JATL PLAY ALONG Cir) Be aa et ate 10 RODGERS & HART FAVORITES SU RCC) BU Curd Be eu nc Bee UO GS Uae DCN U SC) Easy-to-read, authentic Lead Sheets oe POTTS eeeRe R | e Pecos de PAs ROV™" FAVORITES PU mere by Mark Taylor ait Canty Coon fs B G Bass eae Cee Ca 4 Fa Baa 5 a CUA aang at UTTLE GIRL BLUE i MY ROMANCE 4 Ase LT 16 SACU i lyrics Cy aie Concea ng ACen Ca) i ‘THE BLUE ROOM a Cae E] i a Ce ee bo oo Pe ua cd HAVE YOU MET NUSS JONES? RR n td aa 8B Cad it Roem re cy Cn eee ese i ee are cer aned ce alee eer ee eee eer oe ee ees ISBN O-b34-05357-4 WILLIAMSON MUSIC Le HALeLEONARD® MIC ORPORATION Nee eet eee eeeRodgers & Hart Favorites SE Arranged and Produced by Mark Taylor Featured Players: Graham Breedlove-Trumpet John Desalme-Alto Sax & Tenor Sax Tony Nalker-Piano Jim Roberts-Bass Steve Fidyk-Drums HOWTO USE THE CD: Each song has two tracks: 1) Split Track/Melody Woodwind, Brass, Keyboard, and Mallet Players can use this track as a learning tool for melody style and inflection. Bass Players can learn and perform with this track — remove the reccrded bass track by turning down the volume on the LEFT channel, Keyboard and Guitar Players can leam and perform with this track ~ remove the recorded piano part by turning down the voluma on the RIGHT channel. 2) Full Stereo Track Soloists or groups can learn and perform with this accompaniment track with the RHYTHM SECTION only,4 cD (eps srur Fee BEWITCHED FROM PAL JOEY ° enedinast WORDS BY LORENZ HART C VERSION MUSIC BY RICHARD RODGERS eu C6 hr nthe OME of Fas? Peng ce ee ‘Om? «G7 Aba grusgain | ln? Gmi707 Fag? Emi78) Aypii Kom — Dat Oa? Ome An Amine (of) Ani? An® On? gu Oe En? Eb? Dui? rib c+ hy ow? Okt OE fag 70 CODA soLos ce bb Dn? 67 106 An? Om? G70 C6 Cho? Oni? ha? Fas oe a . Ce éa Fa? Eb 0.8. AL CODA Abscen Gms G79 “On? Gmi70? Fang? Emi7ibs) Aygidt cova Cm? Ghai Bayt Ean Hy? Dotya TTC THE BLUE ROOM 1D: Au, STEREO TRACK PROM THE GIRL FRIEND — WORDS BY LORENZ HART C VERSION MUSIC BY RICHARD RODGERS . 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C7 > com Cn! Abaa? Doug? 4 Rit.20 cD [oma ry BEWITCHED ra orereo eA FROM PAL TOEY WORDS BY LORENZ HART 8? VERSION MUSIC BY RICHARD RODGERS su 0g nt est OE er of Gn? Char i 0¢/F# Fo rn ce Oe t Emi? Ami70? Gna? Emir) Ei? Brine % Flats Berl Em Ene Bai mf) Bn? Baie Eni? ams Arg Fens? Fo? Emi? Ari 2 gar Ht 10 a ott Fo Eni? 0% Bui? eat Arg “Oe ok? nit Fe? ott her Gai? Ghat Chron Do/FE Fo En? A? t D8. AL CODA Batt Ars arin Em? Ami707 Gana? Fhni7'08) Bait CODA 4 Abas — Gan? FR apes ave) Ent Ebne? va21 omar THE BLUE ROOM FROM THE GIRL FRIEND Sasa WO80S BY LORENZ HART 8 VERSION music BY RICHARD RoneERS Gans? Ani/e BOSSA 1 Ge An/G of Gnu? Cn ple? A, gate "o/o gre 66 |! os Ant or GE HY Bain Bin Ane OT Fits Bast Emi? A, Ami? 07 TO CODA Gn? AnVe Gm? Ci (7 + Ani/G An Ve Gi? Ani/e 6/9 08 ge pms ce fo, 9.8. AL COPA Gav? nk? #7 En? | Ge/ av/9 Go CODA Gn 6/0 pie Oma? Bbaitty Amit Abe?) Rit.2 Sree DANCING ON THE CEILING FROM SIMPLE SIMON [Oma sre Te WORDS BY LORENZ HART 6? 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Bbni7 €b7 Fru?34 Onna YOU ARE TOO BEAUTIFUL PROM HALLELUTAH, I'M A BUM >: net WORDS BY LORENZ HART 8) VERSION MUSIC BY RICHARD RODGERS BALLAD f ’ A789 Fin? AVG Bari Ghats — Cn Fn’, Baan fe? Emi? Avi) Oma? Ari? 0709) Gai? 7 Bm? E78 7 Emi7 Arb Fa? Beri GhniT5) Carib I Fa? 5 Bu) Em? Ava Onn? An? 9709) Ca? C7 _ Ems 67 €7 Ea anus Ann pe Am? 0? % Ga? her OS FbntBar¥® Em? —A7— Ony? Ami? -07 (nf) ceprige © 19326 The sate fren Hatin te Utes Sates ‘Ainsvscnbow ore fgedoy We Muse Con35 Chaitis: §— rb Bay? Bm? ES 7 wba AT Arie Ghats) Chapt ini? Bart En? Aerts Dui? An? 0758 Ga? 7 Bn? , erm er -$ To cork soLos E7 Er mus ari 9% Fin? Bard GHni7s) Chart” Fn? Balbo Emi? Aart Dk? Ami? 079) Gnas? 07 Bn? E78 G7 : z 0.8. AL COPA En? Aribal Fea? Bay €7 Eur Ams arin 6 An? 07 7 ‘ Bar et Rit.6 (onr mara) BEWITCHED [ru sree reek ‘eon PA. Z08y wos 6Y LORENZ HART ED VERSION MUSIC BY RICHARD RODGERS ae - . Aut/ot_ Che, mf Deni708) >——— Ona? “genin AMCE Co Bn? ge” Baan Gus g7bn) “Bai? En7A? Oni? 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Ftn’/ ck Fh Bai? 7 UNISON 4 FEni/C Peers Bain e E7ibn Ao“44 Ota LITTLE GIRL BLUE <>: Aue. senso TRAeK FROM JUMBO WORDS BY LORENZ HART Eb VERSION MUSIC BY RICHARD RO7GERS LATIN BALLAD En? Asn 06 3 -= e En? Ar lem om “96 Ghar) Gai? 07 bn? e” qm AD 0 Ba? En? msg ein Ai? 7 Ga? gen o/A En? OME En/ E/ot Azur En? ae ‘0 Bart) Em? AUS45 9 Gm? C7 Ona? Sqr Dax? Chai? Fee Fk 70 CODA Bai? Eli = Aur Arne Baritt) Emi? Ams 7a soLos Ons? 7 Emi? ben Bini? Eni? Anus 06 by O78 Ging? Caen Ani? o/h En? O/¢t Emile EVG+ Am Em? Arm 0+ Bast ew? art Gai? OF Dai? 7. AL CODA a cova 4 Em? A A708 Day? 4 oa46 oar Ta MY ROMANCE ep Au srexeo Tek FROM JUMBO WORDS BY LORENZ HART é VERSION MUSIC BY RICHARD RODGERS S0eT LATIN, mayenox Ani? Dns? Ch? Phi? 7 Ba? € ast 67th Phat Phare pe Chits Cot Gre: Ani? Emi? rin Ons? G7 Aine? Eni? A7¥9) On? OT Ans? En? Oi? Grin CHa? Fa? Brbn Et ya Dau Cha? Cha/t Penis Bn? e Ani? G7 Fn FEninen/e Feni/E 08 cH caw | An? At Bn? Bb? AUS Aste Doi? Caen47 70 CODA On? Goa Hai Fon Eee Bal? OnE Evin (E1341) Ans? G7 SOLOS ——— Ans? Oni? Chin? Fin? Bri? _€7 Fla — Phninir/é Fbn'/E C0Kn Bui? — 7 Ams? Emi? arin [Dm? G7 Ans? Emi? A704) Ona? G7 Ans? = Eni? Cn? Fhe? an ol v 67g? g Ons? = C4 I Pita Bn? Ba/A Gn Gt gins ens 9S. AL COPA Fn? Bn? 7 $004 en Ana?48 owe THERE'S A SMALL HOTEL iD: FULL STEREO TRACK FROM ON YOUR TOES WORDS BY LORENZ HART C VERSION MUSIC BY RICHARD ROTGERS MEDIUM SWING S wane oar gre Cas? GTi? mt nn Oa ea ied Ou? Gri Dart g? cr 7 eh Fai? Oni? ni? c7 Fas? Emi? AT On? En? A? eh On? AR o 0 CODA Cm? G8 Ona? om Om? Eni? eho? On? chy On? G7 Cou? On? Charen49 SOLOS oa? Cn? Ew On? On? = Gt Emi? Ami? Dn? Gia) Ay Gt Cou? Cai? 7 Em? Eo? 0.8. AL CODA On? On? =? Cn? On? = G7H4) (6Ack 10 « FoR moe SOLOS) + cOvA Dai? G7 Grin Eb? fui? BH,30. oar aRE YOU ARE TOO BEAUTIFUL |<: PULL TeReo TRACK PROM HALLELUTAH, I'M A BUI WORDS BY LORENZ HART VERSION ga ag MUSIC BY RICHARD ROPERS 9 Cha EVD Phe) Dknitbs! Ghar Cha”, Fete of bn? Extn Ans? Emi? A709) Dna? G7 Fen? = B79 B7 Bai? Erba i Cha? Fbentt Ohare) Ghent Cha? —+— Fert Bi? Eni Ani? En? Arb Dna? o Fa? Bm B7 87 Bar Ere Erle AS Emi? AS [mE a 2 oe +, Ob AYE Chat Peron Bni? 789 As? Ein? A?st Gears Cin Fy? Fai? B7g7 Fan 7 Erie os 2 Dka7s1 Gini Chin? Fiat Bai? Exo —3— Ani? Emi? A709) Dan? G? Fa? Bms B7 10 CODA soos 87 Ba E™ Grn AS Chi? hart Dhai7isr Gert Chai? Fern Fn? Bn? Esra) Anna? Eni? A769) Doug? ¢? B70 B7 7 : 0.9. AL CODA Bai? 78) Ch? — Pear! B7 Bar Ere Erba Ae Emi? AT 4 com pe hn * é) Rit.2 (gp rma) BEWITCHED > lon — OM PA SOY WORDS BY LORENZ HART OC veRsion MUSIC BY RICHARD RODGERS saan C8 Ch? = On? Eh? : le ew, a 7 Fas? aaa CHE eb ‘Oni? G7 Abuan = Greys riba) % Bn? Gn? C7 Fan? Eni78) Aerio Dav mult) Das? Dono Amu Anite (mf) Ani? An® Oni? os gfe Ei? bo? 7 Gib) i7ibs) Fa? An B78 ce Chet? OE. és 3 3 10 CODA ce Eh On? G7 oe Ati? Dani? grin Oe Ch? On? Ebo? He és knit Pan gran C/E Ele On? 6? — 0.8. AL CODA t Abacen: Gs gia Dn? Gni707? Fas? Eni7ibs! Aare) C, 4 fl fat gem oe _tat_ Pt _ e3 Ce THE BLUE ROOM usr THK FROM THE GIRL FRIEND WORDS BY LORENZ HART FC VERSION MUSIC BY RICHARD RODGERS gosh ee Guile Pn? Guile of Fu? Bh? gf t ae ee lon 6, Cm tee me fs Kor Gat 7 fe givin Ari? Darito (nf) —s—, Ents Av) Oni? G7 Gmi7 07 ao Gmié a T0 CODA Bhai? ew + Gul Fn? Gale Fn? Solos Fe crm fe Gm Fe One Fa? Gni/é 9.8. AL COA Fa? Ba? €” |Du? G7 ome ‘G0 Gn/e 6 CODA tH] Fe CAR Bhas?—— ADHD Gast Gat Ae " air.sa os eC DANCING ON THE CEILING seu ste Tet FROM SIMPLE SIMON WORDS BY LORENZ HART FOVERSION ig ‘music By RICHARD RONEERS port Cm? FBR Bo? CD 7hH Gm? Ami? O78 - Gm? Gon |'¢6 Pre om ps Cae cee Pas? Cm? grin Bh fo ev Ani? 0740) Gmi7 C700 gale 10 com Cn? 7 Bea mt Gt Onin soto 0.0 ath, p64 Cm? #7 Bh Bo? C4 D7 Gai? 07 An? 0760 Ga? Cron |'#6 Crier |l*¢s Gani? cre bai? Cn? Fabs Bho én Ani? O74 Gi? C7b8 ft Cai? #7 BH Be? ODT Gi? cms cron 0.C. AL CODA Fe 070 Gm? 071081 > com Fat @)35 cae | COULP WRITE A BOOK > PULL STEREO TRACK. FROM PAL JOEY WORDS BY LORENZ HART 9 0 VERSION % music By RICHARD RODGERS ae Ea? Ci” Fn? BY Gui C1 Fay? BY af Ea? Cn Fa? Dust G74 Cm? [antag Gai? Gn 0%» On? Fr Fa? T0 CODA Gn? C7091 Fy?_Bim) Efe {Bbni7 én Abani? Ob7 ' solos Chan? Cor? Fi? BH Gi? C4 Fi? BY Eby? ni? L Fai? D751 719) Cw? Ants) 9764 Gn? Ga/0 Oho — Ci? F788) By? 6h |“Bboi7 Eb Abas? OW Gnu? C7481 yi? Bbron 0.8. AL CODA CODA bares) che GH Fy? 6h . + 4 7 em A56 ourwnan) HAVE YOU MET MISS JONES? DLL TERED TRACK FROM I RATHER BE RIGHT WORDS BY LORENZ HART FC VERSION MUSIC BY RICHARD RODGERS MEDIUM SWING Pau? 07 Anis) 978) Gat Dat bn f7 5 Bhan? Abu? pe 2 . : _ Chau? Ca Onn? jin? oh Gna? Gai? 79 Bona? Ani7ibs) Dia 70 CODA Gn? 7 by Am? 97 Gi? C7) BS : 2 . A eta ‘onsen Cong Sea solos 90LO BREAK Fa? Ami7bs) O79) Gai? c7 Ami? Oni? Gai? C74! © Omi? ¢7 Bhns? Aba? Ob Ghai? Eng Az Oni? Ala? = Chai? Ga? C7 Fas? Ants) riba Gn? c’ br 7.0. AL COPA An? 0” Gn? C7 Gmi? 078) (BACK TO # £mORE TIMED FoR SOLOS) > COpA Frat >THE LADY If A TRAMP FROM BABES IN ARMS WOROS BY LORENZ HART 9° 0 VERSION MUSIC BY RICHARD RODGERS WING ‘ nah . en sel rn of er Ont G7 or far gh a chor Oni? ov a al |'qo" EY Da? — Gani | “oe Gna? EniTiosi BOE Abs) On? Ge Eni? a ee o Eni? Asai! To coma Gam cw ew Da? OnVe Bn Ere On? 7 An? ” Oni? jaa ce eh gt AWsoLos Cw ey On? 6. Ce aad er Ce Cho? Dn? cH Dw? Gat C6 bax? Ente Ar” Oy? G Eni? AB Aer Oni? o Em? Aer Dn? Gist) 6/4 ev Oni? Oni 9.0. AL CODA Bai? E70 An? 7 en dL Ay Gre An?, 07 Omi? 7 Anle Av Oni? G7 AmV/E Aart bacen # G70 C64 x UNISON > >60 cma LITTLE GIRL BLUE rus seen retek FROM JUMBO WORDS BY LORENZ HART FC VERSION MUSIC BY RICHARD ROMGERS LATIN BALLAD Gm? Cat Fe 3 —, ae Ge? 7 [mom tee Bmi7bs) Bom? ev On? “ cme C7 FE Dai? Gn? cm 07 66 pW Cn? pre Bhai? eben F/e Ga? F/A Gnt/Bb 67/8 om Gai? crs cri | Dut) Gn? Cm61 Bhat eo ba Kor TO CODA Oni? Gas 07 Cm Fath PG? CE GHW sovos Fas? A Guy? Gh Oni? Gi? cms Fe ov Cm? P74) Boas” bare ee Gn? F/R Gnit/6b 6/8 C78 Gn? 7 te Dar) — my? C78 ee Boni? EW Fina? 0.8. AL CODA COVA 1, é, Gai Cm C78) fri? q a natMY ROMANCE FROM JUMBO WORDS BY LORENZ HART FC VERSION MUSIC BY RICHARD RODGERS SOFT LATIN 3 auavenox Cae? Fea? Eni? Ani? wf On? G7 Cn? 6b aa Amine AD Ani/G- ee Enlil eben On? Cos? Gai? Cr Fou? OP Cru? Gri? C70 fost Cn? Gri? Fas? B78 Ea? «BY 4 Arif? An? O70) G7 oat fei? Eat ET Oni? G7 Cn? BY An Ami*PVG% nr/g 68 Er8h ebven Bout Obit C*# On? G7 Cau? oe ' Fas? — ebaren Ca8 70 con Bu? Bbw An? — Abuew GM Agi? Omi? Fu/G Goin : soLos os) Cm? Fm? En? An? On? G7 Cn? 8b" An Ani Anst/@ ebarw Dwi? G7 Cas? Gi? C7801 i leew 6 Cri? ni? C70 Fs? BY Cm? Gn? Fai? = 67 Ew? br An? 7b) 2. Fos? EDN? D/O Bm BOB At Abe 61 An? Dai? Ge 9. AL COPA of coms Oni? M ba) xg O79 a64 Or Rea THERE'S A SMALL HOTEL Dru srezeo TeHck FROM ON YOUR TOES WORDS BY LORENZ HART F°C VERSION music By eicHaga onceRs veounsunt — Keir gious ehei? ag? Gai? Gk a? ot fa? BP Ga? On? Abn? Eni? Bb? ev Abn? Gn? C7 10 CODA Chai? Bir hay? Bis has? A Gi? oh Fn? E07 ar Ehas? Fai? Est65 se s008 Chau? Chu? le Ga? Ghat Fai? Fn? gh “Gn? Cai? fa? Bho | | Bb? A Aba? Eni? Bhai? EW Abn? Gm? C7 Pui? Gm? C7 GH Fa? ch Bb Chan? Ghai? AM Gi? Ga 9.8. AL COPA Fai? fn? BH Chas? Fa? Biron (6ACK 70 FOR moRE SOLOS) $000 Fri? cer snroan BINS Bb) Ghai? Aba? OW? Chan? é) Boss Bhasus66 Sra] YOU ARE T00 BEAUTIFUL |S: sree rex FROM HALLELUTAH, I’ A BUM WORDS BY LORENZ HART FC VERSION MUSIC BY RICHARD RODGERS BALLAD 6 En? GE Aart Pénits! Bante Goi? Aart af On? Gant Ca? Gini? C718) Fens? By An”, O07 Ow? G70 Ei? Aart FEnitibs! Baza 3— En? Pl Omi? Gab Cs? Gi? C79 Fas? ev An? 978 97 07 Dar GE GTA CS Gmi7 CF I 2 : ful g FRC Ent Aen? x? G7 CFa Bnni7bs) E769) Ani? An? O70 97 Abe 67 grin —— FRni7Ib8) Bent Em? Aeris Oni? Guna 3— Cui? Gn? vO aa? er An pase gr 10 COVA soos a D7 G79 G78) C8 Ei? Aart) Fbni7I5) Bagi Em? Aan Oni? Ger Omi? mi? 0709) Bana? eh Ami? om 97 D (eos 08. AL CODA | On G7) En? Aah (97 Dar G78 GUN C6 Gai? C7 > 0074 Con? Abas? bg? a Ong Aa Rit.BEWITCHED He's a fool and don't I know it, But a fool can have his charms. T'm in love and don't I show it Like a babe in arms. Love's the same old sad sensation, Lately I've not slept a wink Since this half-pint imitation Put me on the blink. I'm wild again, beguiled again, Asimpering, whimpering child again, Bewitched, Bothered and bewildered am I. Couldn't sleep and wouldn't sleep When love came and told me Ishouldn't sleep, Bewitched, Bothered and bewildered am I. Lost my heart, but what of it? He is cold, L agree. He's a laugh, but I love it Although the laugh's on me. T'll sing to him, each spring to him, ‘And long for the day When I cling to him, Bewitched, Bothered and bewildered am I. Lyrics THE BLUE ROOM All my future plans, Dear, will not suit your plans. Read the little blueprints. Here's your mother's room. Here's your brother's room. On the wall are two prints. Here's the kiddie's room, Here's the biddy's room, Here's a pantry lined with shelves, dear. Here I've planned for us Something grand for us, Where we two can be ourselves, dear. We'll have a blue room, Anew room, for two room, Where every day's a holiday, Because you're married to me. Not like a ballroom, Asmall room, a hall room, Where I can smoke my pipe away With your wee head upon my knee. We will thrive on, Keep alive on, Just nothing but kisses, With Mister and Missus On little blue chairs. You sew your trousseau, ‘And Robinson Crusoe Is not so far from worldly cares As our blue room far away upstairs. From all visitors And inquisitors We'll keep our apartment. I won't change your plans- You arrange your plans Just the way your heart meant. Here we'll be ourselves And we'll see ourselves Doing all the things we're scheming. Here's a certain place, Cretonne curtain place, Where no one can see us dreaming.DANCING ON THE CEILING The world is lyrical Because a miracle Has brought my lover to me! Though he's some other place, His face I see. At night I creep in bed, And never sleep in bed, But look above in the air. And to my greatest joy, My boy is there! It is my prince who walks Into my dreams and talks. He dances overhead On the ceiling, near my bed, In my sight, through the night. Ttry to hide in vain, Underneath my counterpane, There's my love, up above! I whisper, "Go away, my lover, It's not fair," But I'm so grateful to discover He's still there. Tove my ceiling more Since it is a dancing floor, Just for my love. Cc) HAVE YOU MET MISS JONES? It happened, I felt it happen. Twas awake, I wasn't blind. I didn’t think, I felt it happen. Now I believe in matter over mind. And you see we mustn't wait. The nearest moment That we marry is too late! "Have you met Miss Jones?" Someone said as we shook hands. She was just Miss Jones to me. Then I said, "Miss Jones, You're a girl who understands T'ma man who must be free." And all at once I lost my breath. And all at once was scared to death. And all at once Lowned the earth and sky! Now I've met Miss Jones And we'll keep on meeting till we die, Miss Jones and 1. ICOULD WRITE A BOOK ABCDEFG Inever learned to spell, At least not well. 1234567 Inever learned to count A great amount. But my busy mind is burning To use what learning I've got. I won't waste any time, Tl strike while the iron is hot. If they asked me, I could write a book About the way you walk And whisper and look. Tcould write a preface on how we met So the world would never forget. And the simple secret of the plot Is just to tell them that I love you a lot. Then the world discovers As my book ends How to make two lovers of friends. Used to hate to go to school. Inever cracked a book; Iplayed the hook. Never answered any mail; To write I used to think Was wasting ink. It was never my endeavor To be too clever and smart. Now I suddenly feel A longing to write in my heart.7 THE LADY IS A TRAMP I've wined and dined on Mulligan stew ‘And never wished for turkey As [hitched and hiked and grifted too, From Maine to Albuquerque. Alas, I missed the Beaux Arts Ball, ‘And what is twice as sad, Iwas never at a party Where they honored No'l Ca'ad. But social circles spin too fast for me. My hobohemia is the place for me I get too hungry for dinner at eight. I ifke the theatre, but never come late. Inever bother with people I hate. ‘That's why the lady isa tramp. I don't like crap games With barons and earls. Won't go to Harlem In ermine and pearls. Won't dish the dirt With the rest of the girls. That's why the lady is a tramp. I like the free, fresh wind in my hait, Life without care. T'mbroke-it's oke. Hate California-it's cold and damp. That's why the lady is a tramp. Igo to Coney-the beach is divine. 1 go to ball games-the bleachers are fine. T follow Winchell and read every line. That's why the lady is a tramp. Ilike a prizefight that isn't a fake. Ilove the rowing on Central Park Lake. T go to operas and stay wide awake. ‘That's why the lady is a tramp. Tlike the green grass under my shoes. What can I lose? I'm ‘lat! That's that! T'mall alone when I lower my lamp. That's why the lady is a tramp. Don't know the reason For cocktails at five. I don't like fying-I'm glad I'm alive. Icrave affection, but not when I drive. That's why the lady is a tramp. Folks go to London And leave me behind. I missed the crowning, Queen Mary won't mind. I don't play Scarlett In Gone with the Wind. That's why the lady is a tramp. Tike to hang my hat where I please. Sail with the breeze. No dough-heigh-ho! Tove La Guardia ‘And think he’s a champ. That's why the lady is a tramp. Girls get massages, They cry and they moan. Tell Lizzie Arden to leave me alone. I'm not too hot, But my shape is my own. That's why the lady is a tramp! The food at Sardi's is perfect, no doubt. Twouldn't know what the Ritz is about. I drop a nickel and coffee comes out. That's why the lady is a tramp! Ilike the sweet, fresh rain in my face. Diamonds and lace, No got-so what? For Robert Taylor I whistle and stamp. That's why the lady is a tramp! LITTLE GIRL BLUE Sit there and count your fingers, What can you do? Old girl you're through. Sit there and count your little fingers, Unlucky little girl blue. Sit there and count the raindrops Falling on you. It’s time you knew, All you can count on is the raindrops That fall on little girl blue. No use, old girl, You may as well surrender. Your hope is getting slender, Why won't somebody send a tender Blue boy to cheer a little girl blue? When I was very young The world was younger than I. As merry as a carousel The circus tent was strung With every star in the sky Above the ring I love as well. Now the young world has grown old, Gone are the tinsel and gold.MY ROMANCE I won't kiss your hand, madam, Crazy for you though I am. I'll never woo you on bended knee, No, madam, not me. We don't need that flowery fuss. No sir, madam, not for us. My romance doesn't have to have A moon in the sky. My romance doesn’t need Ablue lagoon ne by. No month of May, no twinkling stars. No hideaway, no soft guitars. My romance Doesn't need a castle rising in Spain, Nor a dance To a constantly surprising refrain. Wide awake, Ican make my most fantastic dreams Come true. My romance Doesn't need a thing but you. YOU ARE TOO BEAUTIFUL You are too beautiful, My dear, to be true, And lama fool for beauty; Fooled by a feeling that Because had found you, Icould have bound you, too. You are too beautiful For one man alone, For one lucky fool to be with, When there are other men with Eyes of their own to see with. Love does not stand sharing, Not if one cares. Have you been comparing My ev’ry kiss with theirs? If on the other hand I'm faithful to you, It’s not through a sense of duty; You are too beautiful And Iam a fool for beauty. 1 THERE’S A SMALL HOTEL Frankie: T'd like to get away, Junior, Somewhere alone with you. It could be oh, so gay, Junior! You need a laugh or two. Junior: A certain place I know, Frankie, Where funny people can have fun. That's where we two will go, darling, Before you can count up One, two, three For... There's a small hotel With a wishing well; Iwish that we were there Together. There's a bridal suite; One room bright and neat, ‘Complete for us to share Together. Looking through the window You can see a distant steeple; Not a sign of people, Who wants people? When the steeple bell says, "Goodnight, sleep well,” We'll thank the small hotel Together. Looking through the window You can see a distant steeple; Nota sign of people, Who wants people? When the steeple bell says, "Goodnight, sleep well,” We'll thank the small hotel. We'll creep into our little shell And we will thank the small hotel Together.DDUKE ELLINGTON Vol. 1 vosaisis Carman» Dob Get Aaord Mich Aas © IaNetonYoye stra Sesame od it Dont Mee Thing tat Tat suite) perdido = Prete to Ks Sin Dall= Sophie td» Take de Tl MILES DAVIS Vol. 2. cosicis ‘Talesones ards Seen Sesto eae THE BLUES Vol. 3 cosi6s6 Tie Bounce (ills House)» Beks Works 2 Bis orice « Hue ee Coat © em ‘ies Fe reload © PC.» Now's {hea Teor Manes» Togs Ant Wi ‘hy Used w Be JIRZZ BALLADS Vol. 4 sosin691 ody and Sol» but Beno» Here Tha Tay Day» May» My fos eat» MY ony Valerie» One ar in ave») Ramaoce» The Nears oo ‘THE BEST OF BEBOP Val. 5 woes) Anbroplogr* Bonos Let + Doxy + App Lady Bird le Orly > ‘ple fom the Apte'* Woody You + ‘ade ite JAZZ CLASSICS WITH EASY CHANGES Vol. § mnsite90 ine Tine Con Home Hay + Fotis © Impresiors «hile Joe” Mossi = Sitowiner*S THoms» Sten Moments © ‘WellYou Ned (fs Oe Nev). ESSENTIAL JAZZ STANDARDS Vol. 7 oneis000 ti ees © Con Tal sy ig #1 Remember Yow + I | Shell tase You ® ay of tid © Ono Nhe» aa by Sgt» There Wil eter Be nae You en Sony Get Be ANTONIO CARLOS JoBint AND THE ART OF THE BOSSA NOVA The Gel rom pana (GroaDe pane) + How sean (less) + Medion (Mettacan)» Ove Loved aor tm a) {tela tec) One Note Sana (Subs De tn Noto) » Que ight of Quet Sars (corcorado) + “Sighly eat ot Toe {Desaato) «”S0 Danco Saba (he Semi) * Tote wae DIZZY GILLESPIE Val. 8 oosis0n2 Bick Works « Con Aina + Goes Hgh © Siunca + Nigh fo ins Sa Peas + Sheu «Tings Cone» ure Free + ‘ood You. DISHEY CLASSICS Vol. 10 o0s4003 ‘ice in Weld» Beau nd he Bast» ‘tlt De Wi Tlgho» Some Dsy My Peace Wil Come » When You Wah pon t ‘Sar While Wie ou Wore Whos Arad ‘thc ig id Wol Youve Go aRsendia se nppaee oo Da ‘RODGERS AND HART FAVORITES Vol. 11 os4sa0s eviched «The Bl Room « Dascng on he Gang» Have You Me: is Jest «Cult Tre Hook» Te lay 2 Tramp » ele Git ue » My Romance « There’ Sa Tse ou dre Too Be ESSENTIAL JAZZ CLASSICS Val. 12. osisins ‘gi » gore = The Fim Fam Sauce Inet isons «eft» Red aa Dols Sng for MyFter* The Fe JOHN COLTRANE Vol. 13. cosisous Dive Trala (lve Trane)» Countdown = Cousin ‘Mary = Equinox «at Sipe Tpresione ay Bind Me Moses ate Asin (en). IRVING BERLIN Vol. 14_ c0sis007 Recor y Hea «Ble hes Coane Patent «Chet eck + How Deep ete ‘cen low High Is he Sg) «te bat Wy Toveto Keep Me bm » (att fete oie ‘nance * Sep Ost th My Bay © The Says Wonder» Wht Do! RODGERS & HAMMERSTEIN Vol. 15. o0sssons al « Do L Lone Yoo Heese You've eat» Hel Young Loves» 1 Tse Dreamed «thigh a el Be Sprig» tee oak vy fy Faorte Tings » The Sire teh Eigen Top +The Ses Sounds ‘oun Tn Spin. COLE PORTER Vol. 18. onsiso09 A of You Aang lat ayn Lave oad fe So ty to Love) = Evry Te Be Sy Goode» concent You Ie Gt Yor Unde iy sins othe Sof he Nt Is Ap wth ests Detovey «oud Be (COUNT BASIE Vol. 17 vosiso10 Af Me «Ap in ats » sa Hos a Cote Jp a be Weed» Darin {co Se One Olek ua» Sy Seckings =U et You HAROLD ARLEN Vol. 18 vosisort Acvcenicutate the Posie » Bete the Dead the Deep ve Sex» Come fa or Come bie» IT lal ad 2 Bean» 15 Ons ‘Taper Moon «Ie Gate Word oa 4 Seng 23 Shnng Hour». Over te labo = Sony Washes» That OU Hack Mae, COOL JAZZ Vol. 19 voesso12 Bern's Toe + Bapcty (Be Bop ves) « ‘once «jane » he Bates » Line forty» Wali’ Sos» war Deby = ‘Winer Nou» and ore RODGERS AND HART CLASSICS Vol. 21° oosiso1s Fallin Love wl Love «tri Roman? « Mantua Movsia Geet» Fueny Silsine «Hea Sods Tis Cant Be {ove Thou ‘Snel = Where or When = Yor Tok http of Me WAYNE SHORTER Vol. 22. cosiso1s aden of Be Net SP + Foot = Jn Mabjong = ter = Agrees = Spek Satu Wh Het» Yr an LATIN JAZZ Vol. 23. 00815016 fgia De Beker (Water Dre) + Black Opn «Cae De Saale (0 Mor es) summer Simba) Wc Whar Happens = EARLY JAZZ STANDARDS Vol. 24 oasss017 ier You' Gone» aon «tian Sra © Ind (ac ore a aaa)» "timelose See © oper Dall = Foot Facey» ase Room » St Lol Bl CHRISTMAS JAZZ. Vol. 25 o0843018 The Cena Sone Cts Rosine or a8 ‘pen Fre) The Csng Wl rosy be Sow an = (Theres No ace tik) Home for The Hols» Wed te Blls on Crises Dry ile me or sis» Sa evi non lat Seow» dlp he ed Nove Redes «Ser ls» Sto (CHARLIE PARKER Val. 28 o0si3019 At Poa «Bes Bounce (Bis Boace) « Goamaton * Donna tee = None he Sooce «My ile Sede Shoes © how's he “ne + Orkholgy «Serpe rom ple edi Ste, (GREAT JAZZ STANDARDS. Val. 27 oosis20 MMe to he Mooa (note Words) + ie ‘Tk ow igh he Moon» Ca Ge Sarto {hon ol agen = ter = $y sn Morning Seas «Spa ow © angerie» ow Wer foe BIG BAND ERA Vol. 28 sosiso21 fir Mal Spc » ChrisopherCalumbus » For brehess = tthe Mood» Itrsion Tis Jersey ouace» Opes Oo «Simp at the Soy + A Stag of Peas + Toned Ison LENNON AND MCCARTNEY Vol. 28 oaso22 Adi lve Her» Bcd «Cove Taste © "Beano ey The Foto he l= Here ‘hte and Ereruhere Lay Madonea et te et Ride esr BLUES BEST Vol. 30. onssso2s ast Seeet ics» Bloomin » D Natural Bes renday Ite the Bie Aan appro tacky Lael » Kc Blas © The Sela’ Shepherd Hues Tae te Cale © Sumsoend and mre JAZZ IN THREE Vol. 31 oosisoxs ‘Beste « Gay Wale» Jerbag ale Noon Ree «Oh Wha Bewia Horal > eer» Teese Wl Wes an es re Word Nea Now f Lave» Wes ou Lovers te, Le Gi) BEST OF SWING Vol. 32. ons: Ag, Okay Tou Wa» Chess nds oye Soa) #1 Be sch You» ve Hear ‘Tht Sog le» Jump, ve a? Wal» the nay sie of ie Seer « Rowe 66 ‘Sumi journey Wht Ne ad ce ‘The Hal Leonard JAZZ PLAY ALONG SERIES isthe ultimate “learning tool forall jazz, ‘musicians. With musician- ndly ead sheets, melody ‘ues and other split track cholees onthe included CD, this tirst-oFts-kind package ‘makes learning to play jazz ‘easier and more fun than ever betore. ces, carers ans ens “abject lo change wihowt ote HAL*LEONARD® wwrw.halleonard.comEEG SUL eea VA) TCS sc ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody SEU UC Ce Se eS Uc makes learning to play jazz easier than aC RTD) COUR CSERS UR ce TU SR COLL et OS nc) CO COUNTS La SUE Eun Ls ase ea each tune also has: = An additional full stereo accompaniment track (no melody) See) ISBN O-34-0 73999" 74105 HL00843004 o 0 PAs Lbs 40 sedated BEWITCHED THE BLUE ROOM DANCING ON THE CEILING HAVE YOU MET MISS JONES? | COULD WRITE A BOOK THE LADY IS A TRAMP LITTLE GIRL BLUE MY ROMANCE THERE'S A SMALL HOTEL YOU ARE TOO BEAUTIFUL DURAN CBU) om ee HAL*LEONARD: m™ICORPORATION PM ABE Ete telo] MeCN ear eeate