INHALTSVERZEICHNIS ‘Die ait * venthenes Nummern slod sum emten Mal verti. VOLUME II ne +30 Carte Francesco Casarint (e. 1660—e. 1720). Rezitaiv und Asie aus der SolorKantate ela gelosia”: , Fill nol niego” (Sopran) «+. ++ "31 Jacopo Antonio. Parti (1661—1756). Kanzonette. ,Jo son zitella” (Sopean) .. 9 32 Amitio Ariosti 1666—c.1740). Arie aus dex Oper Lucio Vero .Nuoi, che parta”” $33 Antomio Caldara (1670—1736). Arieaus einer Solo-Kantate. ,.Vaghe luc, é troppo crudo"” ‘Alle mit obligater ‘Vieline) 16 “M. — Arie aus dem Pastorale La constanza ia amor vince $35, — Avie aus einer SolorKantate. ..Mini, tat tronchi ¢ fronde” 81 “45, Christoph Willibald Gluck (1T14—1787). Arie aus der Oper ,lI tionfo di Cielia”: ritomna eta dell oro” “Sopran) «4. “46. Nicola Piccinnt 1728—1800). Acie aus te Ope ‘Alessandro nelle Indie”. i sventurata Sopran) « che assise in trono” Soprand .. "48, Francesco de Majo (c. 1740—1770). R d\ceresca pietoso” (Sopran) . = 102 49, Giovanni Padsiello 7411816), Kammerduett, ,Quando lo stral spezzat (2 Soprane) 107 "50, Domenico Cimarosa (1749 1801). Arie aus der Oper ..La vergine del sole”: ,Ab, tornar a bella aurora” Sepean) ug30. 5 Carlo Francesco Cesarini. Rezitativ und Arie aus der Solo-Kantate .La gelosia” Rech ‘ii, at slg, aa, gms ck agse ou aae i nate, hab preted io Dad atlas taytalyerte caren aedre in yet, | Fae, t fr de Ot tm arven Regt, (Gee con terbi anetieat Dad'naria rine Yereameennges ‘Slap sone tte Reoitativo, TU. ty Piety aol nle-go) fe ns wi, t = = MASTERS MUSIC PUBLICATIONS,PU wel, et tw et alr fe-en nel rue duolyael see duel, lin-gea ge-le a Yaeels. fer me) Com.pas t= tel, Piese re ee re eeJacopo Antonio Perti. ‘Kanzenetie. in elena ae Tha fe ealsire, lesen thicifayne tere walle, © taa-fotalirnehe la ee Tits tsy——@ Tanto ealirnehe ly ae Tabste, txt 7Un poco plik lento, eana 32. Attilio Ariosti. Arie aus der Oper ,Lucio Vero" a vio ui ese! ohare crea, Deb meine tctmcon mitra + satedase Vash Bike ene ve (he Fipbe un cleo amor. ‘Hae truce Lateengcare gt. rbdagtor — eo eat erm a ——— mn sovven gaotl, eeu.ian rovveaga.t,“ (ae) doce ————" ‘me terran Bay f, __—— 2. oon.6 33. Antonio Caldara. Afie aus einer Solo-Kantate, arghettot_ Move VS SS oN 7wot fiir dov-re Jk morte, pinched /= 34. Antonio Caldara. Arie aus dem Pastorale,La eostanza in amor vince linganno” om un werd ensen Kone,wyins to del) alae, cemapre co tien te fede | om my ar wire te Gl aleor »¥—— ——>. Bere con. tens to nel mio ter r——= r— =——_ a at ‘bes sinc’ po = rb, ae quel el dab- Brey te al Bel Tab = Oro (eee spins to daly alma, compre costes Cate ne Fy FS tFey apir- te dell“ 35. Antonio Caldara. Arie aus einer Solo-Kantate.‘Go Sel PU ead ar tay ie in pare PI asd - 4s ts, gta ws S Py eth, beste, rw Fine apv Dal sogne © sin algae!36. Emanuele Barone d'Astorga. Kammerduett Taprate, eae di core ‘eenP,_poco 4 poco ercse ‘quel fw fhe ds, he dat rece & poco ereee war in eee Dp Pe a peo erase Gk keke tep PCO @ poco erese n= fh tay che dal o> me poco a poco enese,5 winstes is Lister - tay Is glenpo or fines la eter = thy le atemy —= + ——_— —___ ww is —=_ +r ——= +pass ee o passe ~ —— SF Molto ritenuto. wwe FO wotta ritenuto, B fer mar-Fiar pe Molto ritensta,Patempo — p — eapgior pes mwa eer de rh cor sm tempo === ——— >» ——— + ‘sMevgne, il tuo ris go> re GAR-flor fe Om, mAg-Rior pe + me =a t. Mego, i worl» go re mag-gier p> nay mag-Blor Pe sahls poco a ‘ane, frm le om = bre aoapi- randoy quella «finda, chedal core, _poeg a poco eres Cando, fem le om = bre woul rand ‘atin greta, quell: wine ti Pimters th la minwo> Hy = _ inv «Ie37. Domenico Sarri. Arie der Dido aus der Oper ,Didone abbandonata!” myer fete min son | Stine Karnnyoeen mato ncbeinebha Sls te Andante amoroso: Pa yer me, dls taalo vel perme!won Be fa obey inpreto, ev ducal eieriets am ~ P__..npoce ‘Non bara-gionnein + Awcko, dinte-lovel fer a poco Gitte, liste. fo waado, tu 18 sack, sen promiruatendl - web As Mwinnace pa ta, oF questsacto, de ch gino a se lopromaate 9 ria. ‘Nea Matiegioagts - gra-te, dl-te-le vol Per sn poco rid. f ft P ZL, Gisele, dlziecio "OF per me!38, a Benedetto Marcello. Kammerduett. besa san taggin, in Andante Me sail omar crude = iss siomi mare) = fH) ANyoo nen foregh = ten feelerede- tis = aiemt omar - rhyerude- lie - hon fop-el mh, nn fag gkt — My 5 thmbmars Ub ri, — tbe marth + Thy an ie -—y» poco ritSineiel vite a che — a el vives the Feofvem e che fee — oe _ poco & poco timinuendo ¢ riterdando a tf one o poco 4 poco Miminuende + ritardandsas =——— von Fuge gl —— mare | Hy a non fogegl = ——= = — by nen fa f= te, erodes His s+ thmtcrude: en fag T= we eruede = la = a= teverede lle esorade lig >= bom mar -8h = hyNicold Porpora. Arie aus einer Solo-Kantate. fete merase,Sobensinin. ape -ranaa, eke la 7» ——— = > Piha ie fronte'went aa + do = kan ok. de ay Bel *allengando * tempo His, fa gece eve wie snes —— Fo a ferpe =f *f. Wa poco pli lento. i —— fe sopurcin a wpewme — lusain« fu la 6Me flaws meri ame me rie, _———. "fallargande @a capo Tompo I.—s Deny che Ie Spe renege, se (fallarganto : Fein 2 twee a ‘errblatredinee ~~ rw taapense ahve40. s Leonardo Leo. Rezitativ und Arie des Megacles aus der Oper »Olimpiade Rect ci Artec ark ma nes Te a {ea di te bers nearh. Bathe pro-era-ti tub-te Ie omanie med) Livdi-dny ahmp pose # poco crete Be corde, te ds oeTempo L wel Ggrn due cle nen dart Br me, ‘Fiano malo forteP06 i agape la + selm-te pr wane, Biaclarle co «ali Gein. ste a Fi | pt emp Tie Be. Be, Tears ae41. Johann Adolf Hasse. Arie der Ismene aus der Oper ,Buristeat! katana, ‘eine Tage as mi, Das a uacanah ici 6s wink eve aver ‘ad ich tate wort ‘late Foecat inten ina, oe du ram tt aime Eagles astm emp Seen meine Salter (Get degne anor de eaatrae jos wardge athe aginen ue fn Frevden eschaaey Dade seh mas edn tockmals sage, ‘eee ashe ee, &Un poco pit lento. ie42. Karl Heinrich Graun. Rezitativ und Arie aus der Solo.Kantate ,Porcia ‘Recit, Disperata Peres ‘Forte, rerrirt ‘Avvotr spear Bole atten es suerbend Reoitativo,‘ear, Weel eon socsp rnGincar— cents. pono, poichavun cen to 0: Pr = ‘Guandegnaa-te wise, § onze, ce lenewer ebee ori, &4, ik del cle = To thera, mal vo + lets i_tw.cdbenir, wooleromi teoo ——_—_—_—_— ye pols cho uo) pol vehi radeon te moctiry cas feGiovanni Battista Pergolesi. Duett des Megacles und der Aristea aus der Oper ,Olimpiade* Magiete: 1 para tot eu Megacl: Tae be i ad ae ane aoe Mipsin 2 ep Mitiee i e aee | > Fee a tnt ‘ts wer aes sre Erin ils Megan: gs ai sae, pererr Cama yet wea SS ones oe fs tenes ieattnas Fugen Set ty mein wes 3st) Belk seer Otte em, mt deinen Tug, ‘ea, ot dean Scowegen} * 84" Dora lr dae Here Leiden wie by den tek ania, ‘ua han ana Latest ea, Yee Reem wre eh fod hone ov uh tegen ‘er at poms pede haere Soar grammes Seerte Rh tretig- it wa fig. gil cor we traf gi =~ ;7s* gtempe Veeote lane, eae244, st Giovanni Battista Pergolesi. Arie des Licidas aus der Oper ,Olimpiade:* Mewige deem, Amer tomes | Vatuad fy watt erm Aner jue oo Saat at Die Wares doner Faume (Cat Bde et mio gee! Sit dom Gedocn teas ae!= Toe pea we ie ty pee pia ben6 45. Christoph Willibald Gluck. Arie der Larissa aus der Oper,,lI trionfo di Clelia‘ Mt terme Mell! oe atin tera nte F ail ee aleeg — a dne fe ie Bate abiThee trea Ay 3 at Final Rowe tape ete Aimy AA Dal sage Hal, inel46. oe Nicola Piccinni. Arie der Erixena aus Alessandro nelle Indie?, a Fuertle-re ap Pree i | i Py ttn — spree wa gure Blar, vrave ‘Asvrel forait cried la = col-toy Fae i — om sk - pen. GSlacea~ me - 7am non am- pen= 2 wete Gals lek- masses = ai ace tints Sp prta- Ge- WR GUAE fo lat tom ak{oral cFipe Tn ~ e2l-toyAT. * Johann Christian Bach. Arie aus der Oper ,Carattaco!’ao e eenabiaees-aein tre te Wale Wan— t-te lth = managingin« airtr - guplio) ah, @FAr-nh- we no al see elle Tah morelS— tor men ~ tary - = thal ae =—S, =r i= mone —termen sta el mor eta terme Ke mt Fo —» Pein tromeNel-Wwan-ert be eil-pe wane ele —= ee sme Te spelt, quutde lang Peak reg = nar, quan + toeves. Z Ter pli cere at - eg di vw = shor = ge alley why Sarr - vu- ap mal worgilo | riever) Aad ein to ne Mellen2. worms @ ce pers dos me Te ae fee | siane ot aoewo 48. Francesco de Majo. Rezitativ und Arie der Iphigenie aus der Oper pifigenia in Tauride* v0 al viner to qutigird ll ciclachfamescead ll Flyer ere Tate Viel G-meto germane! ford Wo chle-de, cbemtinbin-cor teBontonto'! aor “ ocri-ay —melle 1 pian t@ It elias Arnal tal - wol-tay hman fe wpere!cy » Larghetto!*mg Hele. do: Mn pinagery nen plan Gere49. 107 Giovanni Paésiello. Kammerduett, iy ia H 0] a geeserne { i i i Qua edo to si mpen = ae Andante exprenstvo” e sortemute fa f mp fe efi io row aera le rms oe myEa Un poco pli mons. of ew pars Dove mo. Hr aPer non vender sftp pres = #0, ——— er nm ve-der . alep - prea 06, —10 tut. te a pen pbaot tri, tah og tempo. Spo sot « re, ut = 80 a pu wk pub at fin sop wt = frie, tempo NGL to py op nat = fin Palinodia a Nice. Andantino! ip Ps a poco eres, = = Le wml fe non B pice a pico cress, tal ck se Andantino‘Andante expressive. a (But = 1, pee me eealin.preee, sw Pik meme vhalop- preee, plame eis __=—Un poco pi lente — re vt: eu, pa mon po tre = aot fre, plume ponte = 1 sat tis Beam poste 1 Gls ee phe pote poco rit, a, UA'pOO pl Tonto ss ln4 50. Domenico Cimarosa. Arie aus der Oper ,La vergine del sole" pennants noe SSeS. rises Peo jee aa ‘ar mane Coote Late se thee eh De, eth? ‘Me fele Go, ken Eevee! LargeMens thie mos vances“7‘Aen 981