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Uzori, Maro PDF
Uzori, Maro PDF
09-14:398
398.838(=163.41)
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zojanko@eunet.rs
1
;24 -4 5+-A+ 0/ .B+74 A+,-.+8 0/,120+8 34-/5/ :=;. 2,?717 I49.17 +=2/-
B/ (H$L I), ),E/;017 +=2/B/ (H$L V) + =>+,.? 34-/5/ .16? -? += F?.1;+8 ,?-
.13+-/ 3,+,42+A+ + 1>6/;+A+ FA/2/0 $42+C + O+;15+, PA/2401;+C (H$L, I).
2
>+D? + B471;+5 G?0.M+6/5/ ? 0/,120+5 34-5/5/: H1G,+C 1990; (/6./01;+C
4, 1994; */,/01;+C 1996, 691-698; */,/01;+C 2004, 69-76; */,/01;+C 2009, 19-48.
3
L12 5/7+615 -4 +0/94 312,/=?54;/: "31.?</6 2/ -4 ?31:,4>+ +=;4-0/ 51C,
3151C? 31-:?3/./ =/ .164 -4 ;4,?64 2/ +5/6? 0431-,42/0 + /?:15/:-.+ ?:+M/6 0/
1104 J K% *%!%$ F"Q
11
1;/.;15 ;+2? .15?0+./M+64: Jakobson 1966, 292.
12
P/7+6/ 0/-:o6+ 2/ 1;A/2/ 0/:3,+,120+5 ?:+M/6+5/ + 2/ 3,1+=;424 E4D401. "'
5/7+6+, /.1 -4 31-:?3/ 31 1271;/,/6?C+5 3,/;+A+5/, ,4=?A:/: C4 -4 31-:+C+: /.1 04,
102/ :1 =0/9+ 2/ -4 0+-? 31<:1;/A/ 3,13+-/0/ 3,/;+A/" (Kevendiš 1979, 17-18).
13
F4,1;/A1 -4 2/ 5/71;+ + 9/,1>B/M+ =0/6? >?2?C01-: (Kevendiš 1979, 35-36).
P/7+6-.1 =0/B4 1;4 ;,-:4 54@? HA1;40+5/ 64 3,/-:/,1 + 3,45/ 3+-/0+5 -31540+-
M+5/ 51E4 -4 3,/:+:+ 12 <4-:17 ;4./ (3,45/ H) I 1995, 482). ' -,3-.16 + 6?E01-
-A1;40-.+5 :,/2+M+6/5/ 1;1 =0/B4 0/694<C4 64 3,+3/2/A1 E40/5/, /A+ -? 31-:16/-
A+ + 5?<./,M+ .16+ -? -4 B+54 >/;+A+ (!/240.1;+C 1996, 16), 3/ -4 51E4 -5/:,/-
:+ 2/ 34-5/ ? 1;15 24:/D? 3,42-:/;D/ ,4GA4.- ?1>+9/6404 5/7+6-.4 3,/.-4.
14
H;+5 1;+5 =0/B+5/ </5/0-.4 3,+,124, ? 0/?M+ -4 -5/:,/ 2/ ,/-31A/E?
;,/94;+ (Kevendiš 1979, 19-20). $/631=0/:+6+ 9/,1>B/.-34-0+. ? +-:1,+6+ M+;+-
A+=/M+64 ;4,1;/:01 64 >+1 ,G46. F+2+ Kevendiš 1979, 35.
15
J0/B/ .16+5/ 0/,/:1, ,/-31A/E4 1-:/A/ -? =/ 7,/0+M/5/ 34-54, /A+ -4 312-
,/=?54;/6?.
16
H46/B4 64 ?1>+9/640/ ,/2B/ ? D?>/;0+5 ;,/9/B+5/ + >/6/B+5/. )4;16./ 64,
:/.1, ?19+ I1E+C//V?,@4;2/0/ -46/A/ -454 3,1-/ +A+ A/0/, +=71;/,/6?C+ 51A>?
2/ 616 21@4 -?@40+ (!/240.1;+C 1984, 101).
17
:154 64 50171 3+-/01 (";/01; + R131,1; 1965, 10-102; P$P I 1987,
466-476; V/31;+C 1995).
18
=45D+ ./1 542+6/:1,? + 04?:,/A+=/:1,?: V/31;+C 1995, 235-243. ;24
>+ :/.1@4 :,4>/A1 +5/:+ 0/ ?5? 3,42-:/;? =45D4 ./1 5/6.4 + 3,/,12+:4D.4
(";/01; + R131,1; 1965, 101-102), .1616 -4 6?0/. +02+,4.:01 1>,/C/ =/ 3151C.
J45D/ 64, +0/94, 3,4.1 3,42-:/;4 1 #,151;0+.? .16+ 64 13A1@?64 ;4=/0/ =/ .?A:
3A1201-:+ + E40? (";/01; + R131,1; 1965, 10-102; P$P I 1987, 466-476; V/-
31;+C 1995), 3/ -81201 :154 + =/ >/6/B/ + D?>/;0? 5/7+6? (!/240.1;+C 1984,
93). % ./.1 -5/:,/ S. !/240.1;+C "M4A1.?30/ 5/7+6/ 1.,40?:/ [64] 8:10-.15 -;4-
:?" (!/240.1;+C 1984,93).
19
*/1: . 70!@*+-! & 0#$4"(-),/ ;! $0$ - !)89-, +A+: .*0(-( - !)89- (3,4-
5/ !/240.1;+C 1996, 112).
20
F+2+ 51017,/G+6? P. I1<.1;+C-H:?A+ (BoškoviW-Stulli 1967). >+9/6 +--
31;42/B/ =45D+, 3,45/ -;4219/0-:;+5/ += 14. ;4./, >+1 64 31=0/: .12 01;71,12-
-.+8 64,4:+./, -:,+71D0+./. % ? -,3-.16 :,/2+M+6+ E40? .16? >+ ?8;/:+A+ ? ;,/-
9/B? :4,/A+ -? 2/ -4 +-31;42+ =45D+ (3,45/ HP 2001, 198).
21
' +;/B-.+5 +-:1901-A1;40-.+5 34-5/5/ :,+ ;4<:+M4 (.164 -? +0/94 >+A4
31;4=/04 - >,/B45 A4.1;+:17 >+D/) 517? :/.1@4 >+:+ 31;4=/04 - :,+ ;,-:4 >+D/:
";/04, ";/<40X.?, / $4 34,4812X 21,1E40X.?... / J,1>AY Z :1>i ? :,48 =4AXZ8 /
[ Z. ?>X4<X, 3181;/[ 5Z04! / (3,45/ ";/01; + R131,1; 1974, 235).
22
R1 +A?-:,?64 >/6/A+9.+ :4.-:: F( *0!7)* 0+'#G, *+3+ #/9('#G,/ F( #7+*
/#>#G, *+3+ 1+ 1(>#G (!/240.1;+C 1996, 1, 334).
23
I,16/B4 64, +0/94, 94-:1 .1,+<C401 ? D?>/;016 5/7+6+ (!/240.1;+C 1984, 95).
24
;1 1271;/,/ 94-:15 .1,+<C4B? >+D/ ? D?>/;016 5/7+6+ (";/01; + R131-
,1; 1975, 234-235; H) I, 485; H) II, 156; !/240.1;+C 1984, 95, 110-111).
25
$/ 3,+54,: @7" 7+0:+ -+$(1# $"(*1!9 @!'#9 !$0(&*+ /# )8)*0) -+B+, #1/(
&+ -+0)8+ /( B+ &+ &0+B1# ! 3#4(*# )/(*!; &7" 3)/+ -+B+ #1# -+$(1# #3!51!9 '#1-
:+9, )/(B+ &+ $( &!0#*!H) (3,45/: !/204.1;+C 1984, 122). F+2+ 61< 3,+54,/:
P+6?<.1;+C, 3,45/ !/240.1;+C 1984, 123-130.
26
' :,/2+M+10/A016 .?A:?,+ ?5+;/ -4 B+54 ?19+ V?,@4;2/0/ ((/6./01;+C 4,
1994, 154). $4;4-:/ 2101-+ -;154 5?E? ? .+:+ M;4C/ 04;40/, 2/ >+ ;40?1 =/ B15
(3,45/ (/6./01;+C 4, 1994, 154).
27
http://sr.wikipedia.org/sr/%D0%9D%D0%B5%D0%B2%D0%B5%D0%BD_%28
%D0%B1%D0%B8%D1%99%D0%BA%D0%B0%29; - 3,+3/2/6?C15 A+:4,/:?,15.
28
F4,1;/B4 ? ;4=? +=54@? +540/, 1=0/940+8 -:;/,+ + >+C/ 6420/ 64 12 3,4:-
31-:/;.+ 5/7+6-.1-5+:-.4 -;4-:+ (Kasirer 1972, 4). K4=+. + 5/7+6/ ,49+ +=?=4:01
-? 6/.1 -,42-:;1 51C+ (Kevendiš 1979, 22-23). R1 2/0/- 31./=?64 ?31:,4>/ + =A1-
?31:,4>/ :480+9.+8 -,42-:/;/ 5/-1;0+8 .15?0+./M+6/, .16/ 31:;,@?6? 043,1-
540D+;1-: D?2-.4 3,+,124.
29
R/.1 -? :./0+M4 .16+5/ 64 -;4.,;/ 13/-+;/A/ 5A/2? >+A4 1.+C404 >1-+D-
.15 (HTJ, 19, 1913, 166, 3,45/ (/6./01;+C 4, 1994, 37). )4;16.4 -? ;,/9/A4 B+54
1 ?2/6+, 01-+A4 7/ 312 3/=?815 2/ >+ +8 515M+ ;1A4A+. $4;4-:/ 64 3,17A42/;/A/
5A/21E4B? .,1= ;40/M 12 >1-+D./ + 31254<+;/A/ 64 B+54 8A4> .16+ >+ 616 5?E
641, 2/ >+ 64 ;1A41 (H) I 1995, 133 ). F4=/01-: >1-+D./ =/ -;/2>? 4;+240:0/ 64 ?
-:+81;+5/ -;/:1;-.+8 34-5/, ./1: H/2 -4 H5+D/ -;/:1;+5/ 0/2/ / F/=2/0 2/0/-
?A+M? 9+-:+A/, / L1 ?A+M+ -40+M4 3,/;+A/ / L1 -40+M/ >1-+D/. -46/A/ / $/ K1;+-
0? -,4C? 0/540+A/ / %.1 >?24 21>,4 -,4C4 K1;/ / I1-+D/. C4 61< - ;494,/ 0+C+ /
' 3101C+ 21 2;/ 34,/ >+:+ / % ? =1,? -;/:1;4 .+:+:+ ()/0+M/, 3,45/ */,/01;+C
1990, >,. 16). H:/;D/A+ -? 7/ ? 04;4-:+0? 124C? (H) I, 131-133).
30
"=54@? 1-:/A17 5/7+6-.+5 3?:45 -4 +=/=+;/A1 A?2+A1 (Kevendiš 1979, 51).
31
\+D 5/7+64 64 + 2/ 31:3151704 3A1201-: (Kevendiš 1979, 21).
32
*164 64 64 ? 0/,12016 34-0+9.16 :,/2+M+6+ 3,12?.:+;01 + .1,+-:+ -4 ./1
-,42-:;1 =/ 31;4=+;/B4 31 -A+901-:+. K/.1>-10 1;./.; ;+2 1,7/0+=/M+64 34-0+9-
.17 :4.-:/ 3,10/A/=+ ? ?-54016 +, ./-0+64, 3+-/016 .B+E4;01-:+. 3/,/A4A+=5?
./1 3,/-:/,15 0/9+0? 34-0+9.17 +=,/E/;/B/ + 0/94A? 0/ .1645 314=+6/ 31-:16+
;+2+: Jakobson 1966, 310-314.
33
""540/ 51C+" ?31:,4>D/;/0/ -? ? 5/7+6-.16 3,/.-+ + >/6/A+M4 -? +8 .1,+-
-:+A4 ./1 -;164;,-04 +=;1,4 404,7+64 (Kevendiš 1979, 24).
34
F4,1;/B4 ? 51C ,49+ 64201 64 12 1-01;0+8 5/7+6-.+8 0/94A/ (Kevendiš 1979,
46, 49).
35
>+A/:1 -4 .1,+-:+ ? >/-5+ (!/240.1;+C 1982, 341, 342).
36
"!4A4;/0:01-: -3,47/ =;?. – =0/94B4 3,1-:/ 64 31-A42+M/ 0/217,/@+;/B/
-A+901-:+ 0/ >A+=+0?. #A/-1;0+ -+5>1A+=/5 64 041-31,01 1>64.:+;0/ ,4A/M+6/,
=/-01;/0/ 0/ 316/;016 31;4=/01-:+ ,/=A+9+:+8 9?A0+8 3?:4;/, / 31-4>01 ;+=?4A-
017 + /?2+:+;017 21E+;D/6/" (Jakobson 1966, 316).
37
H. $. )/;+21;+C, .07&'+ 1(0#/1+ 78+&9+ !$ <#&1+, 31 ./=+;/B? -;164 E404,
L/094;1 1884.
38
S?>/;0/ 5/7+6/ +0/94 64 3,4;/-81201 + 3,+3/2/A/ E40/5/ (!/240.1;+C
1984, 93), 3/ -4 3,4:31-:/;D/ 2/ ? 1;15 -47540:? 34-5/ 9?;/ /,8/+90+64 3,42-
-:/;4 12 -;164 /0/A+=+,/04 ">A+=0/.+B4".
39
*/1 <:1 24;16.//515/. -/24 -;164 8(/#-+ 2/ >+ +8 3,+5+A/ =45D/ + 2/ >+
+8 -4 1-A1>12+A+, 194.?6?C+ 2/ +=,/-:4 >+D4, ? D?>/;016 5/7+6+ :/.1@4 -4 .1,+-
-:+ >+D4 (!/240.1;+C 1984, 97). ' >/-5/5/ -4 .1,+-:+ >+D4 =/ +-:4,+;/B4 >1-
A4-:+ (.1013D/ + A/0) .16+5/ -4 0(&*)0(8) 70#3#/! (!/240.1;+C 1982, >,. 331 +
339). "-:1 :/.1: I#8!9 7)*+9 &! /#@"(,/ J1!9 7)*+9 &+ -0(*!;/ F+0 8+ /#@"(
3('( 3(8("!:(,/ I#8( B+ *+ *0(-#9 70+3(:!* (!/240.1;+C 1982, >,. 343).
40
' H,>+6+ -4 0/ /0/A17/0 0/9+0 7/:/A1 1 >,/.?, :/.1 <:1 64 515/. ?=+5/1 ?
,?.? >+D.? 71;1,4C+: K(1#-+*!, $(1#-+*!, 1+9#8 9+ $(1+*!, -+B 9! '(6! '#8)
B) )$+*! (HTJ 1939, 24, 95).
41
*/,/0G+A -4 .1,+-:+1 ./1 /31:,13/610, ? 5/7+6+ -4 31;4=?64 -/ -;/2>15,
,1@4B45 ((/6./01;+C 1994 4, 110-111).
42
%.1 64 ,49 1 -;/2>+, +A+ 3,+3,45+ =/ >,/., 102/ 64 ,49 + 1 +0+M+6/M+6+.
+0+M+6/M+6+: ;/0 #4043 2005.
43
' A+:4,/:?,+ -4 3104./2 3,/;+ ,/=A+./ +=54@? -4A40/ (Levisticum officina"+) +
5+A12?8/ (Hyssopus officinlias), .16+ 64 >+1 31=0/: 61< ? >+>A+6-.1 21>/. #,M+ + ]4-
>,46+ -5/:,/A+ -? 5+A12?8 -;4:15 >+D.15, !+5D/0+ -? 7/ .1,+-:+A+ ? 542+M+0+ +
.?A+0/,-:;?, / B+54 -? ./2+A+ + 8,/51;4. (http://zacini.wordpress.com/2010/10/
16/biljka-miloduh). J/>4A4E40/ 64 D?>/;0/ >/-5/ ? .1616 -4 31 -;15 24A1;/B? +--
:+94 -4A40: […] J8, &+"!1+, 3+" 7+"!1+/ .-! *+ $#-) «3+" 7+"!1+»/ F( *+ $#-+9
#9(81!5+/ A( #9(8+@, /( #301+@/ = &-+ 9#9'+ /( 1(-01+@./ .+"!1, /( #/&+"!/ I)-
7!1( /( #*')7!/ D -0(*!'( /( #/-01+/ J/ &-('( $"(, #/ &-('( 1(70(*( (!/240.1-
;+C 1982, >,. 585).
./1 + ? 3,+9+ 1 :154 ./.1 64 >4A/ ,?E/ 31-:/A/ M,;40/44, 3/ -4 1;+5 ;4,1-
;/B+5/ ? 31540?:? -3,47? 21;12+ + 5A/@/ -4-:,//-4./, <:1 64 + +=,49401
=/;,<0+5 -:+815, ? .1645 -4 316/;D?6? 9A/01;+ 31,12+M4.
$/ .,/6? -A424 -:+81;+: %.1 :+ 0+.04 04;404, / $4 ;40+ 2,/7+ :+ =/
5015, / 9+54 -4 -;4 <:1 64 ,49401 ? ;4=+ -/ 31,12+M15 +=01;/ 21;12+ ?
3+:/B4, 31<:1 -? ? .1A+=+6+ 04 -/51 81510+5-.+ 0/>16+ ,49+ (1+-+1, 1+
-+1!) .16+ -+70+G+.?6? 2;/ ,/=A+9+:/ ,4<4B/, + 31;1D/0 + 0431;1D/0
+-812 31 D?>/; + >,/.. % 2;1601-: =/;,<0+M4 31:;,@?64 + A/.1C/ ,+:5/
4:+51A1<.4 G+7?,4 =;?9/B/, ? .10:,/-:?, 134:: 1+ -+1!, -+1!, 9+54 -4
+53A+M+,/ .153A4.-01-: +0+M+6/M+6-.+8 540/ .164 >+ 642+0./ ? 34,+12?
12,/-:/B/ :,4>/A1 2/ -/;A/2/.
' :,4C16 ;/,+6/0:+ 34-54, .16/ -/2,E+ /0/A1704 51:+;4 + >+D.4, + ? M4-
A+0+ 7A/-+ 1;/.1: '=1,+, 2,/7+, ,/;0+04, ,/;0+04, / L/ 31-+6 -;164 6/21;4. /
%.1 :+ 0+.04 /A>/>4,, / "<:+ 54, 2,/7+, ? >/>4; / %.1 :+ 0+.04 /A-./:54,,
/"<:+ 54, 2,/7+, ? 5/6.4; / %.1 :+ 0+.04 5/;A4:/, "<:+ 54 2,/7+ ? >,/:/; /
%.1 :+ 0+.04 E?: 04;40, / $4 ;480+, 2,/7+, :;16/ -/5; / %.1 :+ 0+.04 >1-+-
61., / T:1 54 >1-4 =/ :1>15! / (#,@+C I64A1.1-+C 1896, 3,45/ +=2. 1985: >,.
4, -:,. 60)45 04<:1 64 +=;4-0+6+ 31;1D/0 +-812 5/7+64, 0471 ? 3,4:8120+5.
' 1;16 34-5+ /A>/>4, + /A-./:54, -? ? /-1M+6/:+;016 ;/=+ - >/>15 +
5/6.15, + ?64201 -4 -;16+5 3,4G+.M/M+6/5/ 21;124 ? 54@?-1>0? ;4=? 31
=;?901-:+, +-:1;,45401 +53A+M+,/6?C+ 31:,4>? ?-.A/@+;/B/ -:/;1;/ ,1-
2+:4D/, ./.1 >+ 21 >,/./ ?13<:4 517A1 2/ 21@4. H >,/:15 2,/717 31;4=?64
-4 5/;A(A;)4:/, 5/:+9B/., /,>/,1=/, A+5?0/2/, 5/-:49+0/, 5/:,+., 5/M/
(Melissa officinalis), 9+54 -4 61< 6420/ >+D./ A4.1;+:17 246-:;/, .16/ -4 .1-
,+-:+A/ + ? :,/2+M+10/A016 542+M+0+ (http://sr.wikipedia.org/sr/), +/.1 616
;4=/ - 5/7+6-.15 3,/.-15 0+64 =/3/5C40/, ?;12+ ? B40 .10:4.-:.46 "=?=4:-
44
L)6# 0)9+1(, /(8 *! 9+1! *-#8+ :0-+1!"#, +-# *! 9#8+ 3+"!"# (ZNŽO, 7,
1902, 187). K42/0 12 0/=+;/ =/ 540-:,?/M+6? ? -,3-.15 64=+.? 64-:4 + 0)6(. '
.10:4.-:? -3,474 >+1A1<.4 =,4A1-:+ 24;16.4 + ,?E4 ;4,1;/:01 64 0/-:/A/ + 3,+-
9/ 1 :154 ./.1 64 >4A/ ,?E/ 31-:/A/ M,;40/ ./2 -4 24;16./ ?>1A/ 0/ B40 :,0, 0/
";/02/0/V?,@4;2/0 (HP! 1998, 383). '>12 ,?E+0+5 :,015 /0/A17/0 64 ?>12?
:,015/;,4:4015/+7A15 ?-3/;/04 A431:+M4 (R,01,?E+M/) J/:1 -4 24;16./ -3,450/
=/ ?2/6? + 54:/G1,+=?64 M;4:15 ,?E4, 9+64 64 1>4A4E64 ,?540+A1 .164 64 ? 1;15
.10:4.-:? 4;+240:/0 =0/. ? -:+81;+5/: A+-#85!:+, 0)6!5!:+,/ L)6# 0)9+1(
(H$L I, >,. 590), +A+ ? A/=/,+9.16 34-5+ 24;16M+: J8, :0-+1( @!7'#-!1#,/ M*#
&! 0(1# 7#/0(1!"( (K1M+C 1979, >,. 42). =0/94B+5/ ,?E4 ? :,/2+M+10/A016
.?A:?,+ + 314=+6+ ;+2+ +: */,/01;+C 2008, 19-48.
45
$/ 1;? +=?=4:01 ;/E0? ;/,+6/0:? 34-54 3/EB? 5+ 64 -.,40?A/ R/:6/0/ F?-
61;+C 0/ 945? 616 =/8;/D?645.
46
;/ 34-5/, 54@?:+5, -4-:,? 04 315+B4, + B401 12-?-:;1 31;4=/01 64 - ?5/-
B+;/B45 =0/9/6/ 5A/@47 E40-.17 04?2/:17 9A/0/ ? 3/:,+6/,8/A016 31,12+M+.
47
V?,@4;2/0 64, +0/94, 3,/=0+. 0/ .16+ -4 +=;12+A/ D?>/;0/ 5/7+6/ 31 /0/A1-
7+6+ - 1-A1>/@/B45 3A121:;1,0+8 -0/7/ =45D4 (!/240.1;+C 1984, 94). % -/5 -;4-
:+ #41,7+64 64 517?C/ 8+31-:/=/ #,151;0+./ (!/240.1;+C 1984, 94). S?>/;0/ 5/-
7+6/ ;4=?64 -4, +=54@? 1-:/A17, =/ V?,@4;2/0 (H) I 1995, 483).
8(3+%#36%#
48
:154 64 3+-/1 !. K/.1>-10 (Jakobson, 1966, 80).
49
!15/0 K/.1>-10 1;/./; ;+2 1,7/0+=/M+64 34-0+9.17 :4.-:/ 3,10/A/=+ ?
?-54016 +, ./-0+64, 3+-/016 .B+E4;01-:+ (Jakobson 1966, 310-313).
http://sr.wikipedia.org/sr/%D0%9D%D0%B5%D0%B2%D0%B5%D0%BD_%28%D
0%B1%D0%B8%D1%99%D0%BA%D0%B0%29
http://zacini.wordpress.com/2010/10/16/biljka-miloduh
Zoja KaranoviW
Faculty of Philosophy, University of Novi Sad
Lyric folk poetry, which is based on archaic worldviews, often bases its origins
on ritual and magic. Among the lyrics which "copy" and "comment on" the beli-
efs in certain properties of plants, one poem recorded by Vuk KaradžiW has spe-
cial significance. The poem tells of how a man, knowing about the special pro-
perties of flora and being versed in magic as a way of acquiring love in general,
tries to cure his beloved from heartache and then lead her to fall in love with
him, and ultimately, come and kiss him. A variant of this poem was also recor-
ded and published by S.N. DavidoviW, and after him Luka GraiW-BjelokosiW,
who classified it as a wedding song. The four variants of the poem in question
which are the subject of the analysis are an example of transposition of magic
into poetry. And while the surface layers contain verbal traces of magic, the tra-
ces of magical actions are present throughout the poem, as the analyses show.
Key words: Serbian traditional culture, herbs, lyric folk poetry, magic, ritual