Select one of the artworks from Chapter 5, Early Art in India from your text "Far Eastern Art"

and
consider the impact of the Vedic Period and Maurya Dynasty on art of the Period. Speculate as to
why you think the style developed in the manner that it did. Give strong reasons and explanations to
support your conclusions. Remember to respond to at least two of your peers responses after you
have completed your thoughts on the matter. Your initial response ought to clearly state what you
find to be the aesthetic earmark for the art, then give reason why you think that aesthetic occurred in
relation and response to the time.

Emperor Ashoka, a newly converted Buddhist, needed to convey a new, shining kingdom
in the Buddhist style that would amplify his power, doctrine, and might. Lion Capital¸a polished
Chunar sandstone column, was commissioned by Ashoka and potentially a commonplace motif
for Sarnath in Uttar Pradesh in this time period. The three-headed lion, perched on a plinth and
overshadowing an embossed Lion and Bull, exemplifies the power and forgotten magic of the
dynasty. In Lion Capital¸ each lion wears a different expression. One is aloof, one is menacing,
one is marred and lost to time for forever. Each represents a different facet of King Ashoka’s
power. The menacing warlord, who adopted art styles from the people he vanquished. On the
other hand, the aloof face of the lion may symbolize a protector and practitioner of the Buddhist
faith. As the lion is a symbol of royalty, using this column as a mode of propaganda was an
ingenious method to win the hearts and minds of those he ruled over. The text states that even
the Hindu pantheon is expressed her, as helpers to the power of the Buddha. IF you understand
the context, you will understand Ashoka as a great pragmatist, who renovated an entire city
forward into a new realm of coexistence.