Cc sheet | Music Schradieck Complete Scale Studies I. Scales within the limits of one Position. Play every scale twice, and without stopping continue with the next one, as demonstrated in the first four lines. When the minor scale is played the second time, make in descending the change indicated in the 2% and 4th line. Do not alternate with the fingering. First play all the scales in succession, beginning with the first finger, and then repeat them from B major, be- ginning with the second finger ——— _—_———_ B flat major. 1% Position, eS 1 2%d Position. B flat minor. B major. 1% Pos.Henry Schradieck — Seale Studies tfe+,, > et C minor. C sharp major. 2%4 Pos. 220 —_— 4 81d Pos. D flat major. 2 Sut Pos. © sharp_minor. ae t D major. 34 Pos. i 4th Pos. D minor. -aetete £ ticle. ™~ > = ws e E flat major. abPo. "5 Sasa = _ TT ———_—~ i Bt Pos D sharp minor. st Pos. ee ss ne ohare 2 Aleta s . i 4th Pos E flat minor. na atele | he... ep | ;Henry Schradieck — Scale Studies pent! tffe.,.~ ——— E major. 4th Pos. —— ith Pos. E minor = pocpicle titles = F major. oth Pos. eee: yx F mint apieie tf ebeee a ¥ sharp major. 0 Pos. _——7 ede ap oo _ i6th Pos. aeettt Pitese.>, ———— ee — pa ee td i7th Pos. Practise these scales also, using the staccato bowing up dnd down. Model Example. at? ater vHenry Schradieck — Seale Studies 118 Scales with the omission of one Position.Henry Schradieck — Seale Studies ooo SS —E Pitt ese ss SS =a he ta in . grieleee fitizens, my — =e Dee ;Henry Schradieck — Seale Studies I. Harmonic Minor Scales in one position. CDi 6Henry Schradieck — Seale Studies IV. Major and minor (melodic and harmonic) scales. Through three Octaves.Henry Schradieck — Seale Studies = sane ese se ; Ciena nee Tyapnnenetce Beer = : i cppasenstetHenry Schradieck — Seale StudiesHenry Schradieck — Seale Studies ieee ——— oniccete eth tae ie Rs Sesseenietettttaetet tein fetter. Also practise the scales under Hl, I and IV with the staccato bowing. CDi 10Henry Schradieck — Seale Studies Vv. Scales through the Keys, in the Circle of Fifths. 1 cepthsek’ cebtéerere 2Henry Schradieck — Seale StudiesTypes ebtt £S Etene, on arte i - SiHenry Schradieck — Scale Studies TeHenry Schradieck — Seale Studies VI. Chromatic Scales in one Position. 19 Position. ~pa Zi 12 88g o 5, 4,041,223 by eT wise oo att 28 es 2n4 Position,Henry Schradieck — Seale Studies VI. Chromatic Scales through three Octaves. 2314.0 byt Somats 272 From the 204 Position, 2behe oars 248 pdng srahers — eran; 1.2.2)3,3 4b Sbdb <3 a f228 40 t waco! testis ster 2 From the 1% Position. Sire 2 boa SbSaL3 2 1 be Sybase 4 Pho ager ba OrgHenry Schradieck — Scale Studies, — OTE Te stove AYSte Abb Sb3 8 2.04,, 4 Oe 2 8 o 4 PSPs ite? VII. Seales in Octaves. = re aes rest ota 3 tire ane egy Practise the scales in Octaves, as shown in the Model Examples below. A With the full bow and very short. al a we CDi 17Henry Schradieck — Seale Studies 3 he Ba 3 a pee ciltt Settee aoe aS Ts ', $e see’ 2 estete in ° The fingering { always indicates a change of string. CDs. iHenry Schradieck — Seale Studies WT ms 1 CDi 9Henry Schradieck — Scale Studies IX. Seales in Thirds.Henry Schradieck — Scale StudiesHenry Schradieck — Scale Studies Seales in Thirds. Through the Circle of Keys.Henry Schradieck — Seale StudiesHenry Schradieck — Scale StudiesHenry Schradieck — Seale Studies XI. Scales in Sixths. These should be studied according to the Model Examples given on Page 17 for the Octaves and Thirds. ae a ee Daz. .Henry Schradieck — Seale Studies sebed gible Bite 2 eesHenry Schradieck — Seale Studies XIE A few Scales in Tenths. = J one rf Tete rite rit THe e | | te E i ttt rite rite te tee ToT f