Score

MY WAY
Transcripción de Omar Onofre

       
      
     
1

    
         
  

              A 
2

 
arm. 19

       
5

       
      



IV

       
17

        
9 22 4

      
          
3


21

 
arm. 19 22 2

 
19

  3
21

       1    
4

     
2

     
13 VII


3


4

   


2

 
19 12 3

      
2

  
12 16


12

 
            
18 3


1 14

 
3

  
4



       
           
B

        
23

       
 

       4    2 4 3 4 0 2 

       3 
3


28


4

2   



3

 
2 MY WAY

         
  
1 2

     
VII 1 IX

               

 
32 4 2 4

  
0

 
 
3

1 2 3 3 4
                      
  

  2    

36

         
 4 3 2

5
 

 
VII
 
3

                  VI      0    
3 3

  0 
C IX

   
IV

   
   
  4

           
3

3

      

        
   3  2  






44

 
1


1

   

         4 
3

48
        
       
 1
     
 
2

  
3



D
              
          
  


       4    2 4 3 4 0 2 

   3 
    3 
56

  



  
2
 MY WAY 3


1

                2    
2 1


VII IX 3


1

              
60 4 4


0

    3

       
3 4

                       
1 2 3 3


3

        
64

  2 
4


5

  
3

4 3 2
5
6

      3 
3

  
3

     

E

           1  1 
           
2

  
3

     
   
4
4
4

IX

            
3

2 
3 3 2

                 2    3        3    
IX 4

   
72

  
2

  5

3 4
5


     
IX VII

      
3

     
3


0

 
1


2


76

     
2 4


3

                     arm. 7
   
3

 
        
    
79 0 1


3

6
Ad libitum rit.


                arm.            arm.
0

      
83

   
IV 19

 
 