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  • Schradieck H. - The School of Violin Technics. Book 3. Exercises in Different Methods of Bowing

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    Schradieck H. - The School of Violin Technics. Book 3. Exercises in Different Methods of Bowing

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    Schradieck H. - The School of Violin Technics. Book 3. Exercises in Different Methods of Bowing

    Copyright:

    © All Rights Reserved
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    98 views28 pages

    Schradieck H. - The School of Violin Technics. Book 3. Exercises in Different Methods of Bowing

    Uploaded by

    Elena
    Schradieck H. - The School of Violin Technics. Book 3. Exercises in Different Methods of Bowing

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
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    Schradieck The School of Violin Technics Book 3: Exercises in Different Methods of Bowing In Book II of this revised edition the author has made some changes, a number of styles of bowing hav- ing been added which were not included in the former edition, ercises on the staccato. In-the remainder, excepting the last (NO XVID the bowings which are to be executed with springing bow are treated (spiceato arpeggios. In order to acquire a good staccato, special attention must be paid to strengthening the arm-muscles. The vi- olin-player should nut neglect by daily gymnastic exercises. The bes exercise for the staceato is the which should be executed quite aD Each note must be firm! : 'y this stroke all the muscles chiefly concerned in producing the staccato are strengthened in no common degree. — Practise in this manner all exercises in Section II; e. g, = As one of the best studies for this bowing. Em hhould be noted here (NO IX). Raw sity sgt ening effect on the muscles of the forearm. This stroke is executed between middle and point of bow, with th forearm alone. The urer arm shel nt veal consequently, the elbow-joint. must be perfectly loos Avoid perceptible breaks between the tones. For the stroke, all exercises in NOSBUIRUIMGWaTa) @may be utilized; . g., ete. Also practise Studies VIM and X (inF# minor and Cf minor) of the Rode Caprices with this stroke. Imploy only the bowing marked (2) Employ only the bowing marke (3) Employ, for each indivi the up- per bowing, and on repetition the lower bowing. It will also be very helpful to play all the exercises in any section throughout with any one of the given bowings. As so many different bowings are indicated, the student will have to make a suitable selection. forms the foundation of all bowings to be executed with a‘

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