Asturias (Leyenda) |, Albeniz3/22/04 Performance Notes ‘1D Stickings are numbered in the classical manner, ie, left to right, low to high. 2) Arrows indicate that the preceding group or individual mallet is to be repeated. 2) Dynamics, trills, or notes in parenthesis are those of the editor. 4) The symbols used by the editor to notate suggested roll types are explained below. All are approximately notated. The performer may vary the speed of the roll as seems appropriate. double or any other double lateral lateral permutation: 43 12, roll a 2134,etc. “See roll 42 43 4 3 4 3 == “_ == os 2 2 12 1 2 Independent rolls may start on inner or outer mallets When both hands are rolling independently, the specd of the roll in each hand need not be the same. 5) “The use of independent rolls in both hands (“double independent rolls") in the places Suggested by the editor will improve the contrapuntal clarity of th lines and faclitate dynamic emphasis of melodic notes, but, the traditional rolling techniques may be substituted when the performer finds it necessary. © A smooth independent roll on one pitch is more easily executed by ‘maflets on the center and end of the bar, rather then ochtoning bo rales the Center ofthe bar. This allows the spread ofthe mallet o be wider, reducing the lorque necessary for any given volume. 7) This transcription was prepared from the original piano*¥ersion, not the many better- known guitar transcriptions, 8) Mallets: medium-hard, such as the Malletech CNI4 or LSI5H.Asturias (Leyenda) |_Albeniz Allegro trans, L. H. Stevens 122222 1 2.44 9198S Keyboard Percussion Publicationscresc. poco a poco45 | 50 mf 1 @=> :1 Qa 60 oot = ( l £ tipte tf — ae + 7a4 4 nz at cat a> e4g33 3 4 a> 2 1 as a ~at5s(922212122 + Sate OQ 43@-> 2423212 => 21 (1)=> 1 ws110 ow 1223221 Tempo I 125mf 134234—>1432 43)—> 1342 34 ilerrit lr [F Tae Sar —_—_—Tempo I 1424 a1 3