07 juhani Pallasmaa sce, Pace, Memory ad Imagination: The Spl fon of ttstental space ne Temporal ‘he time perspective in architecture [vied war, newest. {Ee seat ofthe cule of cortimpon and onset, ‘Es oto crcl meat cre on pea ‘nme an mata We as py en np cares Doh Serbs ye cel stow yb ode HONS FER Tea paratype nes ee‘0 ~ muscu that ae destwrately conceives and uit for the purpose a ese 2007: vy nag sence miaayestvh sommes | eee ane ner aan eh, esa te doy See won mlowcnmirepesettin, prog “Architecture and memory em mere oe ge vam ed 2 htc dg SASS GE Meas comnts sneer see als nf map seve ss shen ncn see ea ec ey mae dps oar eres SS ESE Det yore entree yom cee ea oy soln a hope ne ets eh sip eaten singin be evan epee ‘Sa ends omen On wh canal emenbe an ea Sak mere it ald iepeon enoy te oe ees ‘Sctnrecoe teen, ‘vids dans head mses of ine and shee. bint snceshie be apc ettacoming seen. snr Soh Scie se unt snd pee Scenes ae ‘SeawSocn ewal Pae pape eco ‘Stipe nue seas such tose seme coe ‘in no at a fgets east wold Stepan be mth oe wert hee ao pte te st te ss dun og ste A wee afovreses ns ‘staaiteqnae tebe sewetcemneee Thr capa bg pe suc omental etn mee dea neo: at on fot mato, meter ope Mle ‘ale our perception of temporal duration and depth, and they record anc suse ‘ce feet ect tbe erent tes Prada an tine eh sae i as wyotin ee of han nea at wee coop ng 8 NonDeey ese aes sae np cy omer ty ecause Jo1 an imagination it is easier to conjure architecture than Mt Dene teiaheret eason why ne arnt tn ie Sots teeais mal einen nce snobono se sc berpaarrete Sey ne cl tes eats menor, crude of 8S ur mn ishey weaker, forinstace, without the image of 1 PY ig Te mec age a parson oni etre aaron os a hi aN, ed whee Ss te wt ces (ipa ne neces baad est Tewenseunberogelsotag Toomey bee ee, eee eer eee eerenngonens ase aies “ ‘he mental power of fragments lntiseovl The Notboots Mate Lauds ee, Rune Ma ike es in Toaynauing record of stant memo of home and at ae om hopeens ite panthers husein he ptapeist's memory: tien nen chen. obi tate ‘hirnrber som now som ech 3 pc at es eo ‘Snstasproted gnc se Mbyte ger ea Sine bai no eee nes Ba pe a hat onebonaittebogi aot sated opis? ‘erent mage aes rays, fon Fagen oeenon ‘Sipnned carpe es cee mate "he en aoc my oen meer my anism om ms ante ct ena ty cs nate farce Se contr ip pc ees ose ty ‘they eae So cone vei atte ees he ten Sane sm bty Sys ements cn nd eras og ses of ama, tad ‘is site otek a ae thea seo ‘ete ef ofr cea cant Ron ode ie he + ‘pt cae aa non! pc oe nai. “ones an armen sess spc cae poe el "ttn sates pains sects es ee {26% os wl ru sndon open te! prs A athe gence oa cmp corse tng Tse SETS tie bts Sone enc sn mse ie ns laken advantage ofthis emational power ofthe achitetiza ages. Rke's ‘efouon tthe images of ened ea doclates house pee by CR nda ton he nd wl ae ebro = nN fhe ways of human memory:sa, sanoopsiedatecr emis eit TO He ay a oa tee hn ema Bt aber Ne teeta tou ute econe ee arte tsi wy en sean ncarp pre nek nero rant Spailty and situationalty f memory omens stad sand nena hy ey eee es toe Se ead ats ON pe a ete pes cen tl goed aS erence tana stenesinn pects St ete ssl otto et Se et ip napa ecg He et ences cbse bein econ a are ernest ieee Hag fk SSDSSBan toa tr orton Soop aes te ee sie na el pat eb ad ae entree eemttea apc bas pecndsrt owe, rete wet mene’ he prt he poet Eimear bn os sine el Sart stshet nine he, pedas mpi! besa (Sars poe ae Petie ae ht som niet! Tone hymns nin ing sve cat coco ne pws Satine ies at igs se aes lasuenem... 0 ett gra Bt ees yal wee mens ln mi A ‘Sanne haemo el nd imaged tise asin Irene oes nbc aneg sega sn ‘The siniicance of objects in our processes of remembering fs the Mi rece reas ha Srdicace te nin of memories, and eventually, of out very sense fe i neat no on social ard metal. “iam whats around me”, ques Walle Ss — Nel Amaud, anther poet, claims: "am the space, where 12°" Te Sintitinectneceah tiene Attom con alsa be indvidvalizes and taken int one’s possesion DY Uae [eiegeesoesnmse Bachelor puts it: “The house shelters daydreaming he house #6 ace, MEMORY ANO IMAGINATION. wnt az th hous alos 010 enn 8" Adame aay ofa sean ne eum nit apsy eine wt cians helo sete alt Snes an Sima anata tate ‘homme te i ev tab ep images on ore the el mess ol he uly sa tmm'e wee ia cig oe be “ se ved world ate ina ojetve wold of mater 46 commence nave wee to auame. Te cnaestey human ode oes tes iene nr fPesses, moles byte haman capaci of ene fies cay and agian We We fn mental weds meh fe male vate apa, a well 9 the expend, remembered an nage, cm Moye na each thet As conseanence he ved ely nto he spac and ie as dined ad meses ye wee of ys ah tat teed won Is undameray “uncent, when mead by itd ef west epic since ace ved wos Goethe ‘Suet dem ton any sete espn. In eo etngush he ee ‘Suston pst and geometrical pce we can cal i edstetal pace mse poe fs stutred onthe bass of EAN. eons md aes Iced upon by an nda, eter conc cscs tee {foes aunque quay interprets toh th meway aa expen he TS. tved experience oes place at nec of elton and iti, perception and fantasy, memory and rie. 75 ht bigs oth he Inga pring toposes nthe ens ois fut uate Ute Gg veaiesaibe begin iain sn Atte etme We ‘at coe fon epta, Fad t n 2 en w b i e ‘ss one pr ee ie One oer had cate yous te tn, se an et svar tna nc cee oe ase ‘Seton We puns hate ose meme a Wimonnesteet Staeastean cone neu ope at we fect rcs oth of meme Deserving iti dsc ue wt ged nes at vemenun Tet pie tet nda oe mag dt {etoton swe as oe At ps2 ws ey. 1 mee mn ‘ata ie en an Soe mean Wal touches us", as Merleau-Ponty wrote of the paintings of Paul Cranes SORE ine wee ee ge ms hea tte PE tanta 122 Na, experience as exchange a scange ih Ou setigs simukaneousy we iternalzeihe yan ee en meme seo insane rast genicton ns takes place in all asc experaney ea socal suber wat fa we interraze them and negate hen nic ra eps eke my ech adh eb (espe aia betonpe sles met sh ng ptr irons events ead ements into mental eve ti ato an act of embocn. pmiectanMamores ar nat ny hdéen In the secret electochema! ce [be ban they a sted OU seletons, muscles an skin All se rca bk nd remember The embodied memory Sissons hp one a ‘Seach of Lost Time reconstructs similarly his very identity and location tous sneer en gnome tee Se ‘sino ti crac OP sai tne tir ate ep wie ates be apelin iene ae re ie Imdivodinatton homies ne reg ‘etn. ange swith can na eid yo We se oninenountsng an expesence tat brings 10 nd 2 Ot {ett comostion Wate upto meray 2 ce ‘Weastolmenor engages utente body. pct, CE, MEMORY AND AGIAN nosy mer 8h aa en oy ee ac emma vg pane CaS. asa ca at hee ancl tu, ad conus. “There no meno who toons me we ol 07 eve MOE: bo a oats Sem og tte nd medumoFa ese wo, sgt woke seme memory and emotion nik eatin being menor vies, naps od blogs as ang, ‘:eotans yore seratont boar abso nan eee teresa Sexy. A assape own tase crn, bn ter eins op iat an ary wa aspera oo pe nm bck oo sf pens aos hee et te Leta ay in rec canto yon sos ef ep rca awakened and pee bck by Mcmngs ttcae et om ta erpetence when apmacing te Fano Suan sy ot ‘ethene vlc ad sorahend by A ats opi cca. ‘arn metaten poem he Wootnd Coney Soci, sac, Ces eae feng st hope oooh an mae Bat ain Sone is ahaa imoge of ndsape betes atc nen Stes mayton ste compost aed mae thas trot pet mages condensereveterneontentnning tapenade ows. een more tan te landscape i a pyehic state, Bat 38" Ine wits im ers pats, and pits do mts Se Same hese as ead eroapic and yal setings oe esti hey set expe evoue and apy human emotions 2 Sates nd menoses trou purpose depctns of satings hn Imac. “Ut us esime a mal wha aes place eting We 288 arb we acetate tae wat apps eit "al ne ave ence. The mals cance by rete are sualy mer = consti, an we se our a in terms of designing aes 3 late than evaing peers fens tnd nti 0 esti temo wasp be neni apace and ran mind ee SEE TAR beterthan we artis shat shy these 28 EES 2 tli span ur oc sw oe ec re nob estos of he exainay capac fae OE Feit micosmic mages ofthe wo han, so. es image fhe wot than, a. SE ‘eto hed and oe Las a inte “aoe st Garg Mon pact, MEMORY AND IMAGINATION wt seuss aroma ed an ogeting ee ee rin ane owes icy penal te ea mene ee isd popotonl ote nes oon sagen tet i: the beay Of Speed" and Kal Maes paper Eoehing : instant seduction and gratification, and tums autistic as a consequence, aes Seca ‘open tes anit Thee eso tn ven omever, rece is inbeenty alow nd lemons a thine dramas of suaenaeive soeenngy at fom i comparison wil ‘oc oe srt fo eae song forapouns ures eigs bl es Tihtames of perception and Rarzon of uncer. The sh ol ache ta me ue weep org ut To sexslize us eal ert al enatona See mcteclre s needed to prove the ound and poet sen of itnemonce and emotion Teeleve in aparece that slows down and focses hunt tet fspeding up of tasing Lm my view, ace 5 [esoies ad protect the authentic and nsependence of hanan oP ‘htc fundamental the at fom of eancban. nd makes de ‘Sndandronember who we at " ‘chitectural amnesia Bere ce ste of en» a Sisco ernest canes na {RMI Thee also an architecture thal seks to rmembe Eee batemeese Recor hetarlarseracraae =n te a ‘poe chet erro Se1 spec dou ihe a ih AN APES A asset tes ase and compete microm ttn te ae ve WOAH a CCHS atch an greg Sin coven she tee cent dinersonnahiecwa MeTON. Ahi, Fe ete rat and oro te on agen et ofa az pane; consequent he oa sna ute alate. The ware cha a en a cone ne ea ering of omnes os ache emen na get Le ean ruched eg snd omega eet eee el epee eds te fa tshnconal saan Bchelr soe Funan nee ee saa a ‘heen ess scapes ost of sched horsonty antares testa ae under onlogal lence been hess ~Sore te onsen Aste can teceling hve become ea isnes Ie wdow adhe done on te Mes new ine Toe toe spc ef cbt on is heme he sty ooh toes oath corm otcea onei ert Hom he se i ‘Gytogetance mer pit at he mental siieance ons cnenn ‘The tenses of at "vet to soget that ints vy essence atic work is rented tna sre than the awe. Bodsky seems Uo support tis ew 25 hea eres something cleat totic the process of recalesin oe sacha proces never is Ener, Azo the mare one remembers, the cst pe ‘neistnleng=™ Inamy sia exgetienc, tempera layers interact whats percent ‘cis hats remembered the novel shor cits with the sch A at tenance aways anoles the rgten chien inside one’s aul em ‘Tht at fabiatea mages in todays architecture anda thal witout an ematonal eco, but there ae also novel images that son ‘enerrarce. The [ate are msteous and fair, obscure and ce. 19° Same tine They nave us tnough the emembrances and associations et ‘sd emoatiy that they anaken nus. Attic novelty can move us ont eile touches ating that we aeady posses in our very bing, Eves PI Ste gow Fon anon at fom tes neil me 9 ving us back to an undivides and unfree Sc ‘SSE: the Omega nat Teshard de Chrcnwrtes about, he point om ni ‘lsappeas compete an conc" We oe asi ly condoned to think that ass and architec Prtestoter es thik th 3 xchite Ise deer ato reread cs ess. vers, andere of tet prod om nnd, indeed, about the post's temporal persbecNe gus. nt, MEY A HSHATION———— 2007: suman ces nm me a wl! eve maid 9 be oa nbn He in” TS Vw opens snr in os ee fremembrance, al restive ng Se ee tn Sarna es a grees ee more mie hon hears ht sy Bet ese ne Boks shoud nt note twa ta mat me cheatin egal eof hea ge in Rats om tecture, hey Fe oducts scales Sigel ce tate icp eta et dene na eb ea capay Sure ie 10 ste ewe (een adc the ure ores "etn ti ty ‘oon, eres Spc Bost, Mh Beacon Press 969 48 ete ener ee ace tomtaarteramioaes SSrcthcaamecoeracr tars ar 2 cera ee? See a ca eb [ae Fete eateusimnmig aioe ee oa * Seen ces See at eee nk Santen eae nena a home ln ee operon nag zee ee