GUITAR TABLATURE EDITIOGUITAR TABLATURE EDIE JEFF BECK ANTHOLOGY ‘AMSCO PUBLICATIONS NEW YORK/LONDON/SYDNEYTRANSCRIPTIONS BY HEMME 8. LUTTIEBOER EDITED BY ASKOLD BUK ‘COVER PHOTOGRAPHY BY LARRY BUSACCA/RETNA LTD, INTERIOR PHOTOGRAPHY BY: LARRY BUSACCA/RETNA LTD. (PAGE 4) GARY GERSHOFF/RETNA LID. [PAGE 6) THIS BOOK COPYRIGHT © 1991 BY AMSCO PUBLICATIONS, ‘A DIVISION OF MUSIC SALES CORPORATION, NEW YORK, NY. ALL RIGHTS RESERVED. NO PART OF THIS BOOK MAY BE REPRODUCED IN ANY FORM OR BY ANY ELECTRONIC OR MECHANICAL MEANS INCLUDING INFORMATION STORAGE AND RETRIEVAL SYSTEMS, WITHOUT PERMISSION IN WRITING FROM THE PUBLISHER. ORDER NO. AM 73024 US INTERNATIONAL STANDARD BOOK NUMBER: 0.8256.1262.4 UK INTERNATIONAL STANDARD BOOK NUMBER: 0.7119.1710.8 EXCLUSIVE DISTRIBUTORS: JAUSIC SALES CORPORATION 225 PARK AVENUE SOUTH, NEW YORK, NY 10003 USA ‘MUSIC SALES LIMITED (8/9 FRITH STREET, LONDON W1V 51Z ENGLAND ‘MUSIC SALES PTY, LIMITED 120 ROTHSCHILD STREET, ROSEBERY, SYDNEY, NSW 2018, AUSTRALIA PRINTED IN THE UNITED STATES OF AMERICA BY VICKS LITHOGRAPH AND PRINTING CORPORATIONALR. BLOWER BLOW BY BLOW 178 ALL SHOOK UP BECK-OLA 73 AMBITIOUS FLASH 132 BECK’S BOLERO TRUTH 264 BLUE WIND ‘WIRED 170 CAUSE WE’VE ENDED AS LOVERS BLOW BY BLOW 270 EL BECKO THERE & BACK 53 FREEWAY JAM BLOW BY BLOW 7 GOING DOWN JEFF BECK GROUP 25 GOODBYE PORK PIE HAT ‘WIRED 208 GUITAR SHOP JEFF BECK’S GUITAR SHOP 7 | AIN’T SUPERSTITIOUS TRUTH 119 LED BOOTS ‘WIRED 234 LET ME LOVE YOU TRUTH 190 PEOPLE GET READY FLASH 16 PLYNTH BECK-OLA 88 THE PUMP THERE & BACK 224 RICE PUDDING BECK-OLA 40 ROCK MY PLIMSOUL TRUTH 242 SITUATION ROUGH AND READY 146 SPANISH BOOTS BECK-OLA 62 STAR CYCLE THERE & BACK 258 SUPERSTITION BECK, BOGERT & APPICE 156 WHERE WERE YOU JEFF BECK’S GUITAR SHOP 116Gosusd FREEWAY JAM MUSIC BY MAX MIDDLETON Moderate shuffle J= 12067P985.F/A GiB runs teybourds:) bre oe ates e —"— 4a ‘© COPYRIGHT 1975 AND 1984 WESTMINSTER MUSIC TD., LONDON, ENGLAND TRO—ESSEX MUSIC INTERNATIONAL, INC. NEW YORK, CONTROLS AlL PUBLICATIONS RIGHTS FOR THE U.S.A. AND CANADA INTERNATIONAL COPYRIGHT SECURED. MADE IN USA. USED BY PERMISSION. ‘ALL RIGHTS RESERVED INCLUDING PUBLIC PERFORMANCE FOR PROFIT.= ——— pe ee a = e — fps 4 SS — nf - bare tri tr ite.nGuitar solo r wr G9sus4 DAA3 G9susd G9susd Vw =_ Gsus4 Gsusd G ba Cosus4 G G9sus4Abo GIsust play 8 times and fade outPEOPLE GET READY WORDS AND MUSIC BY CURTIS MAYFIELD Slowly) =72 a 5 7 Dl Dit Hin, G AID D D/FE Pim | AQsusd AWWA ter ring —5 Bm7 keyboards:) . guitar | 7 a a guitar 2 "YRIGHT © 194 WARNER-TAMBERLANE PUBLISHING CORP. INTERNATIONAL COPYRIGHT SECURED MADE IN USA. All RIGHTS RESERVEDBm7 G AID D Bm? 2 ad 2 +d) d a Peo- ple get read-y, there’sa_ train a= com-ing, You don'tneed no_bap-gage. you just WW WB. WA G D Bm? G AjD _D (ce 4 vias 2 ds 4 dS? get on. board.— WWW“ All you need is faith to” hear the die sels hum - ming, A 7 _ AWWW Wb. WB. ANA NABm7 Em7 2 da Don’t need no tick = et, — WWM". Bm7 d dd Pick- ing up pas - sen- gers Agsusd Bm 3) J youjust thank the Lord J od LDS Peo- ple get read - y for the train wo aa 2 from coast_te coast. Paith is the key, o-pen theG AID DICE Bm Em7 A9susd D 2 PFPA} a Dd) ba doors and board.them, There's room for all amongthe loved the most, yeah! Guitar solo Bm7 G D Bm7 hold bend BT OR Bm7 En? 3 Dd Bun y By ‘ J OBBin? 2 By Le et ) S we There ain’t no room _for the hope: less sin = ner. Who would hurt all man = kind just to ddd Le 2 BW? savechis own. Have pit-y on those— whose chane-es are thin-ner, "Cause theze’s21 Bm. Em7 Adsus4 D Bm7 2. da Boy da J os no hid - ing phice— from the King-dom’s throne. So peo ple get—read - y for the ler ring D Bin? D J a J os 1s train acom-ing, You don't need no. bag - gage. you just get on board. All you a need is__faith— to hear the die - sels.hum-ming, — Don't need no ticket. you just. MAW WWG D D Bm7 G D PP) A Ps 2 oe 2 a3 you just’ thank.the Lord! Qon_ 0h, ooh, ooh! WA Bb Cm? Ab Eb m7 Ab Bb/D23 Cm7 Fm Bb9sust ED cm7 d da dP) ys wy ) cn Ab24 Bb 9susd E> cn? Ab D1 by JOY Dw I'm getting read = y! I'm get - ting Ba =~ - - 4 cee *, RK RM. rhroughout BB Eb Cm? JW 1 dd 2 This time I'm a + read - eee. Ab Bb b/d. Cm? Fm Bb 9sus4 E> 2 Bi) BS me This time I'ma - read-y, hey! fade out — Si OLD. (with slide) WB =25 GOING DOWN BY DON NIX Moderate blues rock J = 92 Intro , Freely A tempo piano solo appioximately 26 seconds hold bend — ~~ , en 7 COPYRIGHT © 1969 IRVING MUSIC, INC. & DEEEWOCD MUSIC CO. (BM) [ALL RIGHTS RESERVED, INTERNATIONAL COPYRIGHT SECURED.b7 ¥ Down, down, down, down, — down,D c7 G7 >! Down, down, down, —down,— I'm go-in’ down, GT out the win- dow, And my ——~ head I've got my fer ring big feet. on. the28 gone. Bone, gone, gone, She's gone, Gone. gone, gone. gone.out the win - dow,— And my Take it o- ver! Guitar solo 1 (m= 2 ehold bend-- 1Ba1 T'm goin’ down, hey slide guitar 0,0: cr ——_s——T down, down, down,— down, down.32 cr or ve got my a with simile slide OD. =. BAR by — a 8 head_ out the win-dow.— Andmy big feet. on the... Guitar sole 23335 Down, down, down, down, cL on Pmgoin’ down. Down, down, down, down,— I've got my out the win- dow, And myfeet on_ the ground. She's gone. oc = with echo = > BR = = > Gone, gone, gone, gone, gone. Gone, gone, gone, zone,a7 heal our the Win-dow, And my let ring ~ big feet = on— the ground. with feedback39 DS. al Coda x Helh_ she oO (Gr) b7(Dm7) os. out there. right And 1 crawled walked — out the door, — 7 let ringRICE PUDDING BY TONY NEWMAN, JEFF BECK, RON WOOD AND NICKY HOPKINS Fas rock J 160 ‘guitar T NG bass enters E So — with feedback— — — S _ W.B. “feedback pitches COPYRIGHT © 1969 BY ENQUIRY MUSICLTD. AND CARLIN MUSIC. ALL RIGHTS FOR THE U.S.A. CONTROLLED BY UNICHAPEELL MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED. PRINTED IN THE U.S A. UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OR PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT.41 keyboards. A A9susd A ASsusd . dedadndy - 22 >t PT) > Pst a dtd with simile rhy thr guitar 2 A AQsusd G. D A A9susd A A9sus4 guitar 142 ADsust Rhythm figure 1 Adsus4 A page Rhythm figure] with Rhythm figure 1 (2 times) guitar 1 > Ssusd G 2 Fey “OS43 5-14-15 1612.wuitar F ; DS A ~D.C al Coda G D AS Half time J= 80 Coda piano enters GD with simile Rhyth Tacet é 2 Ww) awed guitar 7 with slide4a7 A G D ASsus449 gutiar F Aq ASsus4 CLE ALEI AIEEE AIA ASA) AAA AA BE) AAAAdsust Double time 4= 160 Keyboard solo ‘A9susa AS = 7 —— a with slide effects with Fill 1 (on fifth time through)51 play 5 times Free time AS D Ge A A tempo ?. e #5 ? > NT with Rhythm figure 2 det ring throughout end Rhythm figure 2 WB = = WB.hold bend UB53 EL BECKO BY ANTONY HYMAS AND SIMON PHILLIPS d=72 fa- > iano intro Bb sus ®t ee Bb sust Gm7 Em? AB Bin? (Sea= == al atvisi* 38 20- *downstem=keyboards arranged for guitar. COPYRIGHT’ 1960 B. FELDMAN & CO. LID. 1/AS EQUATOR MUSIC ‘ALL RIGHTS ASSIGNED TO EMI MUSIC PUBUSHING LTD, RIGHTS FOR THE U.S. AND CANADA CONTROLLED AND ADMINISTERED BY GLENWOOD MUSIC CORPORATION. [ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION,J 144 (in 4) Pu 2 Bbm7 __ Abm7 Ghz keyboard 0.D,~ N.C. guitars 1 and2G3 NG. D7 G3 Gh NC D7 G3 AS guitar 1 Fim? (Sg with slide throughout P.M, throughoutFem? AS58 Bb 13susd *1 = thumb ‘slide off fingerboardB/D GE C/E D/FH BbIG t somone SD oD > Dt (Sea) Bb/D_C/E C/E DIFE D/FEEb/G iw? ! _ es Fir. | ae) BW.B. dive Bb/D C/E CHE_DIFH D/FEED /G60 Bei C/E CIE. Dire Toa. Foe © ee) RO ow D/FE Bb /G By /D C/E C/E D/FE Toten ZT). TDi. S 2 DjFa Eb /G THIG FIA F/AG)B JJi - J)? -_ Tdi. m7 Db fiivin—~TaT pas on ev J=72 (in 2) _ Fm 5 Sa~ yao Bb sus4 |os diyisi* “downstem=keyboards arranged for guitar Bb/C Bobs Bb in? Abm? Gbm? FAL www pf dd pd 8 J—J _— 2 dud ie nd ee Ss OD.62 SPANISH BOOTS BY JEFF BECK, RON WOOD AND ROD STEWART Moderately J = 104 Intro guitar 1 wer IO A = o - 2 her 1 used to walk and take guitar I COPYRIGHT © 1969 BY ENQUIRY MUSIC LTD., CARUIN MUSIC, AND STEWART MUSIC, INC, ‘AUL RIGHTS ON BEHALF OF ENQUIRY MUSICINC. AND CARLIN MUSIC CONTROLIED IN THE U.S.A. BY UNICHAPPELL MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. AlL RIGHTS RESERVED. PRINTED IN THE U.S.A. ‘UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OR PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT. INFRINGERS ARE LIABLE UNDER THE LAW.(vith simile rhy thin) BbT up near a found - 8va But it didnot take _me too To get my x hold bend boots on, and so long. Long Spanish boots, and_—so_ long. 8va ~~Bb ] (am) Verse 2 a day job in Beth-le-hem,— 1 nearly B threw in the tow-el there, But it did not take me too To get my — boots Jj >65 NC. High Spar-ish boots, and___ 0 long.= ish hab - er~ dash - er ar Bb Ar Must all been cel But old__mist-er — ~ ie =. Bb7 Nesbitt got the best__ of _ So I strapped on my q67 “So__ long”. Laced up my boots, an’ Good - bye.68 hold bend Ba OR all, the jobs you *Couse my old ~8 80) 9B“9 Leath ~er boots__are just a mys-ter-y (elie) ye my boots and said, “So long." High Span-ish boots and a~so— long. Put on my — boots and said, “So long.”let ring — 3» let ring wrsitar 2 with stide7 Am7 Amz witle fingers fet rng with slide guitar 1 let ring throughoutPut on my boots and said, “So— long, guitar guitar 2 AS —— bassand drums fade out Span + ish boots,ALL SHOOK UP 73 BY OTIS BLACKWELL AND ELVIS PRESLEY Moderately J= 104 Invo. oF GT Bless my soul, what's wrong__with_me?_, ee I'm itch: in’ like a man_ that’s on (Sra COPYRIGHT © 1937 BY UNART MUSIC CORP. ‘ALL RIGHTS ADMINISTERED BY UNART MUSIC CORP. AND UNICHAFPELL MUSIC INC. (RIGHTSONG MUSIC PUBLISHERS). INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED. PRINTED IN THE US A. UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OR PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT. INFRINGERS ARE ABLE UNDER THE LAW.74 friends sey Tm act in? as wild 5; me, loveime, love, I’m all shook up. Alnah, ab, All shook up most of the timVerse 2 Can't seem a shak = int to stand 75 W.B. dive and my__ hands are get-tin’ weak, * pis eye on omy own7% Who__ do you blame. when-you,oh.——when you can’t touch her, guitar 1 guitar 2 love me, love. me, love me, love_ me, — love— me, lovecr D7 a, OSsust Bridge Ay — Ry ~ Well Rhythm figure 1 fa a Bb7 a7 little mixed up but I'm feel in’ fine, And that’s al right. 28:78 love best, My heart beats slow,. and it scares me to death, But that’s al 5 = f= Gite She touched my lips, whata thrillBy Most peo-ple that ] g0 for, care when it’s red hot. I'm__ glad to say that she’s my,oh_ 7 zoe =a a — what a butter- cup me, love__me, love___me, Jove me, love. me, love-me, love, All shook up any old. time, Oa - = 580 Gus “a Bh with Rhythm figure 1 (2 times)al Ab hold bend ~ > hold bend Ba OR BoD ERM R with slide in the mood_for love, woman,82 I'm inthe mood. My knees are shsk- in’ and my hands are weak, And I can't— — om to stand on my own two feet.83 GT All shook up, oh yeah._ with slide throughout 2 lit-tle mixed up but 'm feet (8va) a9999999for love..86 Come on, habe!87 Bless my soul,_what’s- wrong with me?. “tap slide bar over pickups random slides = gm eT ste 7 hold bend O.D- R. Be BS fade out28 PLYNTH BY RON WOOD, ROD STEWART AND NICKY HOPKINS Moderately fast 4 = 120 Intro . DT D7 DT GS BSCS BbSGS BbS cs TID I swt ft. a é, guitar 2 Bbs GS Verse BBS C5 », BbS GS wok-en up on mom. ings such as — this, end Rhythm Rhythm figure 1 figure 1 COPYRIGHT ©: 1969 BY ENQUIRY MUSIC LTD, CARLIN MUSIC, AND STEWART MUSIC, INC. AUL RIGHTS ON BEHALF OF ENQUIRY MUSIC.INC. AND CARLIN MUSIC CONTROLLED IN THE U.S.A. BY UNICHAPPELL MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. AIL RIGHTS RESERVED. PRINTED IN THE U.S.A, UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OP PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT. 'INFRINGERS ARE UABLE UNDER THE LAW.with Rhythin figure | (7 times) BbS 5 bbs Gs thought as [could same as I'm think - ing now. Eve bs cs sbsos ubscs “ry night for a year I've slept a= lone, My cold damn room looks worse than Bb G5 Bes C5 bbs Gs me, Lgot a fear of death that - Try night, 1 BbS CS BbS GS —die soon, but then a-eain 1 might Just_like Bs CS. BbS GS wa ter down—the drain, im wastin’ a> way. An’ all (the) Bbs C5 BO bbs GS oc- tors can’t help. But aghost of a = man__ that's mecan't go an-y fur Rhythm figure 2 end Rhythm figure 21 guitar 1 cr baa tity with Rhythm figure 2 go _¢BR . = > = G792 wa -ter down the drain goes to the sea, hold bend Bbs CS B>5GS BS CS pat-tem of my life keeps ahole in me. Like mois-ture from the o-cean fills the BbSGS bbs CS Bbs Gs Comes on down the ground as time93 with Rhythm figure 2 (2 times)G7 D7 with Rhythm figure 1 (7 times) B= with feedback meee SS Oe Bbs Gs BbS CS ~ bbs GS Igot a fear of death that breeds.here ev - W.B. dive W.B.95 Bbs CS BbSGS BbS CS know I won't die soon, but then again Bb SCS Bb5G5 BbSCS Please don't weep for me when I'mar Ah, ah, fear of death that creeps on ev ~ fade oui97 GUITAR SHOP ‘MUSIC BY JEFF BECK, TERRY BOZZIO AND TONY HYMAS Moderately fast J = 120 guitar 1 drums AS wlth effects h fags 208 COPYRIGHT « 1989 WB MUSIC CORP, & BHB MUSIC LIMITED ‘ALL RIGHTS ON BEHALF OF BH MUSIC LIMITED FOR THE WORLD EXCLUDING JAPAN ADMINISTERED BY WB MUSIC CORP, ‘ALL RIGHTS RESERVED, USED BY PERMISSION98O.D. (with harmonizer)WB, W.ByW.B, WB101 A9susd A pestoaas + T7555) 2AGsusd ADsusd AS Spoken: Pre-amp, pro-sound,103 Performance! — Groove ube, Killer cabs! You're a Strat cat! Patch int Dangerous distortion, serious sustaint Slinky, with guitar effectstos Super slinky! Boomers! Doubie-ball ends! 11’! phase, it'll flange, it'll fuzz! It’s fast, it’s flexible! Just feel those frets!105 simulated comb filter for stereoizing a mono source! It's got a scaledhdown Strat-style Sa = - i Deep eutaways and wo pickguard body with the feel of a Les Paul and a couple of humbuckers! Se. ee J" wiPuli shred! SUiff neck, brass nut'n’ ebony fingerboard hold bend ~ = = = > 5 Asust A tepnoartss “Tad dl oak »Jrd+5579 Balls deluxe!Adsusd 107 . Pt a Adsasd ~ 120) +I) Am7 AS 25 Jd Tspuitar 2 with guitar effects guitar 3 guitar 2109 (Sap - - 2 2 ee Gyno hold bend BOR WB OWE. WB. WB WB.nn AQsus4 AS keybourds; guitar eS TD + FD ; guitar 32 guttar 1 AS Am7 hold bend guitar 2 (80a) — guitar 3 ASsust3 suitar T4 | | | | Sram = = (guitar I continues rhythm simile) Adsuss 4, 0d (avap= AS Am7 ASsus4 ‘soap? Td. 50 2 ZASsust M5 MTT) 1 TaD? a »>Jed,F57 3 —~ hold bend B116 WHERE WERE YOU MUSIC BY JEFF BECK, TERRY BOZZIO AND TONY HYMAS Free time 4= ca. 64 A (wire) : AM AA ie) : é = —_ = == WRoo- = = 5 = = 9 WBD > 7 Tt _ DAM TOHOROAAS $——— GROROF I : 3 3 COPYRIGHT © 1989, WB MUSIC CORP. & BAB MUSIC LIMITED ALL RIGHTS ON BEHALF OF BHB MUSIC LIMITED FOR THE WORLD EXCLUDING JAPAN ADMINISTERED BY WB MUSIC CORP. "ALL RIGHTS RESERVED. USED BY PERMISSIONng | AIN'T SUPERSTITIOUS BY WILLIE DIXON Moderate blues = 108 Intro : guitar 2 No. guitars 1 and 2 Ain't su- per sti ~ tious Black cat crossed my trail guitar 1 ‘) with wah throughout Guitar 2 Rhythm figure 1 et COPYRIGHT © 1943 HOOCHIE CHOCHIE MUSIC (BM, ADMINISTERED BY BUG MUSIC AND ARC MUSIC CORP. ‘ALL RIGHTS RESERVED. USED BY PERMISSION.1 ain't su-persti - tious, But a black cat crossed my trail Bad luck — ain't got _me so121 An'T won't let it stop me now. end Rhythm figure 1 begin 10 ba An’ that ain't guitar 1 with Rhythm figure |122 BbT Dogs__ be-gin to All o-ver my neigh - bor - hood.. F7 CT ‘This is a mean old world to live in, Zz An’ I can’t face it all by my- self.with stide BT s dogs___ begin to. bark, (bye let ring126 o-ver my neigh-bor - The > — begin to. bark, All o- ver my___neigh-bor - + in’ a-bout the fu ture— An’ it ain't too good IL. know. Tgot a feel125 know, I_ know, I know that,126 Fv Bb7 Ain't su-persti-tious, cat crossed my. trail, I said so one time be-fore. su persti - tious, — A black cat crossed my.127 cr Bb7 Bad_ luck ain’t got me so far, An’ you know I ain't gon -na let it stop me Come on, 7 Fsus4F128 gutter 2129 let ring130 with feedback131 guitar 1 Free time132 AMBITIOUS WORDS AND MUSIC BY NILE RODGERS Cm? Bb Cm z Moderately fast = 112 gular? (drums) 2 Synthesizer bass arranged for guitar Bb Cm pattern continues Rhythm figure 1 73 © 1985 PLAN-9 MUSIC, INC. ALL RIGHTS ADMINISTERED BY Wa MUSIC CORP. ‘ALL RIGHTS RESERVED USED BY PERMISSION133 guitar 1 BE Cm Bb Cm Bb cm ae! end Rhythm figure 1 Bb Cm Bh em bb cm Bb Cm —»— boy. abit of a brat, To him hife’s just Here isa rich hythm figure 1 G times) Phi Beta Kap-pa_ and first in hig class; with slideB> Cm Bb OCm Bb Cm —I— He's treat-ed just like_ a king. And he said, “I'm not sure what it with slide with slide a cm Bb cm Bb Cm(F9) > = bi ~ tious, Tm not a mad-manjust am- bi- tious.142 Bb Cm(G7) Bb cm Bb cm Tm not a mad-manjust am - bi - yeah! Sra —<—, 2, with slide with slide Guitar solo (with simile rhythm) Bb Cm(F9) Bb cm Bb (mj- = = with slide co Bb with dumb and fingers4 VVVVV V (with slide) ~ — 5 ~---5 ——— “apW.B.andltetring — Bb cm00 een iia — cm Bb B> Cm45 OP IH Jade out Ci Bb_Cm Bb - = we m146 Tune down step SITUATION @=E) OG ©=A, OB) BY JEFF BECK @=Ds @=Eb Fasi rock = 176 Intro NG ft 3 Se AbOHI! Bh 9susd COsus Jd COPYRIGHT © 1971 BY 8. FELDMAN AND CO. LTD. ALL RIGHTS FOR THE U.S. AND CANADA CONTROLLED BY COLGEMS-EM MUSIC INC. ‘6920 SUNSET BLVD. HOLLYWOOD, CA 90028 ‘ALL RIGHTS RESERVED. USED BY PERMISSION.Rhythm figure 1 ” Dm G amit) 25773 guitar: + ym) end Rhythm figure 1 z. Dm G =#0 on = with Rhythm figure 1 (11 times) ple fight i. See additional Ivrics For the bas- ic op -portune, To live a Rhythm figure 2 end Rhythm figure 2 with Rhythm figure 2 (7 times)148 lite, We don't in - tend—to lose. But time has bm G Do a come, When we must all de-cide, Yomend our bm G Dm evil ways, Or let the whole world die. Rhythm figure 3 thought, Am? £ FTI FD FTI FF 7 fought __ e tionsa9 Am7 Coust Br 2 2 7 2 J 7 ? 2 } 7 7 a4 2 o a end Rhythm figure 3 — We must make the chan = ges,— 2a with Rhythm figure 1 (4 times) BL 5150 Peo - ple.151 Be set =p RBS tr R > > > > tr tr Guitar solo iw bm . 2G Dm dk z ss ih ao twee regs d 7 with Rhythm figure 1 (18 times) . - 8 z B BS a Bag B= wy BE1522. moet oe Td eine} 6 (at 8 490) 719} 6 FI 6 6) 4 Din G Dm GGuitars tacet Din Ab9E11B9sus4 COsus4 eleciric guitar (, W > }) (Dm) fo [ in | AbO#1IB9SUs4 COcusd Keyboard solo Bb Am? fou —idL with Rhythm figure | (20 times) with Rhythm figure 3155 Dm G 12. C9sus4 vleciric guar | 2) thy with Rhythm figure | (4 times) ed 0 ps.alcota coda)" = Additional lyrics 2. It’s alright, 3. If it’s tue, When you open up the soil, That no one really cares, Not your very own, We gotta sacrifice, Cause you don’t want it spoiled ‘Through the changing years, You feel alright, We do the things we fee! In your own ideals, Will matter most of all. And you must look around, So let the people yell, For ideas to be real, Sweet music is our call So many other people We realize, Haye unjust lives, That happiness is young incention, We must face the truth, But find in people, "Cause there ain’t no real place to hide, All kinds of good reaction.156 SUPERSTITION BY STEVIE WONDER Moderately d= 94 Intro fa- = = > sitar 1 guiiar 2 guitars 1 and? COPYRIGHT © 1972 BY JOBETE MUSIC CO., INC. AND BLACK BULL MUSIC INC. 6255 SUNSET BLVD., HOLLYWOOD, CALI, 90028 INTERNATIONAL COPYRIGHT SECURED. MADE IN USA. ALL RIGHTS RESERVED157 Very su - per sti = tious, on.the Wall. Sosa ey 3 Roythyn re guitar 3 Very stieper-sti - tious,158 Love's a- bout to Thir-teen month.old_ ba159 ————_ 4. Broke the look-ing glass. 6 en years of bad luck, 5 6180 Good things in the past. in things__ thatyou161 under ~ stand, You're gon-na suf = fer, ah! Susper- sti - tion ain'tthe way,162 Verse 2 Very Sas - oe EB sian ace & Shoes su = per = sti - on ta - ble tious, sti tious,163 Where will all— this stoj All we know.'bout sticks,__164 Don't 0 - pen your um-brel 6 Until you're out the 5 If you're ruled that you165 You're voo-na subfer, ab. Super- sti - tion ain’tthe way, — = AE BE DE FE DEGuitar solo guitar 3 (Em) NC. with Rhythm figure 1 (first 14 bars) ~ a WOT > 4 WB 4 WB. = = =167 mS _ hold bend= = = = = = 5 RR B BOR168 wi with Rhythm figure 1 (first 10 bars pith Rhythm fgg (First 10 bars) wy ==4169 = Faro 0.70 BLUE WIND BY JAN HAMMER E COPYRIGHT © 1976 COUNTRY & EASTERN MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. All RIGHTS RESERVED. USED BY PERAUSSION.7 Guitar solo 1172 E Keyboard solo 1 Guitar solo 2 Sra = lime = = ee173 hold bend R Ban = = - - a = = oe ee Keyboard solo174 Guitar solo 3175 D.S.al Coda N Keyboard solo 3 QrCoda Straight time Sva— ~7- 2 G with Rhythm figure 1 (8 times)G Asus4 (a= = = = eee AIG G Asust77 (sa) - - - =e - = = B B 26) oe] — AIG G Aas178 A.LLR. BLOWER ‘MUSIC BY JEFF BECK, MAX MIDDLETON, RICHARD BAILEY, PHIL CHENN Moderately fast ¢ = 108 D9 DRO B® pe = = of DEES by DRIES ee bo Em? (£9) Sia AM AWN keyboard doubles guitar (© COPYRIGHT 1975 WESTMINSTER MUSIC TD. AND B. FELDMAN CO, LTD., LONDON, ENGLAND. TRO—ESSEX MUSIC INTERNATIONAL, INC. AND EQUATOR MUSIC, NEW YORK, CONTROL ALL PUBLICATION RIGHTS FOR THE U.S.A. AND CANADA INTERNATIONAL COPYRIGHT SECURED. MADE IN USA. USED BY PERMISSION. ‘ALL RIGHTS RESERVED INCLUDING PUBLIC PERFORMANCE FOR PROFT.Dm7(D9) . . . _ _ . . _ _ _ (Sa)~ = = (8va) ~ NW Guitar solo E9180 3 pB-SRSReB Snr ee18) 1 ae 2 hold bend B R192 guar! D9 DHS E9 D9 DE9 ES D9 DE9 ES Do guitar 2 D#9 Es Dm7(D9) #9 Bo Em7(E9)Em? (E9) (Sra) — - = “second time only (Srp - - - 5 - - 4 Slowly J= 60 Bbm7 Keyboard solo Star 1 guitar 2 with wah throughout184185 GmajT Bb/Ab GIF186187189 Free time. Guitar 1 bt ei 2 te 8 atta) ta)190 LET ME LOVE YOU BY JEFFERY ROD Medium blues J = 96 PRT BT! Fe? Intro guitar f ‘é @D Te eee COPYRIGHT © 1968 BY FINCHIEY MUSIC CORP. AND CARUN MUSIC. ALL RIGHTS FOR THE U.S.A. ADMINISTERED BY UNICHAPPELL MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED. ‘UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OR PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT. INFRINGERS ARE LIABLE UNDER THE LAW.191192 O- vor here, Verse 1 Fa? You're driv- in’ my poor heart Rhythm figure 1193 B (Bsus4) B (Bsus4) =~ ——~ by, You're driv - in’ my poor heart194 When P'm with you, woman, My BT __F —~ whole life seems so haz Ah, don’t you know that. ittar 1 eemeennnn195 Verse 2 S> a Ba-by, when you walk, You shake just like a wil-low tree, Oh, yes you do—da with Rhythm figure 1 Ev-’ry time 1 see_ ya, oh, Ba - by, when you walk, you know what, — you >. cape shake just like a wil-low —tree,__________ Know, 1 know, 1 know, I know.196 you sure look so good— ch Guitar solo B I Fam? Come on,ba- by. guitar 2 let ving197 Bousd BOsus4198200 BT > ye202 Verse 3 Ra-by, when you walk, with Rhythm figure 1 guitar T Ba - by, when_you shake like F you ought 2 know that by now.sure look so good Fim Fe7Fig love you, ba =me love you, babe. you, ba by. 205 What you got? Amy old way you choose it.let ring B Fe «ry You're driv-in’ my poor heat cra - cy. Let me (let ring) FHT —_— eles se love you,ba = by. with Rhythm figure 1207 Now,ear - ly inthe morn-ing time, 8ya La-ter inthe eve - nin’. Let me Free time ce (B7) G9 FHS You're driv-in’ my poor heart... 5 love you, ba - by, ay. (Brg). > guitar 2GOODBYE PORK PIE HAT BY CHARLES MINGUS keyboards: Abmaj7#11 m7 G/B BDLS Moderately slow Free time COPYRIGHT ©: 1972 JAZZ WORKSHOP INC. INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED. USED BY PERMISSION.A tempo J= 110(S9=73) Di sus DT susd. tr i ae Dr sus br Dysus4 SJ gudtar dead de guitar 2 209“feedback noteBoil Cisus4 “t= thumb212 Cause c BIC cl D7sus4 +: echo repeats 5 let ring213 bab Ale ddI) d. ur 1 , 4214 = br By. guitar f io :) guitar 2 a aya laly Tab ey ey Reet =F BUR B.RBRBRBRBR BRBRBR BRBR215 Disus4 b7#9 Djsust D7 cD216 keyboard arranged for guitar 4218 D7sus4 DI219 guitar 7 Ab (Bb Bo AS Bb Bb 22 Ye 5 AM Sra = seen — tur! Ab /BD Bb Ab/Bb BbiC D7 sus a hg DOO? FPA 4 sd Sd dem ~ : as ae NY 7 guitar 2220 J. Dsus ) AW NWA bo Dmit - d bet = te = AWWA — WB. ~ oy . ae AAW == Dm? Eb maj? > Da od AWWA = = ——— WB WB, AWWA MN Abmaj7#11 : pte “Nw AYA, = — FF —— New wn AAA —— GIB ‘Bp13 Ab /BD J bd 2 2 2 MM WWM We. - W.B, BR) WM _ NMBIC aD bz. FIGEbmai7 J bh223 guitar F G7 ad 2 d. de N.C. (bass) pultar 2 Free time Dsus ritard. ~ pt “oe guitar 2 oT 2 fade out eo Sfx = eg gee Sages SS ASP if = : = = = = ———S 23s n =THE PUMP BY ANTONY HYMAS AND SIMON PHILLIPS Moderately slow J = 88 E ) Keyboards: | — ———_ , —— , ————. E D 56 D6 mp nf ler ring COPYRIGHT © 1980 8. FELDNAN & CO. ITD. T/AS EQUATOR MUSIC AL RIGHTS ASSIGNED TO EMI MUSIC PUBLISHING LTD. RIGHTS FOR THE U.S, AND CANADA CONTROLLED AND ADMINISTERED BY GLENWOOD MUSIC CORPORATION. “ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION.225 with slide. with slidewith slide with slide hold bend B227 with stide with slide with slide with slide (oye = with slide with slide with slide So «ue — BR BRBRBwith slide Bon? with slide229 with stide Sam J 2 Tso with stide Z Bom7 with slideBbm7 @ _ Ab _ _ Lo. (Bra = 8 = NAV 35 WB. NAVA Eb | = | with slide ~ (with slide)os ” ib (8va) - - - - - - > > @ rb Bb (Sra) - zB232 (with slide = with de> cb Bbn7 wh = 2 — Ee. E E -7 AWW \ — (ea = : ee,LED BOOTS BY MAX MIDDLETON Moderately fast J= 12000 Ebmil drums bz om COsus f COPYRIGHT©© 1976 B. FELDMAN & CO. LID. 1/AS EQUATOR MUSIC. [ALL RIGHTS ASSIGNED TO EMI MUSIC PUBLISHING ITD. RIGHTS FOR THE U.S. AND CANADA CONTROUED AND ADMINISTERED BY GIENWOOD MUSIC CORPORATION. AIL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION.235 Play 4 times C7 Bb F/A_ Bb | bass figure arranged for guitar236 NS with feedback P.M, W.B, dive = z Syae Guitar Solo ob NH. WB, OD (Sal- 4 a | S : .237 oe 7 Be W.B, divehold bend240 (80a), play 8 times ~~ co Bho EAC Bb Rhythm figure 1 end Rhythm figure 1 bass figure arranged for guitar cy Bb F/A CB co with Rhythm figure 1 (12 times) > > = = aes Bb FIA c Bb cg BR B BR oi4} a} 9S Bb FALL Bb Ce Bb F/A C Bb C9241242 ROCK MY PLIMSOUL BY JEFFERY ROD Moderate bes d= 106 intro guitar 1 BT guitar 2 COPYRIGHT © 1967 BY CARUN MUSIC AND ENQUIRY MUSIC LID. ALLRIGHTS FOR THE U.S.A. CONTROLLED BY UNICHAPRELL MUSIC. INC. INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED. UNAUTHORIZED COPYING, ARRANGING, ADAPTING, RECORDING OR PUBLIC PERFORMANCE IS AN INFRINGEMENT OF COPYRIGHT. ‘INFRINGERS ARE LIABLE UNDER THE LAW.BT PRT ny You can rock. Svea 42d Rock me all_night —_ long.— Rock me all ~ night a “Cause vou know what whenU5 My poor backain't.got a bone. You can roll me, Just_like they roll___the wag on wheel, waydownin the coun-try,. Keep on roll in’ me _ba~ by.FT ET By shake rat-tle'n,-roll_ me, “Til my back_ itain’t got__@ bone. An’ I won't mindm7 Guitar solo FAT By hold bend hold bend, UB 7249 hold bend hold bend hold bend hold bend Be ee ee pe ee ls Soe be Bs250 E7 (Bar > 7 t251 ET BI Fe Over here! Keep on252 roll - Just roll me all— night long.—I won'tmind it gultar 1 night long. you know what, when253 Pir 7 BI you shake, —rat-tle 'n’ roll My whole back ain’t got @ bone. B79 BT So will yadoit? Keepon roll = int me ba + by, Roll - in? me = yold way_you choose. zz. mp254 Ha,ha, ha, Keep roll in’ me homey, “dl my old back aint Over there. — Rock-in’me ba - by.255 Rock -in' me @R don’t mind.which way_that you come en, homey.256 Rock-in’ me ba - by. Rock -in’ me Rock + inL_ me ba . You know you bet-ter257 Se Se 7 +5 Keep on rock in’ meall night You can —=_=;_:_ LL __ _— == = Free time FET (57) mo ba-by, yeah, yeah258 STAR CYCLE BY JAN HAMMER Moderately fast J= 116 keyboards synthesizer effects for approximately 15 seconds FE (also played 8vb.) with harmonizer set at perfect fifth above on repeat play on repeat only COPYRIGHT © 1978 COUNTRY & EASTERN MUSIC, INC. INTERNATIONAL COPYRIGHT SECURED. ALL RIGHTS RESERVED, USED BY PERMISSION.259 Guitar solobs a - - - Cs, we 24 {also played &vb.) with harmontzer set at perfect fifth above on repeat*play on repeat only keyboards F wan side Wh Rarbionter stat guitar effects perfect fifth above on repeat Don) va play on repeat only263 keyboard solo G Ds F (ua) ~ - keyboards264 BECK’S BOLERO BY JIMMY PAGE d= 6 A A_,8 a a a 2 we" J. 50) I ns) hah “play ow repeat only Pa P (a re 2 1 INI) mm) hi chr _ OO te 3 + 4 iy q J J To Coviard with slide COPYRIGHT © 1967 BY PALL MALL MUSIC TD. ALL RIGHTS FOR THE U.S.A. CONTROLLED BY265 ) hypinrs b | with slide Lead figure | with slide effects throughout = BRA A oN tek eer ter end Lead figure 1 with Lead figure 1 BLR = r po Pe cA sc A - Gc To Coda» gS NN eaeD.S.% al Coda simile 2 ath rh 8 =269 with slide effects (Sg - -270 CAUSE WE’VE ENDED AS LOVERS BY STEVIE WONDER Freely guitar 1 Abma7 Fin? _ kevboards: Cm wer go i wl 3 aie mf a tempo B p= of rapid volume swells COPYRIGHT © 1974 JOBETE MUSIC CO, INC, AND BLACK BULL MUSIC INC. 6255 SUNSET BLVD., HOLLYWOOD, CALF. 90028 INTERNATIONAL COPYRIGHT SECURED MADE IN USA. A RIGHTS RESERVED271 Cust c Cmo Abmai7272 Fm7 Bb 13 ° cng Abmai? BRBRBRBRcm2 td Abmai? = Fm? Cusd bic Fin7 Bb13| | | | Dic Gnac BOR Fm7 Cousd c soo iG mt t AFD 2p Abmar id Fm? Fore PITTI ae, b275 cmt. gue! Dy JT) em TT) uitar 2 ny Did. Se.cma Abmai7#11 guitar 1 Fm7 a2 794 7) 7770+) oS: de dee 7 hold bend | . .7 Aba? Poi Abmaj7# 11— Abmai7 BR BRR “few 6 miei 6 Dic mz.279 G7b s/c Fm7 Cust C cm9 eo ~~ Abmaj7#11 el280 ‘guitar 1 foal = 72 Abmaj7# 1 guitar 2 ‘guitar 1eels aN 4 e Tsai leoavara ey UPERSTITIOUS Pibacdgt etre sels eom ala) Pe Mora be ahs) eae t ch ay