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  • God Bless Ac. Bass

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    massimosgargi
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    The document contains musical notation for the jazz standard "God Bless the Child" written by Billie Holiday and Arthur Herzog Jr. It includes 81 measures of bass line notation written for the acoustic bass guitar. The notation uses standard musical symbols to notate the bass line progression, chord changes, tempo, and feel for performing the song.

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    junior

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    The document contains musical notation for the jazz standard "God Bless the Child" written by Billie Holiday and Arthur Herzog Jr. It includes 81 measures of bass line notation written for the acoustic bass guitar. The notation uses standard musical symbols to notate the bass line progression, chord changes, tempo, and feel for performing the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views2 pages

    God Bless Ac. Bass

    Uploaded by

    massimosgargi
    The document contains musical notation for the jazz standard "God Bless the Child" written by Billie Holiday and Arthur Herzog Jr. It includes 81 measures of bass line notation written for the acoustic bass guitar. The notation uses standard musical symbols to notate the bass line progression, chord changes, tempo, and feel for performing the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Ac.

    Bass God Bless the Child


    q = 68
    C‹7 F7 B¨‹7 E¨7(“) A¨ D¨/A¨ A¨ D¨/A¨
                    
      

    5 A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^


                        
    

    10 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ D¨/A¨ A¨ D¨/A¨


                        
    

    15 A A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^


                        
    

    20 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ GØ7 C7


                        
    

    25 B F‹ F‹(^) F‹7 F‹6 C‹7 GØ7 C7


                    
    

    29 F‹ F‹(^) F‹7 F‹6 C‹7 F7 B¨Ø7 E¨7


                    
    

    33 C A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^


                        
    

    38 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ D¨/A¨ A¨ D¨/A¨


                        
      
    2 Ac. Bass
    43 D A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^
                        
    

    48 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ D¨/A¨ A¨ D¨/A¨


                        
    

    53 A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^


                        
    

    58 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ GØ7 C7


                        
    

    63 E F‹ F‹(^) F‹7 F‹6 C‹7 GØ7 C7


                    
    

    67 F‹ F‹(^) F‹7 F‹6 C‹7 F7 B¨Ø7 E¨7


                    
      

    71 A¨ E¨7(“) A¨ E¨7(“) E¨‹7 A¨7(“) E¨‹7 A¨7 D¨^


                        
    

    76 D¨‹(^) C‹7 F7 B¨‹7 E¨7(“) A¨ D¨/A¨ A¨ D¨/A¨


                        
    

    A¨ D¨/A¨ A¨ D¨/A¨ A¨ D¨/A¨ A¨ D¨/A¨ A¨



    81

                    
      

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