Ordernumber:1053792

lndian Concertino
GeorgePerlman
Violin& PianoAccompaniment

fsBN90-431-2161-4
NUR472

CD number:DHR 13.958-3
CD recorded by: De HaskeSound Sqvices BV
ExecutiveProducer. Gunter VanRompæy
Violin:Jo Vercruysse

@ Copyright 2005 by De Haske Fublications BV

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means without written permi$sionof the publisher.

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Prûted h l-lokld-
 Fo r e w or d
S t u d y & P l a yi s i d ea lfo r d e ve l o p i n gyo u r playingin an enjoyableand musicallysoundway . Eac h
t a tu re sa (D to add som ethingextr ato your studyr outine.
ed it io nw i t h i n t h i s co n ce p fe

When you play lndian Concertinothe (D allowsyou to practiseat a slowerstudytempo,as well as

t he n o r m a lt e m p o ,so th a t yo u ca n w o rk o n your violin playingin a mor e concentr ated
w ay w hi l s t
i m p ro v i n gy o u r i n si g h ti n to th e mu si c.Y o u can continueto study in this goal- or ientated
way unti l
yo u hav ea c h i e v e dth e d e si re dre su l t.R e a dthe infor m ationabout the ( D car efullyin or de rto ful l y
u n i t i s et h i sc o n c e p t .

Th e t it le o f t h i s p i e cesu g g e sts
a co n ce rtsituation,playinga solo par t with accom panim ent.
T her e
ar e t hou s a n d o
s f s u chw o rksfo r th e vi o l i n but m anyof thesecannotbe tackleduntil you hav ebeen
pla y ingf o r a c o n si d e ra b ltieme . T h i s ca r efullychosenconcer tinoenablesyou to gain n ec es s ar y
experie n cfeo r t h i st yp e o f p l a yi n ga, l l o w i n gyou to havesufficientmusicalandtechnicalcon tr olov er
yo ur inst r u m e nwt hi l st h a vi n gth e su p p o rtof an accom panist dur ingper for m ance.
lt will als oenr i c h
your repertoire.

About the cD

The CD i s a n e x c e ll e n me
t a n sto h e l p yo u achievea polishedper for m ance.
Fir styou will hear the
tu nin g n o t e s f, o l l o we db y th e d e motra cksothat you get an ideaof how the pieceshouldso und.T he
pla y -a l o n gp a r t ( f i r st i n th e n o rma lte mp o,then in studytempo) has beensubdivided
into v ar i ous
tracl<swhich havebeenindicatedin the score.They startjust beforea characteristicor new passage
- this way you don't haveto searcheverytime you want to study a certainsection.The (D hasbeen
se t u p a s f o l l o w s :
. t u n i n gn o t e st ,r a c k 1s - + ( O = A , O = D , O = G , O = E )
. d emov e r s i o nt,r a ckS ,i 6 , r9 ( @ e tc.)
. play-along- normaltempo,tracks6-to,'r7-'r8;zo->+(O,
@, etc.)
. pfay-along- studytempo,tracl<s11-15;
>S-zg( @ ,@ , etc.)
 G e o r g eP e r l m a n Biography

Ceor g ePe r l m a nta u g h tth e vi o l i nfo r a substantial par t of the zoth centur y.Hisexactyearof bi r th i s
u n k n o w n- h e w asq u i te se cre ti ve a b o u tit - but he was pr obablybor nar oundr 898 in l( iev ,U k r ai ne.
As a y o u n g c h i l d h e mo ve dto C h i ca g owher e his pr incipalviolin teacher sincludedLeonSam ati ni ,
Adol p hW e i d i ga n d L e o p o l dA u e r,w i th whom he studiedfor a year .

In additionto dozensof arrangements,

editionsand collections
GeorgePerlmanwrote severaloriginal
pieces
for violin,manyof whichareof a pedagogical
nature.The /sraeliConcertino
(gll), whichis perhaps
hism o s tp o p u l aco
r mp o si ti o n
i s,a symb oof
l hispr ideandinter estin hisJewishfaithandheri tage.

The lndian Concertinoof lg1+ is an excellentstudy worl<for young violinists. lt was obviously
ins p i r e db y t h e r h yth msa n d h a rmo n i e ofs nativeAm er icanm usicbut the wor l<' sinspir ati on,
oddl y
e n o u g h(,a m et o t h e c o m p o s ewr h i l eh e w a ss i t t i n gi n s y n a g o g u e .

G e o r g ePe r l m a ndi e di n 2 o o o .

G e o r g eP e r l m a n Biografie

Ce o r g ePe r l m a nu n te rri ch te ted e n g rô BtenTeil des zo. Jahr hunder ts lang Violine.Sei n genaues
6ebu r t s j a hi rs t u n b e ka n n-t e r w a r se h rver schwiegen - aberver mutlich
diesbezûglich wur deer um r BgB
in l(ie wi n d e r U k ra i n eg e b o re nA. l s kl e i n esl( indzoger nachChicago,
wo er hauptsâ<hlic h Lehr er n
von
wie L e o nS a m a n ti nAi ,d o l p hWe i d i gu n deinJahrauchvon LeopoldAuerViolinunter r icht
erhi el t.

Ne b e nd u t z e n d e nvo n B e a rb e i tu n g eAn usgaben

, und 5amm lungen,
schr iebGeor gePer lm anm ehr er e
o rigin a l eKo m p o si ti o n e fi
n j r d i e V i o l i ne,von denen viele pâdagogischer
Natur sind. D as l s r ael i
Co n c e r t i nvoo n ' t9 7 3i st vi e l l e i chse
t i n eb ekannteste
Komposition;es manifestierden
t Stol zund das
I nt er e s saen s e i ne mj i j d i sch e nC l a u b e nu nd Er be.

Da s l n d i a n C o n ce rti n ovo n ryS + i st ein ausgezeichnetes Ubungswer l< fûr junge V i ol i ni s ten.
O f f e n s i c h t l i c hi n s p i r i e r tv o n d e n R h y t h m e nu n d H a r m o n i e nd e r M u s i k d e r a m e r i k a n i s c h e n
Ure in w o h n e rk,a m d e m K o mp o n i stedne r lmpulszu diesemW er kjedochseltsamer weisal
e,ser i n der
5y na g o g es a B .

G e o r g eP e r l m a nsta rbi m Ja h r2 o o o .
T
 l n d i a nC o n c e r t i n o
An Indian Story 6 e o r g eP e r l m a n

Allegro moderato

Allegro moderato
:>

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Indian drums

CopYr ght g 1931 by Cart Frsctrer,lnc. Copynght renewed, All rights assign€d to Carl Frsclpr. LIC
This arrarçerrut copyrti* e 2æ+ by Crt FEcher. LLC. Published ny arr-arqenrent with Cal Fiscfrer" U-C. 9
ts|!Êrred coFyrùtrt særed- Al rigfrs ræer.ved"
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:053792 . Indian Ccî(ertino 23