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Tree: A Time To Begin. in This Book, Even The Most Simple Strands of Quarter Notes Are Always
Tree: A Time To Begin. in This Book, Even The Most Simple Strands of Quarter Notes Are Always
college students was trained to teach young pianists using Frances Clark’s method, The Music
Tree: A Time to Begin. In this book, even the most simple strands of quarter notes are always
taught with chanting rhymes, both familiar as well as some newly composed for the book.
Young students are encouraged in the instructions to chant and clap, or even better (with the
Dalcroze influence), chant while leaning over and swinging arms to the rhythm.11 The Music
Tree uses other concepts from Dalcroze Eurhythmics, including stamping feet to the beat. This
works especially well with 2/4 or 4/4 time; adjustments can be made to express 3/4 time, such as
stomping the right foot and lightly tapping the left foot for beats two and three, and then doing
the same motions starting with the left foot for the next measure. The result is foot/body motions
in this manner: RIGHT-left-left/LEFT–right-right. Students should sway and put their weight
heavily on the side of the body that is stamping the downbeat of each measure.
These giants of music education, Orff, Kodály, and Jaques-Dalcroze, were innovative and
creative in their methods of developing better musicianship in students of all ages, and their
contributions to music education are profound. I’ve incorporated many of their ideas into this
method, including the focus on cultivating a sense fundamental beat. Once that heartbeat is
ascertained, groupings and variants of rhythmic patterns can be more skillfully executed.
Additionally, I use the rhythms of familiar tunes and rhymes as the rhythmic motives for many
of the duets and ensembles. The work of Kodály and Orff establishes the importance and
11
Frances Clark, Louise Goss, and Sam Holland, The Music Tree: A Time to Begin (Miami: Sunny Birchard, Inc.,
2000), 20, 37, 44, 57.