Professional Documents
Culture Documents
Musicianship: Harmonic Function, Modal Interchange, and Tensions
Musicianship: Harmonic Function, Modal Interchange, and Tensions
Harmonic Function,
Modal Interchange, and Tensions
Lesson 1 Study Guide
The Key of Eb Major
The key of Eb Major has three flats – Bb, Eb, and Ab:
W W H W W W H
Eb Ab Bb Eb
F G C D
Relative Minor: C Minor
Related Major and Minor keys share the same key signature and the same notes. To
find the relative minor of a Major key, start on the tonic and go down 3 half steps. For
example, the relative minor of Eb Major is C Minor:
Eb D Db C
1H 2H 3H
Eb Major and C Minor share the same key signature and the same notes:
C Minor
Eb Major
1
Tensions
Tensions are notes that add color or interest to a chord. In lesson, we discussed the
tension 9, which is the 9th scale degree of a chord scale. For example, below is an Eb
Major scale. If we take the root, 3rd, 5th, and 7th from this scale, we would have an
EbMaj7:
EbMaj7
th
If we take the 9 scale degree in the Eb Major scale and add it to the EbMaj7, we create
an EbMaj9:
EbMaj9
Notice the 2nd scale degree and the 9th scale degree are the same note – F:
2
Below are the diatonic 7th chords in Eb Major with 9ths added (Note that D-7b5 does
not have a 9th since 9ths are not commonly added to -7b5 chords):
You may also voice these chords in the 7-9-3-5 voicing:
Harmonic Function
Harmonic Function describes how a chord is related to the other chords in a particular
key. For example, you may be familiar with the terms tonic, subdominant, and
dominant:
Tonic: the tonal center or root of a key
Subdominant: The fourth scale degree or chord in a key, which often leads to the
dominant
Dominant: The fifth scale degree or chord in a key, which often resolves to the tonic.
In the key of Eb Major, EbMaj7 is the tonic, AbMaj7 is the Subdominant, and Bb7 is the
Dominant:
3