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The Thinker
The Thinker
The sculptor
conceived this piece between 1881 and 1882. This serves as an entrance for the Museum of
Decorative Arts of Paris, although the project was not completed.1
History
Some commentators mention that The Thinker occupies in the Door, a position similar to the
sacred figures of the gothic portals, therefore, it is a judge and at the same time a prisoner in the
hell. It is a projection of the sculptor, of the artist in general, who confronts the critics of his time
and whom he also judges.9
In 1904, Gabriel Mourey, editor of the magazine Les Arts de la Vie, showed the sculptural work of
the city of Paris and the fame of The Thinker spread, from a minority interested in aesthetic issues
to the international public. Gradually Rodin became a public symbol of great importance. Mourey
explained why The Thinker had been selected10: