“PETER” PANOO0000DDCOC0OCO00O0D0 00089Usta de Numeros 7 [Overture ss EW 2 [Proiogo 32___|Entreacto — La roca '3_|The boy atthe window 33__ [Entrada a la quarida 2 ‘4__|Nana smells danger 34 5 [Tender Shepherd 35 [Ugh = A-Wug 6 [Peter's Entrance 35_ [Ugh A-Wug Part 7 7 [Dialogo Campanita/Sombra 36_ [Home sweet home Ta_|Persecucion 37 8 |I-gotta crow 38 [Distant Melody 9 [Atrapada en el cajon 38 710__|Neverland 40 _ [Fight above ground 71 _|Jalada de Pelo ‘41 Farewell music i2y 73 [Liza's entrance — 'm fying — Flight 42 __ Kidnapping & Poison 14 15 [La escaramuza 43 _[Tinkerbell's Sacrifice 46_ [Pirate March ‘44 [Tink’s Recovery 17 [Hook's Tango 45 [Hook's Waltz ‘Ta [Hook's Tango Payoff 46 18 47_ [Plank music 19 a 48_|Elmotin 20 _|indian sequence 49 : 21 [Tug of war- The Wendy bird ‘50 [Musica de Garfio 22 [Marcha de Peter 51 22a_|Campanita triste 52 |Las hadas y el vuelo de regreso 23 [Wend ‘53 __[Transicion y Pastoreita reprise 24 ‘54 |Grow up reprise 25 __|iwon'tgrow up [55 Tiempo de verano 26 [Entrada de Garfio ‘56 [Finale ultimo 27 [Hook's Tarantella 7 28 [Marooner’s rock 58 28 [Final de acto 1 50 | 30 60 | Pagina 1PERSONAJE Alejandro, Rigoberto, 11:00 a 12:15 bre César Adrian, Dario, Paco, Sergio, Enrique, Julius, Mariano, Mario, Antonio, Raymundo, Repaso de "Vals de Garfio" con Jaime, James, Isaac y Jacobo 11:00 a 12:00 hrs Pahola, Yolanda C, Ana Pamela Ensayo de vuelos con Paul (con vestuario y pelucas) mt Alej 12:15 a 13:00 hrs lege Bos aeee, Jonathan, Diego, Rail, Inaki, Hiromi, Ana Pamel Adrian, Dario, Paco, Sergio, jandro} Julius, Mario, Antonio, Raymundo, César, Sebastian, Carlos, Repaso de Escenas en Ja Guarida (pelea de indios y piratas, secuestro de los nifios, evenenamiento) con Jaime, James, Isaac y Jacobo @ 13:00 hrs la, Lola, Marcela, Pahola, Yolanda C Ensayo de vuelos con Paul (con Carlos, Jorge, Est Jonathan, Diego, Rauil, Inaki, Hiro: Alma, Pahola César, Luis, Sebastian, | » Alexo, Ana Pamela, -Repaso de Escenas en | Ja Guarida con Jaime, James, Isaac y Jacobo | Luis, Sebastian, Carlos, 13:00 a 15:00 hrs Adrian, Paco, Dario, Sergio, Lola, Maree Ensayo de vuelos con Paul, Gerardo, Miguel y Jorge, Esvan, Alexo, Repaso de Escenas en | Ramon 13:15 a 14:00 hrs la Guarida con Jaime, Inaki, Hiromi, Ana Pamela, | James, Isaac y Jacobo Pahola ‘Toda Ia Compania excepto |, Adrian, Dario, Paco, Sergio, | Lmpieaa de Ava-Wock Yolanda O, Irasema, Lola, | C8 Jacobo, Gerardo y Marcela ee Toda la Compania Comida 15:00 a 16:00 hrs Comida Toda la Compania Corrida completa Wats Batrada 13/07/2011 Cel, 04455 2219 3420 (slo emergencias) 04:46 pmS Sew OVERTURE a ‘accel, - —— Alllegro (in 1) rise EOOOooo ry 00.0.0 .0-0.0'-0-0-0 i 5 A3 oveRTURE Slow 4ve 7& =F? peg decal a2? carne ae o le quebaba poco e ¢ bas dormiria en su ees poco accel. A E ‘molto rall,itt mosso2-. Prélogo Poco andante Campanas { Piano Sempre pedale di re Pho. Pho. Pho. Copyright © 2011(©) Vals quasi vienés, piti mosso UO O Pno.. Pro. Pho.or oF on Coe {ZEA =Pho. repeat wa) ifnecesstty ©) ©)Neg THE BOY AT THE WINDOW. ae MRS. DARLING: It's not the first time Te seen that boy. MR. DARLING: Oh-ho? oc ‘MRS. DARLING: The frst ime was a week ago. remember, because it was Nana's night off Ga (Music begins) 7 ‘Iwas sitting there by the fire, and suddenly I felt ‘a draft, as though the window were open. . [zez} i 77 UMA Baedy t } _Tae) sh UMA Brisa Strings ponticello nl (ee eb pers eE EL- ™ NOTE: This cue does not appear in the surviving orchestral parts, nor was it c used in the 1955 telecast. It was used, however, in the 1960 telecast, Ne and is included here for the sake of completeness. Its use may be considered optional, vy) ersNea NANA SMELLS DANGER ~ ~d dé cy WENDY d He's chaining Nana up! (NANA barks furiously) Thats not her unhappy bark! That's her bark when she smells danger. oe MRS. DARLING (Remembering that boy) Danger! Wendy! Are you sure? ~d WENDY ‘Yes, Mother. (Music stops) da ad jad adc Lag sysuraps (JOO Proreson A ses 5-.Tender Shepherd Araudcos | a ESS oan Vamp Wendy Voice Voice Piano: 6 & Mrs Darling Voice Voice Voice Pho. Copyright © 20112 OQ Voice = Voice Voice ) Ps Pro, Y Fy + U) a YY Voice i Y Voice a =) Voice x.) a ax Pho. SY: Mrs. Darling ¢ Voice Voice C Voice C C Pho. ( Voice Voice Voice ( Pho.Voice Voice Voice Voice Voice Voice Pno, O (Voice Voice C Voice ( Pho. Voice Voice Voice ( Pho.GHenGnO Gta OnG MOOG One Gia n@@) tone) Oni@)C y ( » ATT laifatta\ K PETER'S ENTRANCE (WENDY's bed} acess) yore 2% Fast Pest accel,2 9 Perens EerRANCE (he great window opens) [on accel] Cele 4 _APETER flies into the room) ~ 7 _ 2 4 (NANA barks offstage) ? @ (PETER hides behind curtain)* 1 (Ibis at this point that PETER'S flying wire is detached)Ne7 TINK FINDS THE SHADOW PETER ‘Tinker Bel! Tink! era Where are you? a r Pett ad Sit Docoine outofthajug! Fete : = eal (TINK flashes once in the jug and darts to the. rsser, _ ‘Tink! Do you know. Doe th Be di da are R) C . ee rae 8 " PETER’ (PETER runs over to the dresser, TER, Came tetes re aie - SSS cece) le \ coma \ RewserCvce SY Bs See Z oeOa) ersecucion 1 dave pineda. (>) (CoB tons asm Peron Darya Piano 1 Piano 2 Pro. 1 Pao. 2persecucion 1 ge Pro. 1 Po. 2a LJ persecucion 1 nea) conte: Caphvog A 07hara — eee C) Pro.1 Pro.2 a Prot Pro. a Pro 1 ea O Po? 2) 74 persecucion | Pro. 1 ) ry ¢ +Nes IGOTTA CROW (Peter) CUE: (Shadow-appears-on-the wall). [ee ASAE ES PETER: Yon! My ato! | WENDY Bitten aon! PETER Osta cin oh Sa Maver own tow!) PETER: Yes, bts ae coe / YW Bnav geen Sapcno ee nl a cea ee if course, I did nothing. You're ¢onceited. ME AES2 . s 1oorrcRow os Just that3 1 1oorrAcROW “ pis wiplungers) Y sraccato efan x ‘9 100rtacrow5 sn 100TTAcROW Tors. (w/plungers) ef , think its have fin - gers andCc é dee tag with the bree In the‘round lke pis. (wiplungers) nf ‘9 1eortacrow OOOO OO 0A )O {si tcortackow wae me ee Be Re RE Re ee eee em VR AR A RR i) eC) eee Ee <9 19 10oTtAcRow aan#9 v ee Nog Tinkerbell #2 % — Ap, to. Tinkerbell! Tink’ Went Gael Peer Sresameieniirts| 7 Iie conra 9) “eee vanp til eue LS Tm in the drawer, Im ia the drawer, Tm in the rower, Tm in the drawer you dum~ my! eee ae 2) va — & eters Woh you nx sy tat Tink! You make me 50 mad Want 10: Call. Yolo ¢ } 6 Eo pyc 40 2 oe HE 7 ay oo a Swe ‘rods Ve & fey phe er#10 Nunca jamas } Cue:Como sabes donde es tu casa? Pno. Pho. ze sue flos tie~nen un Iu~gar yel |tiem poa-hi se va Jo tienes quea iowar en los ea uammaae Pro.#10 Nunca jamas, Pho, just don dees = tx tw defeste Mewar y muy pron te-ga as a nunca ja rm a Pro. PETER:y ahora que ves?” Pro.#1 Nunca amas Pro. Pro. WENDY:(La veo ,|a veo! Pro. ha =| bra te~so-ros que tea guardan no los po-tras erp = b Pho.‘IY Nunca jamas 4 va - le-en mas que pues no vuel-ves aen-ve-je - cer a~ sue-fios na- cen en miho-gar yel tiem-poa-hi se Pho. bi be-tioRay que pen-sar ya Jo-{fa-ras_vo-lar por Pho. Pho.#11 Jalada de pelo Cue: WENDY:Es algo asi PETER:Nunca la habia visto tan traviesa PETER...cada vez que me quieras dar un dedal PETER:Por que campanita? ALY WPA TERE Ovo ONe 12 LIZA'S ENTRANCE sate Guss aes ven rena ( WENDY: "John, Michel ake up — thers boy hee whois going o teach us tof MICHAEL: There is? : a oe wo OY, JOHN: ‘Then I'l get up at once. C (NANA barks offstage) tase egins) c T JOHN: Out with the lights! Someone's coming! (MICHAEL runs up steps and nirns off lights. ick dst All hide behind win curtain) (CE Awe ceaviers ‘ 2 ( Pee ee at f —S LIZA: Tere, you see? They perfec safe and sound aslep in bed. (NANA proves loud) Now no torel Come long, you naughty dog! (hay ex, NANA barking loudly al the wi) “(ts at.shis point while hidden) that lying wires are connected o PETER, WENDY, MICHAEL and JOHN) FAST SEGUENe 13 7 I'MFLYING yy (Peter, Wendy, Michael, John & CUE: LIZA: Go along you naughty dog! (They ex) MICHAEL: Come ot COE Nes Penne excavapuiesl JOHN: Can you realy? a (PETER emerges from is hiding place} PETER: (Listening) "ER: I ! ea Pere PETER: I teach you! on a Fast esa WENDY: How lovely to fly! PETER: I'll teach you to jamp on thé wins back, and away we'll go! WENDY: Go! PETER: Wendy, when you're sleeping in your silly bed, you might be flying about with me, saying funny things tothe stars,( 2 9 name ‘MICHAEL: How do you do it? PETER: You just think lovely, wonderful thoughts (He starts up in the air) And up you go! ontow once? Geprsrs LAID rar Cats@ PETER: (Embracing himself with sheer Look at me, Way up leasure) Im sweet! Tm sweet! ) PETER O OL “OO ( ) A AO 200-20 60 2Q 0 077.07.07.04 py ere And what's more,OOOO COOWO-OOLOLOLOLOLOEOE ME OE OL OE OU Oe :C 6 by ner eee CHILDREN: Oh, yes, Peter, you are! (eic:)Noth-ing will Stop me now, High-er still, Look at how can zoom a - round, ‘Way up off the ground, I'mO_OO - ver chair, Duck your head, MICHAEL, Fly-in'! py nero OOUOOOO OOOO OD Pa OaO1) We10 13) nar Oh, what love - ly fun, Watchme, ev -'ry one, Take a look at me and see how a-si-ly it's’ done,aw 9) ne PETER: Wart to earn how? Herp Now CHILDREN: Ob, teach us, Peter, please teach us! a a a iy IR: You lke it? a CEB ear yen) (WENDY) (MICHAEL) JOHN) O PETER: Fo toustion ea danontes - (Harp! Watch conductor for three cues) * [Orchestra plays vamp until cue12 15 eres think love-ly thoughts! CHILDREN Think love-ly thoughts! JOHN: Fishing! WENDY: Hopscotch! MICHAEL: Candy! WENDY: Picnics! JOHN: Summer! MICHAEL: Candy! JOHN: Sailing! WENDY: Flowers! MICHAEL: Candy! PETER: Lovelir thoughts, Michael!meen 13 (WENDY and JOHN fy) PETER: (As MICHAEL rises into the. OO 9-0 OOo oro ooo ors all)14PETER: Come on! Il tke you to Neverland! WENDY: Neverland! Oh, it would be lovely! PETER: There are Pirates and Indiais! JOHN: Pirates! MICHAEL: Indians! (hey rise up into the air at the very thought) 2) aL) aC) aC) al al‘WENDY: Let's go at once! 16 wy marePiano Pro. oe d= 137 4 ler Insert del vuelo b. s Copytight © 2011 b, It_y @) O ) ( ) ( OF® O© - to bar 187 SF wow we ey we ow wyDon't for - get, Don't be slow, Read-y, set, Here we go! Wen - dy, Mich-ael, John, Hur-ry up and fol- lowQ 18 mmm G PETER fis out the window, followed by WENDY and JOHN) a) CQ a) CQ @ C @ ‘@ ) MICHAEL: Wet for me! Wait for me! (dle rises up in the air and is almost out the window = When LIZA enters in alarm) 9 moe oe ees Me é od Jd Oo19 ner LIZA: What are you éoing? MICHAEL: Tm fying! (He fies Back down 10 the ground) on ea Oe@ Oe) O Oo Oo OOO iz1G). 2do insert del vuelo, el hiperespacio 2=137 ———————— + Piano OOO CC ¢ ii b A Copyright © 2011 segue al insert 3!! a 96 del metrénomo3er insert del vuelo, saliendo al nuevo universo 4-96 Piano! Pno. Pno. = > (Copyright © 2011 BS = al 10 CR (Opening act 2) pis) ) O O4to insert del vuelo, revelando Nunca Jamas 1-96 ie & : ea War va-len_ més que el Piano if an mes J=96 imi vind J Piano harp cmb cellu pee. 6 > 0-70 puesno|vuel-ves aen-ve-je - |e a th. 2 Pho. Copyright © 2011a 2 @ V4 ~ Pho, Pro, ~ Pro. U) Spee O ez 5 YY Pno. oe OO) = O Pno. an O a Pno, segue ala escaramuzaA i J4e - La escaramuza Me Viene de el vuelo y llegada a munca jamés... ob. pod Copyright © 2011Sd) O O ©)CG Pro. pall Fast segueoooogoooocooo0q0o0e0o0 0000 00- weie PIRATE MARCH i (Pirates & Hook) \SLIGHTLY: ‘Slightly soiled,” that's my name. JOYS fight — PIRATES are heard offstage) Sf _PIRATES (off-stage) Were blood-y buc-can- cers (@funt) And each a mur-der-ous crook! (Grunt) We BOYS: Pirates! mas-sa-cre In-di-ans, ill little boys, And ca-ter to Cap tain Hook! Bb Agitato [Pesante]Yo-hot Yo - hol Yo-hol (Grune) (Grunt) Were blood -y bue-can - eers (Grunt) And each a mur-der-ous crook! (Grunt) We i mas-sa-cre In-di-ans, kill lit-tle boys And ca-ter to Cap-tain Hook! —3 16] PIRATE MARCH (PIRATES drop litter) The ter-ri- ble Captain Hook! cycook a cake quite large and “Pion usu wa. ) Faun Coe eee = | Ct OF (fe-ing mixed with pol-son «Till it turns atempt-ing green. well place it near the house just where the boys are sure to (Suns) ( be-ing _greed-y they won't care___ to ques-tion such a plum.3 1 HOOKS TANGO ~ boys who have no moth-er sweet, | No one to show them their mis- take, Won't know it's dan-ger-ous to eatCc ul CG Puente Tango C Piano: Pho. Pro. Pho. Pho. Pho. Copyright © 2011vw WY BY WY WE ye ve ve pe vw vS wr owe ve la lala la will eat that (Ha - ha - ha- hal) lala la la171 Hows sano 74 > Janeo ve gaervo (ag) boys who have no moth-er sweet, No one to show them their mis-take, Won't » perlando = > (Suns) know it's dan-ger-ous to eat So damp and rich a cake! C r ; a ee i ae a &2 Bm em wm 1ave ve ee ve ve pT we we we we wr owe ac $0 the wink-ing of an eye, PIRATES: lala la| lala la la son cake (Ha - ha - ha- ha!) and (Show), Bam | Bee ae we Zo- Indian sequence ry ee rc) ~ bongés (?) ‘Toms indios C) Eat Gal ( VAMP 2. e—____- Se vs. Copyright © 2011Funky coco Deny) i) KD} ee J48 r r i fe * xyloigy.w. r Piano bet 7 poses arivos| orbs pagan an Pelt Funky coco US,Mnvo> amosor | psuye rages | psn celli-bsBs Piano 5 wnrtiyloOO 0 O) ) ee, : | re V 1 20 0 O } @) 6) 76) O O whole tone scale!! :) attacea il TUG OF WARrOOo ~ Piano!Conductor t 3 “Z1-PATALO WENDY ne Cut on eve: Indian: Good omen or bad omen? 15-17 Indian Seq.-7ve pe pe pe pe ye Ie Se ese Bw Bt BE 2 2) THe WENDY ED CURLY: Hey, boys, lets shoot the Wendy! SLIGHTLY: Aye, shoot it quick! Bows and arrows! te LLB iD ANO0 EA Dv, (BOYS scurry for weapons) ALY: Out of the way — I'l shoot itt (CURLY shoots bird and BOYS cheer) \Disepie ! BEGaeeT aol o& iia, be (WENDY flies in with arrow in her:oO eee # 22 Entrada de Peter Ed } pee Yo 6 ron ongvuase os! A paeciareoias a Ke \ iG aa zs pera : CE rir von Peer i C Gees / c #22a Campanita triste ie , Cue: ...si, es un beso! c C Cue:ya ves Jo que provocas... Fast b, Cue:...alejate de mi para siempre _ Cue: ..para toda la semana! 13, Slow a : e201eee OPA : 23- Wendy _ Wen ads ne de 1 thee ak eed lo of ream D eae = Jae» xe i Ag As sig 7 Eaten hush husht Host i= usb, i A) it-te house for Wen , al be 1 Lets beak as a mow andbalé a ve 4 or oh caren eieeiteeeee Tey 2 Fr Mews: OOO ') Ree) WD )— Ce J@rrrrare! cokes ¢ thy Righy is Pelee tan yas ; & ci C a : : sit Shes come to way. And be our mo-ther 4 tag aie moathert : 7 fy meee = u Foner sree SS ‘ a ( Peter: Home sweet home up-on the wall, a wel- coment down in thehall for Wen wont go + way.Wehave amo-ther, ab fash we have Ty Sae*Cathy Rigby is Peter Pan Wendy 3 j Fins Tone Peters (Oh, what plea - sure shell ting to us. Makes me aay ‘And. sing t0 ak G i decal aie JETS tes he wt Telus foie? WeNve boa} Iong>ingio wad F a. we Peter: ‘Shell be icingatthe\foor, wewort be lonely any more, since Wen S; (yO C ey O OO¢ (Cathy Rigby is Peter Pan C + Noose! Di eee wh we bne CCathy Righy is Peter Pan Wendy -5 Baahins 5 Ona: Y Tat we ve a mo “ed Wen Pens ~Cyr Cathy Rigby i Peter Pan J ol me Vendy 625.-1 Won't Grow un PUR |e dL ie Sy" / bene X fo far vente >i Pee: Boe 4 eee Boys Par wont grew up! J won't grow up! Boys Peters 9 Boys 10 Peter: Jeamto HF parol! Justto leamto Be © pal-rot! Andre- cite 2 sil-ly ule! And re~ cite a sil-ly rulet If grow -ing up means it would be -neah my dig-ni-ty to climb 2 te Ml T dont wamna go (school! [dont wan-nag0 {Bschool ust to C) U)CO) rite cow up le | Cathy Rigy ic Pete Pan i a 7 Jobo: ne-vergrow up, ne-ver grow yom aur ae r 22 Boys 2a Peer 2a Boys: 25 Peter: won't gow up! I dont wan-nawear Ste, Tdon't wana wear) te, or 2 ( Flexg tort ! Boys: 27 Peer: 23 Boys 28 Peter: ¢ se-ti-out expression, or a se-ri-cisetepresson, inthe mid-dle of Ju-ly, in che mid-dle of Ju-ly. And(Cathy Rigby is Peter Pan ow up, Ne = ver gon =na be Fo op. 1 Won't Grow Up-3 22 38 3 fo shoul- der bur-dens wits 2 r as a atCy CY Pigs - 1 Won't Gr g (Cathy Righy is Peter Pan D Bos Peter: ve ao Bae Sad and make me! An-y-one who wants toty om &-& fmm Quid tae BON ge HO Cindi agin) do) £2 Guy: ss Bors Sate wont grow up, Twill ne-ver Puvenuy, 1 will ne-ver Boveniry, 1 will do what e-aer tells me, I wil Bows se. do whet Pe-ertells me,andIMl ne-ver ask him why, and] ne-ver ask him why. We wont grow up, weBoys! o2___ TwinsTootles: ‘wont g70W up, we will rne-ver grows day, we will my, SU! Ce] Ne seme-one wiestomakeus;wewill sim-ply rin 2 ightly: wil simply ran a-vay. 1 7) vind Lede! Git Slightly: = wont grow upl No 1 provmisetiar Thvont, no 1 — provmise hal wont, will SEE pes) c \- 1 Won’ Grow Up- 5 Boys: O O ne-ver grow Say, and if some-onemtes(omake ut andit Bows wont grow up! I saya boy for-ev- et T willC ie Wt Grow Up 5 Cathy Rigby is Peter Pan C [ he Rreeeeee Se ere en C - c red} ¢ Betis C : t C : uo ' m T vA uecas ex Jobnfichact: "gp Gorka Toin, fey, Peters HAY went Nao0o0o00n000o0000cC000C0O000 0c C # 26 Entrada de Garfio Slow & Menacingly es FS Piano a FB Ng e201Nese 7 - HOOK'S TARANTELLA i 2 (ook & Pirates) VY wo A - 4A eo el emt HOOK: A Tarantella! 7 — SMEE: A Tarantella! ' ‘Tempo di Tarantella Arn (hoky") ns Tr which, per-haps, I may re-€eem me _hon-our.Kid - nap Wen - dy, selze the boys, and you'll have Hook to thank, For a yy3 26, HOOKS TARANTELLA When was such a prince = ly plot con-coct - ed by an - oth-er, mur -der all the boys ‘and keep |the Wen - dy'for— our mo-ther! 4» Tra-la-la-lal Tra-la-la-lal Tra-la-la-lal When was such a prince - ly plot con-coct - ed by an - oth-er,, mur - der all the boys and keep theOO ) To the ship! ship! To the ship! ‘othe ship! To the ship! To the i ad lib [Repeat until Pirates off] ao orlando Dictated ; i + To the ship! To the shipt ~ As \ = ZS sEGusP os , 4a pienae Fee PARA SEGUE =< C770 Wuel7A a28-. Marooner’s Rock cc a i MQU7ER on Compns y swe hn fl # | tpt harmo: Piano > »¢>———————_ ols eautiful mermaids Pno. Copyright ©2011Pno. Pno.«az: VAMP till cue.. a Praarps | gS boat underscore Harp glisses hn Jontggo lib Pao. EE ~F S corre ise ve nonun!\ Cv© Soy Peter Pan! > —, Piano 2i- Final de acto | > ¥Al primer espadazo Copyright © 2011Puo. Pho. Pho. ominoso Pho. Pro. frye tic tac, DO Gorse Pho. DictatexPro, Pho. Po. Pno.rm ey ae) C rT) cS 32-Entreacto-La Roca eo Piano Piano Pho. Pho. Pho, Pho. Copyright © 2011(OO O Pho, a Pno, Pho, Pno. Pao.S Pno. Pno. Pno. ¢ Pno. Pho. Pao.pidi mosso Pho, TIGRILLA! iii mosso Pho.BS -ENVTIAIA A GvAtIDA ui Le | L J — Le FF. * pope a-VA-WOLK a). C} CRE eG eG OO)Pho. Pro. a= va wock 2 - va wock L a-va week a-va wack ava wock a vawoek P a-vawock a vawoek ava wock ava wack as va Week, a-vaweck — wah!cat igh is eter Pan Ue AWon-3 ugh -a- wug, ugh -a- mug, ugh! a+ OO ) ( OCO) Usba-wug-4 Cathy Rigby iePeter Pan ( C ry wars ior, Boom = boom! LUgh=a- wg, ughea- wug, —ugh= a wug, upir-a wog, wah! = Ugh-a wug, ughr-a- wug, ugh = a- wog, ugh-e- wug, Ugh -a- wug, ugh-a- sug, ugh-2- wug, ugh -a- wug,~ _Cathy Righy is Peter Pen UghWop-5Cathy Righy is Peter Pan S “Fl ze Bit. / Part 2 - Canon he soit / Sa iieon at aa [RUNNING MAN] ‘ Audi TRNCend ne nk Taek coe ya : Hi i &Catt Rigby Peter Pan m Part 3 - Challenge So [TIGER LILY] INDIANS] Awl Awa as Mga Wog-7 Oe oae) OOOO OO Ooo O CUsh-A-Wog- 8 Cathy Rigby is Peter Pan [LOST BOYS} SRA ea [STRONG MEN) uaCathy Righy is Peter Pan UnleA-Wag-9) Part 4 - Add-Ons ~) VU aD U ee @2670-6 Oo (J ( (TRANSITION) OO oO O ()Ugh A-Wog- 10 Cathy Rigby i Peter Pan. Part 5 - Peter & Tiger Lily Solo~ ec cathy Rigby is Pater Pon IN, RR ipa Ww 1 Part 6 - Ensemble Drum er bk ¥%ay ~ 4 Cty ier Pon b IN| oh Part 6- Ensemble Drum “7 — Ugea Wag at ay Hb AC eae ® 22 230 a |g At boilers + a7 vase 10 Cathy Rigi es Part 5 - Peter & Tiger Lily Solo ia U) eek CON ot prruston ) & {(CG) ae (a ae ese cape eee) Cesena tee eee) aC) ( Cy C) (Qe)i CE et phasing 14 SE Dew Veeat Cage CaBD RP oa Part 8 - Ensemble Drum II (Clump) ~————.. Csveres eeeegeee eee eta 319any O UpwaWeg 18) O ‘Cathy Righy is Peter PanA Upetsigets ME Cet c Use ia plagin ithe Cathy Rigby isPeter Pan e Part 9 - Circle I 7. [rRaNsmon} ot 3 32a TeIncLE ———— > alii > ©‘Cathy Rigby is Peter Pan Usha Wag 17 Part 11 - Indians & Lost Boys “Daun THCET 260 Part 12 + Circle If & Fi aE 5 377 > O-O Ca ifdye "Oot Piy > Uphea-Wog 18 eee RighyisPeter Pun a0 2a roincte al! "FJetECacehe" Utecat ae 333 wi a . [FINALE] 301WUBPY:... ATU PAN & 20 Pog | _- - # 36 Hogar dulce hogar#37 Dialogo Campanita Cue: jMe da verguenza decirlo...! Cue:A lo mejor campanita quiere ser mi mama’ e b, (Fagot)#38 Melodia del ayer Cue WENDY: Casi pienso lo mismo (Dueto) Andante J= 100 Piano O CG), OO ©) {CG tet ese Ge ae sce > aed () ()ways ore rate #38 Melodia del ayer su melo = di = a mary =e hoy —a-que tla lu = na seas - ye + sa melo di - a meenwol - vio___#38 Melodia del ayer bUr F = mas mas teuttopa - te ve fue u-na cancion queo ial na ~ cer hoy ‘es un re cuer ~ do J O ( i) O O Oa) O#38 Melodia del ayer a > ; SS sy 8 que se fe pevcoseeeeeieat que o-in-na vez y queol-vi - de__— # 39 Campanita se emociona ue: Peter:campanita,levantate aborita y emprende el viaje de regres sobre el mar con WendyN? 40 FIGHT ABOVE GROUND PETER: Now then, no fuss, no blubbering, just say goodbye. (Music) (PIRATES attack the guarding INDIANS and rout them, the CHILDREN below ail huddle around PETER) ane pores £ 0s Pir agli PORCRCS Te Bp. (4 Hp li) nF a ‘ « 5 a « eae 2 (01 Fx asovE GROUND PETER: Shhh! Its over. WENDY: But who won? PETER: Ifthe Indians have won they'll beat the tom-tom. Listen! (HOOK beats Tom-Tom on stage) wwNe 41 FAREWELL MUSIC Verena os ce mors f fi PETER: ic) ‘Youve perfectly safe now, Wendy. Tiger Lily will escort you through the forest, as flying tires you £0, Goodbye, boys. (The BOYS file past PETER saying goodbye and shaking hands) Slow and sad Se. (TOOTLES is the last — he reaches out his q arms, but PETER turns away from him sadly) POrOrOe VW CPP CPP CP CP -CP-OP OP? py C ‘f CRLF cf2 44) FAREWELL USC PETER WENDY PETER ‘Then lead the way. eter, that's your medicine, you know. won't forget it. (Sits on stool, his back fo WENDY). z re WENDY Peter, if you come for me once a year, PETER Til do your spring cleaning. Will you comé? Ifyou like. fe r r r WENDY WENDY ‘You won' forget? Peter, if another little gir, one younger thanI—~ (PETER pulls away) Yes, know. ob, Peter, how Fwish I could take you up and squidge you! eo) ‘Goodbye. 2 didi ? << e — PETER © (WENDY turns back hopefully; (WENDY turns away to climb ladder. Wendy! SETER returns he hinble) PETER lies down on the bench) ‘ tp. a bee gn ea \ SEGUEAS ONEN° 42 KIDNAPPING & POISON [Disect Segue from "FAREWELL MUSIC" (no cue)] Moderato misterioso Je Oe On c r e Oo r c a eo we2 2 42) KIDNAPPING & POISON, ye O} r Oe Oe HOOK: Take them all to the ship! the boys we'll make walk the plank, and Wendy will be our mothe! tee eins : ~ hort — 2 2 O A SMEE ¢ But what about Peter? Fe | zs ae ( 7 HOOK SME, HOOK 4 if (Holding up vial) Poison! ye! i (Laughs) This for Peter! ay3 {2) RDNAPHING POISON Se (HOOK opens the tree door) W/. tao (HOOK slides slowly down the fireman's pole) Stealthily : (He pours pin — HOOK ses the madness) emt bi Blood a (HOOK was aie ° (a Ww te) 4D and vanishes into the darkness above), a (HOOK climbs the ladder Poe BeAr se vi, z a be SEGUE CELESTE SOLONP 43, TINKERBELL'S SACRIFICE CUE: HOOK exits. ae ~ (Repeat failluder an ede) so oe PETER (String) Who's tat (Sing up) I anybody there? ‘What? The Redskins wee defeated snd ‘Wendy andthe boys have ben captied by te pirates! Tl rescue er rescue hert 3b Fone ‘What? Of, thats just my medicine Psu Nene Who could have ota promised Wendy to ake itand Tim gota oust as ston eshupned ny ape Famous CE ae oo nd Tiember bere in the pra oe ‘Drala he ra os PETER sci i) ‘Why! Tink, you've drunk my medicine! (SH rs sang cout te om, ag nro ta ey thn a) ‘Whats the mater wit you? Twas poisoned! You dank itt save my ie! “Pear Tink youre dying? ‘Your light is growing fit, and iit goes out, ‘hat means you're deed Your voice isso low ‘ean seareely bear what you're saying You say... ‘You think you cold got wel agin if. (es sobbing nom) ‘wt, TRL? so ifeildren believed in fies,Pepa: No 44 'INK'S RECOVERY (End of Act Two) PETER: (To the audience) Do you believe? Oh please, please believe! Ifyou believe, wherever you ae, clap your hands and shell hear you. (Music begins) PETER: Clap! Clap! Don't let Tink die! [Siowiy] craze ‘accel. € eres. poeo a poco ji She's getting better! ‘She's getting stronger! te 24 wee 4 6% 8 oO bel 6% cr AY She's all right now! Oh thank you, thank you, thank you! ‘Come on, Tink! Let's rescue Wendy! souvenae & eTOOO OOO OO OOO OO Cm ¢# 45 Vals de Garfio CAF 1a yn 4 Garfio quien fue | barta azul quien Tue | ne-ron? quien fue jack et Piratas 7 7 nuadi-e! nadie! aA a Piano destri pador? gel ms lo so may | ma-lo quien es? | Pho, ) OO 0 OOee #4) Vals Ge Uarno : cquien es | pe-rmo que | mucr-de a | mas no po el Violin solg ers wl el#4 vals de Garho a O O sar f tar con mi | gar-fio a Pho, tre -re quien a Pro. ble quien? Pho.+ ble gquien? gla pre | sen-ciain-fu -|ma-ble dea qui quien es? y to-doun uj fian yun per J fee-to iu | han sin ta tu bel-ce pues-co oe#49 vals Ue UAL - O O _ Niotin solo} Pho. Pho.quieen | es hos til? - 4 un rep til? succio vil? cautien es e si es bostil! es rep til! su-cio vil!ruin y mal } di - wa Pro. re-pren |si - ble quien? Pho. un pa -|tan muy des | teal — tam bign tavien es | chue-coy cha -| cal, cha - fay8 # 45 Vals de Garno CM, chin-che cha 4 ral mas que } tw? e-see-res ut cuan-t0 don, fuien gen | dradoen el | peor MelodiaVals de Garho # 000 OO; OOO: OCC O]ClO: CoG: ae éav a a oe 15, hacen tla iyo-ho! eo-tia del mar71k [Row oe FYE-MU ICA DE PILUSIONEROS HOOK: Take her to the plank! PETER: (In disguise) To the plank! [Allegro agitato (in 1)] i) 5 HOOK PETER: eO (ering) (Casting off the disguise) ‘Theres foe ave you Roe ~ om mise fie Sp) HOOK oO . wooaut ©C vere lures er arcce o fe SEGUE co x Me 4ro DS > : EE MS (Si 7 Te na sir C ‘E panono C Pro, iS - C c iG Pho. 16 <4. —— 5 # A As Pro, ca : 20 Muy lento y marcial Pan, no puedo expresarte. ( Pro. Tarola segue Copyright © 2011 PPBi Pe BY BU Pe wi wl Ot BL BE wr NP BS #50-Musich De Guez/o (KANGAROO comes on with the drum. LION is carrying OSTRICH carries ‘Tempo di marcia pomposo Yo - bo! Yo-ho! (LOST BOYS drag PIRATES on with long Prve! ) of Pan flag. Hla, TWINS play flute and violin. (Grunt) (Grunt)‘TIGER OILY Peter Pan is the sun and the moon and the stars! (rests), CALL cheer), tnGwn oe a , Piano’ ‘TIGER LILY Peter Panisa ump of delight! a Tiger Lily Peter Pan isthe bravest and strongest ofall boys! 7 [Presto] (ALL cheer) rer os Prey?" ¥ Valder5iy 52-. Las Hadas y el vuelo de regreso os oa fe £ ~ ta =z IS" Ipp : Piano = © Harp] 3 BT f ~ ; 3 4 jLondres!! —TeBanites!| ohe | ~~ Inf 2, Vistesso 7 Pno. | u / opyright © 2011. Pno. Pno. Pro. Pno.UO ¢ OBO OO OOO OOOO Oo ©Pno. ( Pno. Pro. Pho.30 yt Maestoso 19 Pho. Segue as one to 53 Transicién y Pastorcita ——————PlanglConduetor #53- =PASTORCIZA REPRISE O Rg (rs) A - = 4 oe ps = Piano/Cond. iG: Oh, Nana, it touches my heart to see you turn down their beds _ Et nih using bat deylines come ct O (NANA whimpers, then crosses to dog house and scratches) = ‘MRS. DARLING: No! Don't disturb the master. He uses your house as his home, out of remorse. TM] wake him when it time for his dinner. Hu ae ee O ——_ SS Fre] ah ze ee 2 Ten-der shep-herd, ten-der shep-herd, Let me help you count your sheep: + ye2 ‘SH URSERY MUSIC (NANA finally sees them, nuzzles against (FADE as NANA starts 1 bark) MRS. DARLING and barks excitedly) One in the mea-dow, Two in the gar-den, three in the nur-ser-y fast a-sleep. N= NFNowe d5Y- ChECELE (BIS) BOYS: Well be good children. [TO OMIT THE VERSE AND BEGIN WITH THE REFRAIN, PLAY BAR|"A" THEN CUT TO BAR 10] wp. pARLING Will you treat me with —_re-spect? Lost Bors tle peace2 ‘9) oxow uraarasse 1) LA OO Well, would - n't that —_be nice! : FauiLy3 49 crowurnerese mind their P's and Q's. mind our P's and Q's a 7 nev-er be a both-er, MRS. D.& Wai 8. Guna) aa am) ) Oh,| to think of all those shoes! We a AA al - ways shine our shoes! Re ned ) Ra «a '9) oxow urnemise \ " fe eae ~ have no room to spare, it's true, But oh, what of it? Weill pre - tend we dot Sj FaMuy MAD. Going to grow — up! i Pa NANA Like me. Woofl Woof ie (Shouted)5 £9) OROW UPREPRISE X —C Oo O MR. DARLING: Now make yourself at home! (ALL exit ad libbing, except WENDY, who goes to the window) WENDY: You won't forget to come for me, Peter — Please, please don't forget! WHO; hosee (The tiohtsfade\ coviael a 35 PianooO QO Pnatonisctr — EEE Teo PO DE YeeANO Stay face r Tiempo DE VEwANc \. Moderato In 4 } 1 Dp 2 3 fe, Cy ae C - PlanolCond. yx e &, x ‘ 3" TT eet Vn mmm Bee | Fe pieO a4 Many Years-2 Plano/Conductor Liistesso In2 1SE Or aie oS 16 eed O-O O-O {} ZeGC CO Co eG ie a56.- FINALE ULTIMO ae —— (Peter, Jane} Grown-Up Wendy) PETER: Will you tuck me in at night and mend my pockets for me? JANE: Oh, yes, Peter! Take me with you! (PETER crows joyously) (Music begir aoc? bi Gre rklevane con go! is PETER: First I must blow the fairy dust on you, Now think lovely, wonderful thoughts, (Harp gliss as PETER throws fairy dusi) and up you go! a a 2 2 PETER: She's rest! She's rvet lies from her bed to the mantlepie« ‘re-enters L) (GANS is fone fer ea fo te mame *e) JANE: Mummy, I'm flying! (atry sescominue) PETER Pointing ANE) (Window opens) COANE fies from the mano herbed) CPolatng Sant Window ope ‘Come on, Jane! Noi No! (ry ites conte)2 on Fete uLrDO Je Ow JANE: It's just for spring cleaning time, He wants me always to do his spring cleaning. Qu PETER WENDY: 0h, ifonly I could go with you. You cant. You see, Wendy, Fast 2 “ you're too grown-up ‘ Neveniacia MePerse PETER: Are you ready, Jane? JANE: Ready!come with me where dreams are born, And time is nev-er planned; Just eons ) —— Slower (in 4) nS -ly thirigs And your heart will fly on wings For - oN O €) (Broad, -er, Nev-er - land. er, Nev-er - lan c e Le a © eC ) \ a4 PE P44 4 PA ) {N° 62 BOWS Allegro (in 1) CeO Oe ee One Ds pity Or,Real Viennesy (with ait) ie Beautifully and legato OvOuO: S. O O-O O-O 53-°3-0-0-0-0- ae Amy CW UO3 : eons- Doan ) Oo 0Si Bows es Ow se Oe Oe Oe Ov O(4 Hp.) Ba (Cm. ro)C )s ye Ce ( N° 63 EXIT MUSIC Happy Waltz Brass ar2 1 Barseone — Real Viennesey (with ait) ea ¢é Oo ©). uN er aBeautifully and legatoi AAS, BH A SNe ET AO r Nx CY AOD DO OOOO OCOD 5k