You are on page 1of 7

EPIZOOTICS #2 1

EPIZOOTICS! Issue 2

Edited by
Caitlin Stobie
Harrison Sullivan
Matthew Carbery
Peter Adkins

Published August 2017


https://epizooticszine.wordpress.com/

Cover Art: ‘rendered2’ by Bethan Hughes

‘Hollow Lifefield’, ‘Fathomsuns’, and ‘The Poles’ are printed courtesy of


Suhrkamp Verlag.

‘Specific Inherited Mutations’ was previously published in Eyewear.

All rights reserved. This journal is protected by copyright. The copyright


© remains with the named author. The moral right of the journal’s
contributors have been asserted. No part of this publication may be
reproduced, stored in a retrieval system or transmitted in any form
without prior permission.
Contents
6 Editorial

CREATIVE

9 ‘Strangled Ramble’ and ‘A Grave Matter’ — Ben Marsh


Allen

11 ‘Depth Gauge’, ‘OMNIS’ and ‘Zynaps’ — Bill Bulloch

14 ‘VERNIX CASEOSA’ — Bryn Tales

15 ‘The Acceleration of a Horse on a Plane’ and ‘Nests XX-


XXIII’ — Calum Hazell

20 ‘Pine Needle Poem (After David Miller, 2010)’ — Camilla


Nelson

21 ‘Three Celan Translations’ — Charles Eager

23 ‘Tantalus Beaker’, ‘The Ocean Biome : Keepsake & Egress’


and ‘The Lung : Heartbreak’ — Christopher Cokinos

29 ‘(1)’, ‘(2)’, ‘Tombstone’ and ‘What Space


Between Us’ — David Rushmer

33 ‘Examination at the Faculty


of Medicine, 1901’, ‘Blouet, 0.61x0.49m.’, ‘Medical
Inspection, 0.83x0.61m’, ‘Dog-Cart, 0.27x0.35m.’ and ‘Alone,
1896’, — Dennis Andrew S. Aguinaldo

38 ‘isle of mull, 2016’ — Dominic O’Key

39 ‘Untitled Collaboration’ — Grizel Luttman-Johnson


40 ‘Osculation’ and ‘The Sunbather’ — Heather J
Macpherson

42 ‘The Eucalyptus Tree (Amic Deck, Wits


University)’ — Kirby Manià

44 ‘Field Recordings (2016)’ — Matthew Carbery

49 ‘shoaling’ — Natalie Joelle

52 ‘Blot: A Narrative’ — Peter Adkins

60 ‘Specific Inherited Mutations’ — Rachel Gippetti

61 ‘LUCID’ — Skye McDade-Burn

69 ‘Sepia Night’, ‘Fenollosa Manuscript’ and ‘Acclaimed Ashes’


—Sneha Subramanian Kanta

72 ‘An Unsettling Effect’, ‘Expanding the


Search Area’, ‘An Expert in the Field’, ‘An Underwater Shot’,
‘Tide Tables’ — Steve Spence

78 Canalchemy #2 — Steve Hitchins

80 ‘Ten Tiny Poems (30 January 2016)’,


‘Decompression’, — Stuart Ross

83 ‘Ringwood’ — Tom Betteridge

89 ‘Erotica’ — Tom Snarsky

90 ‘The Sons Of Hell’ — William Telford


CRITICAL

95 ‘Plasticising the Biogea’ — Eline Tabak

REVIEWS

110 Roy Fisher’s Slakki: New & Neglected Poems — Oliver Webb

112 Sam Solnick’s Poetry and the


Anthropocene: Ecology, biology and technology in
contemporary British and Irish poetry — Harrison Sullivan

115 Dylan Trigg’s Topophobia: A


Phenomenology of Anxiety — Matthew Carbery

118 Ian Duhig’s The Blind Road Maker — Steve Spence

121 Biographical Notes

5
‘Three Celan Translations’ — Charles Eager

We who were Charles’s five translations now are three.

I.

Hollow lifefield. In the windcatch


the vain-
blown lung
blooms. A handful,
sleepcorn,
ways out the truth-
stammered mouth
hereout to the snow-
speakings.

II.

Fathomsuns
over the greyblack waste.
A tree-
heigh thought
grasps in the lighttone: there are
still songs to sing overleaf
of mankind.

III.

‘And I will go to bed at noon.’ — Fool, King Lear

The poles
are in us,
unovercomeable
in waking.
We sleep across, before the gate
of expience,

© Suhrkamp Verlag 2017 21


I lose you to you, that
is my snowconsolement,

say, that Jerusalem is,

say’t, as were I this,


your white,
as were you
mein,

as could we without us we be,

I leaf you over, for ever,

you pray, you to-bed


us free.

22 © Suhrkamp Verlag 2017

You might also like