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Hf AaB NAPA TIGL a, EAM SAWS Bb AAAS Rah $ 7 LRunk(sk L) MRM LA ARS, RABA DAM: EMSS i 46 (backbeat) (42,4441 6) Ik FA) AH AE MALT, ARPrince( EFM tr ak) se HM AVIE A 2 AUR BRAGS RAs, Te LANAI AT OAR OAS, He Sb Ai Ae ho My re Mh EO A IP, ARIE Bak, MReggacton, te RAMA SMBS —H, RAT Ah, MARA AMM — Kart, PLL OAE, RATM, SARA, AAAGHSU, MELB, RA-HASAMHAA, HR ELI A0th Ay, Hib Ay 05 A oR AB We,ion A Variation B “TlH eocK™ Geoove! for 8% PLAY 8 PLAY 3 Oi iays PLAY 8 PLAY 6 Toe. A Bhb6 $0L8 (Guu?) 4 Fine te KARP RAIA BA RRS RO HR AMM CSMRT, AHA HASET AMAA, HER TORE GH RF AVAM BAA RAAT OP CAM THE AMAT, Ha RAR A, EIFRERARRMT AML, FTES: BMF POR AHMAR: RLER, HA, 2ZhRMOL, —AASFL2, H-REBG. BF 12 (44 6 1402) :8] 7 BSI AAEM RI 2S MANGE FE, Hi, HAR}, REE Te, VA BY BRT RANE So Mt, Rah A AE Biko ABH HREEMSETAF ORE, KAYE RERERT B EO, ERA FRE Eso 4 (Rock!) ATH OT IL, 2A deb RO Fe ah RATA AMA MARCOOl, RANA FLEA, LABLAIM PARE R AB PAE, HIRST, DN Se tw A Be aE 29‘ Groove 6 SLOW Track 11 PBR ERER Variation B Variation A eee $ : 2 gum 2 = am . yee So Carre slow gocu +H. Oy aay 4g +7 oy ay 1g oat oil pee. CUT + are 2 AMO PLAY IL PLAY 4 Fine HDOMATEFASHELEIGA 164-34 HREBA BY 4 HE LEB HE, RAE ORE REARS MRAP RSH RGR Fy Rody EB de dB ASA a RL, Art ae ik aE FF, saga FoF LGA AE AE HH A 7 1 a HE, RAD, SHAM 2b, RAAT OSA-ALAUORGR, GARABL SRST abe, MATAR A. Ip Rt Rabi a REAM IMA SHR, TIT A COM (th BARI SIAL 8) ERA Ht Bh HF Hmmm. RRA, WIP SAC, 2K + HARD R Bb Ee HY BAR is RB he 0 4: te 30Groove 6 FAST Track 12 QLeL Variation A Variation B eee RASC So yeoove! nea fare (B)ex- roa) | | ee PLAY3 PLAYS ~— PLAYS ~—PLAY'4 © awe PLAY 8 PLAY 8 PLAY 8 PLAY 8 i= ig > FINE Billy Joel(te 41.) AL AMF BARNS — WIC RAARY EH RAD, 2 REAG RTARA IRS 92 EM FP A Stee AA OG RF LODE, MRSA, HPL — RIGA RARE LGM, HRS Hs MEH, RAKE, BRK , aL Ia, is TAAL — i, Lath RRB, PUR LSUE AALS, (24 4 ath OA ab a Aus, RAMA T 0 t: a, Ramet, RE IRF, 2AFORMR, RMI PDS BRP ER MARR LIL T 22 HIMES ED RACRER— RHE, BURR A ith RSP AC, RAMEE TR, 31Groove 7 SLOW Track 13 ever ARERR, ' Tatas al vry ty Variation A Variation B of Ee FUNKY @OCK OLIV, Bho + Peed. (are. 2X) ORGAN ENTERS. 7 HORE 5% PLAY 8 ea] GROOVE W/OLAVINES + PERC, + BASS FULL SAND (Pee. OUT) PLAY 8 PLAY 8 PLAY LO * Li), PAARL hak Funky, ab sh, aed wh Far Ti SBS TARAP FCA A LET Biel, MA ATE A 08 HELGE EH. Fin— AH, Bho TANI A ak. RAE aR Punks TUBA doh fotkR Sins, A me selma AO ABE, AAT A i a bttah, HRA AE REAR—MEMH TK, RR ROH i ce Bali th, Bea a B. ERR RL RABLAMHITZ RADA (RS 12 Rap iA AR, ie RAWER, REA AM, PREARAARA AeA ARS), HARRAH ADE AR DIA A Aah LA, BH RAE A SALE, to RARAERE, UT AK Ade tk AF SMO A A, ees oe RT bor AES toate RI, TH ‘Ooooh, 4 ies T EARFRRAT, HOMER MAA, ine RAT HM RMIC, BAL AUG Hah Rar. HE TRAE, HHH RA ARERABHE, ALE, HFHRALTBEDAR, REARA—ABDA BEALR—ABI UBREI, WRAL IG, AIT! —bt, HEE, Fo SHI ERA Tmore() ALE MLLL, SF DRT. RAEI a, (RAIA RO ALL, AUER E, BAEK ae 32Groove 7 FAST Track 14 eLee @o8 Sa rr Variation A TL, A Te ea (Gano saute) ‘ @ eens ORGAN exrees de Dyed. ft PLAY 8 PLAY 8 G4 Kare. tue) r= aie anne | LAY 3 on eg aereat Utz. Laer X OnLy. FRERMAART EEF, LEAP RAERT RP RAO RE RY. TVA BARATRAFE—-AERGAD, SAKREORER AH, APR IOR TEP oot MM, PTORELBS, FHRT, HARA MRAM: FP RARER, Aa, HA ASLP, RAPER, HLER RRA ATM, SRAERARtabasco AJpBuddy Rich4*Max Roach. 2s S:(&4N8t4 & #00 E HRA A SEAR UGH IRR, ARLENE ERA aE EMA taza) RT AMAT FARMLBAHRROcK, Me LOMEES, WME, BA! CRAM ARB AAAS T’smoother(RF A), RAH AA DVD Yar RRARA, farhe BACAR PAIRS tk, AMR DALAM, Beth A, CREE, RABRESRHRARH, AL E MG, RA ARIES OT ARAG AR, HPT, RRAWRR, WAT RO RRA ARLE bAER, BAC Hea tse RG mk Lp 33Groove 8 SLOW Track 15 Quen Variation A Variation B TW LALY 2oCK ae. soe vik PLAY 4 PLAYS. + FINE RAIA, RA eR Km Le css SARIN RS, desk, a ek h 6 ia CAAT ala RRL, HAR A MA At be FEAR HZ MOG HBr i 09 2b INS a, Wide th ABER, ft 2 Bai MARL P ORM, Rime, PVA AAA PLAY 4°. EMAL, BUSH, WRAP RO EMA MAE RAY kA. SATS BAF? RMEAB DT RA, PLAY 4G RSVR T, BAVC ABA, afhdoith Bay aR — aR REL, RS RMR RABLA Riksta, epee Ha, BAAS, EAA MRCOMMRA HARE AT, TRA MAM? RBA T, Ht. ARIAS T Bho,Groove 3 FAST Track 16 RLRL ° Variation A Variation B Tan : 1a. a Tay Sa AX sass + Peee. 3X Ged0vE W/ELEC. DLLME (AOV. - 60L0!) AX FLL SING 4X FULL SAND (wa rete) £486 sth

) THe, ARAL AALS a A sh 64: 5 ie i&—hor, RHE RBA, HL Anish, eA AH) BARBARA ish, RAMEE RABLAHRE, tT alibi DOE Ka, ApS 42Variation A Variation B ee : aa TIGHT FUNK 4X PLAY 38 (a) aeave/ caren riquees (eLiek 1X ONLY) qeoove/ stio v= =z + iter rtemtem tiers 10ect be 14. ra RMRAT HERR, Ay Fe i HR Vo PASAT, Ok, FRA TH. BS ERSRRAMAE(BRNGTOD NARS HB 2) Ri (a) h BAM BE 2) RGAE BR (RE M0 fa) A A AL AZ Hah? ) SAR, CRTAPM MEST MH HA A 9605 RGR HO Eh, © Tae EAT), 43 RAR ATER).ie ih 7 @ i Be i Ghd Derow Track 23 Variation A Variation B FUNKY Qeeove PLAY Lb @ «nam PLA mee PLAY 16 @ sen PLAY 16 S FINE RAAT Pemeters(#AM, ARLHLALVAD), PRO, HAM AAL FIA) 09 RAE, AALS T AP AL A SO RE RAS A Ht AS IG AE, SND ak AVAPRO HS RL ERM ATR, EEA PHARM ALE HRD: kB &, SRRRMABRTR, basstost (*FARL RAMA AERA TE BOS. BAEFARAMH TH: BATHE TS etre ah 4 ite 64, ATR A BAR EA 0) ERAGE, HF Af Be a Hi 0 AR A AK kMiah, sbwtBas: MARIA a Rar, A thas TOUR A Rigel, BAA KLE AR, dor i Se Hh kk AHI HF BSH, RAR 5 Oh, ARR MESA, MAREK MF HB ih AeARUNKMHABM LEAMA, TH THAR, RRAR- Fo AME ANT de RA te BAN AE BL IF, B24 NF, LG, REAM, BARA SAMAR, PARE OA, TER 216005 EAB 44Groove 12 FAST Track 24 Sarrerey noo Variation A Variation B 1X SAND W/ Peee, FONK 1,5, 4X No eee. a PLAYO = Bary ANY OOH 0—$—$=—$=—=$$$$$<$—<<— Bb, LTELTROAE FH, RMAELGO LPO RA, shears RS 1 RAL RB, Aa, ANB Loses p, — Aut Sat esolo-t oll 8H CHIT ART ANT YRHART APH, AMRAWR BBA, THI funky solo, 122 SR. th THe, aa fie, BLK AER HE: LAAPRADVD PK PME, LEMAR, ARMERM MF, Riso NTA 26S MIMI, RAI ARIE AO HO, FFM YG IRA FAPRRES. GOLELRAMEEA RA, SRF, AGHA CMO MEAT Hat, 45ai . ——| Variation A Variation B gee a a ee SLINKY FUNK Ganove w/anss, (cutee + are. ovr) | PLAY 16 PLAY 4 PLAY 16 PLAY 4 FLL HNO PLAY 8 PLAY 8 zi MEMRAM EH BARMERA, léfunkihs), EF LALA ‘HFE GAHPS RP, THAT AML, —hol | i), do RU iT funk SEG HR, CEA FEN T—AND SAARI R, do ROA TH, at A AA ARF BRS HLNFEAREROSE, ROAM ALAS ORE AMR TRS BART AUN Ses, AAA, BVH RA Hawt. PORIAACH 4A t), RRA EBA b, PARAL, Bate RAP OAK, RLF ta Bak T—_- PoRRsbiare, APEDLAT RE, RRAL SLABS H Ath bath OAR A, BERS 2, RABE AA REM ASD, La A deh SAR ER to LK 8 Bb a AHAB, ARAL RAD RATRAS, RG AMEAB—H OAR, HARA -ADRK, RDA ATH A, RRR AEE SLAB ALR Nab Rt 46€ “Groove 13 FAST Track 26 Variation A Variation B rRRR PROP PREREREST FAST PUNE Jy rout sino SX FULL SIMO 4x 1X SA86 + are. o FINE FR RIES top RAM, James Brown. +e 4 2848 A a funk 3h 09 20 AEH, owns RAR 4 i M248 7 funk. k, SUI AM A, EAS SERS, MAB ROGER, BR Munky KMPEENTR, HES HRC BLO aR ARM I ST Aan Be aK BARAT, eine, tied solo(f a, RRR MAI ARKH ERLE SEH Fe OL RET, FLEA FAL Zt BRA EBA BA TARRAAT. 47Wi sa —— eyMgiL¢ —— aOR ear ar fet ate on it i) DRUMSET KEYChapter 3 a en HIP-HOP Grooves Hh, THR A Jaze RAT. AGES RANT VIL ARBB te RK SAEAB GAT ORATR, AGRA RLEAMAR LG 5H RAI FB OIE HE Pit, RANE “Rhythm and Blues’ (PAA EA) EAA A A 19404 HM ARH), SOPH Lin Rah BOF Rw S RAR RBA, AAS TRACP, GEREBHMA, ROR PMA Pe A, PART A FoR HARM 0h, RRM FRA RAR, 2 UFR MOROBA HE AGG, KLARGBAJazzte MH LAM ARLE HAGA 5)19604 3 RALOTOF A, ANAT HOT RM, 3i(b4ziR R, @.4ethe Rolling Stones MAPREBARR, HI, HUA HT AE HESH, R&EBRA — ANE LAT ARH AG LOS HS Ah HN AY SEA AR AB AA RRAHGERR, RH LMAMREBEAAMAA, HALA 19904 REBM AAR AAA AAT Sal, TT HA. 20004 RBH MIA XJ 8] MAO Hh REBRUEHRA RE, HELE FREE REM, Hh AT AB ab4u(drum machine) Ho AUF BEALEP, HAE) ARAL, ATRL Pit 1th bs #8, John Blackwell , Aaron Spears, Eric Tribett, Nissan Stewart.Ruestlove, Gerald Heywood, 24% $, ti:br 454 — sph 6.44 FRREBAGRS, BAMA A CRAM TEAS, ARRAN TL R&B ARTISTS Babyface Dr. John Prince Luther Vandross Mary J. Blige Alicia Keys The Roots Barry White James Brown Chaka Khan uill Scott Bill Withers Ray Charles Gladys Knight Take Six (A capella with Stevie Wonder Earth Wind and Fire John Legend a great groove) ‘Aretha Franklin Brian MeKnight Tina Turner Marvin Gaye The Neville Brothers Usher 49Variation A Variation B hie Teese | aes opa ia = apart & HART quite ei seers qooove + seins | PLAY 10 PLA quinne aire Maa) @ Fine. Pa 14 GRIP, IDA 1G HAE RA A ot, HALAL EL 7 ROBO RE 1 RRMA, AERA HT BH, RRA, Ho eK 65 sb : (eA EA NASH Ab oR, GLUT RULE ED eR $ th48 K(ostinato, & X41. ARO ELK), RAAP AK, ERELEL SHS ARS, fA ABass2G, EMERUERGARRA RAAWOMER, ABB EA-AAL, PHTRAR-HES, MARTA, RASS SHOR B do A, hPa Heth BE 5 RAI AL A BK, MREAPAEA TH, RABR—H BAMA, ABSteve GaddH FA. RH, RAGS, HshSteveRFARA PAM. 122 AAPA TRIES TT Mah ee, HSA — ASteve rt (hit $ BOF FM HGH OTA. LH Al Jarreaus 26.8 4tBreakin’ Away, J — Gadd st. 09 Mit 69 50Variation A Variation B Emenm od an AX FOUL SIND 8X - FULL BAND | sei geeore Yo ee 8x ® | genove/sove é sy (shaker) RHA — 6162-4 AF ASR AMPLE AL! oR, UN HE p, SHS, BH, LHR, Hh. WRIRBLRAA, ARAM, ne) Ak A AA THAR AT, DARHT HE HAP ailite BAH ASE, Lith EA, AER T APRA, ZAMTALE RB LG A SHA, AABAM A, PRFARS, SELB, FRMRAAMAESA LAB. F EMT HRA A RAM TR, HEAD TL 2), REWOSFHARAMM, MARAMURT— ARE AM AR, HOR RAC AR AR ARIE, EABWAT EIR, ih RURAL AE MOREE R 51Variation A eee SYNCH. B1SS $0.0 det X - PERC. + BASS suoney geeove "NOX + OTR. PLAY 16 ==, @ ‘BASS $00 + OLN. FULL SAND PLAY 16 PLAY 15 — Fine AMIS RR, RAIL (quantized) AB 5] 92% 09 m4", FERAL RANA RO RA, TRAP OU (hi EFF Hip-hop RADVD HA NAA EAE HESGAREREOR AOHP ak, JPEG, IRA: 4DVD Pah aH —HF, seomsiseaL Loi aao After. HAF A, IRRGBA Hip-hop fA aie Hote, AAAS EH MARS HEMIES TA, HEABL—P HS MILAREB 436 # (quadruple) st MO IEE, 52 Bt, TAACEIOES, RAE, ARAWRE HS ORES B IR, TARA (nk Ail Sanat TRUM, RET A2)PRAT. Bike, P——A RF loopted AR Aa A AL AR th loopfeat Pabst, WR, ENE HEIL AL OG REBCG HRA, TRAE HR POR | RAM ERAT, % Seite He-&-4e-swing 42%, 4o/% $Rap/Tlip-hopth +. ARSB ALM RGR A pak a hy RR EMH A A) i, JeAAswings it DF wpe DAT Sa oe SAA BA tr Sata 53h SAR Ag, ide James Brown, Prince, 4F51.8Frank Zappa 4 RARER ABR AA HH RSE ‘thou ft. AML? BAR ME TULA RAR REMC, RRL S Me RAM Ia EA aR. SH PARA PA 1, x aba eT Ala, RAR HS, TL NS wGroove 15 FAST Track 30 ee =e > = > a > EPL VariationA =E38A VariationB = =S2B Sroroa file (By cc tenane) Te ams ae te ee = PLAY 7 es = Bode a At WTS RAR AHH Ti, 1 ele, (ce) (EM ABTS EME BM SERPR— GE AAA AA MHRA, CAML, Ht RAA, KABLER FAL 53VariationA EBA be CHARS ed die A) | Se > wpa seal a @ (getoge) fis a pnia sleds eigetinc =n “ 7 teensy pooner «=: SK - PERC + BASS «SK - + Gre. /reee. eur! 5X OX + 1e¥s, FEARS LG OSM ARS mA OP, 165-44, Ht AAMT CARS RF AMRALE IE, HTM ARTS MOA, ARR, #3416 4 a ae a 54 BBL Pie 2S. Rap Rae AN BREA RL ET, VARs Rah HE, AO, RRA RA NPR ACB ATT PRP RA, EAL E OREBR RIA, AR PEAK, RALHRA HORAK, ROS ERRA >» KKAMRRARLERDRE, Hd Poa, RFA T, MRR AA, do RIGHT RB RE, A T, AKA eaRab te atk AR, Hed » BAR: Sethit SS Rak thao ASR. AUR ALT, EAHTPHRARAH OAS, RA HERALD, HRABARRR— AA Bod, DORMER Sg AAR RRL ROE TR Hho, HRT AZGroove 16 FAST Track 32» a a a ang ST Variation A 3A VariationB =&22B pes ale ay oar el eee ee 5% OX-shs8 AX SING 9X - SAND oy | , 5 | PLAY 8 —— 02.41 (@) 00x) Pe es gee sto © aws ‘i eI fine sah 16 D.C al Coda, GK, REAM MATAR, HK oA A Ha 0558, MRT AeA, 55Bs dead) I Variation A Variation B ary oe Cae 4X - $INO 5X - Keys é gre. ONLY : ! FUNKY SHUFFLE 1X - $hG6 + Click 4 $4NO. as PLAY 7 =| oh, Bikey Eitshuflle(GH), RAMEE I TOR, AZM, AT feie, RSE EMMEFR | ARABI A RAG, LetBernard Purdie, MLA Frocks 7 mB, Mat Jeff Porcaro, HS WR, Resa 4sPurdie shuffle, i) a9 RAR RAE Shuffle. HMAAFRshuflle aH LAP HA, HRERA abt yA AA A638 5E 64 LH Jazz, Blues, Shuffle, Hip-hop, #4. tk TT #A(AR BARR), RAHERGE, KARL Rit 2 Rib JERE nage WS Fo RAR ALATA EE OE, MARAT, (SK, TS SOAR ERE RH OS OP HRA) PAL 2 AAA 2 HbA ALAR A SAT 65MM? RANA A RS ET, HURRAY FRE $4546, WAfunk IME Oh Ra, AH] TO Rate 56Variation A ERA ary be 3X - AND SHUFFLE FEEL, 4X - gre. + sass at 3X 4X - SiO ® PLAY 8 i FINe Joe Sample.#l## T—AAGO CLFESG LAMA MGA, VIkt > —lejazeO Rode te i204, WARE A 1960-4 69-4 AHF, 184-RJohn Coltranef>Marvin Gaye. #41 #14 45-4 BARGBAeJazzt) BZ He, MEST Pee ARAL ho HS SR Seo KABA — 4-24 $65 BF (ghost note) FA, HF ERGREPES EE, we Rhea fare, PRE MeV HAREM AR, RALEM, MTR RMR, BAR OA AN ah RAR EE aE 5) HE RAR, AP EAB HMRI KR RAR MERE CET, 14 re RRA SEL i B. HARE, RAMA ACM THT, Ra kk, 7KEY eae a aa or ae a nae a Oe ea ae Be i aa . = EX E a a = = = So gz =Chapter 4 - JAZZ Grooves HFRRA-MATHAMDE, HURSTHRIRR, QLLAHSCALMAH TSE HALRAMRLM. OA, HL, PR-TAMERGADLELAHEAGA, HMIRS tre Ht, FLCBRALRE RAGES RRS, TRO GH R: AGI, BCH, foAbi&. Ken Burns #-:423(Documentary Jazz), eT #34 6 BA DBRS AS, AAT OB Eb: RHA, MTAKE ROE RAR RMUEARE H BARA. RT FAR L, tale ee 4 i Seb TAR, BRAS st, , cite EMRADR, (THEW, PAP LADS HAAR, RSH RP, BAP MBA PRUE DL A T A RU HY HERG RIP. HK W535, DARI R IPH BA AAR AEH T CRA AALS Fh ah bos IM. E RAR HS) BRRS ERE P, RUSS ROWS: BH, ORE AGE RARE A SRAM REACT AIPA SMALE, SM eC ERFNFRE PHT, CERAM DERE I— NE, HARARE RC? CLARA HA, 44, RE SEAM HAA, CAA RALA- AGL, ARERR AM OF, FMT Mik Mock Ms, HLHHACHMLPAAAA, RAPAA REGS 2h AElvinteColtranet) 4, Hkvise Me — AAR pH PA A FACS, BARB NTR Rete FB AB HY ZARA RAL hard-bopelectric wzz/funk,swing,Dixieland,ragtime- # -E FF & 249 BU RRA jacth HALL EAH, RAM jazn A Ph4oA TD) A jazz : PAREHRR AY 1) ap RA AA 05 HX -Swing(; BHO AP BSAA RAE TH HALLS, SCHARBRASwingh RH TM, HSFBERFLE CHAN ACLGE ERAS, PR TAMA LAR AMAT Ee, ARKH, WNREARAHL OF, R-Hsee 59MR, TIRE AM? RRMA LTE? ABI : Big Band(X-RM). A AAAS 0 (PA ZI LBA RPAH GE A), HLAMAR, BEAK DARA HLA M+ HRT, RAR BETARMA TRAM LEAP RE REG, PRM, RAMI MME SES RE SAATRAP AGREE A, ARIA RAR AAS pan ERA BO BRE, AAPA P RARRAH MEY, REED ROERHRAERASS OH, Big Band HATH RALS, PLES RGM, HAGFAPARTORFRLRARIA, OH KP GAM FAL RAL, AR AIEEE Dito A, SF AAR A oh RAP He HP MOBig Band) AER PERNA, HARFARAPMELEES Dit. AMM Jo, MAGE Big Band ws HANI A, small group(:I>#), —M#23£ SHG, 4*}Big Bani FH 5 i FL RA ARE OO AA, PAPABIg Band AS RFARMMARG, HTCMMLLRREF MA, MVURABIg Bands 4 tT WERK KAT ERED DM, BI, PPLGRAS RE RAS E REAR EH, HR, AAR BHR MH A HRA AD fo BAY Be RES GRA, TLS SMR AAD, Matsolo A TALES : KAD MH LEA Asolo REASEARIAH, basstH)LSH PH) KARR, —hFHRRA RAT AK, BM RERHOEH, REDE, HAHILRER, MO XPOLRRLEARART PMRA, BH RL—ASOlORF, BD RELTLIAKAO KS, APH, HRMHGLBI, PA-OPRTMRMA RADAR, MANA SASwing(ede) FG UL, ALIS, RRM He PB ALOE RL EOEYT, LAAT AR ElvinseColtraneH SAT. HA, to RAT AAR IAL, RAS IRAE T. ACF RBTRCD AIDS FAH fe RAI ah a AR REBAR TR BM TEES I Buddy Rich Big Band/Big Swing FaceBuddy 19604 Maj M21, AROS Parsee AMBRE. PAT IP OFF Ket B OSwingte sh 3 (0) 4 HhiH 40M 2. @ Count Basie/Basie Big Band:Butch Miles i& 48 5 Pp RILAA, ALARA #8 SP Sammy Nestico RAMA HARA S Basic, ARKH I Terry Gibbs Dream Band Vol.5/’ The Big Cat’:Mel Lewis 2 6, 953%, fot @.09 RB —Aewh iy Ras, POET, HLA hse ao HA ORG ARIA LAR, Dream Bandit 4+ 51 65 CDA KARE 2 HSH (VOLS) AHO TR. Be, HEMASWiNgKIAK TE, LAM OSES, ART AMISH, (AM, bassteih), FERMAA RADDA RB, BH ABER PERG MAGE RMA, BDA, 60ATM, AHLGRAARCDE WMA, AAs SAY, RRRLARH, Swing he. te Rik Rio 8150 FF, DVD SAH, RAMBLE TRA HAE FGA RIA Swing AME ADVDTHMEKARESS ELAR ST. RALRMBA— Ft Razz, APACRR-AAMN, JazR—PPRHCRVA, RHRHA RM ART APE i RAR. A RAR PAO, HAST, ARE, KHAKI Funk RL AEH. RHRKRAH, RAARPLAP OREM ROAR, PLATE Jaaat RA. AE Comping (#&)—MAjaze? PHAM, REARS, HUAMIRARETE. SOA PARFSwingt, MRM GMP RARLEMAR RE, Air bite FA, A HHA MSwing th Ms it LAE hbo 04 8 RAMNUAKS AComping(#K). Hd, ATTFRAT, MIT EMAF AERLRA, AMET ARREST RABAT (RA). Ki, SRS OOM FRR EAE HTL, HARFHRAR—G-PMRAGA, MRFLLBK, (ING MAR— HIRE KH h0 Bit, AF Bho FHM F EAD HBAS. MIBH22K, AEREMSESSAAM ORR IA, RPWUZAAPAERL, GE FASPAWAT - ARRSRK, AMET LORDARELORFL REIT, toRART, WAL, Wit, DORUECEALA- TAR, HAERBAS, RRL ER AEA BARR—H— FF, tot Ah Ses CRS, PATINA, GLE WMA, Fh, RAL T—BRAMS, ERMPERARA, MAMMA RLOF, PPAR RED PRAORS, F-BAKAKP, CH MEM, MUMAM MRM, AASwing AIF, Jeff Ballard Jack DeJohnette Philly Joe Jones Buddy Rich Louis Bellson Peter Erskine Gene Krupa ‘Max Roach Brian Blade Billy Hart Mel Lewis Bill Stewart Art Blakey Roy Haynes Lewis Nash Ed Thigpen Teri Lynn Carrington Billy Higgins Clarence Penn Jeff “Tain” Watts Jimmy Cobb Elvin Jones John Riley Chick Webb AF RRY, Jar Rh OHRRAIR TAA, HAMM, RAPA RPE G RZ, RARITIES AIR Ito BAA, WAH LGM ST RANA. APHAMARF. —Eivin Jones 1/" Gtoové 48 SLOW Track 35 i ee ee ed) led Comping Motifs peel; | EASY SWING | | é 4x PLAY 8 :Groove18 FAST Track 36 Vee wee ele dk a eea) Comping Motifs BRIGHT SWING xX PLAY 4 PLAY 8 PLAY Oj o j Q soko Fine 63Groové 19 SLOW Track 37 WGN eu a wie Comping Motifs EASY SWING 4X PLAY 8Groove'19 FAST Track 38 ls eee es «al Comping Motifs | ee 28M PLAY 8 -saaa ta piiAy! 40.5.4. = : = suo PLAY 6 PLAY 6"Groove 20 SLOW Track 39 a ne eli u lured Comping Motifs Eaieey = z z i Sees — LALY SWING, 4x PLAY 8 PLANO ey |\Ghoové-20 FAST Track 40 ede wiee yes tok. Jia Comping Motifs | OP - SWING, 5X PLAY 16 | — | pa ee, ae Fine\ Groove 21 SLOW Track 41 1 ee aie ao lk Comping Motifs gues Gye Ey ee i > N 2— a { STRAIGHT-AHEAD SWING ae PLAY 8 ihe a | Fine 68Groove-21 FAST Track 42 J ur J ma et Jha) ae ed pa ea Comping Motifs pedo yyy )s 4ART | ORIVING SWING es a PAy PLAY. | is oa ls Lin’ 69‘Groove 22 SLOW Track 43 ie Jew ee ek ie) i Jia) Comping Motifs — RELAXED SWING 4X ®J. Adndas FAST Track 44 PY Se sala dail scsi Comping Motifs FAST SWING | x PLAY Jb ao pies PLAY 6 sa : ss FINE rav brb0v 23 (Shuttle) SLOW Track 45 ais (Glee iad yh aide ag vaia al Re Variation A RA Variation B 32%B — E rae men = fF + >, “th ne SLES ‘ 6X o Gut tx ony) ee a Fine TAR, de AGTH, HO, Bh AR AE A AE, A reshuffle ® ik Rick ays) 7. B SpA RK aka BASH reshuffleday RS » KLAR KMS reshulflek ALK T, WOW ALAM shuffled BdUshuleCLAARKIRKIT, sb Fshufle ed Aikte, (2AM ULE MAL RE shufflef> # 8 2 40sh# 42h © FRE, RAIA ‘Chuh...guh,chuh..guh.chuh..guh, chun..guh’ 657 Ai: XT shulfleds Ai8-at RRA, RIOR A aE of 21 R48’ shuffle’ #9 sR, DMRS : SALLRUA-T, RARLAMLW AAMT, KévilshullleTAR—hANLMROHKE, AD RAVER, HA MTT AE A AA Ah HE I IE A LERELK!). ELGRRPABA— RRA, BLM RASA HART, Ris RENAE, A Hh 4 $e shuffle, 638, EMEFREM, RAHAM AR. RAAR—HH iRshuflle, (Fie ARMA) J PABA EA AP TR, fot EM LHS SRH : DVD, REMRRLE AMR do Rihik Msp iti aT, Heit 72Groove 23 (Shuffle) FAST Track 46 9a Stak eg ai 9) aOR. ——- ff Variation B Variation A eee eo seal peel Soa PSs, Sass ae SHUFFLE ssuuegt 4x s PLAY 12 PLAYA a5 FL FINE RAT HS OR R84 4tA] 6A BAA G RHA, FOCORAT RHE ste AF Litt TH, ¢ Ac Ar Bik a Pa CIEE RM, AGS ELSwing thea Rt Rk hie, RedeteAn , Resek8 Swing, Jo RIGA AR RMEDRA, RAB H Diy I BPH RERIOA EHR AEER, 12.2 FA MAF AFAR: Jaz AEF ERT AE RE, ‘ RAD RA RM — MR, KABA LARS, PRHALM, ZPRARRAWTPRK, BK 73+ Groove 24 (2-Feel) SLOW Track 47 ° ae Variation A = =BA VariationB == 8B MIGHT E-FEEL Gy shes enLy, 4X and one) Sic tee as AAAMODE, thse ‘2 KP, PANES ABATE a BH HARB BIL WBE, BRAIIER I Yet iad’ a sbinibin ETAL AR IWF HRRER-APM, QOH EMER, EER PHARS eH, SL RIUR, AAR AACAR AL, LILA Fa trate BH, SHB. MAMAS SME THR, OMAR RIM b AL G Ei H, BEART ARH TROMAA DRE, TRAAAM ETRE PREAH 4 i AOazRT RA “QABIAL , Hk AS esha Mi deaReeR “AMR! AES Wik, AUB E AKA CA Ato ot RMR EAT “246° haba, iZ3t8 Mel Lewis hits * RSQ, 7 HER , Ud » TAM MRADVD PRI, AMA MASMIRA, ARETE TIERRA Hd BL, MTUMAMNAFRAA(comp), LRARAMH, RBRAARE REAM RR, HLFAMAT, HM, PARAMOS, Kam hig mises, Habib elit AAKLOPTRPEE, EPORLERAROTH, RAAMBHAGMHALREG TA tksoil, TARD REP GPE, LTR RITE oy OO IAA me, MR ARIS AYE A HB 74Groove:24 (2:Feel) FAST Track 48 opera, GRRE gore, tite Variation A «EBA VariationB = 33B jo hd dd — A sd, TELL Oy sues 00) piss aa) 15 MORE | ty REQD TM, i A — AN AB fb ska) ‘246" BsbOb ea), thA or ABassé RU rol aR RRCOE A A Hah aE AUN HEE RER—AEE! EAA EARL, Hib to ADA party Fit ALAR PRR ARIAT Hf SERRA, MED AIR AA A BOA MER. SRN 4 BIE TARR, Ra th aR: RI Roi Ate RAMA AGA AHF, RLARELEARGRRE TOR, LH, ABLE TA , ARR AAR A CH RG, Raid REALE AIF, GIR. AKG EM AA, iivAP a a A AA A A&A (big band) RLHAICD& ? 3 BAR ‘21M RA, EL AEE T, RAAT CAL PORE EA, ERALARR LAD TR, HARA BAGS, GERBPHWAT RSME F, HRARERA ALAA Heit B05, 75faltz in 3) SLOW Track 49 Variation A EBA VariationB BB ye ea os). ae ae = UL we 4x COX- Biss ont) LAST FINE | i o Se —————— a A jasstt FRAN HALE, ib 5 ah fp Seteak 43.48 RAGA HAR — Fp Al HSH A TP ER, HRM A/ASwinghE—H, AM PR ROUT, ANSE, MAB TH, 6A, #34, VERT ERE HH, CMLL wing HAAR ATL EMALLAAP REAM, RAE 76“Groove 25 (Jazz Waltz in 3) FAST Track 50 VariationA 538A VariationB = EBB MAUL WALT (eu cor 520) “| 4X PLAY 16 PLAY 16 @ PLAY £2 > eee Aba 2S + Fuk AALHEH340 05 4 AR aK Jazz Waltz), Ato | eA IEA TRAD pik, RRA Sha op a, » BREATH Hkh, ERAR— VERO nade, & K (comping) 4% KEK SL Eh a Ag 7VariationA = ERA VariationB = 2B fa git an ALTE INS 6X UX-weued BL gy 1G PLAY 7 nd HINE Ask RAVES FHS SLA A, (OR A bb WAIN AD, ABNER, OT HK, Mt RELA RAT. RRA A 2 fot EB B53 AK, LEAH REA T RMR Te BAEFLA-ARM “EREA, SEHH , BACMAOTT RAH —H, BT, RE-ARARRT RTO. MAA —AMM ST RL, RARL-RRM TIDE T. A AA RIL BREA AGG O54, RATA HATA RR RATA, RARE 4, HLELABHR, RERAA, MRATARMMTAT, AN? AAT BARLALEMHLER Kae jazz Waltz). £4##2125%, Basstt Hi 3b, RUN HURRAH, i PAT PME, HL, sett, RAM ROE SE HARERE RAGAARA ER —H, MET HSS SHO, AUFLTIRGRA-K, PLAT Rate ft. AU-B, RNSAN AMY TEAA, BGFEARARMHA, thte ena MSwing 78Groove 26 (Jazz Waltz in 1) FAST Track 52 sol sea oid Variation A SBA Variation B EB faz foot es] 1 ee ies a aaa hee > ae eeaG IH SIGHT GALE WALTE IN 4X (GA86 Avene 50 X) = OA bs PLAY 8 oe ee (0) et eee 0.0.4 (B) use rine) Jgins aves - — ‘ if eel 4 BPAFERG Mel yner RA HL, T iP 4eColtrane 5 Elvin Jones tit sk, to RAGA je maar, MIRE A LAY HR HAL, MREKRT ERAT. faG 2 = 5 =z a z = 3 KEY Bx sia Fee ae ss oh ae oo fal a tee GH-cw coo8e "to cosetChapter 5 eee Grooves SBA LA MEACD YS, BORED SI ARAB yi RAH i FA ak eA, DS, VARA A fe AA ik Me Ra RFRA ARBRE, ANA A RAT II: @ Africa aka @ The Caribbean go Sve WM Martinique 4328.8 @ America Xi = Cuba $C wm Trinidad Ei @ Argentina !T#5E 1H Dominican Republic # #/2 40 34° m Brazil =e 1B Jamaica FR he Rive REL GOBER H-ANR, HAGA ER VROLAABIE TAT. BL, te RACE IED SWORE AL 7 RAH, HHT, SHH, FEAR OAT AAS SS AD oR, RAPP AA, BART ES Src Hiteth Hit SH FMA tp a Ra, sion RRA 48) Mro-Cuban (i & 3) #7Clavets , AAA, 4 te, th PAE EAR SAD LAER, He tio) f BLACKER ALIA HALA AAR ah a AA BO THA EAA AS fort RAERM MARS. Hips PRED, ANNA SRRRERGHS OTE, HARLEM PRHLRTEROS, Je ROSA HS AB AMOS RM, rekeflamenco( Wi, HHRARUE), AH PMA HIE. 42% flamenco% fh #9 3h XA HH HRM, MA Rho ths EO MARAT. A ep LALA Oy Hindustani Ae, EP RRL ARS HAP, Jt WER Kh. CASHRAMGMH EET, oR HBR, PHAR, A Aa, AER Rab OFAN. AMR OE, vaktt, AKT RELCPREORRRA, RRMA, AAEAERASH BRE Lite RE AOI HH RTH T ABALAN LG A 3 A FP aL FOND thee a HRP IE SL E, Aieth AE Rabie aha Seo RR 81Variation A ZEA VariationB =%&2B PUGH jie ein) fees eee SS aap SE O1sco! POLL BAND x : ® | By mom gy UR OY ON + 8) Vilesene 5 i FINE HSA, BAedaatdeDiscoi MAA ATD HSM SLAB KATA ERAREBE FH, (MAR Prdee AHrock# ¥, (2A EMrocks HATS MAR. fe RAP MUBAR SHIR, 05, ROH, FRR, BK 82Groove’ 28 (Classic:2-beat) SLOW Track 54 Variation A EBA Variation B 233B igi souNey 2 seae | ® | no are. FULL (No cLied) | 0 FOLL 64X0 @ x PUNO + G12. ONLY F FALL (MO Cue) Pl =] FINE WL .- Hard Rock 877445, RBA S 3 eR Pep MSE, 83i ve.28 (Claasio2-beat) FAST Track 55 Variation A Variation B eiapectek Sabo FBalecten a, as Trader nena Teh GrreHeo! =} iweoit ano AX siss our, ores 1K ee IK OND. + S166 ONLY 4X FULL SAND ei zi PLAY f. Besa Heke AS Hah , RRS $ ibto— AHP (banjo). thd AN sk ANA aot a AR VE, RRALREA LAG, Ay A Be WAS — AM, TABLA FRE Abe. REAR IER — RAB ARS ERAN HE ROI EAT ESGroove 29 (New Orleans 2ndiline) SLOW Track 56 > ee Seis. > Variation A I33A VariationB 2B euue ceegetuce SWAMPY | NAWLINS' GROOVE FULL BAND W/QLICK pS mS > @ No are. / eLiee >>> Sate yates 72. + O2GNN ONLY é Roth FIR dy 09 FRA 4B & $e gumbo( A sk) sk, HIRKBOA Hf LIGAND SEB i aw 4 A, eee I: 85Bae &y ah, A y | (Groove 29!(New Orleans 2nd'line) FAST Track 57 s > apie > Variation A Variation B feee etre ereeece & pu ES apa -e; seiaee SX FOUL SIMO SX sass cor “INO LINE 1X PUNO ouF 4X FULL SIMO a Tv dy Df, sm. PLAYS )o— | | | "B.A. AL coon ust) we AML RAPR, FLEMARMENS RBS 2, RLRORS. AS RAR Oe. hei, TR 86W Track 58 Sed ea Seeks ie Variation A 338A Variation B eB at = SX POLL BIND SX ORGAN + QTR. | REGGAE «= «EX ASS + ate. AX FLL SAND AX PLAY Sb fiNE (Last X) PRLUUREADAARAMTH REI, EM IL—- ZR reggae’ RAW. AAR — Ie, th RIP reggae RH MA SEF MAILE T tot G HS GS, PR, ARB, RAAT seta. FKL, HART RPS LIF, #8 ADrum&Bass, PLEPOE RSH, RARBUTHS, FRAG AED HAD AAS He MAOH OT PSH PlreggaehtT. RMT, th PUES Int, AA Aoi ab CARATS SR HRARE, CORAL MEME, MRSA, BH, tL RAREST, PR, MAE Rho | PES HZ BH A Reggact —# 4k Abt) F Kho RUE. MAEM AR REA RMR IL, RAE ARA T aE Aen RD HLA RISM FR to RAG RP, VENTER BFK to LAG HEIR A A A RATE AR aE AR AOL, EDGR RAE SAG RARE PRATER RMA, mH A RARE IE (RIAT A Ries hh-Flh AAA 2 FF Ae... Dance hall reggaeton, 4+ 4-18.#4rap/hip-hop/reggae HG MH, MATHER AGMA, CRM AREE. Reggacts HAMAR LITO SEAT ARM BEI OOH, 3A, HAART Eth X HBob Marley, RR IMARG REAL. £3 HkeH The Harder They Come'(# M14 €),LRCDY BE EAE HF TAR ABR Ureggacts Fe, AAS AR SDP, RIMAGE 442 OH ORLY (one drop)reggae fH, LAER A AAA Hana — hae OMT, ARs, WAreggacsAMGHS AA, MH AHR, ARAB, ids RAH BG AT EFA Mreggacty EAGER A, SARA 1609 LF te Asolo dito Ze, 87: 146 (Reggae) ‘FAST Track 59 i we ‘ Variation B Variation A a tata jai See = FF r SX POLL BAND 5X 8H55 + OFF. FAST REGGAE — OX sass + cLieK 4X FULL SAND #itb X #bass F,Vashon Johnson, 4 i 40h FP Aiba t Met, RET AFA AE A Hh IL RAM RAB ALT 88Groove 31 CALYPSO Track 60 Variation A 3E32A VariationB EB © Ceatagt paket © Raat 1X FOLL SIN BX - NO SSS 1M - Sass + Peee. 4X - FULL SAND. aL yst _ PLA ere ‘ae A oth hth abd I TH 2K ‘Banana Boat Song'( ca oe + Calypsoat at Af HunAh LA) Rcalypsot SHE, Ase MER Hp oe) ). Harry Belafonte t $17 te: Zh, Buk AR steel drum iia 8 Calypso RA ARAM, BAIR S HME TRA, BUR RO Aa Ce ae DVDRIP, EPEAT ER tr. Kdh, REA RRERICERY BAT Rie REALE, FEM his t RIPE AEE RAL Aco! A. 89= Variation A AM POLL SAND 5X GTR. + Peed. ‘S0CA 4X 1M Shs + Pee. 4X FULL BAND Dead ict’ ® 8) secu ea o FINE (LAST X). AFA BAS Soca(H+)OLM, APIA ASoca(H +) AMS L2H RH, BARA Soul) 4eCalypso ti. & M48 Soul-Calypsote Ft 4 HB A AES BAe ltr REP ARATE AB BEAL HO Adress, socak MPa eS hi Abit? RRL, Jo RAFU Hh — BASRA GEAX GH othe Rib EL OLLI ARMAGH LEE OP PARE AH MA KA CMET. HmATIERR— KA Sefoik soca RRA TF. ARO, MINE HC, ARF, Bilge: $k URAHARA DL A HSRRK, TRAARAL EMER RA ARDY THER, MB RAAT RE, RRBAS— A FHREKKE, Aikig. 90Variation A EA pL VariationB = 38 38B LIGHT 60654 NOvA . BX CX w/Hae Nore cuieu) 59 thee, Bossa nova, RENA—-AFM BH EPERRAA 1 AAR COO. ine (Last ¥) DAY, COE MRA, APAP RABE PR GAREBRE, BK 4B ik te ASHE #6 IF, RHA PE), ERR LAR AT ITT, MAREE “bossa nova, MRR ERERA, KEK 1VariationA EBA Variation B 3B a 5 aa ae } ¥ SX POLL BAND 4X NO A565, DXNO PUNO 4X FULL SAN FINE. ik Asambak — AG HH CH FE 405 HR ARG FRDVD PH MA AReoolsh se, soak HA wap A a (KF HEH), BUNA MH ab -F t trpanderio# + & A, to RUA Slsambalh AA, thse CATH A (straight) to HARI (swing) Haak, BARA, AT HOGRAGR, AHLR-AAMURF, CREDA, AGRA AAGRAGAG SULA, ALUM, ST LAHCS SLAMS MRR YT HOFF ALA, sambathit ike & WRB, RBA LATA 92_ Groove'34 MEDIUM SAMBA Track 64 Variation A 338A a ee eas S1GHT SaMBA—SX- FULL SAND. SX ~ FULL SAND $X 1X - 6186 + are. @ is 4.) $0 WikA aah RA Bari, ANA T ty pandeiroM KAR ¥ &, LB AE Me 2) hy I: IEG AM 2 RRR TER, Fda BRR OMAR RERE R, 93Variation A Variation B | ‘BRIGHT SAMBA SX POLL SIND 8X BASS COT GRE 1y ewones out 4X FULL SAND = Ws > 4 aay oor 4X A ) 821006 a .—— | | | | epee 3 ] | 7 eee FINE Ah..£—#esamba( €) #44 4B sb | ILA str KARATE, G7 RAP Th OH IIHR, AB RR PERO RRO DE H 94Groove 36 BAIAO SAMBA SLOW Track 66 Variation A BBA Variation B 3 38B ‘sake AX FULL BANO 5X NO Quitae ~ TX NO PIANO 4, 5X FULL BAND a ee @ : ee oa RU AA Nhaiao samba Mh] sk ¥ AK 2 kV MBA APH AREREA HA, Wi LAT RP REE TRZ—T, Charlestor WRATE. aR RASH Charleston’ RAGS ROR, Ake RAE | ELAR SHip—hop AGH, BiG HF MMR: FeAaat ss fot &. DVD} baiao samba, A BH BAO IRAE A BEBE, FE T Fak » 12 Ro Ft 95Variation A HA Variation B E328 Ss : =er = pists: test endo IX -Ore. + 6tss SX - sass cor OX-+PuNdD 4X - FULL SND 4X o fae ts ® Hae, 2 AE, ORR Hate, thames AEA FHA BAR. AVE ARS, BURT ne api Aha, a 4-8 5624 4 Baiao Samba‘ $04 KA AEM 96Groove 37 BATUCADA‘SLOW Track 68 40K POLL SAND 4X FULL SAND : => 4% SKN SASS | je RAH BA ‘#ldeGroove 34. AME AERO RAC tod sp, it Lbatucada. taht & oi Batucada XX samba) —¥, fi BRR Rap ERA. APEDRRAMAC HHA Boe: Lb Btsurdo (tk K 4) 454 B ergio Mendes #CD, Brasiliero. #8 Rid, EAR SE MARALBE Atbatucada,& #41 ADVD SRA AR a oR RE, He EAE AIR AAA, batucadait 4 $8 xt 66 16 a dr rh, RARE RAP, ETA, TAABB! Bia Ae 5 RAVE MER, 12 RING PE ap ARAL RRA A, OAT RA RAR A wh FH , AMRF HRARERT TRH AMER, ALA AH MIR LAS AP A 97Variation A 335A Variation B &2B Gadd toece ue a ae pS yess ae faeaam match Tce eae | sib Hist BxrUCKOA | Gaus) (xs) <5 io Saleen Boni: s eacarae 6 Lee oes oe @ pays eave =» 4 eat NE 98Groove 38 MERENGUE Track 70 z ee ee ee L oT tae Variation A 232A Variation &2B “ s AMAOLL SANG K+ ate. SX FULL SAND ee 1X shes + Peee 4X PIANO + Peed. sx ® a (A) (seioae) ; © | oe oe RUDRA T AG BARES (8R BUH A 5 RA IEA OARS : HAIL merengue( #48), AER AAR HAE S KA Ao AL, ROS THS TA RAM, RAMS ARSE RA, ABA Ae Kak FH, ALAR T AnH Boh, ik, FRU Hi guiro i &Rolando Morales: Matos! Bi, *hmerengue(# #144) 8 3. 99ie ve 39 CHA-CHA Track 71 1 d 1 Variation A SA Variation B 2 23B JE RES ac Jeo J Pee Te BE AX SAND | HA CHA (B) sx s155 +r, 5 PLAY 6 ‘ PLAY. aay? _: 3: ;O “nas : | Vv 4 PERO. ONLY Kamo PLA PLAY7. ; ve | a) ‘ “ en FINE SAP MA EAS RR Afro-Cubansk ROR RAH, SIHKHSLRA, AFRMRABA! ™ Frank Malabe#Afro- Cuban rhythems for Drumset(MANHATTAN MUSIC/ALFRED #: 1844) ™ Tito Puente#Drumming with the Mambo King(HUDSON MUSIC # i RHAPANS ERS Rae EA, HOTA P RR — Lats fo & aah ty PP A, RAHA RMR LS OAS, Ata S i%RChaCha, £P—i8, fat Seiests) RA AMER, Cha-ChaT tt Ade — aah ik I, de Ritkto Kibtr ds REA AMHR, Rik, RAAR RARE, RAB T guirot RARE, HARA ALTE, 100> ee : Groove 40 BOLERO Track 72 Variation B eit te es titC c meastlacl vas = [ie Variation A at (Gass 5008) 6A, Bike WRB T AE, A-AKD 8.05 pe Ae BALA, Wes. &ABolero, sat RAE Zrhumbaliee), # ease # RRO, RRR ER ae FOAL, fo dy a a BeOS ANOS, RAR AAA GALE Thi 4 x, 4 EBARA RRA HRA KR—AUGF, SHARP RAT RAD OH fe fot ah MA — Uhh: 38 dw 47 de TE Fosola 3% — bass pk, MARR, BM. Yebasst Hm ieidh 2a, 101Groove 41 MAMBO SLOW Track 73 Variation A 38 38A Variation B 3ESB Lea eee ae ee) er = = SS at aaa fata: alee [ech lseelieeet f eeheae ena SX sino 4X PUN + eee CST NE pave wt 4X SIN 4% o ARS AT A RFA Mro—Cubans AP 3 5 Aah Sep a Ak sREb1oa), i&-AMamboat® & PAB RIL Maki RAHN SD, aA Mabie AT RK, Di Roo Atk, AA RR HARE. Fb, manok A Mate ARE PUA, RUN FEAR ANGE Pm IS i ME Homamboit # KARE RAEOE RT, PRIMA, BRS TR KO BE, KTARE CSTE RPEHERORARCMBT HRP, WABasshiH, REE RANTRE RR MRK RS | OPRNEM, thRdert 89 EA AM OO RRP $6, HERPRHHS Rie Aish? GERER, RABL SMT HARE RRALR msl e iah, ay bik RMR HAR A 102Variation A 338A WOT MAMBO 1 paLL sino 5X rete. OOF (4-810 coune-t#4) iC} LX PANO OOF 4¥ FULL BAND ‘7 ih 4X PLA’ FINE AAP, EAERHREL—-AL—-B, REBHHA, ARATHOLD HE, BAT 23) at & RRAAMIA, MTR, CTR-APSMH ALA, RRWEAPRREAHL, KLARA ROP, LAAAMRAM OTR, FARR, PER, HHALAW TH, FR OREER, ALAR BREAN A, LAA MER REA TD Riett. FW) AG aE RI A OP ALS ERAT ONT Sn ee grates GSMA a, SLR AH A HAE HR PAFALHRE, AMMA CRA akAMambo Pe, RRMA 103Variation A =A Variation B = 33B sow songo SX 8KO SK eund ene 10 fH) 5 | | 2X gre. oor 4¥ vege. cur 4 | 4X | a ——— | ada, PUTER MIE edt at BT at fe s AARFO READ HUA ‘Ab HR AWER, RHARLHGLLA/4 RAMA 62/2 KA (cuttime). IA FRA HRRAL EO RE—NOA TARE RA HR, resi THR— AT, AIF sk ALatin(deT) ROLFLOPTHPAOHESE, GLA EARROTHAPR, ETH, RLTARAAMDS, 4 RAALA—AsongowHnS, MLAB, EORUPALRI, LABLLEK RRRAA RRS, Rte RIEL Ah AbAr ds ak, 1045 § 7 Be cee ONGO:FAST Track 76 = é Variation A ZAA VariationB 3B cubase tisoaelhy titacan inter eopegon, dete et OP TEMPO LATIN 4, OX FULL BAND RE ce 5X sass + peee. uno ar (BD fer 2 3 aa a S | | 4X soe! | Baer @ = 5 OF Te = FILL It ont as = es | | | | NE CHAL Coda LAK, do Rh 3 Morales Matos. RBA—Asolo Fiwirsolo, Aart #4 (Cong, 3b, 105Variation A 3E38A VariationB = 38B 1s Ae «eR aes) ah a AFRO-CUBAN «LX PULL SAND OM Gre. IN 4x Keno. bare, treo (H) 4x pout sano RARE ADL, KARE 6, AAA TF DVDAbAN KF); , BRAGA AR Aa AS] dO tt AL Kp a 106. Groove 43 NANIGO FAST Track 78 - Variation A EA 1X = SANO + CLICK SX - FULL BAND (PLAY Lerree (K) EX - sou!) | 1X - 8A66 + PERC. x ® | DRIVING AFRO-CUBAN FINE , BT AAR AA TsOlo, HG HH RAG THe 107Groove 44 MOZAMBIQUE Track 79 f VariationB = EB % VariationA BA | 1M snes & pete, 5X pee, tor TX PULL SAND 4X PULL SAND PLAY 6 4X FINE Gadd (3 4 %. 2848) 4 Paul Simon 44—# late in the Evening (# @.18) 1 HARTA SRAM RE. MLE, KEART Be AR AH RAR MEARE LARD YP, H FHPLGAGRELG CH, FHA MAPRAN LARA (ee URPAOERAR), PRAT, LATTER, ADVDRAKP, HERR RUTH, MALAI, KATRAIRA A, MPT RAAT. Blt, dR: Meth, MARA LAH SARNTAT, RATT, TRL i, abi a wah eit H LAAPBNA SAMA AR: LAA LRAT ER LRA TA, HRRABY MIME AEF BLAIR AR 4 A BRR AEA EO A, ae, 108- Groove 45 SALSA Track 80 Variation A 228A Variation BB 522B | AM SIN W/eLICK BX B$6 COT - EX euiek our 4X FULL BAND SALGA PLAY 7 aecove/sous wireee. aX | Se MSFATL, as iicascarat &. Ai Hy(342, KZA), thse’ RAVES, HARLAND HMER, 5 son4erumbaiil #5 & 31, 3 4h HT BARA BOR, AEA I i. LR — MIR RA. PAE RAR , RSAFLOMHRETARGL, SABLE SE salsal Of. AAI AKA — ARCO, 109Groove 46 TANGO Track 8&1 Variation A Variation B 1X pune cor 5M PUND ONLY he sim. ee | = ES 7 Ht oer) ———_ 7 => > sais (Woeusee) | gaa = ——— oes ARE HS TARE A HERA AR, BULK AF he HF Mi ik & : to RUM tangosy Hh HG —H EA, Fes. ARV RA E. HEAHEMEE RADI HER, RPAIES EMT MGR tt A tango#y a3. solo, MR AD Aba, pe 110Groove 47 BEGUINE Track 82 Variation A 3A VariationB = 2B SEGUINE LX FULL SIND $Y NO Feel. 4X TX NOUNS 4X FULL BAND © on eee gs es alana DS RNA S| Pl do EE LRA KH HIER oleh A, RRAR ALI , ENECHS RS EM Adeguine?, LRBANT—REMORARE RAE, A LB, eth aM! 411BkMelh AWB kik. KENDA REA Rib BRAZILIAN Caetano Veloso eH Sergio Mendes Gilberto Git Djavan Manfredo Fest Daniele Mercury Antonio Carlos Jobim Timbalade Carlinhos Brown lodum Wan Lins AFRO-CUBAN/LATIN (various styles) 3A z5 ES trakere Paquito D'Rivera Arturo Senduval Buena Vista Social Club Cachao Tito Puente Chico O Farr Eddie Palmieri Pancho Sanchez Cubanismo Michel Camilo Gonzelo Rubaleaba Danilo Perez Snowboy and the Latin Section Francisco Aguabella Viva Cubop (great Latin-Jazz compilations) ‘Mongo Santamaria DOMINICAN MERENGUE Juan Luis Guerra SEM RAS Sergio Vargas Jossie Esteban Los Hermanos Rosario 112 (RSP) LATS RAMBO, DARAT HSH LA OIERRERE, REGGAE Bob Marley Be Dennis Brown The Maytals NEW ORLEANS 2ND LINE and More fi AHORA Ae ROM (Ond line) R— ME. RR MESA ROG TBARS, PPLE AGE: Zydeco,Cajun Swamp Funk Rag Blues Gospel Roots, Bass Bands #84 b(t 2LF, ART Ab aah 2BsRs, ARATE S| Professor Longhail Dr. John Dirty Dozen Brass Band 1e Meters Buckwheat Zydeco Lafayette Rhythm Devils TANGO RK Tango Argentinoit tah : 2 HAeRARS Ade, KPHEBA UOT Eto hit RRMA, tango HPENSEKG, CREA LARGE, BRP TAR HR OTE CALYPSO and SOCA Jett A RARERAE RMA, REMRBEA ARE Mi Steelbands of Trinidad & Tobago Steel Band Music ofthe Caribbean HAMA LA, RATA RLM Hse. Becuine HEIR AEA AAS Es el Beguines TH RAR AH. MER AT RM BE, RSH West Side Story( tt) 2)Chapter 6 GLOBAL TOURS 6), ROMA HARRAH T HEME EERE RI, BARA HA FR RAS MEM REE AI RAG, kA Ok, AA CST mi, Par, DHAGH, AARAAAT ARAM, BR ae DHLRAGKE, Hak L, —WMAT UE K, eal Re th BA RRS ORI SAR ODM AB He BRIT BE—HASATAE EI, AAA SSAA, HLA Sa FARRIS SR eR MADER eR ABP ORAAUGWE ELAR S, MAAMNRLT, hare, RLHSALH, LHR S, Ast A HTL FH Me He UBER #1 Sea BU A A BATA A 1 Pa I 7B a H8kRock Fast Rock WH Slow Shuttle RRB calypso FEAR Slow Funk = LARA MfastBaido {kiEBaiao )s RRA TH AAP AG (samba) ba HP. KS] ARIK Bi calypso. RFBKELELGA, HATH, RURRABAST A #§shuffle 8-9), 8 MAE SI AT AARC # 4 MB funk: % MbE He FIRD? fo ABA — AL Oh MASEL RR INARI AAS, aks Bf. Bie EAA ($0 1)/solow RRA 2 ALB 48 MAMI Rik TAR Msolofest MIRTH AAA RO Aah. Bh, RATA MARA EA AAR AA UK, RRS HE t. RFBRERAEWR, HEM, RERRRLASH AMO (LMATL). BRIA T SRAP HS shuffle (#-#);88 4% AES] AT FRCP OAR akfunk, JH bE HAD AE 4 AT HARA € (samba) 4H HH. AO REA — ARM RA RAH MR IA, RRR ORB AMBRE A RBG] AKI M4 calypso. 114Global Tour #1 Track 83 ROCK cock Geoove Gua gM PLAY IO (ioe oe cin PLAY IG |, Grams 1 Gata) a) Shorr, 2a PLAY 15 spose Oo Ae —— es } 5 ee caLyese ae se a a eed 7 aS i Ww a. Vv (Bes exe hao 4x PLAYS PLAY7 7 oe es vi SS ae a — 4 aa (acoove fo i — Geowe Fa PU , SLOWER - GET UP FUNK alge Gascheers Garet PLAY 8 PLAY 16 PLAY LO Gee eee aaa Gat ES (STE) can SAINO SAMBA (BX - BAS8 OUT) PLAY 16 PLAY JO | Gur 4% PLAY 3 See = + = = w= = ales ae es Se = 25 yet ea FINE 115PUB BE 2 im Fast Swing M SlowRock — {Rikrock I Fast New Orleans-2nd Line I Slow Songo songo(&%) HM Merengue (Fast, of course!) 3K M4 ( I ENR A A WEY AT Kr Ja EC 9 a, debe 1/44 44=138bpm, A Atk SHE HAIG PIB GATE A RF—MbR, MASAS fe Ti BP aR GE RAYATEN, BARRA HY, to RAGlobal Tour #2 Track 84 FAST SWING, ty (18 4x Hema) L184 a a a re — =e Ss S= lie om 60" (iow goed) A Gar Qe Wears Cael PLAY 6 _ PLAY 3 PLAY 8 PLAY 8 ee SS a Gano Go" (easte2) PLAYS _ or si aad a 4 7 # = - INO LINE qaeeve aa PLAY iD 4 aus PLATS) as Gut os = ae at oe va eee ij Gutaure sued) @ soNgo oa 4 Pat? dao— PLAY 7 ym i ae z = ee = 7 or Ge oa pu Are wo B a = oak =n z he EI (qastee) MERENGUE e Ox PLAYS PLAY 8 PLAYS _ = oePUES EH EER AUGER REA, ERASIURM A, AMADA RAL — AM tT Be RATE OR, AR ELS AE A Ha? aa 88 FA ChaCha tei Fast R&B (Funky-Swing-Thing-That-Really-Defies-a-Category Groove] {2 R&B(iALARARO ALMA MAO WE Fast Jazz Waltz in “1s #1 4h. 6b Rik Ete A ae W SlowBossaNova Hk AL HE @ Fast Mambo Peak Bak EAABERAGH EG EHR, MARLMA LAGE GEAR SEH. — MERIT HRAARELERH, RAR —yw LAM, AACET, RE, RASHBAHRIN, RPA iB Tisolotyie 7, RLORAAREA ELH IL, AVAL LAB AMHR (variety show) MELE TAH, PRRPLARR- MEE, RS PME, AREAAAMR, RPARSGMS, KG AEM—HAH, LEER RGE DH, RAAB TEAR RI UEDA bake, BURY ART. ROBE, Sonny [goes # A HHH AGA, CBSHNBC RAM MRS. Ae wea ALARA HEF, HAART KAO ISAKHARE TH, HOLPRAA GRAMS MF ARAL, RARER OA, REE IAS Ae AIGA, AMAT AUS RAUL P A TR, A RARFRRAYL? RACAL, RARAKHAGHA MME TRA LH, he ROMA, MARAT, FLAT RIES, BNCOMSEN—ARHETRA RH, MRTG LHR, » PARR 49 FABER Letterman/Leno'#, 2/8) AHS (Saturday Night Live), (8 2 ¥ A AAT HSPAELRLH, CALFUALAAMARHR HAM, CORGARSR MD RR, AG RDG LAR GD te RUA FAH IB, ATA MARAT RERRRFRER BRAN, BLAME AHMAD. ik ae AS OTR, aE AL SLOHMARAAKET MPRA, FARM aM E HA, 118u Global Tour #3 Track 85 4X 8ANO CHA-CHA IN sass vere. PLAY 7 je PLAY 15 PLAY 7 1X neve, LX SiO . G00) 3 < Palit. 4 ibe | PLAY7 aan i fea ES ipa See § yo 7 on sonra | (8) Gerarire @usr x) - PLAYA Nid yo) PLALG ) t= =e = ou a raster (Goa) O,, AHUL WALLIN ES is. & “aay ts pay te |_| LAY 4. bd J fel aiid S44 aud ‘| Gutwee) eee e ers (eens S58 40649) s eee eee — TX LAY Os — A = ESS f HOT MAMBO Gee | 6K PLAY 16eee. (GING (40 Lis evuBaLs) @ Girveceay (GONTINGE 10. Lis. cms —— Dad GRR (ouuue eee.) (8 “oe ike ro) 44 dPLAYS _ v Se a jeg, G48) @ Geeove = Pane sak aa PLAY 8 PLAY 16 PLAY. nf —!# AM SHUFFLE Ded be cen Oe 5 See 120 a Pao pee Cy ee Pa eee oe ee 4 rlGrr sata (Gres) hee, O.Back => —s FRADVDPRAT AAT, MALES RASTA S HMA 5 RATA, AEA, BAe 44. Youssou NDour(endure 284-2 ih 3k 3), 2K res BBG Fee ty —H, REAM GER AMT, th Yellowjacket(# % #) 09 A RAR, EAChick Corealrt LwE)GERMEY PA. RG AMGL, HLOSRHRAAILG, H, AGALAZU TRS, EPSP R MAN, #Endure} ERAT + 6/8 Airo-Cuban (heavily modified to our musical needs) 6/864 (Afro-Cuab)f4e 9] © A (aI FAUA AG He akanAe S) Hall-Time Shuttle FRE 1 Funk in 3/4 time (soloing over it) 3/AN HLA (HEIL 4tsolo) RAKE HM solos 42th ARSRELE, BHA ROH AOB. APH AL ARR HF, HLRMIET i No, Hike RAE A 2. » Pesoloti ak, Ais, mA , RAD AT HBS BMG, ak RA ALD BAC aE a AE acs, HADVDE AS MARAE ORG, BH HIT IPR MS Blizzard) (20041 A). 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LiL— SOL MR, AeA AAR RRL AR vik HES FM AA ERR, Wit, RA Start 75 bpm 75pm 7+ 5 minutes 105 bpm 10 minutes 145 bpm 12 minutes 175 bpm 14 minutes 205 bpm 16 minutes 260 bpm 18 minutes 300 bpm 20 minutes (last 2 chorus’) 350 bpm. 122HIRRAE CDP HAM BFRAMPSHAH, HAPRLAMLACDHA MIE, SYSRCDABRYT, AABGAMMORRFLASLEGR, HAKGRAM ARLE RRA, MARE LMpSAS ARG OER, MLogic Pro7F HH 192K 320KRHA, MeO P AEA LMM AA, HR SALTER RG. ATRAAR, SHEAMPSMAAMEDH, LAK BIZ Tommy Igoe’, + #2 44 X Groove Essential’ GERM) HAA CML, KTM RAE OR ERM AAS D R.A PAE Mik Heat, (eat Per Minute 4Bpm), sAziTuneh, AHS HAMA Ange HE whe APPIKMp3ORF, thE Anil CLAIM AECD AAEAR SG, LARA TN ae RR A) BAWA, UAMAAMTMO2ARAFA, CMAALMAREM EMA, HRAHARRSL, SEA 2AAMPS HF HAM, MOSHAF AER, RAT ARF ? tH'aa-l-slow' see ARP RA LR REM FEY ORES, to RAEI, AT eam AE, DAR BARR ERCD ALARA 1A RAGA — HAE EMp3HCDADVDIGHKB HIG, HRA Peak F AHA, bP te —MCD Hah RS QMAER SGT, I AIR SH OLAACACD/DVDM ES, MAOMRR APMIS TA LHF, ALARA Tune zwwwapplecom#eT ATR, FRAPCH OHARA, AIBA EH ARS Mp3ihak BT AAR Aika, Sad id fe DARA, HOT Ve eT AS th AGPod Lk, Aa SEeMpSHac Ht. BLArPod i ae HARA, B AMITRS Mp3, Podesta muat, te RAKRAMpSHbALS, (kT te aT ARS RAR, AE ACDAR RK, AG RERCD. HRI APRAGLAY, TRAM, HOUR RRM RIEL Mp3 R,, RIAL A HE SARA, AOR A Ak, HA OO BATA STA nw, HE A ACL ASRAE ACD, HARE IUIRD Ah, TH he HAE a I AO a a MGR ANE, Aa Ne OO A Re ha HS, PALM PR HRS HRA, SEMMARRY, EYRE R— Hit RMpSH AM CDA BO, ARGHAH, —AREMPIGCDAPFHMEWAISLAIA-KRRF LEWES OF, SHHRMAHTE, AGL EMA AM, HAO LGAROSH MF, MRARTSAT HRS RIL FH, 12 RAED AR, RRAFRS TOPE, PoE RAL, WiyteAeIte, ERO, MLK RBH, 123BRLRE, RRRLARAALA PRB —H, RAB te. do RIAL RATS RG, MAH, RAS), PARAMARARERS) RAM, MERA PLEA, AMES, BAR SARL, HARRIE Pah PREG, HLARAMARARAT EP ARAGATER, HRA, RHAGAHSH, PRAM HLA, RAPMAA TAMER BH, KBAR, AGMA RAT, -AP-PRSBAA RAM, HLA, BARGAAHH, MAL HARK, AHUBRLAFRER, —MATEMARRA-ASEHRR, RHBRG HABE Aotk attr. RAELMPRETMRA HL SRR — HT, Att ZAC Sh A Gos de AINE AE, RAKIM tp RAIS ASLALA AEE 2 RAE OR) MAGE A ie Bi 4H. RATA MAME EH RAPE SH, HPRDERARSING SR, ALORA RATER, WRAPS AULT RTR, KAR teJames Browns) FMR AR His, MERAH, HAL RAE Rots $12 RA Foc, Bat AWW, BHWGKA, APP LRA ARKH AUAMS, RAR MA Ltr Ao BERETA, CRALRGAL LANZA, REALE RORAEGRE PAKS HD, fo RAR FR, OTHE Sa AR ab A TH, RA-MEGROA, BERRHEORE, SLAHREARMMARBOLY, SPOLERAE DVDHHAMH, MEERA SAMAEM, APES (ERP LED RELI FT Et KOH, WORE RM, SRARBER, AVA ERR SMR AARLR MIU, ALMMRACART LORE, HET, REMARK Hee RTA RMT —AY HA-DSF/EN, BAMARAAR OE, RERFET RAL, REPS ARM Ie RE ORF, 40401 38 By RZOObpmés 164 AMG, (2 ALAN fe Ae ROP RR PA RR, HRA ARMIES, AAA? ALAM BI 2 HOMIE T , SoA TEARS OF AR A Sg ATRRAAMT, PEAR REEP RARIARREE KIER, TRRERE URE. HED SAE RRA A THE, AE MRAP ENE RE IR RT Oe SRS, MEE IARI, ADRRE, BAAR LER LH, TROL, CAMAZLH HEF, REO MAMA HL SUGBR, oR EALMT, RRR Oe, RT ALU, MELEE RMR EI, UMAR WAR, 2S HF(—D FHM eM pets, ARAL, APA MAGA RASA) AAI, RAL OSE Ah Aes ORB. 124ghee eet xl } SUC ar a Wer@oeeny <7 = PASE AM LDR — 481 BES EARS PLA, Mdoilh—DA LIEB DRURY ROLE, AGA TRE BM, AOR, Jo Hay, BiRiR+ Gave Giese, X44%4#, 4oJack Mansager, RAT, HAP AAA EAR Fe eA SM AAP AAAS P, Gayle REM AMER, HEM HH SFP HK ae FA RA, RAMAN A EAA & BIA A : Kevin Kuhn & 4e:Ted Baker St Allen Farnham, 4¢.£:Vashon Johnson, 8 #¥,Rolando Morales-Matos -1:4r;Darmon Meader, # £8 (Endure).At 74814 AEPURA HL BUT, RAMEE TH ALTE REA AT. RABIN AERO at, BANNERS, EATEN ALR, HimkA, 614¢48 44M A Hucon Music(*44*-# )Rob Wallis 4Paul Seigel#2.-€ 4% abitt 5, AFTRA, KA-AMITFAMAHRGOACL, FASKRASHA GME, RAP EARERES MLE Hirt! HiT, RKHARMANK, AMAIA HLS) TCA AR SRR, MANAG FRE LAM, +44 Rte, RRRATL ROMA RA RASBOR, I7KDVDHKAT. it 41 4) +5 4 fo itd 42 4F Wayne Dunton.Brenden Buckley#Carter Mclean, #i1sala4s, AAR T SOOKE A ROI, TK ABugA— AMER, AMR AAR AB OAT A 7 ATA, HARLAERLAR ALAM, dod. HARRAH, KHALIL M.AZSonny Igoe, Rick Drumm Vic Firth Zildjian, John DeChristopher.Chris Lombard,John Good,James Genus,Dennis Delucia.Larry Cohen,Clint De Ganon, Portinho,Lew Anderson,Darmon Meader Karl Jurman, Joe Church,Horacio Hernandez, Vinnie Colaiuta, Steve Gadd Carlinhos Brown.Elvin Jones, 4/364 Buddy Rich, 4h, thik opayeote, aha kite BLOF, LRRA-AKAR, oS, RRMMARE ORG, RLMMG ERAS. FoR, RARE T (RM AEAR SIL Re, AACA IR) PRE LERAZ-AOG, MRGHRGRA, AHRF, Jessica, HEA, ALBES AZMRA LET, MAEM RARER, MEMRAM NIB A KAILA SAR IT ILAE, KEM, KE, AEA, RHLF, RHRFMSofiaJordan ALL MUKA, HALAL RGREGTE, GA, ALMA LA, Sonny4eClaire Igoe, At) —R+FDianeseBill Benwell, Jack.EricaJohn#Elizabeth BryndzateLinda Rocco, BAHL——AHGRRG RRA, MA, 2% RATE, ARUMART, ELMAARKWH, RAEBERELAM F510 RG RMR. HS He Ae 3 0H Of BBS I: (www.tommyigae.com) 24% 12-5) HEHEHE IL, HARA, grooveessentials@tommyigoe.com, FE HARK H HA A BER, FERRER, HN, 125Tommy Igoe — 838 Bak 204-7, HARTER, Bal HARRELL IATA T 6 HD RSL AANE, Pate HAREOEE, LEE, £19 th do 7% & Bayonne Bridgemertt BM BA TSR KH, MISH, RINE T PClenl Roh RAG He — ARR Heh SLI. TAOS Lauryn Hill New York Voice, Leni Si Dave Grusin,Patti Austin,Blood Sweat Darlene Love 4Stanley Jordan F 4 3% EAEAMROH A, RAMA ie fea RMArt Garfunkel RAMA, RRL, AMRKF LEH RRM Pot, Tommy— Aas y Fe, Mi LIE FH tee — He add Rutgersk# Jaze k PHAR, URAL MOM, WIR LAM RRA SR, RRA T-ARPREALGMERTK, ASUS, AF, KELP MH, PHM ANOO7TH, “AERA RART ADL GAMO “HTH! TommyAR AA RE) MERON TH RPA, AROAMRERY, RA GALRASRR, FAR OG ART LIC, MAL AR Tonytost# X(Grammy) Rk, MS ABAD RH S i 104 THER ATommy Hy HF LEMAR, Aish, Ae DARA RA RAR SE 4.200246, Tommy A 7 Hudson Music(*4& 4) Rob WallisfPaul Seigel, 2488 648 24> DVD,F ak fai taf FL sk (Getting Started On Drums),Me *A, #3: 64M APDVDER HL, Bont Al, LARA BARA — ADDIE, Aik BAAR, teibah ied Aiea e, Tommy? #8 Fk 1OOOAS Hi PRT, BABB MR, RABY RG hens a HRB, RAF L Tommy EK, AMO EH AeBirdland( 2G) A KER KAR A877 A fet 44 wwwtommyigoe.comA 5148 6 JURATEE, Tommy Igoe &Vic Firth 24, Zildjians# 4, DW458t, Remoatk, LPb4r, feRhythm Techs at 126Tommy Igoe 22 4 47 7 05: SDVD'H 4 LL HAT S Aen F tes see Get Started Drumming Today! Featuring wort-enowned drummer, sl artis ular and og, Tommy ge aud now avaiable on DVD, Geting and edcatonal = learn the ight way io * How tend sour pal # Sciam leon on sic Cordiation * Throgs you ea play gh * Bora dru le ‘ Thre“Piy Alm? fogs you ea jam ih “sein «Tipe on yur ee aape te anys hearts * Cymbals and Stands Pylon rack can be auld * The Final "Tone Up From tc hudhanmsicon Getting Started On Drums" DVD + 140 Minutes + $24.05, udsoe Mesie DVDs gud as areola our lal music retailer Tn dealer near ou ofr mar infratio, plese og an to asctom, email acon o ell 1885-796 202. In Bape eri ideo m, BATERGLUF, solotRE, (AeA R APORLA— LERMAN, YAB. 127GROOVE ES: A meee asa Based onthe Gree 8 roves om Roc, ster eeated by Tommy nk World Ethnic music. Drum artis ums and while allowing you te rsa situation Ye Three-and-ahalfhours of great material! ~~ ccphinsesh + nu rn [sential poster he FR R&BHip4 hop ink, hee BL, (46=2% Reggae Bossa Nova, #&& Mambo Cha-Cha,Bolero,t#38 % Hudson Music(4#5) # ee te 128ANZA LARS RAE, A-KBARK. HPARBUONNNE AR, BRTSHANE RR. BER SUMNER, SHHFARA2 IES. RATA R ERR Y FATA AIRE, MRT ARREARS L AtGEAT —S2 ie eah, FAS ~ Ee RNS. BAFEAR RRS, MAAA— mR RBS, ~ AFRATARSPA EMSS eR, META AMAS Re. MARE PRSRARSNRM, AXWRF AR. BUS, RMAC Sale SR, CHISSPKM MARES HS DAMN MARS Bo t AER AURA Si BROCK BS, AMNRRERREA * | PALS SRST UTA TZs, ERMA. E REAR HR AN 1653 4x0 BLY AF aR AF AN a ZEswing jazz (E4205) fc | RRA S WRF A FAROE BANA AA T Pee shuffle, jazz waltz(#-4¢ 724), AIR&B HF RABEL AAAI, VNN4SDSRIC, Tommypan47Reae SR ~ BHM TRAM, RRA ike ee aR REWCDAAHMALAMBEMPSRAAN, AMRF DARA ARB “9 (MacstPC)f22)(RANIPOdH, SRERMPSHE MEE. IX-MRF IH RETERR Mp3 ICDS DVD FR LSE 1 FA o $24.95 ISBN: 1423406788 wo 340880118 = HL6620095 alte XolNT Nate)