ALL THE WAY . 42 BLACK MAGIC WOMAN.......-. 0202000 0e eee fe ileacpieaeee pale eee cheatin oie BOOK OF LOVE .........++ Figisaeas oes ee cee daca: see testes iva cs ie 48 DO WHAT YOU DO, DOWELL ....... ‘ Beer taetesrre cess vee 20 EVERYBODY'S TALKIN’ ..... ance era aie ets ree eet 13 HE'LL HAVE TOGO See eet eee epee effec et ete 24 INVISIBLE TEARS .......s0eeee0eee ee Sai can act eee aie eat cea edd 22 JOHNNY B.GOODE ..... LONG TALL SALLY .....-.- +++ MEMPHIS, TENNESSEE ........ 50-000: 2020000 Setesee ieee caer see MUSIC TO WATCHGIRLS BY ......-0. 00 00seeeeeeeeee Reere sere talettie atte 33 PEARLY SHELLS is419-oviecsseest@rsnercaes? sepia See oapee ea SILVER THREADS AND GOLDEN NEEDLES . . agitemeienreer ia: 15 SOFTLY: SOFTLY ts ssersensime ine eeeausrmetmm reese se sc)bes wate tale other 51 SUMMER WINE ......-0s 000s s0eeeee estes nent teen e een eee fetes ee ees 39 SURFIN’ U.S.A. THEEND.. ‘THE WEDDING ‘THESE BOOTS ARE MADE FOR WALKING TINY BUBBLES .......... ueianissdistisrearsset Sithinss@itaaesstewer 27 WORK SONG . 29 YOU'RE SIXTEEN 10THE WEDDING : (La Novia) English Lyric by Original Lyric and Music by FRED JAY JOAQUIN PRIETO Slow Rock om a ze z 3 H ib Is dat ee lee ow AT aa oa deat our way tosay“I do se-cret dreams have all come x va Mm Is india ts + a ota uo aeal seethechurch, Tseethe peo = ple, Your _folksandminehappyand z z = ae Tr. Dat = & F e Qeogyright 1961 by Ediciones Interaucionules Furmuta,Buenos Aires, Argentine, Ocopyright 1961 by Regent Masic Corp. Now York,US.8 Bendig Music Corp., New York, US.A., for Australia ond New Zealond Sole Selling Agents: Jewel Musie (Aust) Ply. Lid,And— Leanhear sweet voices sing - Oh my lovey, my love—— this can real - _ly be — That some z p Zz a z — day. you'll walk down the aisle with me Let it be; make it be that ’m the R z ay Zz z Me eae la aan ee fg u one for you, Pd be yours, now and for - ev ze Zz a ie Am7 D7 Dat He The Weddingey fle med it om od Ismet foo gan ot ga | b TL see di now, yourhand in my This___ is thehour, this is the Zz ine ta chad! in’ seca! = ment, And— Icanhear sweet voices sing “A = veMa-ri - z - ctad'im' sever Lat ‘The WeddingLyric by SURFIN’ U.S.A. Solid shuffle beat Music by CHUCK BERRY eet ee I ev-try-bod-y hed an (We'll all be plan-nin’ outa) a-erossthe U. 8. ‘wolre gon-na take real Soon —— E = SS SS qo =| ST pel adoreat, ¢ ed tes Stee bag - gies) huar-a chi. san-dals sum — mer,—— we'zeon sa-fa—ri to stay A bushy bushy blonde ‘Tell the tone © Copyright 1958 and 1962 by ARC MUSIC CORP. , 1619 Broatbnay, New York 10, N.Y. International Copyright Socured ‘All Rights Reserved For Aurtraia & New Zealand — JEWEL MUSIC (AUSTRALIA) PTY. LTD., 250 Pitt Strat, SyaneyVen-t- ra Coun-try Line Poo-if= ie Pali sadoa) ‘You'tleateh ‘em surf-in! at ‘At Hag-gar-ty"s o == = SS 3 Tress - els) — SSS Sua - set, é SSS eS —-BLACK MAGIC WOMAN Words and Music by PETER GREEN Medium tempo 1 got « BLACK MA.GIC WOMAN 1 got @ BLACK MAGIC WOMAN BLACK MAGIC WOMAN, She's got me so blind T can't see: Tht ates For Australia & New Zonland—BOOSEY & HAWKES (AUST) PTY. Li Patt Stet, SydneyBLACK MAGIC WOMAN and she's uryin'to make a de- vil out of me. Don't tuen your back on me, be Don't turn your back on me, ba by Yes, don't turn your Don't mess 2 round with your tricks: Jack on ene, by, “eause you might just wake up my ma ge sticks Yougot yourspellon me baYou got your apell on you got your spell on me, ie 1 can't leave youYOU'RE SIXTEEN BOB SHERMAN and DICK SHERMAN 3 3 For Australia & New Zooland: Jewel Music (Australia) Ply. Lid, 26-28 Whiting Street, Artarmon, N.S.W.now you're my an - geld wo os 3 = Sar Stn eS — | dso3 EVERYBODY’S TALKIN’ (Echoes) Words and Music by FRED NEIL Moderately TALK -IN’ at me 1 don't hear a word they'ee 5 To Cola & Eee gorin’ where the san keeps shina" Copyright © 1957-1968 hy COCONUT GROVE MUSIC a division of Third Story Music Tn.) For Australia and New Zeoland — BOOSEY HAWKES (AUST.) PTY, LTD., 250 International Copyright Secured alit where the weasther Bank-int off of the sortheest__ D.S.al Coda Repeat & Fade ene And 1 won't let you leave: won't let you leave won't let you leave Ro, be = hind —— and, oo lata, ont cc dapat by an ners nha, go ‘Rae of Ee a ead en”SILVER THREADS AND GOLDEN NEEDLES By DICK REYNOLDS and JACK RHODES Moderato, with a beat of your lone - With a tear 7 in ev-ry room__ All. T_ want's the love you prom-ised — neath the ha-lod moon, But you think I should be es Arr. by Low Halmy Ea © Copyright 1956 CENTRAL SONGS, INC.1483 N. Vine St., Hollywood 88, Caifomia Trverational Copyright Secures [Allright eseredincucing the ight of public performance for prof. For Australis & New Zealand — BOOSEY & HAWKES (AUST) PTY. LTD, 250 Pitt Street, Sydney a16 hap-py, with your mon-ey and your name And hide my-sel€ in 7 : Eee oe errr sor-row, While you play cheat -in’- game iz CHORUS. TurEaps AND GoLD-EN — this heart of mine And I not drown my sor-row Silver Threads 37 c a F Bb o7 —— warm glow of your wine. But you think I should be You cant buy__my love with = and your And hide my - self in L-VER THREADS AND GOLD-EN hap-py with your mon-ey money, for I nev-er was that sor - row, While you play your cheat-in’ game. Neg-pigs, Can - not ro OF this heart of Silver Threads 3ee THE END Music SID JACOBSON JIMMY KRONDES Moderato, with feeling ea me; ee c Em Dm? G7 c = ry, You'll find it’s all_been told; But our Am7 G7 © Gaim Irearts_can_al- ways spend, And rr oT a 7 ‘copyright © 1958 by CRITERION MUSIC CORPORATION, 1270 Sixth Avenue, New York 20.NY Iaternations! Copyright Secured Mt Righa Reseroed For Auttaaia? BOOSEY & HAWKES (Aust) Pry. Lid 250 Pat Ste Dydoey.of high-way, There's you ae on- ly 20 pl mine, And ourDO WHAT YOU DO, DO WELL By NED MILLER Bright Tempo (wsth spirit) VERSES 4, He could - nt 2.Some-times he'd 3 he was a Meday a Digi move a moun - tain, _ or pulldown a big oak kiss my moth - er, _— and hold her_ — ten- der - ly man of laugh - ter, but if tra - ge - dy came by still re - mem - ber just like yes-ter - day TRE — But my dad-dy be - came a migkt-y big man_ — Then he'd look — a - cross the — top of her head — ,— The tears ran free and hed say to. me___ — ‘Bout a mighty big man__ —with a might-y big heart__ > © Copyright 1964 by CENTRAL SONGS, INC., 1483 N. Vine Steet, Hollywood, Calitornia 90028 PINS 1904 Mernational Copyrigel Secated r AA rights reserved including the right of public performance for profit For Austrolio & New Zealand BOOSEY & HAWKES (AUST.) PTY, LTD., 250 Pitt St. Sydney 202 with a sim-ple phil - 08 - 0 - then hed wink and say to ‘Nev. er be — a - fraid to and a mighty few words to bid CHORUS D> Digim Do Wear You Do, Do Writ, boy Do Waar You Do, Do YErF|? Give your love and all of your heart_ and - oeeaaccaeeeee | ay b Av > Do Wuar You Do, Do 3.)Now @)To- Weut sINVISIBLE TEARS Words and Music by NED and SUE MILLER ‘Moderato (with feelin cane *) Sp F_ C7AmBb C___Bb * Gm YOIoE = IN-VIS-I-BLE TEARS in my eyes, eer Tapp TTT TCD gee Te t PIANO — | = SS | S_ or F Da Gm In-ered -i-ble pain in my heart, Inde-struc+ta-ble _mem-o - ries are c7 Gm7 C7 F F7 Bb Gm Waltz moderato(with feel) nf — Put your sweet lips— a lit -tle clos-er—__to._ the Whis-per to me tell me do you love me pre-tend we're to - geth - Or is he hold ~ ing you T'l tell the man to turn the juke-box — way down Yowy=e=— Tho' love is blind, make up your mind, I've gotto know, —= Arr. by Low Hany © Copyright 1959, CENTRAL SONGS, INC., 6308 Sunset Bid, Hollywood 28, Calfemie Toerational Copyright Secured [Ail ight reserved inciading the right of public performance fr profit, For Austiaia & New Zealand: BOOSEY G HAWKES (Aust) Ply. Led, 250 Patt St, Sydney25 hang want era Have To Go 2 I eesecseae cere eee eae CECE] F cr Fr or ‘And_you can tell your friend,there with you, HE'LL HAVE TO GO.— Whisper ‘Sdould 1 up— or will you tell him_HE'LL HAVE TO GO. You can't r want to hear, while you're with an-oth-er man, If you me, an-swer "Yes"or "No",Dar-ling, 1 willun-der - stand. Put yoursweet lips— a lit-tle clos-er——_ to the Let's pre ~ r that we're to - geth-er, all a= lone Tl tell the F Fr Bb Bbm z. to turn the Juke-box way down low SS ‘And you can * your friend, there with you, HE'LLHAVETO Go. Het it Have To Go 3TINY BUBBLES (Hua Li’) Words and Mase by fs LEON POBER (ASCAP) Moderate (Hawaiian Style) = 6 ¢ EA (ute of "Pearly Shelle”) wai ? (F cr Voice s ad PHF cheeaeaeeecan tbe 3 of BUD-BLESiCT ~ NY BUB-ELES) inthe wine___Gin_— the wine) Make me TORK WASNT” RA. War eNay aU WAU eS. ° 9 (Bagi) Tr. NY (Howat) HUA ur PU AL aa . eo % f es Sop = py —Goake me ap ~ py) Make ae feel Fine. make me feel fine) tm - y OEE hu O° Eh MP RR ee aw wy Tea wh aU Ts wey ome Sw : OF BUB- RLES(T = NY BUBBLES Vkeme yarn all Copyright © 196 by GRANITE MUSIC CORP, For Australia end New Zealand’ BOOSEY & HAWKES (AUST.) PTY, LTD., 250 Pitt Street, Sydney International Copyright Secured Printed in Australia ‘AIL Rights Reserved, Includes the ab cimplified System for guitar. If you can reed your a*bre's, you can play this sono.Guitar Chee a 2s Fr F 4 Hy Last Time Fine a mo. ow —S The arb-cimplifiad System for reading music. The melody notes ore indicated by their laters under the stoH. The gutor notes ore indicted fon the neck dicgrem. If the string i played open, the note is written def te bamp é Notas used in this rons ‘obove the top fe. WORK SONG Words by Music by OSCAR BROWN JR. NAT ADDERLEY Moderately , sigan Break-in’ up big rocks on wh chain gang, Break-In’ rocks an’ 2, com-mit the crime, Lawd,o” need in’, Crime 0 be - in? 3, Judge, he say,"Five years hard— la - bor. ‘On the chain gang 4, Wan=na see my sweet_ hon- ey ba - by, Wan-na break this = my time, Break-in? rocks ou’ chere—_ on_ the chain gang Left the gro-cer store-— man a- bleed - in? Heard the judge say, ‘Five—— years o? la - bor,’” na lay down some - where it's sha - dy. serv - in’ hun- gry an’ poor. you goin’ t go,”” chain off an? run, ‘Wan =e copyceht © 1960 by UPAM MYSIC CO. 118 W. 57 SL, New York, 1 Copyright secu Printed in Ausie For Avswalis ond New Zaolond— JEWEL MUSIC [AUST.) PTY. LTD., 250 Pitt Street, Sydney AI Rights ReservedGm Gr 20 *Cause I been con - — vict : edo? crime, When he caught me rob : bin’ his store, Heard my wo + man scream, ““Lawd-y, no! hot in the sun, fe Lawd, it sure is = = Hol’ it stea-dy right there— while I hit it, There! I reck-on that. 3 crs cr FT-5 FT-9 ought-a git it, Been work int ant work- Int, But 1 still. } fee. FE DT —— got F 50 terrble long to f+“ PEARLY SHELLS (Pupa O Ewa) By EBLEY EDWARDS (ASCAP) ‘ad LEON POBER (ASCAP) Brightly er wv copteht @ 1962 64 CRITERION MUSIC CORP. 150 est 5th Sty New Yok 18, 1 ¥. AU Rigts Reserved Tateratinal Copyright Secmed For Auitate & New Zealand BOOSEY & HAWKES (AUST) PTY. LTD., 250 Pitt Steet, Sydneyz F te Smratetag WR RE “isi” te wa Re SHELLS. 4 = = eji‘ MUSIC TO WATCH GIRLS BY ee Lyrics by TONY VELONA SID RAMIN With a moderate beat East 47th &t., Now York, N.Y. Alt RishiGuys talk ints walle track of the pack, Watches Jas wol-tee-tive Maris To Wateh Cie By-2THESE BOOTS ARE MADE FOR WALKING Words and Music by LEE HAZLEWOOD Brightly - with a beat (AS.C.AP) Verses ic, 1. You keep say-in' you got some - thin’ for me 2! You keep ly~in'— when you ought-a be — “truth~ in’ 3, You keep playin’ where you should-n't be play ~ int ‘Some - thin’ you eall love —_but___con - fess. You keep los - in’ when you ought-a not bet. You keep think - in’ that you'll nev-er get burned. ‘You been mess-in'_ where you should-n't been mess~in', And now You keep "'same-in' when you ought - a be changin’, Now what's T just found me @ brand-new box of matenes, ‘And © Copyright 1065-1008 by CRITERION MUSIC CORPORATION, 160 W 55th St New York,N.¥ 10019 International Copyright Secured ant For Australia & New Zealand BOOSEY & HAWKES (AUST.) PTY. LTD., 250 ce Reserved Sty, Sydney36 some-one else ise -tin’. © all___-your_ best, right is right, but you ain't been_ right yet. what {"© (mows, you ain't got time. to-_—learn, 4 Chorus iB e THESE BOOTS ARE MADB. FOR WALK that’s just what they'll do (Pacet) c s Fi = 2 One of these days, these boots are gonna walk all o-ver youl “These Boots 2i LONG TALL SALLY Tune Uke GcEA Words and Music by ENOTRIS JOHNSON Bright Rock Tempo t ce yw 1 yoo Voice 4. Gon na tell Aunt Ma - ory *bout Un cle John, He. 2.(Well,) LONG TALL SAL-LY has a lot, on’ the ‘ball, And 3Well, 1 saw Un- ele Jobn with LONG TALL SAL- LY, He Bo says he has the blues, But he has a lot of fun, no - bod - y cares if shes long and tall, saw Aunt Ma- ry com- in’ And he duckedback in the al- ley, Internationa Consist Sonar 20 Rights ered(grenrerreeceeeaaeeereecl a tees iemeaeqaeeeeeeeel fF 1 "Fikat ame) Hav- in’ me some fun to - night yak 2.Well, i Hay- in? me some fun to - night yeah! — 3.Well, I Hay- inf me some fun to — night. yeah! Were gon-na is fi have some fun to nights have some abe EE & woo! We're gon- na have some fun to-night — e Et Ev-‘ry-thing will be allright, — Were gon- na have some fun, f tr ‘Lene Tall Sally 2: SUMMER WINE By LEE HAZLEWOOD (ASCAP) Ss Ais SSS 5=— 2 sete tio Sri == oe oa = SS = | My SUMMER © OWINF is real - ty made ftom all these things. .<—— ia ed —_ oe cont ° oT | rr er ree vy and my lips, they could not speak, the sun was shin’ = in’ in my eyes, J = i pe as | 2 z oe 3 * a apy 16 by CRITERION MUSIC CORP 150.38 Sy 8. IBLE A Rights Reseeo Intrtonl Copy Secured omted in Australia Includes the a-b-cimplifed System for guitar. If you con read your orbre's, you can play this song. For Australia £ New Zealand BOOSEY & HAWKES (AUST) PTY. LID., 250 Pit St, Sydneyc om « curar HORS ey & Da c Gg = = == ie = aaa encom ean ane 4 ne ie te me amit fed Pet ad = ind my fo a a eS Sa > a aa Ce BE fae z ae = 7 Gm bm Gea 2 eS Sa ae = e tT Saal ei enE aay pee et Se see ts er ee ms Cteetec | i oe eee ee et Some cigar rd ee (ere - a = = == a caeaEeven ae fa ts ew om sty “ae “sive And then she give tae oom SUI MER NINE And left nw me = iat Tor, tmive SOMMER WINE eo a © ot ¢ of, ou sUMeR wave, More SUAMER INE) Moe SUMNER WINE ¥ The arb-cimplified System for ceeding music. The melody noles ore indicated by ther laters under the staf. The gutor notes are indicotee fon the neck diagram, If the sting i played open, the note is writen (Shove the top fret fet gat Noes gue ia this Zang. 40‘ es 3 gms Kiss in Spring, —_———— Att SS t=ALL THE WAY Masie by “ Lyric by Tune ke MES VAN HEUSEN SAMMY CAHN Abigb JAMES VAN HEUSE] Slowly (ial ee ee) 2 Saeco eH ar cm +E Refrain (motto espressivo) # # aa Wheasome-bod-y loves you, 1S no good an—less {fe} lovee ALL THE ¥, a oe meee eee Fe Br Ema? Dex # i 8 EJ Ei Hip- py 10 be near you, when yor need some-one fo cheer you gh Bint Ab 8 Emo goa, ALL THE WAY, the tall- est tee = rT ‘* Symbols Jor Guitar, Diagrams fur Ukulele. ‘Maraville Music Corp., New York. Sole Selling Agent in U.S.A., Barton Music Corp., New York Copyright 1937 Maraville Music Corp Sele Seling Agent in US.A? Barton Music Corp, 1619 Broadmay, New York 19, N.Y For Austrsiio ane New Zealand: Boosey & Hawkes (Aust) Pry. tid, 250 Pit St. Sydney Intemationsl Copyright Secured, All Rights Reserved including Public Performance for Prot43 deep blue sea B Et When some-bod - y = atempo cm Bhmt eis Ab _# Fz e be ge le © mt gD Abms be perce EE thats how deep it goes — gir needs you, is no good un- less {,f6} needs "you ALL THE + = ae Ns Fos eS Fo Be Fmt Dims Ber Ee - way. ANI The Way - 3 ca ci Ea ca “Twfough the good ‘or leanyears and for all the in be- tween years) #:Ei > Come what knows where the road will lead us? may. = a fool would say, But if you let me love you, its for r pho cr cre Ble Bins ct Ab} @ a o 8 8 & FF sure Tin gon na fore you THE Way, ae ae Be oe =e AML The Way -245 MEMPHIS, TENNESSEE Chris Langdon By CHUCK BERRY Bright tempo with a beat PIANO iw Key F ls trom ols sts le ow It 8 : & SS] © Long distance In - for - ma- tion, give me Mem-phis, Ten - nes - | Help. me, In > for. ma tion, more than that I’ can = not the par-ty try-ing to in touch with 1 miss_ her and the fun we he im ls Is a ots cm idm ts cs ts mt She could not leave her number, but know who placed the But we were pulled a - part, be-cause mom did not a - o7 = © Copyright MCMLIX and MCMLXIII by Are Music Gorp., New York Jewel Music (Aust) Poy, Leck, 250 Pitt Street, Syne “Any arrangement or adaptation of this composition without the consent of the owner is am infringement of copyright. The performance Gfany parodied version and the wscof the lyrics of Ws song with any other music ts expressy Probibiled 4640 Allrights reserved International Copyright Securedcall, ’Causemy un - cle took the mes-sage, and he wrote it on the -eree, And tore a-part our hap=py home in Mem-phis Ten-nes - Help me, In = for - ma-tion, get in touch with my Ma - rie; Last_’ time I saw Ma” Tie, She's wav-ing me Good- Bye; Ns ss is cs lf cr ir oim Is cs is cf Ir l ! on - ly one whol phone me here from Mem-phis Ten -nes - see. hurry home drops on her cheek that trick-led from her eye. 4610 JemelAls home is in the South. Side_ high up on a ridge, -rie is on-ly six years old —In- for=ma-tion please, Is 7 t le ; In z Im mile from the Mis - sis - sip - pi through to her in. = Mem= phis Ten = nes ~ P Gm7 P Gm?BOOK OF LOVE as ‘Words and Music by WARREN DAVIS z GEORGE MALONE Brightly CHARLES PATRICK Piano of efrain Ri ¥ Dm Gm cr FR Tell me, tell me, tell me, Oh, who wrote the BOOK OF LOVE? Ike got to know the answer, Was it some-one from a - Bove? wonder, won - der who, ‘Who wrote the BOOK OF — ove you, Dm Gur cr F dar— ting, Ba- by, you know I But Tve got to see this Copyright © 1957 by ARC MUSIC CORP, and KEEL MUSIC COMPANY, 1619 Broadway, New York $9,N¥. International Copyright Secured All Rights Reserved For Australia & New Zealand: BOOSEY G HAWKES (Aust) Pty. Lt 0 Pit St, Sydney49 Dm Gm cr Fr BOOK OF LOVE, Find out why it's true; won der, won-der who, rote the BOOK OF to love her, To love her with all your heart, Chap- ter Two you tell her Youre — nev- er, nev - er, nev- er, nev- er) ev- er gon- na part. In F Dm Gm or F [© Chap-ter Three re - mem-ber the mean- ing of ro-mance, ‘In Chap- ter Four you Book OF Love~250 break up, But you give ‘her just one more chance, won- der, won - der who wrote the BOOK OF —LOV Dm Gm cr EB Ba- by, ba- by, ove you, yes, BOOK OF LOVE, Ours is the one that’s true. der, wonder who, ———: SOFTLY, SOFTLY Lyric by PADDY ROBERTS and Music by PIERRE DUDAN MARK PAUL Andante con moto ly my so Hand - le me with der -ness, And u'll deed - ie ony that [pos = Sess) aren rim PPT. F Fs Copyright 1955 by Boosey & Co.Ltd. All Rights Reserved CAVENDISH MUSIC Co.Lta. ©. 50121of your ca - ress, ev-er and ev-er, 0, ia = turn the key, And 09 Bhim G7 F Bbmaj7 Om7 Fai? c. 50181JOHNNY B. GOODE Words and Music by With a beat CHUCK BERRY = Piano Refrain F 4.Deep down in Lou-'si- an- a,elose to New Or- leans, ‘Way back up in the woods a-nbng the car- ty his gui- tar’ in a gun-ny sack, Go sit be-neath the tree by. the moth— er told him,"“Someday youwill be a man’ And you will be the lead_ er of a ev- er - greens; There stood an old cab- in made of earth and wood, Where rail- road track;' Ol’ engineer in the train sit-tin’ in the shade, __ big old band; = ___ Man- y— peo-ple com- in’ from_ miles a - round, To lived acoun-try boy named JOHN-NY B. GOODE. Who'd nev- er 'ev-erlearned to read or Strum-min'with the shy-thm that the “driv - ers made.” The peo ple pass-in’ by, they would hear youplay your mu-sic till the sun foes down. May- besome day your name—"il be in Copyright ©) 1958 by ARC MUSIC CORP, £649 Broadway, New York 49, NY. For Ausvalio nd New Zeolond — JEWEL MUSIC (AUST,) PTY. LTD, 250 Pitt Street, Sydney Insertional Copycight Secured Al Rights Reserved54 ting. iy a bell. y boy, could play.{ Go! Go! nigh e a gui- tar just ike a my, but that lit- tle coun- NY B. GOODE to write so well, But he could play stop and say Oh lights A= say- in? aa - Go! Join = ay! Gor Go! Got — Go! John~ ny! Go! ‘Got_— ee ioe Go!— John- ay! Got Papa 5. ae JOHN-NY B, GOODE, JPhnay B.Goode-2