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  • Amor, Amor: Marcos Bravo

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    esiooca
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    The document appears to be musical notation or a score, containing various symbols and markings. It is divided into sections with titles like "Introduction", "Voice", and "Fugue". The score uses symbols like quarter notes, eighth notes, and markings over the staff to notate melody, harmony, and other musical elements. It brings together multiple parts for one or more instruments and voices.

    Original Description:

    partitura

    Original Title

    [AMOR,AMOR]

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    The document appears to be musical notation or a score, containing various symbols and markings. It is divided into sections with titles like "Introduction", "Voice", and "Fugue". The score uses symbols like quarter notes, eighth notes, and markings over the staff to notate melody, harmony, and other musical elements. It brings together multiple parts for one or more instruments and voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views1 page

    Amor, Amor: Marcos Bravo

    Uploaded by

    esiooca
    The document appears to be musical notation or a score, containing various symbols and markings. It is divided into sections with titles like "Introduction", "Voice", and "Fugue". The score uses symbols like quarter notes, eighth notes, and markings over the staff to notate melody, harmony, and other musical elements. It brings together multiple parts for one or more instruments and voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    AMOR,AMOR

    
    Marcos Bravo


       introd.               
                     
      
    
    violín 

        1.
                              
    6 2. voz

      
      
    
                            
    13 intermedio

      
    18
                               
       
    2 cant.+ inst.+2 cant

          

     
                                  
    24

      
        fuga
                      
                
    1, 2, 3, 4.
      
    29

        
      

         
                     

          
    remate

       
    5.

    35

           

                       
       
    40 1, 2, 3. 4.

             

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