ORIGAMI r TANTEIDAN inthis *AGl M A G ae Z aes, MOBO2—-LRHISHALZOO RROD? (RREOM?) Part 2 Wee— Relevance of Explanations below Diagrams 2 Tateishi Koichi CORES eee od IVEY = BBB aims novo‘The Purpose of Japan Origami Academic Society Sey AATACES JOAS) DMR B-S ZC B-R ROR 1, ARORMAARRESETS, 2, ABORBCO HHsit. Japan Origami Academic Societye FS. 3, AROMPLL JOASETS. BOR ORK) 1, ASE AO BPA OR ROBE HUI END E AL TOI A AOA HIE LHRLOLRORECANETS. 2, BOR ROMPRES AOA AT AED AERO R AVIGICANS SHEP EF OPA MATAR MESS RTL, HMO AES OTR, LE ORTH 1 ORRSES RTS. 3, BHROMVEOD RE HUMOURMOVMTOS LS HAPTER OMAE HA MCT SAMORRERREEEETS. semen Chapter Article 1: Name 1. This society isto be called Nihon Origami Gakkai in Japanese. 2, This society isto be called Japan Origami Academie Society in English. 3. The abbreviated name of this society is JOAS. Name and Purpose Article 2: Purpose 1. The purpose of JOAS is to promote studies of origami, diffusion of origami, and both «domestic and international association of all origami-lovers. 2.The studies of origami mentioned above includes designing, designing techniques, criticism, mathematical studies, educational studies, history, bibliography, studies of the intellectual property rights, studies of industrial and commercial design, and so on. 3 The diffusion of origami mentioned above includes widening appreciation of origami, expansion of the community of origami-lovers, scouting and rearing the origami talent, and 2a" CE @3f YU BOWREBE svsois ror FoLoNG i (2 fr FRCS RANKS HORE Ban) Line indicating Line indicating Fold paper Fold paper ns Pleat fle valey tle ‘mounts fo forwards bela aking erease tne On = »> 3< wat Mrre foe RAAICAS v3 DAVT BSCIS RETHS TRGICTS BLLOe 2086 ® ROSE OBTSADIC HOTABEONS, Rese RECBSEKIIE Eatoust TRICTS 9AROS T DATS ICH EBERLE NEO A $5, UMS ISAPI SE wT WERBIEEO MAT. 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AMD EIRICES2 FH VAAERY MOTHS EV) Bia TCHEHSH TE TORS HAST WILE ROBB ROT [ASS OME, BV TEV ERDET. PREM LEDER TS dr HHOLEROCT FSA OT AR RI (3 OMALIT) © ARRICRL TORE BIL SEILIY FSA OIE CH NH AVA OC SAE RS BARC RLEDU THA LABS EVM CO IAILS REIT EDISMALANTNTA-AALI THAOMEEL rN: FEED TEN BO EH ELCOET CHOM MIU TILE (FEMI, ANY OY VTSAOMD HEEL LR-ABME-C (BO TRARY HED DBD HEUCH BS) FOPBEMLEDIIORNE PMLEOLI EE CHOLEBDD HBC ASTHBOTT A HOTO CRARECH FEI F 4 ADR HAMA CML TOR VDITTH SV) 0 CW GRIOLIC REL SHAD H, VIC RIES CRU RE IOS FE (SAFE BA CHA. MAIL RSEWT HSV, Sree Bs Bez—b KEBOREAKM-DEOCT oL- DL COLO RIEL TV BREED PEGBOET LOM BEADS HOA TRREMZT SAMERLL TOE Tt RMD, TY HABE) EO FROBVET A ENTIAAB TE (BP CHBLTATHESO) 027 BECK BEFRTT tao FIDE) ORURT 72 Cb [Oot JET Odal) EP ASRLIE TIMER IDE Stet HERO EMEA DPR AD HA FRAC BUCH Lia (MMILOKTT > CHRV IRD IFES, AE TRADES DS, BALL RRO, AP—EMBOHO, (dd, UE MY (Hh?) CHAar. JO- AC KR EMRLTAOTH. PNLOR-LOBMLVGOIS BE VOMBEAT AT ABER TVS (SL Vo) PREMRBTSILLOCH TUS SoC RAR RE HLSNTF ARBRIECAO RO HE | (ABE EACLE MMIII 1 AOE BCMA CHEV THIE, (WO Bt PROMMA RE Ho TORMBOLL IS BASS) SBLFCELGSDU TH, HIS BIAS CHI CHRA oB@e APY Close-up WOBO*—LFls DD BRIE D IM ERSOD)? Part2 ow Sagres 2 Relevance of Expianations be 6 — “toi Koient BIL, A-ALRVERA.. [3-2E EITM Ea!) Fade. St sseeMETVES.| Ch, TUL AMT ORC, ae SAGHUDARVET TOYA, Pprod.cHdi sy okay 7 IEE! lo CH NWA CHD NIRS RAMOS, SMOAR, [Px PP A-TRAK MEST BLY PEO ME OTH EPL? COL AMEMETS RA-LOBELAVHAOCF. FT RICLSAMAUE BIE IBC (ICSD ETH) MRDARED MBE T DIE PHEOTH ELT, GRCLSRM 2, HG LOGRBA NOT. A [Bhar JeRSRCLET. MAIS, BODE 2A MA 7H Mens Be dvs TEEUOE Ste T UNE [REIKI JOBE SC LEI Ao MM HM SEM SU TL EIAIL DREVERVET. LOM BIE T MILLS RURAL ME TROL DAAP OBER TITLE DIETS DAVE MEAL DOTA GRERD EO TE BD FCF AL BART FEO EMBO GV) EOMIOLLE ARTIS GLB SO SHO GBI BR = (FFA AOL WMD BHO ML) COEF. Malic Rail TV SRT OPSEMT IDE [LOOT] DRFRO WG oT, MEL CF Eta? Dabo se fedndel (BA Ais5T) DIRE T BPRCY, THUBPIAE BVELEOT MARCO EF. SURHICIE BOAO HORROR DSLETT SAUDI, RADI AMT BRAD JE WEA CUBR? 2—Yar th BAT FOL — MMs, £0 al PRMDTTY LEM ERET aS tw ACIS COMMHISE TREE ROT ES AV THEL Tl JbobOe— DOMCREF SNE TRO TL LARA ORME EER DSTH), MESA DKOHT INS DARDIAEL CRUE, ARON EF BRED CVEL Ro DEN, pleatt crimp DiBV IE HDA OMe AES THSDURVACHS LUGLET FoLLAM MEREED TU MI, Robert J. Lang [Origami Design Secrets: Mathematical Methods foran Ancient Art] (AK, Peters) DBA OPH TID P CHES IEA, PEVBIO ARO Mie STIR RENOLIB ERATOR BILE AMES ANSE AH TTEREL foe DED, 977 SAORI, pleat crimpO Bid, WME EL THEI SHeoMMAAHSd LOjceto ROTH (FLY EADKIBESNLIO DRO MDA COED) ERE ELA, WOO BABE EA EL Po AEDT AHL DOD EMIOTTY ERROR RDC BEE MBE EVIE EES EL oBdA, David BrillSA.@1Bs (apan Publications) I2\, HBO) E026 BIO D TUPSMENTRAOCHAS HHO GORW DLO crimpl=eoTEFL. “Crimp on ether side.” (Hit CEA), DPEDS HINT BCLS, crimp Eu SARS Me MNS Je WCE SAMY CEA TT. ECC COLOOMMOMT. [Oxford English Dictionary}, [Webster Unabridged Dictionary] 2° Hiab KARE MSTHEL ENE ROMS BLO RRE RTS DC MAIER TESLD TSE TAR, KERRI OLILEOTH (pleat, crimpt £4 MAT VO MEET, AMt $E0T ERE mibat: se MOTHS 7 BIHDUSUS 12wrinklee IDEHVETOT, ENO QWTEATHELK) SENH ORE RMS HOA 2 pleat 30% MOM HAH) 82 CHETS OEE SHY BEDE MAF Ube ADR > ORE IS EI bdRLOLD-DIE RS PERGEMOEY < Le Le] KLEEBOLD 3 [AAR JORAHOERR OE), pleatl it ANE BART VSP TCHS, 25 crimp oF DWP oT SL Bis Me. TC DELETED SID EER CHS LVIZEOES TH MBI wrinklel2 H2ORIE TEC HEIL POLEMHSIEIADET CAE REEAOl AK OUT EMO Fe, AcE AO Ta | (TB 4 Blan RI Ay yay TOR |) DEORBALIALRA SOY LAELA (AHS A Oldwrinklet crimpD MORI READ?) COMI MOMMA ALE FIOM OBA HOOK PERN TWBD TC, pleat’ a FLED RET LAL, MOTE AOWEVEOOLY SHUcLoTH ROML VERA SOT crimp CHE LUILETH IHF SADE PACS IMAM L514, D~IOMBO RMAs FOP PRVCLIADETF RUT TLS EAD ERIE CE PRO CLAGD crimpe WII, BM (ETL 235) = HER ERAS THAME SE ORLAORM FPR BPESLU)EL D2 NEARER 121) ADORED Cea RESITTN~TO TL AM RocOA2 Tulip. PADS Sly 277 HOE ERADMEROLE ERR. TRE ROT EDIC BUT SCD BEOP EO, BBO paid oi RMELE CH bDRACL BSc Po FERENTIAL REL CPE HE THSIEAS VOT HTL MYOOTNS, SM DS AT ULTYT BIFTULF EO TEDIEBE BVO TH EDIEPO RARE T. Pea TES SRL ASA ROT OPERMENET LD L. LOC GROBLET AS Ctultpleat/ crimp US FROCELL OMAR LAD ADROTEF. BHAA. CIVIBOIET TEMEIEV FOODIE RAT HOM EHTS o LebhiREnENOGORECH? A-LE ho THHoLAVET EN RERTVOTH MELEOR RED TREN TSAO RE (AF Ba {JEOwst) it, POMBEEM) (EA TEI) RHE CHAT MEY HL THO: MUL, AVR TOM ASIEN: We REL daz. | Aeaae CHAAR oe) L VS CER STL ELEM DET (S ATOVALOVATIL) . | abu l 2T, WAWVAMB WY THE OXLRTL MVMEMEA DMOBAP SOMBRE TOR DR@t PEL, dS EM ASPRRELEBAGIUL THERA. COMPA TSIEORK SH MAEOSFIVILOTLT TAR AOMECHEBEVS OCH EF VASA OMOBIC (IEAESA TH 13 ee EbboticayseA (Ch REID BPOMLOPMAVA THLE). LD L BEELMLEP KSI FET WAVBEB AY DHE BATU BREDP TC [DOV TVA IE BRT LOM, Svs oT eeu ct. In part I, it was pointed out that verbal explanations below diagrams exist for confirmation of folding procedures, so diagrams without language often make us insecure. However, language is not omnipotent, either. Verbal explanations of folding procedures of a crane, for example, per- ‘haps do not make sense for many of us. This is because language in its nature bears too much information the most amount of which is only redundant. In Figure 5, the different uses of onomato- poeia in the two pictures give us com- pletely different interpretations. Visual and aural information pieces comple- ment each other which together satisfies. something like Grice’s conversational axioms (“Give enough, tre, relevant and explicit information pieces, and do noth- ing more”). Language sometimes obstruct under- standing. For example, in Figure 6, the verbal instruetion “Open wings.” may make us complete an ordinary origami crane. Language sometimes ignores or- dinary social conventions. Robert J Lang’s Origami Design Secrets gives the definitions of the terms crimp and pleat in its glossary, which perhaps is based fon the author's conventional uses of the terms and corresponding techniques. However, the definitions therein do not ‘match the original meanings of the words. This leaves us with a problem of how much technical terms (meta lan- guage expressions) can be detached from ur ordinary uses of language. The risk is that such uses of the terms may make the world of origami remote from ordi- nary to-be-folders.FEM: DIMI TDIR—-Y- AH: David Brill \ Afternoon Origami SB] AAPDVARL Israel Diary Translator : Hatori Koshiro BER: PBALEB WORWRA THERM Fy PI 7 SEE CA AFT IUTB| RL TLR (ETRE, 4 AP TLIUAREMO SY AS EH SLACEBIEL CHEL KIERO) VALEL TZ RRRL TRRL ool F717 ELBE A PAE SA ADT IUERS NEO BELPRS NLP DEUESI? ADAMO MAT CIN LaLEREMD ANT WNT ANT eo] THC AITEL —LORBIEREET [FUVPEF ORB TS TOR ROREBELLILE STS. IPAM OUBZE EP STN TPAD RIZED DU cE DEO MNE CIE AFL ORRACIMEBEE DSA Sip, ter OMi MMos 5. E(d Dave Brill Se- lected Models 1997-2004 #2, |(ZOAIE4 AS LIME S—DSBA TERETE BFELE origami@netvisionnelil TF.) HRTF SAMO AMAEEAL F eA RUT CHROMBICSES PEAS yMERBICL TAAL?) AI ALERT HELA LZAYDMOBSEH 2040 b4—/\—-LTLE DAO T DUWL THAAO PE RUMELEL: 3A108 (A) ARLE, IAT OIF 0755 DORT I 2—VERL GEL TH tot RFLMHVBY 7 OH Btel 12 EMENVAFT OF EOROOL MPL LPAT OS 27h CRORE AERO RRB OHA Fite BRTLBA, FOLIA yar HoT, MEOW MEL THES T HCLESE! FHI ROR BEELAY APY HAIRS, He? RRA RULE OEBA veer ARRORA 9A 128 (+) BH FNTET ILI CEM D3 AF PhEXF CROAT AY 7 HIS 1IOACHYY, 3A13B(B) MERIC DY LABPEBEC AMER BIL OF MB BRAT SOED, OTE ORIEN (VLA TVS BIT BAD EH ODF A2DE, SHALE OBA (SA AUB CS HHO HEEL AIDS LE OF IE SOMO AESSERLS I+ a-7 AREER PERT SHGD aHODavid Brill (FE yE+ FU) =F¥UA ERT SHUMERD1 Ao 1975H SN British Origami Society? Ba\=ANE#9 DD AREER 1 Hit ELLIO OR 3148 (8) NDS. ARORA RFZWENVAF HD FAR Ho ET PMS SAE ORETS DEBTS! 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MATCREE Rot oewy [PCB VERS LbaNG Mi DRO, SERIE F LOVED HY) FA FLERAOEERTHS, UX OP OP FAIL OWTHL TBE. [REY 7 NAAT EH COR RON HAP KOLB, OEMOMBINE DY BAER TAUBED RECTUS CAI FIST IE ENDER, BEE (SY Le) JEPREMT 7 BORED IPE HT SWHALEKALTRED CHS AS BRAMMER FP MENSD (ote BO [BoiznsA lt HOT IY TIE EMEA PRISRE- REERO TE, ROCHA BEI PEM IETO FERLTHS[ TF IZKEURO PLELAF UME CEA A HE DERE RAED ATC AD REBATES T, HARTER TUBES ON TIMET BIUEO HCHS[ IAAF Nis HOl SLY | CPF 3S Sa a BH | MES TVD MO EMO BY CHE BDIF Cdl AF) Jd THREMIOA DEEERURCADORAEAS COT (hs SATIS, BO fa JLB THELOOMYIZLTHSCHEML HDA WED BO ALE ‘4 THOM BV [WA ELBE RE Bdatemths. Fuel Css COR BG HALE RAL. RACER R TARR, SILICA oA HETLAEDG (CARMIRIZA BL FE 77 woDIesb) 2 ONVETHS, ABADI SNCS [aOR AREER OREO weit tivite RAEN EI RMS RINT), VAHLOTMIT = FO —ABSIMBINSA-COA AT HEED THAW BORE BIEL CHROMO x ae ok a & u FH | i E Ale2eE [NER |28 «WEG (1794) LR BBL) SREORRS RF SOBRE 17 ASEM ARORA VERE TRL TOMER TR LMS ORV ERE CHT LIT L ESN THF ([HSLLAIS! Phd BNC RCE RG EED LAL SIASPIBISAAAUTL BILIIC RoW SA, AP CHETSFMER RDEV LG, RRB OPAM DE MIT DOOMV FH ALOHBREL TOR RAS KAD. BEARER DLAI, PULL IRL WEA MORALE HAE 7225 MO WOR LADO LAAT MEA CORR AILET CII HROBBELT: HOW AMIR oLEOLMD ND. MALTON HERO RAB ibm He HS PTT PBPK MET SEO TAEEMS FIL MEAN TTL ESS (OHEL THOMA OT SH HIBORN THAI. BHOPAL HD THRANLDC, [FARAH 1eeOnn as BOWRECIRSA LV BML CH PEARL TUB HUIS AE VC HRL RDNSLOEDHS. M DVEROROME PEER BEILT bier,#18 = VORE Three Churches “Paper Church" by BAN Shigeru in Kobe After the terrible earthquake, an architect and thousand volunteers built a community hall at the site of crushed church. It called "Paper Church" because it was made of paper tubes. "St. Mary's Cathedral” by TANGE Kenzo in Tokyo This cathedral have the surface of hyperbolic paraboloid that isn't a developable surface, but is apploximated by a concentric square crease pattern. "Ohura Church" in Nagasaki This is the oldest church in Japan. | found crease patterns of bird bases on stained glasses. Beit ee n~ ROT ORF IEW EE Bo [REP IETF FrEVIBR SHED RGA, TROAT. TAF IMEBRROE ELDER ACART HATRED JO, MOBRREV L SECA OBRT BE RET CHS.LEV Tea ROHN ERR, CIMT PAY EO RINT BREE CBA WOPL ARIAT SAR THAT TRF INTHE. RAIL, HOF, KAS BE CHBMONCEMECHELOL, LOGE AMET -hCHHS.E D MOBI OOmbPSEVENS WHT BOCES FEM (EVIBO AAD, Ee, SABE BUMELYMOMHAOT Roto A etka WE ot: ERRME OMELA LOSE tt HASTVEZIL Li L. SO4tH TO, to REEL T Mo picroom evo BRE PAIS ASE EMGD SMILE EERVATLVOM, t ABO MJEWI, Did, ADO CHLVAM ES VDL APSR TH DE CHIDO BIC OOP | A MEEAR RIB EEA, ENB IMMA SE BOTS TT | ELMBALIIM TIT AD HSNSOILL CHR OUME EAL LLOR DORM DEBUTS. FTFF AREF BATEN 0 | BE Ween AIA DO FIC OIC DOPEMLOD| VELROTIRE RAMON BAO AOA RoR SUED, HEP LEO Tb, EPR LIS HT OAL APDELHTWLVOOBS OU DART ANIL TRAEEMIE FOO, AA BCHERLI 19% be. VBBRREL OR B77 ALE LTOT—FF 7b PBB ED ER RHE. 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