- ALBERT W. SELDEN and HAL JAMES present ALBERT MARRE’S Production of. NG oF 12fancha ‘A Musical Play by DALE WASSERMAN Music by MITCH LEIGH Lyrics by JOE DARION Piano Reduction by MARCEL G. FRANK Revised Edition Baited by LUDWIG FLATO ‘VOCAL SCORE 8 th printingFirst Performance November 22, 1965, at the Anta Washington Square Theatre, New York Choreography by JACK COLE Settings and Lighting by HOWARD BAY , Costumes by HOWARD BAY and PATTON CAMPBELL Musical Direction ‘and Dance Arrangements by NEIL WARNER ‘Musical Arrangements by MUSIC MAKERS, INC. Book and Musical Staging by ALBERT MARRE An Anta-Goodspeed Presentation CAST OF CHARACTERS Don Quixote (Cervantes) Sancho Pedro, Head Muleteer ‘Anselmo, a Muletce ‘The Housekeeper . Jose, « Muleter ‘Juan, & Muleter Paco, a Muleweer Fenorio, a Mulerer. JASON REED, ‘MORDEN, JONATHAN FOX Man of La Mancha is suggested by the life and works of Miguel de Cervantes y Saavedia.Time: Place: WooDWIND: BRASS: PERCUSSION (3 players) : SYNOPSIS OF SCENES Spain at the end of the 16ch century. A prison in the city of Seville end various other places in the {imagination of Miguel de Cervantes, INSTRUMENTATION Flute (alternating Piccolo), Oboe, Clarinet, Bassoon (alternat- ing Clarinet). 2 Bh Trumpets, 2 Horns, 2 Trombones (Tenor and Bass with F attachment). ‘Timpaai (2 pedal or 3 hand-uned) — 1 player. Percussion 1 ~ ‘Traps (Snare & Bass Drums), Floor Tom-Tom, Suspended Cymbal, Triangle — 1 player. Percussion II — Large Floor Tom-Tom, Suspended Cymbal, Finger Cymbals, ‘Tambourine, Castanets, Temple Blocks (High and Low) ot ‘Woodblocks, Xplophone, Bells — 1 player. ‘MISCELLANY: 2 Spanish Guitacs String Bass DISPOSITION OF INSTRUMENTS Conductor (facing audience) a as Gat dH Ast Hora, Timpani, Percussion IL 2 Spanish Guitars, String Bass Stage Set AudienceMUSICAL PROGRAM ‘The play is performed without intermission, Le PRISON SCENE nnn 1s, MAN OF LA MANCHA (J, Don Quixote) 2, THE ENCHANTER oon 2a. FIGHT OF THE WINDMILLS... 2b, MAN OF LA MANCHA (Play-off) sn 3. MAN OF LA MANCHA (Underrore) 3a, ITS ALL THE SAME. 4, DULCINEA . 3. TM ONLY THINKING OF HIM 6, WERE ONLY THINKING OF HIM (Teg) . 6a. DULCINEA (Undercore) 65, THE MISSIVE non © 7. URRALLY LIKE HIM 8 WHAT DOES HE WANT OF ME? f, LITTLE BIRD, LITTLE BIRD 9. BARBER'S SONG = 10. GOLDEN HELMET OF MAMBRINO .. : 1, ‘TO BAGH HIS DULCINEA (To Brery Man His Dream) 12, THE IMPOSSIBLE DREAM (The Quest) —(Underscore) 13, THE IMPOSSIBLE DREAM (The Quest) Song 14, THE COMBAT 15. ‘THE DUBBING . 13b, KNIGHT OF THE WOEFUL COUNTENANCE =16, THE ABDUCTION 17, THE IMPOSSIBLE DREAM (The Quest) —Reprive 17a, MAN OF LA MANCHA (J, Dea Quixote) —Reprse 18,” MOORISH DANCE 184, THE DUBBING (Underzcors) RID. ALDONZA ns : 20, KNIGHT OF THE MIRRORS (Bnirence Masi) 2i, FIGHT SEQUENCE 22, TM ONLY THINKING OF HIM (Underscre) 23, ALITTLE GossiP 24, ALDONZA (Undericore) 25, DULCINEAReprite sn 26, ‘THE IMPOSSIBLE DREAM (The Quest) —Reprie 27, MAN OF LA MANCHA (I, Don Quixore) Reprise 28, ‘THE PSALM 29. FINALE 30. BOWS 31, EXIT MUSIC. — a 107 _ 17 7 19 . 120 124 18 BL BS . 7 ML ~ MtMAN OF LA MANCHA i Music by Lyrics by JOE DARION MITCH LEIGH. Overture . | Broadly, with majesty Te, ‘well-marked d i ine = Be z 4 @ prightiy | 4 or, | Sr | Ps | so ep tie r | Copyright © 1065 Androw Scott ne. and Helena Music Corp. 1 Intemational opyight Socured—-MacoinUS.A, All Rights Resarved[Moderately slow ‘Tranquil. it. = Maestoso ae" a Cantanets o Moderately Gtr, SL (Flamenco style) aS ae 7ww, 4, a, ric Ha. 5 En (ad tin 1d ys) a + Tp,TOesisnets | +8. — >>, ©) Moderately (Bolero Tempo) GB, ce tower)2 SSS + Timp. 4Broader (in 9) ow Prosser43 No.1 .* Prison Scene Prisoners come into view out of shadows. One plays gulte, sccompanyiag Flamenco singer and dancer. CANTAOR (Male eager) Cred — tice An Gultr (le Rangueado free Flamanco style, Captain ofthe Inulsition, two Soils, ijl de Cervetesand'Manservant sd guitar fe on agus Theme tape as staresy is loered.) Magee de eo wd Es-ta fue - go ————__ z Chaps Yada: doom a Capa teacher bao of tale) Py est No. la - Man of La Mancha (I, Don Quixote) Warning: THE GOVERNOR: Charate! (rape fate at ais dieppeer) (Gwe: CERVANTES: Thenuomay 1 set the stage? Vomp vntil cus; CERVANTES: Famp wat eve: CERVANTES: He lye down themalen- ‘et a dauntlee holy burden of say. [right known as.. .Don Qixote dela Mancha! ‘Tempo Paso Doble Pies, jr ou. A P Base B pow quixors: cine) [Al Hearme now, | oh——thou bleak end un - bear - & - ble world, © Thowart fas ba. PEPEF EF |ERFEFER| LEFEF LY.and de-bauched ac can be}. And a knight with his ban - ners all brave - down_ his gaunt - let toDon— Qui- x0 - te, The and winds_ of for-tune will car - ry me on-ward, Qh whith - 0 -gol _ a ; MAA A , BY San - chal ny Exs,Bas,all the world his aqui - rel Tm his — felend! Has Ben, €f EF |CEPEF EF o DON QUIXOTE: Hear me, heath - pents— of 2 mr, Bre ‘Diep. T.BLar W.BI. All your das = tard - ly do - ings48 > fue shall trl = umph at [Mey fend the “horse” downstege) ww.te Pree. 55 = | | :at Vigorously (Dene ofthe “hret!) Oi te ais20 Dow quixore; [EZ] T am Don—Qui- xo - te The SANCHO PANZAi : San < cho! Yes, Pm jat $$ whith - er = so -ev . er they blowh—————_ Whith.- er= eo- Ym his equi - ret Tm his friend! Whith = OF so- Br. we hey Hew os wed fo ¥ = Br, —_—l|Fr io. CT we ees _ “AAT: Se 20 lee (ED — eS22 . No.2 The Enchanter (Underscore) Warning: DON QUIXOTE: Like beauty, my friend Gue: SANCHO: What kind? Vamp wats exe: SANCHO: Well, who ie be? Who? Ominously d=116-120 Bes. eolo SS FS Rmile Gate when Don Qutzote dukes his Ince fercciously) : § i ; aS No.2a Fight Of The Windmills’ _ , Warnings SANCHO: What giant? Cue: DON QUIXOTE: Avast! Avaunt! On guard! Beware! i ReNo. 2b Man Of La Mancha * TI, Don Quixote) 7 @hay- Off) - Slowly ¥¥O) | @ bamip (eated) ‘Bs, 8.D, Timp. (Play till Sancho hurries to plump himself, ag Sec bgt Hun ne, No.3 Man Of La Mancha (1, Don Quixote) (Underscore) Waning: SANCHO: = fall of rough men and women, (ua: DON QUIXOTE: Come. We shill ride stright to the drewbridge of yon castle and there thy vision may improve! ( Brightl pars Dialogus) PEF EEF PF Ee Stay on sacri ailed Alyse Fnmeietn gue LEFEF EF IL EPESNo. 3a Change Of Scene Its All The Same Bright J.-98 upewtareas (eating Food! Food! Wine! a Wine! Al-donzal — don-za) Alsdonza, (Al - CMOLETEERS barging tn dishes on th table) iene Bna:#7 ' I marcato (cempre) Repeated bis, gradually zee, fey ‘Stop on ALDONEA'S entranet) ee 7 BegTinp, 8D, ri thee Cue: ‘ALDONZA: There, wl, Fed! (Sh griny : ~ Slower fing) 4-82-00 ded raat You refuse Pedro? 28, Stop on Piste i SeeMULETEERS: “Palmathandlagping) aeeqrar [AJA tempo (Poco meno) ALDONZA: One pair of arms, Is Iike _a-noth- er, don’t know Jeamed: that when the light's out, No man will 1 Gtr.on stage) (aot ing Gteon tage), P (ant tine aad Rhythx) colta parte t EBD. why or who's, to blame, ~~ Tgo with burn with peo ial flame, You'll prove to me be, = fore ‘ — your bro ther, Its all: the it's all tho ’ — the night’s out, You're all’ - the youre all the(Resume Pitnas) a tempo talle with star ry what mon - ey (Tacet Palmas) buys! Ono pair of colla parteyour broth = er, — to blame, [Flatempo celta parte) Eas ety) ‘Viwpr00 (Tecet Patmas) With hat < rea barn breast,1 live, BDO iterpte Money sec... Ct: PRORO pics vp woney T choose... eee WY.80 ALDONZA: @) tempo One pairof arms = is—_like a-noth-er, It’s all the same, ete wef TG ? — = stringendo ‘Vivo its MULETEERS (shouts: Aldonza!No. 4 Dulcinea Warning: ALDONZAs Ttold you my name! Gee: DON QUIXOTE: Ah, suidet soverein of my captive heart. Moderately Hine Tit, ‘ot ELF I shall not fail thee, for T know. DON QUIXOTE: 1 have even thee or touchedthee, but Hon ite, Half a prayer, Z ou. always beenwithme,though we havebeen al-waysa Huts, halt dreamed, ls, known thee with all of my atprayer an an - gel = no- altrem-ble and shrink from the ou, ‘Thou art == warm anda live, and phan-tom to fade in als,dreamed thee, Dul found thee,and the world shall know thy35 oO INNKERPER: Come along, _Sefior_Kright!... ss. TL show you to your quarters. (He maneuvers DON gradually accel. Thor? TF QUIXOTE opp stage.) MARIA: Ay, Daleineal TE [Ategmenstrsias — ANSELMO:(s y a86 ANSELMO: see theeDul - ci Q (its fatettos MULETEERS ¢raveously): Dul-cisought thee,sung thee, dreamed thee,Dul - ei - me-al—_____________ Now lve me ete Has. rb. found theo,and the world shall know__ thy glo. = Ols..Tbe,88 . NO. 5 change or scene I’m Only Thinking Of Him Warning: THE DUKE: The most curlous I've ever heard! ue: THE GOVERNOR: Continse your defense! Moderately Vamp wntil ewe: She is oily thinking of hint a. (CERVANTES: .. But in spite of dhe trouble which the Squire's madnes may bring upon her ‘head, you may be sure she is only thinking of him! ANTONIA ¢piousiyye (and tine inge) Tm on ly think - ing of him, KEP WW, on = lyfhink - ing of him,on ly think~ Ing of him! In my bod-y, it's well known, eM, Ens, bs. z a not one sel-fish Ym on ~ ly think - ing and wor- ry-ing__ about Tvebeen fold he's chas-ing drag- ons and TIt, heave en ‘groom should hear & © - bout TtF (tf eifi Ft . fear it may be — tme. i my oO Oh, I dear- ly love my un cle, but for wy, keiows what he will like to take and lock him up andery true. one thing that I swear will still be wR Hna.,Te, P ou - ly think - ing of him; Fm on ly think - ing of PADRE: Of — course you are, my dear; imow, I know, my dear; HOUSEKEEPER: on - ly thinking and wor- ry-Ing__ un + der ~ stand.on- ly think - ing of him, Tm —on- ly think - ing of him, WW > ve-ver I may door say, fon = ty think - ing of Hos. Teba, eee = heart of me ‘Thereis Christian chai - ty. Hoa, Tbs. i t43 on- ly think - ingand wor-ry-ing— a-bout him! ing yearswith-out a spouse, Sowhen he re-turns I Tt EF trouble in the house; Forthey say heséeksa = la.- dy, whois ww. * own truelove shall be; Godfor - bid that in his mad-nesshe_should ev- erthink its48 ’ @ If he should try TU sure-ly die, And 1 will grim-ly guard my ho nor ‘as I Hing. ,Teb, E wee’ f ref 7 ANTONIA: ‘Woe on = ly think - ing of on- ly think - ing of | him; Of course you are, my dear;a on lyfiink - ing and wor ry-ing__ a-bout him. FA 8.37 fir TSF EFT R Mer er? = a HOUSEKEEPER: ANTONIA: ‘Woe! on- ly think = ing ofsaint-ly is their plain-tive plea... ‘They're on ly think - ing of Woe -woe - 00 comfort, to go think - be sure, ing and ‘That thelr mo-tives wor = ry+ ing a- bouter . ay i No.6 We're Only Thinking Of Him * (tag) UJ Warning: DR. CARRASCO: Challenge? Cue: DR. CARRASCO: Get rudy, Pde. Moderately aoaneasee: . We shall go after hima. , Butaswe gdm. But aswe go.. _‘Thero is rh pain, ‘Thatoneoa-gain, Wenowwill aie) 1 feal with one thing thet I want the world to know! hear aver-y oft-en heard re - Bae, Tbe. isF afi TEP TSP 2, ANTONIA and HOUSEKEEPER: B on - ly think- ing of lyonly think-ing of him, ‘What - ev-eryoumay do one ly think. ing of him, ‘What - over I may do him, well known, ~ ‘Theres not one sel-fish He's on-ly think ing and wor-ty-ing— q-bout him. on- ly think” - ing of4 { No 6a change or Scene Dulcinea - (Underscore) 1 Slowly CERVANTES: Let us return now to the inne. No 6b } The Missive ' i Wairning: ALDONZA: (Gwe: ALDONZA: What's it sty? can't rad, Freely Btn, for pitch) "SANCHO: (a coppella) ALDONZA: Ho. SANCHO: B “fost love ly sovtrelgn and high-bom ae...” ALDONZA:fis. saNcro: “The heart of ‘this thy vas-sal knight faints for thy fa-vor.” Op, falrest of the fair, purest of the pure,— In- aleve watt ues SANCHO: only Be EUG, 2 compra-ble Dubst-no-a2, [beg thee grant that I may kiss the Dialogue anit cue SANCHO: I'm geting tings) nethermosthem of thy garment.” “And cendto me a to-ken of thy fair es-teem that I may carery as my stan- Ward in- to bat-tle7___60 No.7 I Really Like Him Warning: ALDONZA: I'l give him & token, Here! ALDONZA: Why? SANCHO: I'm telling you, It's because... because. (Out: ALDONZA: Why? Witt one beat, then start) — Moderately sancro: Tear out “my fin-ger-nails Has, Tat. eo= ‘Avery good rea - 50%, Since-T've been with him eu-ckoo-nuts have 2 = Ens, Tobe, ele ve 1 ‘of a Butthere’s noth - ing I can Eins ibs, oe i + Chop me up for—_ on- fon stew, Still FI yell to the sky,-Though "ETE WALES iT es oO tel |’ poet calttell youwhy, ‘That I Tike WY, fh a rr rir ef Fl Ply52 Gu; ALDONZA: You've gotten nothing! Why do you oO doit? -___ SANCHO: T like ~ him, Tlreal- ly like him, “Bn. (6eiowe) dA Ban, ba:T've gotten. Eas..Ts, rece st 7 idee oats masicon end efx Pluck me nakedas a seald-ed chick-en, 1 4 Big i eee ae elanley Yoause_I don't have a sin-gle good “bo - cause” or “there - fore! n. Tria go 2 4 TECrreee | gleede-eue my 1080, Make & glb-let WArhin ie ‘ef toes, ‘Make mo freezamakomo fry, Make me sigh, make mocry, Still TH yell to the sky, Though Ai Br. ‘gl r ued PP 1g! vey Ben. 8, can't tell youwhy, That I... ‘him, att (Bas) + Zyl His,,Teba(S2lower) ig rer -5a No. 8 change of Scene What Does He Want Of Me? Warning: ALDONZA: A fie pair, just as erery a8 your master. Gee: A. DONZA: You'se got no cholee..do as you're told. Why does he do these thingsy—_ Why does he march throughthat droam that hé's in, ‘Why does he say these things? “Sweet Dul-cl- ne = a” and“mis-sive"and such, WeW.ltorl)(c1,Ben) Moderately xb a gu hin oop ~ (BD AtDONZA: LWhy does he do’ the +H, pans 2.Why does he say the things He. does? things he says? ob. SattF it eeeeaH | =a ss pe, Gov-eredwith glo -"ry and rust-y old tin? ‘Why does he live in a . worldthateazt be, And “Neth-er-mosthem of thy garment I touch No one can be what he wants me to be, Oh, ‘WW, Has, — 1 What does he want of What doeshe want of me?Rell be laughod at wher - ov - er he'll Iangh-ing my- self... o ‘Why doos he want the things he wants? Woo Fl) ‘Why does he want thesecr, | 88 _ Why does he bat = ter af walls that won't break? Why does he give when it's nat-ural to take? WW.7 No.8. change of scene . - Little Bird, Little Bird 1 <:] Gees The prison tight comes on; CERVANTES reappears with MULBTEERS, : : feasting cong 1 ANEBLMO iy rote. . 4 ANSE freely : In ‘the cin-ma-mon Lit-tle bird, little bird, CERVANTES: A L *it-te bird, lit tle bird, In the eln~ma-mon a trumbing Sry) a a — sg Sly %, nstegy | $ a Tt o lit tle Lit- tle bird, Little bird, ‘lit-tle bird, Do you sing for Do youbring me Do you sing for Do you bring , me ANSELNO: Lit-tle bled, lit-tle MULETEERS: {8 *8 tempo Jeus (OBRTANTES exites bird, love her Lit. tle bird, lit-tle bird, Lit-tle bird, lit-tle bird, PEDRO: CALDONZA appears \ Be - neath this tree, YFANSELMO: Know, Lit-tle bird, lt-tle bird. Lit-tle bird, lit-tle bird. Be - neath this tree) eln-na-mon tree, ein-na-mon tree, love, ____- We tearned to ery; dove, ——________ we learned fo ery;» one cold Oh have pit-y on and here and moon - I moon = 1 ANSELNO: Cond tine) MULBTEERS: ‘Lit-tle bird, Lit-tle bird, we Kissed, less night less night Q lit-tle bird, PEDRO + MULETEERS: PP Lit-tle bird, Bring her back lit-tle bird, 59 Iit-tle to me60 *Nesth the cin-naimon tree, Ew Lit-tle bird, lit-tle bird, tittle Lit-tle bird, I havewait-ed too long Lit-tle bird, lit-tle bird, Little: bird, lit- tle--bird, "please fly, . please Little bird, lit-tle itt-tle bird, : ‘bird, _Lit-tle bind, go, ‘Lite bird, Uit-tle bird, and tell her go, _Littlé bind) lt-tlo bind, Kx Lit-tle bird, Lit-tlo” bird, Lit-tle bird, lit-tle bird, = 5 = (ue: ALDONZA: Later_when Ton finished in the kitchen, MULBTBERS now sing melody of ‘Lite Bird”at later], fading wader Aialogue as the scene changes.) i64 . Nod “°° Barber’s Song Warning DR. CARRASCO: So'therds « woman! Gee: PADRE: ‘To each his Duleines. i @ Gaily BARBER: Gingtag off-stage) wwyage, OF J (Ok Tam a lit flo bar - ber And I 2 eee 7 Bins. Te. with my © raz-or and my — leech- es Hi. ‘Though your chin be smooth as’. eat-in, You will slip when I am shav-ing you And Fas, need me soon 1 know, For Lord pro-tects his . bar -bers, and He ext you. to the quick, a You can we me as @ doo - tor/Cause I~ wwers Fed Soy yma beastie 71. Ce enters) 2. Te makes the stub - ble grow. al - 60 heal the No. 10 Golden Helmet Of Mambrino Warning: DON QUIXOTE: Hand it over... us: SANCHO: It fe Worth half a crown. ‘Moderato eo DON QUIXOTE! Fool! rover WH, ™y oF 1 te 7 Ben, Be,8.D,00 § Gold - enHel- met of Mam - tri - no, fl-lus = tri-ous a Ry — a> I es voip “ (e63 Tong hast thou and Ba, Ppen, Allegretto yl ww Ca now, Will make gid - en parser: [©] dats Has. fo SANCHO: If be says that that’s a ote) His. aa —F vl TBR ap hhel - met, 1 1 Bp T can hear the eu~ dkoo singing in the eu ekoo-ber - ty Tow sug ~ gest that you ag- >, Paf \ ® I nana Fee, But bell find it is not gold” andwill not make him bold and — . a A a a a a SANCHO: ; Majestic Well, at least hellfind it uso-ful if he ev-er needa * shavel a NH FM) dott wea, : nl ¥ woe 2 Pantomime a WW‘Wg (they “orown” DON QULXOTEY Moderato DON QuixoTE: mtNow 67 Thy deeds the world will not for. - see Don Qui-xo - fe de La Man - cha nse, z a P DON QUIXOTE and Ff BARBER: Gad - en68 [TE Majestic a . pay B Hel - - met UOLETEERS) ENSEMBLE,SANG TAREE: . Nod To Each His Dulcinea ~ | (To Every Man His Dream) Warning: INNKEEPER: Fine! Tomorcow at sunrise will da you knight i Gxe: DON QUIXOTE: No, my lord, on this night I must fast and compose my 5p ‘PADRE: There is either the wisest madimanyor the maddest wise man ‘ Rubato in the world : DR. CARRASCO: He is mad, PADRE: Well. in any ease we have fale. DR.CARRASCO: Not necesacily. or PADRE: The cure. May itnot be woree than the disease. » We know the sickness, Now to fis the eure, le esite) Lively (sina) To Repeat ad|tib.untit vocal entranceTo light Hold moon FF hn his light 50 in * fF + 37 TFwith expression it you dreams oO with expression man with moon > light in hand Has “noth == ing: i 06, ,Bsn, ——— 24 =™ slight rit, a Seely Though she's “Tutu tno tptey Beolla parte naught but pens 2 flame t fon, and fen. b= fim = cry No. 12 The Impossible Dream (The Quest) Inderscore) Very Slowly (DON QUIXOTE ts pecng back and forth. 2 2 Baar E - Solo Guitar (When on piano play with LEE) (Wham he begins: “Now rust I consider. 2 2 Continue very softly wader dialogue until cue to fade out) 2 2 ty : 2 2 2. i 2 Wialeguay eNo. 18 The Impossible Dream (The Quest) Warning: DON QUIXOTE: Only that I follow the quest, (Gue; DON QUIXOTE: It isthe mission of each true knight, Not too slow (Tempo di Bolero) his day. ona his piviege! the im-pos-si-ble dream, 2 DON QUIXOTE: (eingy)s To fight the un-beat-a-ble a To bear_—___with un-boar-a-ble s0r-row,wwitere thebravedarenot gos i the un-right-a-ble when yourarmsaretoo wear-y, the un-reach-a-ble— eee 9S. 14s ~out ques-tion or march in to hell for a heav-en-ly cause! Bet = to thisglori-ous Quest, Nomat-ter how hopeless, no mat-ter how pause,__ Tobe will-ing to if TM on-ly be will Ile peace-fal and80 & ‘when Tm laid tomy rest, ‘And tho world ——___ willbe bet-ter for 1, Bon, Bells fea De? ‘Thatone man, __ scorned and oov-ered with soars, Allargando (én 2) with his last ounce of courage, strove, Has.,Trbs, ‘To reach the un- reach-a-ble ay colla parte a DNo. 14 The, Combat “Werning; PEDRO: Stend buck or ITI break your empty head! (Gua: DON QUIXOTE: Now shall I chastise thee! Not too sl -- > simile Fras. ening A ts pee FRR RR PSB a82 Plea, Ol i wo mires Hear ms 1bee 88ee : No. 15 The Dubbing . ery Hora osPEn: rie Gue: INNKEEPER: Very well, then, Kntel! Freely Gintoned) I hereby dub thes knight, Don Qui-xo-te de ia Man- eit Ten? DON QUIxOTE: INNKEEPER: Your Lordship... What's the matter? Didd't I do it right? DON QUIXOTE: If You Lordship could make some mention of the deeds I performed to earn this honor...? INNKEEFER: Gintoned) cha, Having proved yourself this day In glorious Pon Quisro-to de La Mancha, soz nile combat, Aud by my authorityas lord of this castle... DON QUIXOTE: INNKEEPER: DON QUIXOTE: Your Lordship. ‘Something else? It is customary to grant ‘the now knight ‘an added name; If Your Lordship could devise such a name for ‘mo. { No. 15b Knight Of The Woeful Countenance Ge Brisk March Tempo INNKEEPER: Hmmm. /sterts walting) Hail, -Knight_. of the Woe - ful Coun = te-nance, Knight of the Woe -86 Peo-ple will know Of the glo-ri-ous deeds___of ‘the Knight of the Woe - Coun-te-nancel Fare - ‘well and good cheer, oh my brave ca-va-lie;_ Ride on-ward to glo -. ri-ous ‘swear when youre gon’ Tl re - mem-ber you well__ For all ofthe rest __ of my1 i . 7 87 1 a i of the Woe- ful Coun - te-nance, : —— ne t I | i Knight of the Woe - ful Coun- te -nance! Where - ev- er -you go, —_ aan re eS eae ote eee Fz TET. ——@—_ ae 5 i ? i o i Wa-lo-rous Knight, go and tight for the right, And Bins Tb,88 bat-tle all vil - laine that ‘oh, when you do, what will Plea, C1, hap-pen to you Thank God I war't ALL Gecept DON QULXOTS) Knight of the Woe - ful Coun - te-nance, Knight of the Woo - ful WW. (Pleo, play 62)89 Conn’ te - nance! Wher = ev-er you go Peo-ple will know__ " Of the z= so a Ee glo-ri-ous deeds of the Knight ofNo. 16 The Abduction Warning: DON QUIXOTE: Nobility demands, Gee: DON QUIXOTE: Blesstd onef Blessid one! ; Very slow Ob{Sulo)_ ‘Warning for music ofA]; ALDONZA: Turn owt, you pony gost! (MOLBTBER grabe ALDONEA.) Gus: MULBTEBR sereamsl 2d ting tit exe [h} Pesante Tae, pts ALDONEA slags MOLBTSER “alg 3. a ‘Tye, Hae? sie ALDONZA falls—s Little bid, little bird, (MOLBTEBRS gag ALDONEA) In 2 (imp. continues until ext tho off) 3 2 * 7 ein - na - mon... Pesante 192 (ALDONEA and TENORIO dance on thle) Moderately ‘Hasse, Be Riya,on a tempo (Thay hit th tates (Phey push her down) De fre ? vt CPBBUINA screams!) Lit-tle bird, lit-tle bird, ——__ Im the cin-na-mon tree, Lit-tioOne Freely Ing Do you_ sing for me? a Bei. 7 ANSELMO Freely and PEDRO: Do you bring me — word Ceimeet | kaw z (Sha te struck) ts, me Ss (Oiseted) Pare, Fe nee Fre . ie ete Slowly and Deliberately cin 3) Little bird, Ut-tle bird I love her,,, CAPONEA falls unconscious) eee yn Ove} PEDRO: Bring her! ; (They carry ALDONEA off stage) ‘Segue96 . No.17 The Impossible Dream (The Quest) (Reprise) ‘Warning: DON QUIXOTE: Let this be proot.. (O48: DON QUIXOTE: Now in thie mint of victory, ol confirm my knighthood. Moderately secand my oath, For all my life this Tdo eweur.. 7 DON QUIXOTE: "Cond time singe) Laguinitr'e Theme (tape) Starts softly (oimuttonsously To dream, the im-pos-si-ble dream, To 01, Bon, Belle Lights begin transition to prison - Staircase descends.) Inquisitor's Thome incressetn with un-bear-a-ble ender dialogue is bat in your Cite hdan dee gap | eeare cach ode DON QUIXOTE falters... falls hero the brave darenot go...No. 17a Man Of La Mancha Q, Pa Quiet) * (Reprise) Warning: CERVANTES: Too much sanity may be madness. ue: CERVANTES: And maddest of all, to see life... With vigor fe fe and not as tt ought, to Be, W.wleo Fa (Change of scene.) Be, 8D. DON_QUIXOTE: sings) @ + ise Ss: ried = (Stored in minorNo. 18 Moorish Dance : Warning: DON QUIXOTE: Never lost! ue: SANCHO: There's no use blaming my eye, itdoesdtt make the world (tonly res i, TLangnidly, sixcno: sory tt some yee metal enghe Leake iS ei. 2 ‘Has. 1 [) DON QUIXOTE: Sancho, never condemn before SP Tis, Has. (64 toner) Tip. Ta Ban, Fe mm__DON QUIXOTR: You see... ayoung innocent approaches.100 gor: : — Kham - a-lah moo-wee gle- Khl- 2, su-ma- kha, a Be, Timp, ‘MOORISH GIRL, tn am Arabic wailing manner): Be, Timp. 2, Tab, Dawe Diatogue: DON QUIXOTE:. Charming! Utely charming! 10) lsubito mp401 ‘on, SANCHO: Brother and sister? (Phe MOORS remove DOW. \_ MOOR Greely): of, Ay = nn ™~ } 7 Basing, Ct Tend. 2 Drs 09m.TB coiatogae: Don QUIKOTE: Set siden, what wilt thou? ete) op wader dialogue) a ed SANCHO: Or even how many the hae! rat by pee ecerre ry aA t FR tii ‘tand, ‘Dr.+ Oymb.| 7 Gants)4103 one art ‘su-ma- kha, iam - @-lah moo-wee gle-khi- a gle - khi - a. = i — Sy ee fiz wh wrai 0 f ot Pp, er Ft > FR DON QUIXOTE Getoning gravely): Much as I surmised. SANCHO: What's he taying? 7 tet F re Fig? [Bxx,__ DON QUIXOTE: A most grievous tale, It seems the noble Sidi_ben Mali Oe 2p op tpt pig? pte t Fe hus been taken captive, md_even now __Iies__ in durance vile. deep “Ml anor aia Force t Free Peer Fe ee in 4 dungeon, not _five leagues from heres while these, his faithful Pipi prrizip-rer pee? family and retainers travel the countryside in__hope of __ raising a ransom.a (Warning for cut on cue: GIRL drops @ coin snto her tréwsers) oct, (Diatagua: DON QUIXOTE: Observe, Sancho... ef0.) Ba. (Timp) Repeat till cus105 (The MOORS dance wildly.) a WW, ies. 84) MOORS: Allsh! ot : : ‘Timp+ Oya, DON QUIXOTE: Jet is join them! MOORS: _AUlsh! Wee Bo owbitd), accel. oa, (Chey join the dance, (st time) MOORS: Alla Een + Brightl Allah! wm Pues (4 time) MOORS! Alla Eres, tran, fcr eres est * Pereeoym, ; “ at time) MOORS: Alls! (st time) MOORS: Allah! ‘ (end time) (SANCHO and DON QUIXOTR Jatt.) Bhs ba be oS be AE Cohey took t each thar)406 No. 18 a change or scene "The Dubbing (Underscore) (Bnter INVEBBPBR, homme.) Moderately WW (Stop musie on SANCHO'S bugle cal.)= 107 Warning: DON, QUIXOTE: Duleines Cue: ALDONZA: am not you led... Not Fast - es fe ater Vad ce tah! | ' No. 19 Aldonza | on, at Be ‘Timp, 8.2. t AapoNza pairing): peggy) _()* OTP ae spawned in a course, there's. «may OL,Ben. Be-Timp.) Na ked and Point to their 2,0 —— tecold and” too fa - thers with 1 nev - er blamed her, I'm sure sho left Mine = was some = reg~ 1 = ment here = for an.) ho- ur, Bins ibs. —— Va have the good sense to cart = ev - en fell you which | =; ts qi t * ' a10 DON QUIXOTE: And sill thoa art my Indy, ABs as i, A little faster, ALDONZA: And still he torments me! cHow should T be « lady? (Sings and tina) LDONZA: For ale "= dy has mod-vest and maid - en - ly airs, And a look at» me, look at me, God, won't you look at mel hard tore. ~ -mem- bor these Born on a dung heap to Et Flue | sta - ble laid flat on your back strum - pet men use and for ~ quiteat myDON QUIXOTE: Never deny thou art Duleloes. shown mo the see what your sky, But what gen - tle ALDONZA: Take the loud from your ees tnd vee mee Ira A little faster good isthe «= sky to san - i - ties do (Singe 2nd time) ALDONZA: to mo?4 crea -' ture whdll nev- er do bet - ter than crawl? ot Rob me of = an- ger and give me des - pair! = = 1am ie Hie. abe all the cruel —_bas- tards whove gered and hat-tered me, Blows and. a - buso I can take and give back a - gain, 0,01. 2a DON QUIXOTE: Nov and forever thou ert ay lady Duletnee! (Beepeat ad Wid wnttt ALDONZA soroame in despair)ay No. 20 Knight Of The Mirrors (Entrance Music) Broadly, with majesty 4 Des 7 5 Swell marked * No, 21 Fight Sequence (Knight Of The Mirrors) Warning: DON QUIXOTE: Oh; fate knight! ue: KNIGHT OF THE MIRRORS: Thai reviled me and threatened, Ominous d.119-120 7,06,ue 4 * bassaoco) rrr b FRY eRe rir Repeat untit cus: NIGHT OF THE MIRRORS: Lam called. the night of Faster = 4 the Mirrors! +P, safety repeat] Lf Tout SDE pa(areo a (etroxe 4) (stroke 2) (stroke 3) (stroke 4) (Gtooia 5) on sages ay A Prati KNIGHT OF THE MIRRORS, the mirror of reality and ue: A madman dread »-Don Quixote! Sebold things as ey truly Gur Nag bt an for a masquerade! Seah, he7 KNIGHT OF THE MIRRORS KNIGHT OF THE MIRRORS: 4 MAN Ge dep tep the squad rend Continue ad Bid, unt DON QUIXOTE oS b sinks to fico, weeping?) 4 | # 78 No. 22 change of scene ; Tm Only Thinking Of Him (Gnderscore) 1 Marni: CERVANTIS: But the sry ited, ‘ | Guts CEAVANTES: A for moment tl! Let tiptoe. Moderately (not too slow) _cHAVANTES gestures tothe prisoners, A lange ch te unfurled. ae —— oe ! The trap Se opened, it cover becomes th bd, the euth the bed covering... ANTONIA and tho HOUSEKEEPER put the ; FO, Bolo oF ai ar CERVANTBS, Music concludes as the lights come up. 10. ee: bed covering i o.Xo. 23 Change or Scene A: Little Gossip Warning: SANCHO: Well, then, 1 wou't say mach. Cue: ANTONIA: Your Grice. Moderately SANGHO: Just «few words..to lighten his heart, Gig) lit ~ tle gos sip.. a 0b 01,Ben. Tits fle chat... A it fle id - Je talk..of this andthat., I'l tell him all the troubles have had, Andsince he does - n't hear, at least he won't feel: bad.set A bit faster When I. first got home my wife Te - re- sa But the blowsfell ver-y light-ly on my back. ng ev'ry 0 ther strokeand ery-ing from the heart That while I was gone abd gone and lost the ww 7 7 Ad lib. a Of course I hit her back, Your Grace, but she's 2 lot harder than Tam, end you know what they [its the pitcher or the pitcher hits the stone, it's going tobe bud forthe Pitcher." rv Whather the stone knack! [safety repeat]i 122 So I've got bruises from here tor lit - tle id + le talk..of Just as well, At least I Mo. tt - derately tle gos - sip. & 6b, C1,Ban, o this won't and that... get caught in an-y ut ies = tle chat... one lis - tens, then it’s 1 tentso 128 © 4 bit faster (as before) Ob, 1 have-nlt fought a wind-mill in a . fort-night, mumble joys get dul-ler ev-’ry day, ‘Why,when Tim a-sleep a drag-on with his eM 7 (DR, CARRASCO tnterrvpte.) play?” t14 ; No. 24 Aldonza (Underscore) Waymings ALDONZA: Not befor I seehimt Gue: DON QUIXOTE; Come close, gi Slowly) ALDONEA exd_DON QUIKOTE eo ee larpeggiando.simile Tam Aldonzl.c, ate, & Gus: ALDONZA: You are my lord, Don Quigete! oO BE Gempray ug larpegg: simile Till ALDONEA gate wpetege. CARRASCO: "This wy.” Fada and aeerue quickly for sight ve eee CARRS125 (0. 25 Dulcinea (Reprise) eae r impostart? ALDONZA: Everything... My whole life. ‘You spoke [gto me aid everything r i DON QUIXOTE: “ALDONZA: i - TT spoketoyei? And you looked st mal -Anyou called me by another name! 7 awe as ai es128 = found 9 gitl and called her Dal - et ~ spoke the name an an gelseeméd_to . whis - per. poco rit, > _f Greely) Ralt.cin 6) Dul-ei - El a uitte faster427 please bring back the dream of Dul - of the bright and shin - ing Rall. Cin 6) m_ (feel) Of Dul-ci428 No. 26 The Impossible Dream . - oe cori) (ee for Oxitar: ALDONZA: You spoke of « dream and about the quest! DON QUIXOTE: Quest? ALDONZA: How you mist fight and it doesnt matter whether you win oF lose if enly you follow the quest! Freely Gute on. “Sollow the guest”) (ue for muste): DON QUIXOTE: The words. Tell me the words! ALDONZA: cepeako: Slowly to ‘dram ee. the Im por -si- He dream. But dhey're your own words! “To 1, Solo fight the “unbeatable, foe Don't you remember? “Te Ferry EEPFF LEE429 where the brave dare not 0%. poco pile mosso_DON QUIXOTE: (half eung)130 when. your arms are too | wea- ry; F ALDONZA: Thank you, My Lord! DON QUIXOTE: ~ But this isnot seemly, My Lady. On thy knees? To med ALDONZA: My Lord, you are aot well! ida tee ‘snmp.484 DON QUIXOTE: Not well? What is sickness to the body-of a knight-errant? ‘What matter wounds? For etch time he falle he tall rise agtin.. and woe to the wicked! Sancho! = ————S—SSSSSSSS a se-vox autxonts My ror! SANCHO: Here, Your Gract! Hold i us) My sword! a Man Of La Mancha (I, Don Quixote) + Reprise) Brightly SANCHO: More misadventures DON QUIKOTR: Adventures ld friend! . DON Qurxors:= pets of glo - oy me— to ride, stamch at___my side188184 And FY—AAS) Us. Datme oO the wild ALDONZA: My Lord. SANCHO: Master.ee The Psalm Ove: ALDONZA: My lord. Sl Hie — —~ P436 fun- dis cla-md ad coy RT Paws. ae Cer ___ SANCHO: eis dead. My master is dead. ALDONZA: A man died. He éeemed a good man, but I did not me-ami__Fi-ant au- res “tu- ao in- ten- tae Ad vo- com ob- se cra-ti - = itr ‘know him, SANCHO: But. ALDONZ/ Jon Quote nt dead liens, Sancho elie. SANCHO: Aldonttn oy o + nis me - ae, Si de-lic- to- rum me - mo-ri-am ser - va vo- tis, 471,00, | jue: ALDONZA: My name is Dulsines (Tape tly enabliched.) PADRE: (oncludes) (Lape a coming we.) Do - mi- ne, Do - mi- ne, quis i t i | = i |No. 29 Change of Scene Finale ‘or 5 Warning: CERVANTES: Shall we'go, old friend? (Cue: CERVANTES: God: help’ us. fi swe are both men “of La Mancha, (Taper op) Not too slow (2nd tims sings) ALDONZA! % ———— the im-pos- si- ble \ i ve : 7 e (sempre) : ——_________ fv bear_____With_ unbearable sor-row,a) 438 ‘(HARTA + PERMINA jotn): ran 7 Th CINEBBPER joins); 0,01. where be o the brave dare not ‘tho brave dare not go, t for-ev-er too fan, t ‘Though the (HOUSBEEEPER jrins): ————— CHOLETEERS + OTHERS join, sia189 Though you're way-worn and Wear» yy —— =o ‘az, [B) With conviction yesh the un-reach-a-ble star... To reach. ‘the un-reach-a-ble140 ‘Very Slow (ind) psteney, Soprano (Pape fader ont) a i— 5 with your heart striving up-ward Toe far, un-at-tain-a-ble g £ & eye Pia J Ui 2 Very Slow (iid) ar Stringendo (indy rea a eae 7 * —-s 2 2: : - Bows WW. G Bien) Brightlyrh oe No. 81 Exit Music Z Fe rl 4SH fi Ai - re ¢ 145146 [Optional art ~ [forshorter exit march i" a fa es —eModerately ten, a ‘ Jy ., = 0», Bolo)(Ci, Ben. Bells) 149 Moderate! ‘Bolero Tempo) ore = ia mf ores, +0.