SATB, A Cappella Rachel

as performed by The Idea Of North

q = 70 Very freely, with feeling

Written and arranged by Trish Delaney-Brown
A INTRO

               
SOPRANO  
Ooh ooh ooh


ALTO           
Ooh ooh
    
TENOR     
 Ooh ooh

BASS
        

Ooh ooh

 
6
 
S.           

  
  
A.
      
ooh

     
T.     
 ooh

B.
      

  

ooh

B

  
11

S.           
Ra - chel, can you hear me call - ing?

  
A.         
Ra - chel, can you hear me call - ing?

          
T. 
 Ra - chel, can you hear me call - ing?

B.
          

Ra - chel, can you hear me call - ing?
Copyright © 2003 Trish Delaney-Brown
www.idea.com.au
2

 
16

S.        
Spring's here, are you near?

  
A.      
Spring's here, are you near?

 
T.       
 Spring's here, are you near?

B.
         

Spring's here, are you near?

 
20

S.           
My eyes fill to o - ver - flow - ing,

 
A.          
My eyes fill to o - ver - flow - ing,

 
T.          
 My eyes fill to o - ver - flow - ing,

B.
          

My eyes fill to o - ver - flow - ing,

 
25

S.            
you're gone, but life goes on. And it's

 
   
A.
    
you're gone, but life goes on.

  
T.        
 you're gone, but life goes on.

  

          
B.

you're gone, but life goes on.
 3
C
 
30

   
S.             
hard at first, and I feel im - pa - tience grow - ing, and there's

   
A.     
and there's

    
T. 


B.
    


 
34

            
S.
    
  

an - ger still, I'm wait -ing for the axe to fall. Won't you


A.                 
  

an - ger still, I'm wait -ing for the axe to fall. Won't you

T.        
 Won't you

B.
       

Won't you

 
38

  
S.             
take my hand, fill my heart and ease my hurt - ing? I am


        
A.
       
take my hand, fill my heart and ease my hurt - ing? I am

      

    
T.    
 take my hand, fill my heart and ease my hurt - ing? I am

  
B.
               
take my hand, fill my heart and ease my hurt - ing? I am
4

 
42
   

S.            
laid so low, lift me to the sky.

  


A.            


laid so low, lift me to the sky.

            
T.   


laid so low, lift me to the sky.

          
B.
    
laid so low, lift me to the sky.

D
 
47

S.           
Ra chel, can you see day dawn - ing?


       
A.
  
Ra chel, can you see day dawn - ing?

 
T.          
 Ra chel, can you see day dawn - ing?

B.
          

Ra chel, can you see day dawn - ing?

 
52

S.       
Leaves turn, hearts yearn.

  
A.     
Leaves turn, hearts yearn.

 
T.      
 Leaves turn, hearts yearn.

B.
       

Leaves turn, hearts yearn.
 5

 
56

S.            
Ra - chel, real - ly go - ing.

I must be

       
A.
   
Ra - chel, real - ly go - ing.

I must be

T.            
 Ra - chel, I real - ly must be go - ing.

B.
           

Ra - chel, I real - ly must be go - ing.

  
61

S.         
Life's gone, but you go on.

 
A.   
     
Life's gone, but you go on.

 
T.           
 Life's gone, but you go on.

   

B.
       
Life's gone, but you go on.