaswamayya Garu

as No. 119 above. Contains a laudatory Telugu
verse on Vedavyasa in the style with Antyanu-
prasa of Bammera Potana.
e>
19. *. O. U. 143. Adi Parva. Complete. Damaged by

worms. Still it is fairly readable. Size 17$" X 1 3*.
.
Leaves 165. It is stated that this manuscript was

acquired by Jayanti Ramayya Pantulu from the
Karvetinagaram estate. Andhra Sahitya Parishat
Kakinada.
20. * O. U. No. 197. Adi Parva. Complete. Condition

good. Size 18" x !#' Leaves 150. This is acquired in
the Chittoor District by Dr. N. V. Ramakrishnama-
charyulu and Sri Tekumalla Kameswara Rao and
was presented to the Mahabharat project.
59
Date: (1) Bangarayya son of Kottinti Natha-
munulu copied the Adi Parva by Viswavasu, Asha-
dha, Suddha Shasthi Thursday. (2) Copied by
Kothinti Bangarayya for Ghirrama Setty, son of
Karnakandi Chinnanna on the 15th day, Ani
month. Viswavasu year. This works out to lOth^
July 1845.
21. * O. U, No. Adi Parva. Complete. Condition

198.
good. Size 17.8"xlJ". Leaves 188. This is ac-
quired in the Chittoor District by Dr. N. V. Rama-
krishnamacharyulu and Sri Tekumalla Kameswara
Rao and was presented to the Mahabharat Project
as No. 197 above. Date Copied by Kondanna,
:
son of Buse Dasanna for Venkata Dasu Chetty

son of Tumkuru Narayana Chetty, on the auspi-
cious day of Saturday, Vidiya in the bright half of
the month Chaitra
of the cyclic year Jaya. This
corresponds to 6th March 1714.
* O. U, No. 200. Adi Parva.

22. Complete. Damaged
by worms but fairly readable. lS^Xl.4^.
Size
Leaves 195. Acquisition and presentation as above
in the case of manuscripts 197 and 198.
23. O. U. 201. Adi Parva. Incomplete. Available up-

to 8th Aswasa, 214th verse. Condition fair. The
manuscript has become brittle. Size 17%' xl .4".
Leaves 215. Slightly damaged by worms. Ac-
quisition and presentation as above in the case of
-manuscripts 197, 198 and 200.
JV.#. Some of the palm-leaf manuscripts generously lent

to the project by the Andhra Sahitya Parishat,
Kakinada were returned to the Parishat after the
Adi Parva was edited. Hence it has not been
possible to note details like size etc. in the case of
manuscripts 32, 33, 74, 75, 76, 96, 99 and 126.
Some of our manuscripts are sufficiently old
Osmania University 95 14th July 1654

Osmania University 198 6th March 1714
Osmania University 110 4th January 1 746
Osmania University 76 May 6, 1780
60
4. *>*
532/S. Located in Sanskrit Academy, Osmania
University (Now in the www.teluguthesis.invisioni.com
General Library) Adi,
Sabha and Aranya Parvas. Adi and Sabha Parvas
are complete except for a few leaves lost, here and
there, In Aranya Parva the text is lost after the
4th Aswasa. Size 18"x 1J". Leaves 302. At the
end of Adi Parva there is a noting by the scribe
Palavayi Challayya copied Adi Parva for Lakshmi
Narusu, younger brother of Gajam Acchanna.
Copied as found in the exemplar, by the afternoon
of Friday, the 13th tithi of Bhadrapada Bahula,
in the year Sobhakrit. This seems to correspond
to the years 1722, 1782 and 1842. AD. 1782
is
accepted Collated in the University,
25. & Andhra University No. 354. Palm-leaf. Contains

Adi, Aranya, Mahaprasthana and Swargarohana
Parvas. Granthas 12780. Leaves 426. The four
Parvas are complete. Handwriting good and set-
tled. Noting by scribe at the end Vellaachni
Appayya copied Adi, Aranya, Mahaprasthana and
Swargarohana Parvas for Rajasri Sitaramachandra
Ranga Rao Bahadur Garu and submitted to his
grace. No date is available. Adi Parva collated
by Pundit K. Jogayya Sarma, Andhra University.
26. *> Andhra University. T 1111/N 18, 1. Adi Parva.
Incomplete. Available from -the beginning to verse
197 in 8th Aswasa. Damaged by worms. Very
old manuscript. Writing good. 45 X 134 Cm.
Leaves 178 Granthas 4984. Collated by Sri K.
Jogayya Sarma, Andhra University.
27. <=& Adyar Library 74758 Adi Parva. Complete. Writ-
ing good. Condition fair.
is Collated at Adyar
by Sri K. Suryanarayana.
28. * Adyar Library No. 75067. Adi Parva. Complete.
Condition good. Scribe Korrapati Gangaraju.
Two no tings regarding date. At the end of 3rd
t
Aswasa it is~ stated Pardhiva, Margasira Bahula
3 Jayavaranau. At the end of the 8th Aswasa
Pardhiva; Vaisakha Bahula 8 Monday. It is not
known why an earlier date is
given for the copying
of later Aswasas. Collated at Adyar by Sri K.
Suryanarayana.
29* * Printed Edition. Adi and Sabha Parvas. Readings
noted by Rao Sahebwww.teluguthesis.invisioni.com
Gidugu Ramamurthy Pantulu.
* *
Gi represents the readings which were collected
for him from the Palm-leaf Manuscripts of the
Saraswati Mahal Library, Tanjore.
30. \- As above. Readings'collected by Ramamurthy Pan-

tulu from the 1847 Printed Edition, issued by
A 15 are
e 5 c
Paravastu Chinnaya Suri. A and
described in an earlier part of the preface.
31. * C. P. Brown's paper manuscr pts lodged in the Gov-

ernment Oriental Manuscr pts Library Madras. 3
Collated at Madras by Pun it B. Venkata Rama-

nayya.
32. **
Brown's aper manuscripts as above. Contains read-
ings c by other Scholars which Brown
ected
admitte into his Manuscript. Collated at Madras
by Pun it B. Venkata Ramanayya No. 31 and 32
are described already in an earlier part of the pre-
face.
33. *** Vavilla Printed edition of Andhra Maha harata

which we accepted 1
as the Vulgate, We d cussed
this edition earlier. Gidugu Ramamurthy antulu
is said to have taken the 1914edition of Vavilla
for the basis of comparison. Dr. C. Narayan Rao
Iso seems to have accepted this version r vulgate
n the preparation of the Critical Text of arudo *-
hyana. The Vavilla editiojn is the o y edit on
eely available of late. That a good deal of sc o
arlv attention was bestowed on its preparat on
s
enerally accepted. The Vulgate itself need
not e a Critical Edition. We could utilise editions
of t s published in 1950 and afterwards.
34. *>
Edition published by Vemuri Venkata Krishnama
Chetty and Sons in 1901, in 3 Volumes. This
1. Vulgate. In common use as a version of the Bible, Forming the

common or usual version of a literary work. The old Italic Version of the
Bible, preceding that of St. Jerome. The Latin Version of the Bible made
by St, Jerome The shorter Oxford English Dictionary.
62
was edited by Rao Bahadur Kandukuri Veeresa-
lingam Pantulu and Rayadurgam Narasayya Sas-
try. This reached us late. Already described.
35. * Edition published about 1851 by Aluri Ekamra

Josyulu. Photograph copy obtained from the India
Office Library. There are a few printing mistakes
here and there. Some latitude is taken in the use
of the Sakata repha. Already described.
36. Karalapati Rangayya Edition. Published in 1852.

Greater Scholarly attention seems to have been
bestowed, on this edition than in the case of the
Josyulu edition. Karalapati Rangayya was a Uni-
versity Teacher himself. Already described.
37. 3- We have taken the foot notes of the Vavilla Edition

into account in constituting the text. Vavilla
scholars may have accepted a different reading for
their constituted text. Still they exhibit the read-
ings which they collected in the foot-notes. We

sometimes accepted these readings for the Critical
Text. Hence we gave a separate symbol for the
readings of foot-notes.
38. * This is the Ananda edition. This edition is pre-

ferred by some as it comes nearer to the principles
of a Critical Edition. It is not freely available of
late. The Mahabharata and some other classics
"
are published under the general caption Anan-
dasrama Grandha Ratnamala." The proprietors
of this series were Vemuri Venkata Krishnama
Chetty A. Kannan Chetty and Co.
;
and finally1
Rama & Co. Eluru. The problem of Ananda
Edition was already discussed.
39. *! This represents Ananda foot-notes. As in the case

of the foot-notes of the Vavilla edition, we gave a
1. Our publishers are not consistent in indicating the year of publication

of any edition. If they took care to do this they will be doing a service to the
cause of higher literary criticism. Without the year of printing we are unable
For instance Rama and Co., published
to trace the history of these editions,
Santi Parva in 1946 but they do not give any year of the volume containing
Bhishma and Drona Parvas.
63
symbol to the foot-notes of the Ananda edition.
We www.teluguthesis.invisioni.com
took these readings sometimes for the constituted
text.
TESTIMONIA AND AIDS
We stated already that we took into account the readings

taken from various subsidiary sources. They are noticed below :-
Works on Prosody :
w^' This work was written by Ap-

1. Appakaviyamu :
in 1656 A.D. This is an oft quoted work and subject of
pakavi
much controversy. - ppakavi started to write a commentary
on the grammar An hra Sabda Gintamani in Telugu verse
and prose. He made t mainly an authoritative work on Telugu
prosody. In illustrating the points of prosody Appakavi quotes
often from Mahabharata.
2. M;$ *- Ananda Rangarat Chandamu : Published by Va-

villa in 1922. Kasturi Ranga Kavi (A.D. 1750) is the Author.
He dedicated his work to Ananda Rangam Pillay who was
Dubasi to Dupliex, the French statesman. Ranga Kavi men-
tions many personalities who
are contemporaries to Dupliex.
He recounts the names of several writers on Lakshanikas whose
works he consulted. Some of these writers and b^ ks are mere
names Ranga Kavi gives quotations from
to us. ahabharata.
He did not mention Appakavi though he preceded m by more
than half a century. Or he confuses him with t e author of
Andhra Prayoga Ratnakara. This book is ascribed to Gana-
pavarapu Venkatakavi. Ranga Kavi wrote also the Samba
Nighantuvu,
3. * Kavi Sanjwani : Published by Vavilla in 1930.

The Author is Muddaxaju Ramanna
Ramabhadra son of alias
Ganapayamatya. The brother of Ramabhadra is Pedarama.

He wrote a commentary on Raghava Pandaviya of Pingali
Surana. Kavi Samjivani contains quotations from ancient
works chiefly Mahabharata. It is in 3 Chapters or Tarangas.
The writer may be assigned to the end of the 16th Century.
4. *
Sarva Lakshana Sara Sangrahamu : This is written>
by the well known poet, Kuchimanchi Timmakavi. He flouri-

shed in the first half of the 18th century. He may have lived
64
upto 1760. He belongs to the Villages of Kandarada and
Chandrampalem near Pithapur in thewww.teluguthesis.invisioni.com
East Godavari District.
Timmakavi was a profuse writer. Rasika Jana Manobhiram-
amu, Nilasundari Parinayamu, Acha Telugu Ramayanarnu
are prominent among his works. Sarva Lakshanasara Sangra-
hamu is a manual on grammar, prosody etc. This is published
by N. Chalapathi Rao, at the Manjuvani Press, Eluru in 1927.
Timma Kavi quotes from Mahabharata and other standard

works in support of the principles of grammar and prosody
enunciated by him. In the last chapter of his book, Timma
Kavi deals with words containing the Sadhu Repha and Sakata
Repha. A knowledge of this branch is considered very vital
for the fame of a poet. Appakavi and earlier Lakshanikas laid
a stigma on Bammera Potaraju, the immortal poet of Andhra
Bhagavata, that he mixed up Sadhu and Sakata Rephas.
Timmakavi denounces this charge and enters an enthusiastic
plea in defence of the great poetry of Potaraju.
5. ^^ -
Kavi Samsaya Vicchedamu: This is written by
Adidamu Surakavi of the 18th Century. He tried many forms
of literature among which the prabandha, Kavijana Mano-
ranjanamu is prominent. Surakavi belonged to the village
of Ramachaivdrapuram, in the Ghipurupalli Tq. of Visakha-
patnam District. He lived between 1720-1785. It is said
that Veeresalingam Pantulu collected the works of Surakavi
and published them in 1899. Kavisamaya Vicchedamu is pub-
shed by Vavilla and Paravastu more than once. We
used the 1955
Edition of Vavilla. It deals with special points of Grammar
and usage and illustrates the prayogas by quotations from
Mahabharata and other works. Surakavi devotes some space
to deal with words having the Sadhu and Sakata Rephas. By
far the best part of the work is considered to be the portion
dealing with Tadbhava words of Telugu.
6. ^w Andhra Prayoga Rainakaramu, This appears to be part

of the larger work Sarva Lakshana Siromani by Ganapavarapu
Venkata Kavi. He belongs to the court of Muddalagiri, brother
of Vijaya Ranga Ghokkanatha of madura. Venkata Kavi's date
may be A.D. 1674. Sarva Lakshana Siromani treats with the
necessary aspects of poetry like grammar, prosody and dictionary.
Prayoga Ratnakaramu deals with the prosodial aspects The gram- ,
65
391 F
mar part of this omnibus treatise appears to have been pub-
lished as Andhra Kaumudi. The prosody part is not published.
"
This noticed in
"
is A
Descriptive Catalogue of Telugu
Manuscripts in the Saraswati Mahal Library, Tanjore as
695-696 at pages 290-291, Copies of the Telugu Manus-
cripts of the Tanjore Library are preserved in the Andhra Uni-
versity. We
are obliged to Dr. M. V. Satyanarayana for taking
pains to collect Mahabharat quotations from 6 of these manu-
scripts (1) Andhra Prayoga Ratnakaramu (2) Chandamu(3)
Sarva Lakshana Saramu (4) Sarasandhara Vritha Ratna-
karamu (5) Veerabhupaleeyamu (6) Lakshana Dipika. The
last three are from the Government Oriental Manuscripts Lib-
rary, Madras*
Venkata Kavi claims to have drawn illustrations from

older Iâkshanikas and added his own contribution.
7. -9 This unpublished work of prosody of un-

Chandamu:
known authorship noticed in the Tanjore Catalogue as 705-712
is
at page 295. It is a compilation of illustrative verses from se-

veral works including Mahabharata. The author lays down
canons and illustrates them from the usage of famous poets.
8. >**
Sarva Lakshana Saramu: An unpublished work
of prosody noticed in the Tanjore Catalogue as No. 714 at
page 297. The name of the author is Rangaya. His time is
not known. Several of these writers on prosody expatiate much
^
on the mystic significance of syllables, the good and evil effects

that flow from the use of a particular syllable in a
given position
in the verse. The author of this work devotes some attention
to the words containing Sadhu and Sakata
Rephas.
9. ^cr. This unpublished paper manus-

Virabhupdiyamu:
cript is
lodged in the Government Oriental Manuscripts Lib-
rary, Madras bearing No. 1319, (Vide Descriptive Catalogue of
Telugu Manuscripts Volume V
Grammar, Prosody, Lexico-
graphy. )^Virabhupaliyamu is like Appakaviyamu and sets about
to explain the Andhra Sabda Cintamani. It is dedicated to
Kaluve Viraraju, the general of Mysore. Viraraju is the author
of Yachana Bharatam, Virabhupaiiyamu contains some
quo-
tations from Mahabharata.
10. ^Sarasandhara Vritta Ratnakaramu: This unpublished

paper ^manuscript is lodged in Government Oriental Manus-
cripts Library, Madras, bearing No. 1320. (Vide Descriptive
6S
Catalogue). The author
is Vellaturi Lingana, sou Vengana
matya. He was
a devotee of www.teluguthesis.invisioni.com
God Nrisirnha Swamy of Mal-
yadri. Malyadri is Malekonda in the Kandukur Tal T k of
Nellore District. Therefore it is sometimes called M* -adri
Chandamu. The book deals with Vrittas, Yati and rasa.
It has 5 Aswasas but the last one is incomplete. There s also
a palm-leaf manuscript of this book which may have been the
original for the paper manuscript.
1 1 .
tf w- aksfr na Deepika : This unpublished paper ma-
nuscript is
ged lo n the Government Oriental
Manuscripts
Library,
v Ma
as, earing No. 1329 (Vide Descriptive
Catalogue) noug the name of the author is not mentioned
.
in he book it is surmised that the au hor is Vartakavi Ra hu-

nat ayya. The writer gives a long st of the subjects ealt
;
wit in it. Grammar, prosody, and r etorics also find a ^ ace

in and make it comprehensive. uch space is devotv to
the emergence of speech sounds, their benevolent and evil qua-
lities etc. It refers to dramatic technique also briefly. Repha
and Sakata Repha are coasidered. There are quotations from
works like Mahabharata.
There is another work noticed in the Descriptive Catalogue

of books in the Government Ori ntal "
Manuscripts Library,
Madras, bearing No. 1254. It is sa to be a paper manuscript.
The book has a long title- Repha- kara-vat-chabda-jnapaka-
Lokopakara-kamu, a book that seminates knowledge of
words having the Sadhu and Sakata Rephas in Telugu, The
author's name is not known. This gives verses from Maha-
bharata and other classics to illustrate the use of the two kinds
of Rephas, We
could not secure tliis book.
12. ** This book was printed

Sakata-Repha-Nirnayamu :
long ago in Manjuvani Press,
t e Eluru. The author is Bharatam
Lakshmipat who is also the writer of the Bharata Kulamkasha
Vyakhya. n trying to cite examples of words with the two
kinds of Rephas in Telugu,, Lakshmipati quotes the verses
of Mahabharata profusely.
"
13. Dwirepha Varna Darpanamu: As the name indi-

' '
cates, the ook deals with the tw fold use of the r sound in
Telugu, he author is Ogirala anganatha Kavi (1st half of
19th Century)- The book is e ted and printed in 1903 by
that famous critic Poondla Rama rishnayya. Rangnatha Kavi
belongs to the Village of Nilapalli in the East Godavari District,
67
Like many other writers before him, Ranganatha attaches
great importance www.teluguthesis.invisioni.com
to the incidence of the Repha in words and
usage from various classical writers. Some
tries to illustrate its
confusion arises out of the use of the same symbol letter for diffe-
"
rent works Bha " is used for Bharatha, Bhagavatha and Bha-
skara Ramayana, Apart from this, like experts in any other field
the writers on this subject of Sadhu and Sakata Rephas in Telugu
do not agree among themselves as to its occurance in a particular
word. So that the same verse is quoted by one for Sadhu Repha
whereas another quotes it for Sakata Repha. Thus confusion
is created in the mind of the learner and reader,
TaUapaka Peda Tirumalacharya son of the saint singer

Annamacharya also dealt with this subject of Rephas. He too
gives words and phrases from Mahabharata containing the two
' *
kinds of r sounds. But we could not make use of this book
as full verses are not quoted.
COMMENTARIES
14, v*r- BhamtaKulamkasha; by Bharatam Lakshmipati

is already noticed.
15* v3-
BharataSanjiuani: by Daridigunta Suryanara-
yana Sastry and Chadaluvada Sundarararna Sastry has already
been noticed.
GRAMMARS
16. *$ Ahobala Panditiyamu; This is also known as

Kavisirobhushanamu. Latest publication of the Book is by
the Andhra Writers' Association, Hyderabad in 1965. Ahobala
Pandita flourished in the last quarter of the 17th Century.
Kavisirobhushanamu is a Sanskrit Commentary on Andhra
Sabda Cintamani which is itself in Sanskrit. The Atharvana
Karikavali is also commented by Ahobala in the course of Cin-
tamani. He belongs to the school that considers
Nannaya,
the first poet as the primary standard for
poets in the matter of
Prayoga. Even poets like Tikkana Somayaji rank next to
^
Nanmaya in purity of expression. He quotes often from Nannaya

and occasionally from other standard poets.
17. & GuptarthaPmkasika: It is a learned

commentary
on the Balavyakarana written by Kalluri Venkatrama Sastry
(18574928) Pundit, Arts College, Rajahmundry. The place
63
of honour occupied by Andhra Sabda Cintamani in the classical
period is occupied in the modern
period by Bala Vyakarana,
written, by Paravastu Ghinnaya Suri. There is more than one
good commentary on Bala Vyakarana but none that can excel
Guptartha Prakasika. Venkatarama Sastry is a well" known
Scholar of Sanskrit and Telugu. He enjoyed the title Maho-
padhyaya," He did a disservice to his great exposition of Bala-
vyakarana by questioning the originality of Ghinnaya Suri in
composing Balavyakarana. Venkatrama Sastry contended that
Balavyakarana is a translation or imitation of Hari Karikavali
of Sistu Krishna Murthy Sastry. No other scholar of repute
endorsed this view. The Guptartha Prakasika quotes from
Mahabharata. These readings must have been mostly taken
from prevailing printed Editions. This commentary was .pub-
lished earlier than 1908.
18. {*** Proudha Vyakaranamu : It is a Grammar written
by the author of Sabda Ratnakara, B. Seetharamacharyulu

(1827-91). In the course of his vast analysis of classics for the
compilation of the dictionary, the author noted numerous
Prayo'gas by poets which he pressed into service in Proudha
Vyakarana. This stands to Balavyakarana in the relation of
a Sesha Grandha as Atharvana Karikavali was to Andhra
Sabda Giatamani. As Ghinnaya Suri covered the vast field
of usage in Telugu, Seetharamacharyulu had to confine himself
to visesha or special prayogas. The felicity which Suri enjoyed
in the chiselling of his Sutras could not be attained by Ms suc-
cessor. However, Proudha Vyakarana is a substantial grammar,
enjoying high reputation. It merited one or two good com-
mentaries.
19. **
Andhra Bhashanu Sasanamu : A grammar written by
latcMalladi Suryanarayana Sastry, Sanskrit and Telugu Puadit,
Andhra University. Sri Sastry wrote many works and is a
well known grammarian. His distinctive service to Telugu
"
grammar is the adoption of the ancient saying that all gram-
"
mar is based on the Prayogas of poets. Earlier grammarians
like Ghinnaya Suri were very conservative in their approach to
the language of poets. He would particularly accept as standard
the Prayogas of the three poets of Mahabharata. Others are
treated as moderners, who can stand in the second rank only.
Suryaaarayana Sastry broke this ring and admitted all

good poets, ancient or mediaeval for purposes of his grammar
and helped to liberalise the field of Prayoga, This helped to
69
extend the arena of poets in matters of acceptable usage. An-
dhra Bhashanu Sasanamu is a deservedly popular grammar.
20. So -
Andhra Vyakarana Samhita Sarvaswamu : an
It is
encyclopaedic work on Telugu Grammar

writte by V. China
Sitarama Swamy Sastry, former Pundit, And *ra University.
Sastry is a massive writer on grammatical
sub ects. There is
an unresolved controversy about Nannaya be ng the author
of Andhra Sabda Cintarnani. Sitarama Swamy Sastry is a
firm believer in Nannaya's authorship of Cintamani. He
wrote a number of standard works on Telugu Grammar. Vai-
yakarana Parijatamu, Cintamani Vishaya Parisodhanamu
Sastry comments on Sabda
'
are prominent wo s in the field.

tries to
Gintamani, Kari *vali, Balavyakarana in one batch,
bring out their di erent approaches and reconcile them finally.
In the course of t e commentary Sastry quotes profusely from
Mahabharata. He states that he consulted the palm-leaf
manuscripts also where doubt arose.
ir*
Bala Kan Saranjamu : This is a critic al exaniina-
21.
tion of the views of Pundits on existing grammar and Grandhika
Bhasha (standard correct speech). The author, Rao Saheb
G. Ramamurthy Pantulu is a powerful crusader in the cause
of a liberal approach to usage, Prayoga. This movement is
called the Vyavaharika Bhasha Vadarnu. Ramamurthy Pan-
tulu contends that risi g young writers are scared away by the
regulations and inhibit ons of conservative scholars. The genius
of writers must be free from meaningless subservience to a rigid
grammar. Language s changing through centuries and poets
have been following t e changed beauties of language. It is
'
only the so called grammarians that are trying to withstand

this mighty current of spoken language and are swept away.
They are also subject to the force of current speech without

recognising it.
The very name Bala Kavi Saranyamu

* '
its pur-indicates
pose. Ramamurthy Pantulu sets forth the great wealth of
liberal usage of language by Telugu poets. He examines nume-
rous Prayogas and sets the pace for drawing sustenance from the
vast current of contemporary speech.
DICTIONARIES
We laid under contribution three important dictionaries

for collecting quotations of Mahabharata. In the order of
chronology they are ;
70
3
22. Browns Telugu English Dictionary:
ijf*'
First published
in 1853. Reprinted by The A.P. Sahitya Akademy in 1966.
We already set forth Brown's activity with Andhra Maha-
bharata. Curiously enough the chronogoly of Telugu poets
was not well known in the time of Brown. For he states that
Telugu Bharatam was composed about 1120. Now we know
definitely that the date of Nannaya goes back by one century
A.D. 1020. Brown indicates Bharata by the letter, 'M
J
i.e. .
Parva, Aswasa and Verse are indicated by numbers. _ There

is
difficulty in identifying his references in the modern printed
texts. According to his own statement. Brown was the first to
reduce Mahabharata to numerical order. The text must have
undergone additions and subtractions. To give one
'Wâfr^Q'
example. The compound word is
explained to
mean Pell mell. In a rout. Backwards and for-
wards. Then Brown cites a verse of Mahabharata. M. 4.
3. 157. It means Virata Parva Aswasa 3, Verse 157. Today
we find this expression in 4-3-165. We close with an inter-
1
esting statement made by Brown regarding his acquisition
of knowledge of Telugu Language.
* tf Sabdaratnakaramu First
23. printed 1885 by the Madras
School Book and Literature Society. It is a Telugu-Telugu
Dictionary, compiled by the famous scholar Bahujanapalli

Sitaramacharyulu Garu. Undoubtedly it is the cream of Telugu
dictionaries so far published. All succeeding lexicons are
deeply indebted to Sabda Ratnakara. He states that he work-
ed for 25 years at the dictionary. Sitaramacharyulu quotes"
amply from Mahabharata. His readings are generally well
tested. Ratnakaramu gives only Parva and Aswasa. It does
not give the verse number and leaves something to be desired,
&r. This is an extensive

24. Suryaraya Andhra Mghantuvu :
dictionary in about 8 Volumes (7 only are so far published)
compiled under the auspices of the Andhra Sahitya Parishat,
Kakinada, since 1936. Jayanti Ramayya Pantulu, architect
1. I was taught Telugu alphabet in. 1817. In 1822 I talked it with

ease. In 1824 I began to study Telugu poetry. In 1824 I began writing
Telugu English Dictionary and continued it with little intermission for
more than 10 years.
(
In 1832 I began to reverse my Telugu-English Dictionary forming
an English Telugu Dictionary. This \vas completed on 21st July 1832.
(A descriptivejCatalogue of Telugu Manuscripts ia the Government Oriental
Manuscripts Library Madras. Volume V. Page 1713.)
,
71
of the Parishat, edited Volumes I & II of the dictionary. The
whole scheme was patronised bywww.teluguthesis.invisioni.com
the Maharajah of Pithapuram,
Suryaraya Nighantuvu is an. improvement in some respects

on Sabda Ratnakara in that it gives cognates to Telugu words
from Tamil and Kannada. Examples from Mahabharata and
other standard works are given in abundance- Ramayya
Pantulu claims that illustrations are drawn not only from printed
works but also from current usage and from ancient Inscriptions.
This dictionary gives Parva, Aswasa and verse number also
and makes reference easy.
ANTHOLOGIES
^
25. fe -
Sakalaniti Sammatamu :
byMadiki Singana.
This poet wrote Padmapurana also. The date of
this as given by the poet is Saka 1342 or A.D. 1420,
Kayya
Sakalaniti Sammatamu was
edited by Manavalli Ramakrishna
Kavi under his " Forgotten Poets Series No. "
and was pub- X
lished by the Andhra Patrika Works in 1923. Madiki
Printing
Singana collected verses on Rajaniti from various poets and works
like Mahabharata and compiled them into the
present work.
Sakalaniti Sammatamu to us rare and old works.
presents many
Some of them are lost for ever. Ramakrishna Kavi wrote
a valuable introduction to Niti Sammatamu.
^ Singana
draws his political maxims from various sources Kaman-
like
dakamu, Nitisaramu, Panchatantri, Mudramatyamu, Maha-
bharatamu, Baddena Niti etc. The Mahabharata verses are
often from Sabha Parva and Santi Parva
where principles of
state-craft come for treatment.
up
26. **$ Bharata PhakkiAkandi

Vyasamurty Sastry.
This is
already described.
SABHA PARVA /
appamus of the Sabha Par * described
* 0. U. No
1. .
Same as No. 5 described at Adi Parva.
babha Parva is
complete in two Aswasas, ex-
tending over leaves 162-201.
Sabha p
-
7 described ^ Adi
Parva is
complete in two As-
wasas extending over leaves
236-'310.
72
3. 9- -~O. U. No. 8. Contains Aswamedha, Asramavasa,
Mousala, Maha
Prasthana, Swargarohana, Sa-
uptika and Sabha Parvas. Complete. The
Sabha Parva cernes at the end of the manuscript
and extends over leaves 161-206. Condition
good. Size 17#'Xl.3". Leaves 206. The
owner of the manuscript must have got the
Parvas copied according to the order of his need*
4. *, _O. U. No. 33. Contains Sabha Parva Complete.

Leaves 42. There is a noting regarding date.
Virodhij Bhadrapada Bahula Chaturdasi. Week
day is not mentioned.
5, *. _Q. U. No. 127. Sabha Parva complete. Con-

dition good.
Leaves 26. Andhra Sahitya Parishat-Kakinada.
5, *. o. "U. No. 156. Sabha Parva complete. Condi-

tion very good. Leaves 42. Presented by Sa-
jra Ramaiah to Andhra Sahitya Parishat-Kaki-
7. > O. U. No. 161. Contains Sabha, Sauptika, Kama

and Salya Parvas, Complete. Condition good.
Sabha Parva extends over leaves 213-262,
Andhra Sahitya Parishat-Kakinada.
8. 6- O. U. No. 162, Sabha Paiva Corriplete. Con-

dition good. Slightly damaged by worms.
Size 17"xl.4", Leaves 44. Andhra Sahitya
Parishat-Kakinada,
9. *- O. U. No. Sabha Parva complete. Con-

163.
dition very good. Size 14^x1.2". Leaves
78. Date Rakshasa, Adhika Ashadha, Bahula,
Saptami, Friday,, July 6th, 1855. Scribe is
Vyaghri, Secoad son of Joimalagadda Vyasulu.
Andhra Sahitya Parishat-Kakinada.
10. e>.
_Q. U. No,
x/
Sabha Parva. Complete, Size
167.
17 x Leaves 63, Badly damaged. If care-
1 .3''
fiilly handled it can be made use of. Tottiyam

Sitaramaiah presented to Andhra Sahitya Pari-
shat-Kakiaaca,
73
11. *" O. U. No, 171. Sabha Parva. Incomplete.

Condition good. Leaves 4-2. Available from the
beginning upto Verse 181 in Aswasa 2.
Andhra Sahitya Parishat Kakiaada.
12. E-. Q. U. No. Sabha Parva. Complete. Con-

172.
dition good. Leaves 59. Scribe Sambasivudu
copied Sabha Parva complete for Seshayya son
of Gudimetta Timmaraju by Sunday, Marga-
sira Suddha Saptarni in the cyclic year Raudri.
This corresponds to November 23, 1800. Ac-
quired at the Village Gummaditurra, Nandi-
gama Tq. Andhra Sahitya Parishat-Kakinada.
13. .*. _o, U. No. 204. Sabha Parva.
Complete-
Leaves 90. Condition good. At the end of
the 1st Aswasa it is noted copied by Purnirna,
Kartika Suddha, year Siddharthi. At the end
of the Second Aswasa it is noted " Akula Ranga-
aayakulu copied this by Saturday, Dasami,
Margasira Suddha, in the year Siddharthi 10th,
November 1610 Gautami Grandhalayamu.
"
Rajahmundry.
H. .
_o. U. No. 205. Contains Sabha and Aranya
Parvas. Complete. Condition good. Leaves
264. Sabha Parva extends over leaves 1-53.
Loan from Gautami Grandhalay a-Raj ahmundry .
Scribe has given full details of the period taken

for copying Sabha and Aranya Parvas. Dataru
Narasinga Rao copied for personal use the first
Aswasa of Sabha Parva beginning on. Friday,
Dasami, Ashadha Bahula, Cyclic year Plavanga
and completing at 8 P.M. (two ghadiyas) on
Friday, Tritiya (3) Sravana Suddha, in the
year Plavanga. At the end of the second
Aswasa of Sabha Parva he again notes " Having
begun on Friday, Ashadha Bahula Dasami in
the year Plavanga, Dataru
Narasingarayudu
copied both .the Aswasas of Sabha Parva by
midday on Wednesday, Bhadrapada Bahula
Panchami (presumably in the same year). 33
This works out to 29th
September 1847. From
the above statement we can make out an in-
teresting point. The scribe could copy first
74
Aswasa consisting of 295 poetry and prose pieces
in about 9 days www.teluguthesis.invisioni.com
which gives an average of 33
verses for a day. We
may infer that a scribe
writing at ease could copy 30-40 verses in. a
day. The scribe Dataru Narasinga Rao ap-
pears to be a man of culture. He copied
Mahabharata for himself. aIt also shows
disinterested attachment to the Telugu Bharata.
Rarely do people get Aranya Parva copied, as a
sort of odium attaches to it as an inauspicious
Parva. That is why we come across with very
few palm-leaf manuscripts of Aranya Parva;
Narasinga Rayudu took pains to copy for him-
self this long and sometimes tedious Parva.
The scribe states that he copied these Parvas
from the exemplars of Mangipudi Suryanara-
yamidu and Tumarada Ankanna.
15. * O. U. No. 207. Sabha Parva. Con-

Complete.
dition good. Date Narasanna, son of Kakula-
pati Peda Viranna copied Sabha Parva Aswasa
as per exemplar, by midday on Saturday,
I
Phalguna Suddha Tritiya (3) in the year Jaya.

This works out to 4th March 1775, At the
end of the Second Aswasa he again notes Fri-
day, Jyeshtha Suddha Panchmi, in the year
Manmatha. Gautami Grandhalayanmu Raja-
hmundry.
16. # O. U. No, 908/S. Manuscript belongs to Osmania
University Sanskrit Academy. Sabha Parva
complete. Condition good. Leaves 72.
"
The which says As the ex-
scribe adds a sloka
emplar so is my copy. Right or wrong, it
is no fault of mine.'* Gannamaraju Kommaji
copied Sabha Parva by Thursday, Chaitra
Bahula Saptami, in the year DurmukhL It
corresponds to April 11, 1776 A.D.
17. 3. _O. U. No. 532/S. (Same as serial No, 24 Adi

Parva). Manuscript belongs to Sanskrit Aca-
demy, Osmania University, Adi, Sabha and
Aranya Parvas complete, Condition good.
Size 18'xlJ". Leaves 302, Sabha Parva ex-
tends over leaves 129-159, Palavayi Challayya
copied this for Lakshmi Narsu, younger brother
75
of Gajam Acchanna, by the after noon of
Friday,
Bhadrapada Bahula Trayodasi, in the year
Sobhakrit. This is taken for 1782 A.D.
18. # T. M. Sabha Parva. Complete Manuscript

40.
lodged in the T.M.S.S.M.
Library, Tanjore.
Condition good. Size 15"xl3f", Leaves 54.
Grandhas 1000.
JO. Here we may add
a few words about collation.
A large part of done in the University. In
it is
cases where
manuscripts are not lent outside, we
sent out our workers. We generally select two
manuscripts for external collation. Tanjore manus-
cripts for Adi Parva were not separately col-
lated as we had the
readings collected
by Rao
banebGiduguRamamurthyPantulu from Tanjore.
*or other Parvas Tanjore Manuscripts
readings are secured.
19. TM. 37. Sabha Parva complete. Condition

d< 86 18"
xl i" Leaves 74. Grandhas
?m
1000. S
Manuscript lodged in the T.M.S.S.M.
Library, Tanjore.
Rao T ûgu New

JWM,
ew
S
v
Prabhakar eddy
Ilege
>
collated
Hydera
the selected
palm-
M Lecturer,
and Sri T.
tT
dd
at
C P'^ f all Pa
,
rvas except Adi Purva
* r eC to
20. ^-No 74843 Sabha, Virata and Udyoga Parv
^
'
Udyoga Parvas complete. Condition

dgedintieAd ^ Li
r
r^T rpParV
Parva CXtends
tend
a Ma
over lcava-li
r "
There^ .re?
*-
ctrC LvVÔ
J.XC'J. !-
nOrinrrc "**>** ^4" i -vv
21- -No- 43. Andhra Universitv

Y ' S a KK
bha D
Parva c om-
plete. Verv nW
*w#^53&= 76
fullfrom exemplar by Wednesday, Ashadlia
Suddha Panchmi in t e year Manmadha, This
corresponds to 3rd uly 1527 ? Collated by
Pundit K. Jogayya arma.
22. * No. 7/1H1/N1 -6. Andhra Univenr<y. Sab a

Parva. Gonip etc. Condition old. I jured Si e
45x11 Cm. eaves 78. Grandhas 657. W-
ting good. ate etc. Scribe Remel Gonayya
copied Sabha Parva complete by Sun ay, Bhad-
rapada Bahula Daarni, in the year arabhava.
This corresponds to 4th August 14 ? Col-
lated by Pundit K. Jogayya Sarma.
*
23. No. 75066. Adyar Library. Sabha and Aranya
Parvas complete. Condition fair. Leaves 264.
Sabha Parva extends over leaves 1-43. There
are two entries regarding date, Scribe Mana-
velli Kantayya wrote (this copy) L by Wednes-
day, Visakha Bahula Panchami in the year

Akshaya May 7, 180 (2) by Sunday (Ravi-
.
varmu) Aswayuja. uddha Ashtami (8) in

'
the year Akshaya, ollated at Adyar by Sri

K. Suryanarayana.
24. * Brown's paper Manuscripts.

25. *
other readings in Brown's Manuscripts.
26. "^ Vavilla Edition the Vulgate.
&
27. Veeresalingana Edition 1901.
28. * London Edition.
29. & Karalapati Rangayya Edition 1852.

30. 3 Foot notes of Vavilla Edition.
31. * Ananda Edition.
32. * Foot notes of Ananda Edition.

a
33. *&* Kavisiro-bhushanamu also known as Ahobala

Pandityamu.
34. tfo Same as Chandamu at Adi Parva,
35. **v Sarvalakshana Saramu same as at Adi Parva.
. Nos. 26 to 32 are printed Editions. They are the

same as described in connection with Adi Parva.
Nos. 33-35 also are already described at Adi
Parva under Testimoiiia.
77
COMMITTEES www.teluguthesis.invisioni.com
One of the interesting features of the Mahabharat Project

is that editing is done by committees of Scholars and not by
individual effort. It has both advantages and some disadvan-
tages. Individual editors in charge of one or more Parvas

may accelerate the pace of work. A
team of Editors brings a
larger pool of experience and thought to bear upon editorial
work. There is healthy discussion and common agreement.
This may occasion some delay but the gain is distinctive. So
far we edited the Adi 3 Sabha and Aranya, Parvas. Work
on Virata Parva is in progress. The following scholars partici-
pated in the editing for longer or shorter periods.
1. Prof. K, Lakshmi Ranjanam

2. Prof. D. Venkatavadhani
3. Prof. N. Venkat Rao

4. Prof. B. Lakshmi Narayan Rao
5. Dr. P. Durgaiah
6. Dr. B. Rarnaraju
7. Dr. P. Madhava Sarma

8. Dr. M. Kulasekhara Rao
9. Sri Ax Rajeswara Sarma
10. Dr. K. Ramakoti Sastry
Recently Sri C. Rangacharyulu, Dr. B. V. Kutumba Rao

and Dr. K. Suprasanna are drafted into work.
The _ roject has the benefit of the association of some of

our ripe sc olars as advisers. They are Sri R. Anantha Krishna
Sarma Sr Vernparala Suryanarayana
5 Sastry and Sri Deepala
Pichaiah astry. Afte opinions were received from scholars
on the pecimen edite portion, the larger editorial board with
extern advisers met x some days and laid down guide lines
for flirt er editing. T e three Parvas so far edited were revised
in the ght of the suggestions of scholars.
The executive part of the project is

simple, There is an
Executive Officer who implements the decisions of the Editorial
Board. Financial matters are submitted to the Vice-Chancellor
78
for his approval. The steering Committee of the project enjoyed
the benefit of the advice of Dr.www.teluguthesis.invisioni.com
B. Gopala Reddy, President,
Andhra Pradesh Sahitya Academy. Sri N. Narotham Reddy,
M, P. and Sri D. Ramanuja Rao, Secretary, A.P. Sahitya Aca-
demy have evinced active interest in the project. The former
co-ordinating Officer of the U.G.G. Unit Sri D. Hanmanta
Rao was a watchful custodian of the affairs of the project. Sri
B.Lakshmi Narayan Rao, N. Venkat Rao 3
Dr. B. Ramaraju &
K.LakshmiRanjanam worked as Executive Officers in succession.
The Critical Edition is

printed in the Osmania University
Printing Press. Though the press has no background of sub-
stantial printing in Telugu, it rose to the occasion and maintained
sufficient *peed in the work. The Director and his staff deserve
congratulations. It appears that there is considerable room for
improving the quality of printing and get up, Proof reading
can be more meticulous.
Among the office staff Sri N. S. Sunderesv/ara Rao, Pundit

has continuously worked in the project. He helped me much
in looking up the necessary references for writing the preface.
He is generally well posted with information about manuscript
libraries, rare publications etc,
CONCLUSION
From August 1959 when the Critical Edition was first

mooted, to July 1968 when the first volume consisting of Adi
and Sabha Parvas is ready for release, it is nine years. The
Osmania University which has sponsored it, the Governments
who have provided the financial sinews may feel that the progress
is slow. The weighty nature of the work partly justifies it.
Rishis have defined the very name of Mahabharata as the
work which is vast and one which is very heavy (Jfctf*wjjS"
Tp^tfaf-w^cfy jfccS^tftfjfo-tfgft),needs utmost caution to pro-

It
ceed in a field already heavily miaed with the attention of former
gains in scholarship. At least half of the 9 years that elapsed
was spent in expectation of finance. Then there was the difficul-
ty to collect a tolerable library of palm-leaf manuscripts
and
older printed editions. Collation of a vast text like Andhra
Mahabharat with 21013 (nearly a lakh of lines) verses and
prose passages needed a few years,
There are no full time editorial committees working on the
oroject. Teachers of the University do the editing in their

leisure hours. The project was originally conceived to provide
79
opportunity for the teachers aad students of the Telugu Depart-

ment of the Osinania University to do a big thing by team work.
Allowance has to be made for human frailties, the discount
between ideals and execution, Altogether the result is not
discouraging. The path for future work is well laid out, It
needs a greater number of st ady workers, working round the
year. We are told that the B andarkar Institute is engaged on
the Critical Edition of Sans it Mahabharata for nearly 40
years. Telugu ahabharata s not so vast and its problems are
not so varied. ence a team of steady workers may successfully
complete the ritical Edition in three-to-five years hence.
May the wsemen of Telugu Country witness in the Critical

Edition of Andhra Mahabharata, a fitting monument for the
great poets Nannaya, Tikkana and Yerrapragada.
Hyderabad 1.
6-6-1968. KHANDAVALLI LAKSHMI RANJANAM
80'
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PROF, K. LAKSHMI RANJANAM (Chairman]

RALLAPALLI ANANTAKRISHNA SARMA

Published with the financial assistance of the Govt. of India and

Prof* *IL Latshmi Ranjanam. Dn B. Rama Raju*

Printed at the, Osmania University Press

Benedictory Sloka of Nannaya Bhattu written in the

Foreword Dr. D> S. Reddi, Vice-Chancellor

Upodghatamu Prof. D. Venkatavadhani , .

Vishayasuchika of the Text . . . . . .

Text of Andhra Mahabharata . . . .

Firsdine Index of the Text . . . . . .

Appendix I. Printed editions . . . .

Appendix II. List of Donors of palrnleaf manu-

written in the hand of

The Mahabharata is one of the greatest epics of the world,

being the first work of literature in Telugu and a masterpiece

take this opportunity to thank the Government of India

and the Andhra Pradesh Government for having provided funds

ANDHRAS AND MAHABHARATA

1 1-1-24 represents Adi Parva, 1st Aswasa, Verse 24.

by Panini in his sutra -sr**& 4-3_98 Worship

The story of Mahabharata became so much an integral

harata without Kama, Mana Duryodhana

Saindhava;" An Evil genius like Sakuni. Do I not know

desire to hear the story of Mahabbarata an intense love for

the worship of Siva, lord of Parvat the desire for unceasing

charity and a neverfailing desire for t e company of the wise and

MAHABHARATA THE FIFTH VEDA

That is the ostensible and personal reason. The better

study of the epic.

Tikkana Somayaji, the great successor of Nannaya Bhattu

TELUGU BHARATAM THE FOUNTAIN HEAD OF TELUGU LANGUAGE

More and immediate reasons sustain the respect

Taking these factors one by one, we will add a few remarks.

It is our highest poetry in the sense that two master minds

SOURCE OF CLASSICAL GRAMMAR

SOURCE OF TELUGU PROSODY

Similarly Telugu Bharatham is the main source for a study

The use of the Akhanda-vadi or Yati in the Caesura system

Nannaya rhymed p and v sounds. This is no

Kapila.' This is not in consonance with c assical grammar

Scholars are much exercised over it. They bring to bear

2. Balavyakarana. Samjna Paricheda Sutra 23,

Chiefly they attach importance to the usage of Nannaya

Telugu pronunciation as far as the r* sound is concerned under-

There is yet another branch of our dictionaries the Accha

MAHABHARAT IN PALM - LEAF MANUSCRIPTS

Before the prevalance of printing, Mahabharata was written

The spelling of the Manuscripts leaves much to be des-

Varnakrama or Orthography presents many peculiarit es,

(pot) will be written

guttural and nasal combination. Basing itself upon this speech

There are other peculiarities in spelling in the writing of

This will rnar the prosodial requirements. Therefore a gramma-

pali Gilaka" Valapali Gilaka is a device to represent the r'

added is usually doubled in the manuscripts though rules of

scribes of manuscripts usually commit* this solecism.

There is no doubt of a historical background to it. In

grammarians formulated a Sutra which states that in Telugu

Appakavi, the self-xonscious Lakshanika comes down

PROBLEMS OF TELUGU BHARATA

If interpolation did not play a major role in the Andhra

Prof* IL Latshmi Ranjanam. Dn B. Rama Raju